October True Crime: Ed Kemper (dir by Chad Ferrin)


In 1964, 15 year-old Edmund Kemper murdered his grandparents.  When he was asked why he had killed the two people who basically raised him, Kemper reportedly replied, “I just wanted to see what it was like to kill grandma.”

Kemper spent the next five years imprisoned by the California Youth Authority.  He was discovered to have an IQ of 138.  The psychiatrists who examined him all commented on what a friendly and conscientious prisoner Kemper was.  Kemper never caused trouble.  He always cleaned up after himself.  He seemed to be truly happy while incarcerated.

When Kemper turned 21, he was released back into the world.  He moved in with his domineering mother, who worked as an administrative assistant at the local college.  Because it had been determined that he would probably never reoffend, his juvenile record was expunged.  Kemper went to community college.  He hung out at a local cop bar.  (He applied unsuccessfully to be a police officer.)  He got a job with Departments of Highways.  Because he stood 6’9, everyone knew him as the friendly and somewhat dorky “Big Ed.”

Edmund Kemper went on to kill eight more people, including his mother and her best friend.

Kemper turned himself into the police and confessed to his crimes.  At his trial, his lawyers unsuccessfully went with an insanity defense.  When he was convicted, Kemper requested the death penalty, just to learn that the Supreme Court had (temporarily) outlawed capitol punishment.  Kemper was sent to prison, for life.  And that’s where he is to this day.

What’s odd about Kemper is that, once he was back in prison, he again impressed everyone by being a friendly, polite, and conscientious prisoner.  Unlike most convicted murderers, Kemper admitted his crimes and was even willing to analyze the darkness that drove him to commit them.  In the early days of criminal profiling, Edmund Kemper was frequently interviewed by FBI agent Robert Ressler and his insights into his own mind are still frequently used to profile serial killers to this day.  Both Ressler and profiler John Douglas described Kemper as being a sensitive and likable man with a good sense of humor.  Thomas Harris has said that Kemper was one of the inspirations for Dr. Hannibal Lecter.

Released earlier this year, Ed Kemper stick fairly closely to the facts of the case.  Brandon Kirk may not be as a tall as the real-life Kemper but he’s still convincing as a socially awkward, somewhat nerdy man who seems to be as shocked as anyone by his crimes.  The majority of the film deals with Kemper’s relationship with his mother (Susan Priver), who is portrayed as being a deranged tyrant who alternates between gently teasing Kemper and telling him that he’s destined to be miserable and alone forever.  Gava gives a convincing performance but, at times, the film almost seems as if it’s putting all the blame for Kemper’s crimes on his mother.  In the end, Kemper’s the one who killed those hitchhikers, regardless of how much his mom yelled at him beforehand.

Ed Kemper is a bit of an uneven film.  Brandon Kirk, Susan Priver, and Brinke Stevens (cast as Kemper’s mom’s best friend) all give good performances but some of the other actors are a bit less convincing in their roles.  The film deserves some credit for not shying away from the darkness of Kemper’s crimes but the pacing is also off, with some scenes dragging forever and others ending quickly.  The film’s best scene comes towards the end, when Ed Kemper is interviewed by the FBI and points out that he could kill the agent anytime that he felt like it.  It’s a tense scene that reminds us that even the likable killers are still killers.

(An earlier version of this review mistakenly listed Cassandra Gava as the actress who played Kemper’s mother.  Gava plays Kemper’s grandmother.  Susan Priver played Kemper’s mother.  I regret the error and I apologize to both actresses.)

Horror AMV of the Day: Here Comes Trouble


CHUNZ’s “Here Comes Trouble” AMV is definitely worth checking out. It brings together a range of clips from well-known series like Corpse Party, Shiki, and Tokyo Ghoul, blending them skillfully with a haunting soundtrack that really sets the mood. The editing is tight and deliberate, syncing scenes with the music to create a suspenseful, eerie atmosphere that draws you in. It feels less like just a montage and more like a crafted experience that captures the unsettling spirit of these shows in just a few minutes.

What makes this AMV stand out is how it balances energy with a dark, atmospheric tone. ItzMona knows how to keep things engaging without losing the creepy vibe, which makes for a satisfying watch whether you’re a longtime fan of horror anime or just looking for a quick dose of spine-chilling visuals. It’s a great example of how AMVs can be an art form in their own right, blending visuals and sound to tell a mood-driven story. If you want a neat way to revisit some iconic horror anime moments or just want something atmospheric and well-edited to watch, this AMV is an excellent pick.

SongHere Comes Trouble by Neoni

AnimeAldnoah Zero, Cowboy Bebop, Canaan, Megalo Box, W’Z, Elfen Lied, Tokyo Ghoul, Mirai Nikki, Tengen Toppa Gurren Lagann, Another, Jujutsu Kaisen, The Promised Neverland, Gleipnir, Corpse Princess, Ga-Rei-Zero, Koutetsujou no Kabaneri, Overlord, Darling In The FranXX, Blood C, Kekkai sensen, Tales of Zestiria the X, Youjo Senki, Tate no Yuusha no Nariagari, Kimetsu No Yaiba, Fire Force, Your Lie In April, Hunterxhunter, One piece, Gintama, One punch man, Ao no Exorcist, Taboo Tattoo, Fullmetal Alchemist, Monogatari, Shinmai Maou no Testament, Mahou Shoujo Madoka Magica, Highschool Of The Dead, Akame Ga Kill, Dororo, Hellsing, Owari no Seraph, Parasite, Black Rock Shooter, Magi, Kill la kill, No Game No Life, Noragami

CreatorCHUNZ

Past AMVs of the Day

Horror Song of the Day: The Dead Don’t Die by Sturgill Simpson


Jim Jarmusch’s The Dead Don’t Die still tends to get a mixed response from horror fans and I can certainly understand that.  It’s one of those films where you’re either on its wavelength or you aren’t.

That said, I do like the theme song.  From Sturgill Simpson, here is The Dead Don’t Die.

 

4 Shots From 4 Horror Films: The 1980s Part 3


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we complete the 80s!

4 Shots From 4 Horror Films

The Fly (1986, dir by David Cronenberg)

The Fly (1986, dir by David Cronenberg)

Near Dark (1987, dir by Kathryn Bigelow)

Near Dark (1987, dir by Kathryn Bigelow)

Evil Dead 2 (1987, dir by Sam Raimi)

Evil Dead 2 (1987, dir by Sam Raimi)

The Church (1989, dir by Michele Soavi)

The Church (1989, dir by Michele Soavi)

The Pulps Have The Halloween Spirit! Do You?


By Jack Davis

Halloween is right around the corner!  Are you ready?  I’m disappointed because my neighborhood really hasn’t decorated much for Halloween this year.  It’s supposed to rain for the next three days so my neighbors better hurry up and put up some ghosts and some pumpkins and get in the holiday spirit!

Do you need help getting in the holiday spirit?  Here’s some help from the pulps!

Artist Unknown

By Earle Bergey

Artist Unknown

 

by Doris Stanley

artist unknown

By Frank Frazaetta

by Rudolph Zirn

Artist Unknown

by Rafael De Soto

by Robert Stanley

by Rudolph Belarski

Horror On The Lens: Not Of This Earth (dir by Roger Corman)


Today’s horror on the lens is the 1957 Roger Corman-directed, sci-fi “epic,” Not of this Earth.

Paul Johnson (Paul Birch) may seems like a strange character, with his stilted way of speaking and his sunglasses and his overdramatic reaction to any and all loud noises.  Paul could us be an eccentric.  Or, he could be …. NOT OF THIS EARTH!  Actually, his habit of draining people of their blood and sending weird, umbrella-like creatures out to attack his enemies would seem to suggest that the latter is probably true.

Listen, it’s not easy being a blood-sucking alien.  I mean, sure, there’s always seems to be people stupid enough to show up at your mansion so that you can drain their bodies.  Paul is lucky that he doesn’t exactly seem to be surrounded by brain surgeons.  But sometimes, things happen.  For instance, someone might show up from your home planet and demand an immediate transfusion!  What is an alien to do?

Watch this low-budget but undeniably entertaining film to find out!  And be sure to especially keep an eye out for the great Dick Miller, who reportedly improvised his role as a vacuum cleaner salesman.  (Before going into acting, Miller actually did sell vacuum cleaners door-to-door.)

 

Music Video of the Day: Mirror People by Love and Rockets (1988, directed by ????)


Mirror People was one of the singles to be released off of Love and Rockets’s third studio album, Earth, Sun, Moon.  The video looks like something that Dr. Caligari would have filmed if he had been a music aficionado.

Enjoy!

Horror On TV: The Last Halloween (dir by Savage Steve Holland)


For tonight’s Halloween on television, we have the story of four aliens who came to Earth on Halloween and search for candy for their planet.  After an initial misunderstanding, two kids help the aliens in their search.  It’s sweet!

This was directed by Savage Steve Holland of Better Off Dead fame and it originally aired on October 28th, 1991.

 

The TSL Horror Grindhouse: The Fifth Floor (dir by Howard Avedis)


In 1977’s The Fifth Floor, Dianne Hull plays Kelly McIntyre.

Kelly is a college student by day and a disco dancer by night!  Unfortunately, after someone spikes her drink at the discotheque and she suffers an overdose, she becomes a full-time patient at a mental asylum.  Neither the head doctor (Mel Ferrer) nor the head nurse (Julia Adams, who once swam with The Creature From The Black Lagoon)  believes her claim that her drink was spiked.  Judged to be suicidal and delusional, Kelly is sent to the Fifth Floor!

While her boyfriend (John David Carson) tries to convince the authorities that she’s not insane, Kelly adjusts to life on the Fifth Floor.  She befriend Cathy (Patti D’Arbanville).  She encourages her fellow patients to dance and enjoy themselves.  She tries to escape on multiple occasions.  She draws the unwanted attention of a male orderly named Carl (Bo Hopkins, giving a wonderfully sinister performance).  A sadist equipped with down-home country charm, Carl has got all of his co-workers convinced that he’s a great guy.  The patients, though, know that Carl is a petty authoritarian who enjoys showing off his power.  (“I’m just doing my job,” is the excuse whenever he’s challenged.)  Carl takes an obsessive interest in Kelly and soon, Kelly is not only trying to get her life back but also trying to escape from Carl’s cruel intentions.

Most film directories list The Fifth Floor as being a horror film and certainly, there are elements of the horror genre to be found in the film.  The smooth-talking and nonchalantly cruel Carl is certainly a horrific character and Kelly’s attempts to escape from the asylum capture the very primal fear of not having any control over one’s life.  That said, The Fifth Floor owes greater debt to One Flew Over The Cuckoo’s Nest than to the typical slasher film.  Kelly is a rebel who brings the patients in the ward together.  Much as in Cuckoo’s Nest, the nurses and the orderlies use the threat of electro-shock treatment to keep the patients under control.

It’s not a bad film, though it definitely has its slow spots and I do wish the film had embraced its own sordidness with a bit more style.  I’m a history nerd so I appreciated the fact that The Fifth Floor was so obviously a product of its time.  Any film that features the heroine showing off her disco moves before being taken to a mental hospital is going to hold my interest.  That said, the most interesting thing about the film are some of the familiar faces in the cast.  For instance, Earl Boen — who played so many authority figures over the course of his career and appeared as a psychiatrist in the early Terminator films — plays a patient who wears a NASA jacket.  The always intimidating Anthony James plays the most violent patient.  Michael Berryman and Tracey Walter appear as background patients.

And then you’ve got Robert Englund, cast here as Benny.  Benny is the most gentle of the patients, a prankster who befriends Kelly.  It’s always so interesting to see the type of roles that Englund played before he was cast as Freddy Krueger in A Nightmare On Elm Street.  In this film, Englund is so goofy and friendly that you actually find yourself worrying about something happening to him.  Englund’s role is small but his amiable nerdiness definitely makes an impression.

The Fifth Floor opens and ends with a title card telling us that the film is based on a true story.  Sure, it was.