Four Shots From Horror History: La Bruja, Cult of the Cobra, Dementia, The She Creature


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we continue to look at the 1950s.

Four Shots From Four Films

La Bruja (1954, dir by Chano Urueta)

La Bruja (1954, dir by Chano Urueta)

Cult of the Cobra (1955, dir by Francis D. Lyon)

Cult of the Cobra (1955, dir by Francis D. Lyon)

Dementia (1955, dir by John Parker)

Dementia (1955, dir by John Parker)

The She Creature (1956, dir by Edward L. Cahn)

The She Creature (1956, dir by Edward L. Cahn)

6 Scary Trailers For October 2nd


Well, it’s October!  It’s horror month!  It’s a freaking horrorthon!

And that means that it’s time for the return of Lisa Marie’s Favorite Grindhouse and Exploitation Film trailers!  And yes, it’s a horror edition!

Let’s see what trailers we have this week:

The House On Haunted Hill (1959)

The House On Haunted Hill (1999)

Return to House On Haunted Hill (2007)

The Haunting (1963)

The Haunting (1999)

The Others (2001)

What do you think, Halloween Possum?

(Picture Taken By The Dazzling Erin Nicole)

(Picture Taken By The Dazzling Erin Nicole)

 

 

Listen Close; You’ll never get it out of your head #Earworm


earworn

Writer and Director: Tara Price

Stars: Ernest Thomas

Production: Dirigo Entertainment

Have you ever woken up one morning with a song stuck in your head, just bouncing around, like you can never get it out?

Yeah?….Well, this is not the song you want to wake up to tomorrow!

In Tara Price’s new short film Earworm, that is what it is all about. What can you take? The relentless, unending things on (in) your mind can take everything out of you.

Preview:

For a short film (Thomas)  gives everything, literally, everything. And Tara knows how to write, direct and tell the story she wants!

After watching the trailer, I went to bed with my earholes tightly closed!

If you would like to see a trailer for Earworm movie you can here!

 

RIP, Anton Yelchin


like-crazy-still02

Hi, everyone.  You’re going to have to excuse me if I’m not as articulate as usual in this post but right now, I am in a state of shock.  A few minutes ago, I took a look at twitter and I saw that Anton Yelchin was trending.

I joked to myself for a minute about how, whenever a celebrity is trending on twitter, it usually turns out to be something bad.  I clicked Anton’s name and the first tweet that came up read: ‘Star Trek’ actor Anton Yelchin dies in car crash at age 27.’

I’m still trying to catch my breath.

Just last month, I saw The Green Room and I spent the whole movie thinking about what a truly great actor Anton Yelchin had become.  I know that almost everyone knows Anton primarily for playing Chekov in the Star Trek films but my favorite Anton Yelchin performance remains his sensitive and often heart-breaking work in Like Crazy.  That’s also my favorite of the films in which he appeared.

I’m sorry.  I’m so stunned right now that I barely know what to say.  Right now, I’m struggling to get my mind around the end of both a life and a career that held so much promise.  27 years old is too young for anyone to die, regardless of whether he’s an actor you like or just the neighbor two houses down.

Here are links to a few of the Anton Yelchin films that we have reviewed here on TSL.  Some of the films are better than others but all were improved by Yelchin’s presence:

  1. Only Lovers Left Alive
  2. Like Crazy
  3. Fright Night
  4. The Beaver
  5. Terminator: Salvation
  6. Star Trek
  7. Star Trek: Into Darkness

Though I haven’t written reviews of either of them (yet), I would also recommend Yelchin’s work in both The Green Room and Alpha Dog.  In particular, his poignant performance in Alpha Dog was underrated.

My heart goes out to Anton Yelchin’s friends, family, and fans.

I’m going to watch Like Crazy later and cry.

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6 Trailers Full Of Laughter And Somewhat Good Cheer


PCAS

Well, it’s Sunday again and that mean that it’s time for another edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film trailers!  

Usually, on Sunday, I share trailers that feature a lot of violence.  That’s just the nature of grindhouse trailers.  But, today, I’m not in the mood for violence, even if it is deliberately over-the-top grindhouse violence.

That’s why these 6 trailers are all for comedic films.  They are full of the promise of laughter and good cheer.  Well, somewhat good cheer.  There really aren’t that many truly cheerful grindhouse trailers.

Laughter, of course, is not the solution to the world’s problems.  But, at the very least, it can make it easier to live from day to day.

Even the grindhouse understands that!

1. Beach Ball (1965)

2. The Groove Tube (1974)

3. The Chicken Chronicles (1977)

4. The Kentucky Fried Movie (1977)

Our own Gary Loggins reviewed this film last year!

5. The Beach Girls (1982)

I reviewed this one last year as well.

6. Young Doctors In Love (1982)

 

The Fabulous Forties: In Conclusion


40s

Having just finished reviewing all the films in Mill Creek’s Fabulous Forties box set, I thought I would conclude things by listing all of the films that can be found in the set.  They are listed below, from best to worst, in descending order.  Since most of these films are in the public domain, they can be found on either YouTube or the Internet Archive!

Enjoy!

  1. My Man Godfrey
  2. His Girl Friday
  3. The Last Chance
  4. Lady of Burlesque
  5. D.O.A.
  6. The Black Book
  7. The Strange Love of Martha Ivers
  8. Dishonored Lady
  9. Jungle Book
  10. The Strange Woman
  11. Passport to Pimlico
  12. Second Chorus
  13. Trapped
  14. The Adventures of Tartu
  15. The Chase
  16. The Adventures of Gallant Bess
  17. Cheers For Miss Bishop
  18. The Stork Club
  19. The Lady Confesses
  20. The Immortal Battalion
  21. The Red House
  22. Meet John Doe
  23. Gung Ho!
  24. Love Laughs At Andy Hardy
  25. Shock
  26. Port of New York
  27. Topper Returns
  28. The Sin of Howard Diddlebock
  29. This Is The Army
  30. Guest In The House
  31. The Devil Bat
  32. Broadway Limited
  33. Tulsa
  34. Sundown
  35. The North Star
  36. Smash-Up: The Story of a Woman
  37. Whistle Stop
  38. That Uncertain Feeling
  39. Treasure of Fear
  40. Pot O’ Gold
  41. Penny Serenade
  42. Outpost In Morocco
  43. Jack London
  44. Dick Tracy’s Dilemma
  45. Freckles Comes Home
  46. The Town Went Wild
  47. Lil’ Abner
  48. Dr. Kildare’s Strange Case
  49. Boys of the City
  50. Drums of Africa

6 Action-Filled Trailers For Memorial Day Weekend!


PCAS

Well, it’s Memorial Day weekend!  As some of you may remember, I ran into some trouble last weekend when I got my dates mixed up and I was forced to post a hastily compiled, somewhat random edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers!

Fortunately, I’ve got my dates correct this weekend!

Anyway, without further ado, here are 6 action-filled trailers for Memorial Day!

Inglorious Bastards (1978)

No, not the Quentin Tarantino Oscar winner!  This is the film that gave its name to Tarantino’s later work.  The 1978 version of Inglorious Bastards was directed by Enzo G. Castellari and stars Bo Svenson and Fred Williamson.

From Hell To Victory (1979)

This World War II film was directed by Umberto Lenzi and features a surprisingly impressive cast for a Lenzi epic.  (Surprisingly, for a Lenzi film of this period, it does not appear that Mel Ferrer is anywhere to be found in From Hell To Victory.)

The Last Hunter (1980)

This is actually one of the best Italian war films ever made.  It was directed by Antonio Margheriti (who was given a shout out in Tarantino’s Inglourious Basterds) and stars David Warbeck, Tony King, John Steiner, and Mia Farrow’s sister, Tisa.  Tisa also starred in Lucio Fulci’s Zombi 2.

Tiger Joe (1982)

Margheriti followed up The Last Hunter with Tiger Joe.  Also returning (though in different roles from The Last Hunter): David Warbeck and Tony King.  The female lead was played by Annie Belle, who is probably best remembered for her co-starring role in Ruggero Deodato’s The House On The Edge of the Park.

Tornado (1983)

Tiger Joe was enough of a success that Margheriti made one more Vietnam-set film, Tornado.

Last Platoon (1988)

I’ve never seen this movie but the title was probably meant to fool audiences into thinking that it was a sequel to Oliver Stone’s Platoon.  I will say that, having watched the trailer, it’s interesting to see Donald Pleasence playing an American army officer.  This Italian film was directed by Ignazio Dolce.

To all of our readers in the U.S: Have a safe Memorial Day weekend!

I, Daniel Blake Wins At Cannes And Americans Ask, “Who Is Ken Loach And Who Does He Play For?”


The winners of this year’s Cannes Film Festival have just been announced!

As I look over these winners and think about the rather muted reviews that came out of Cannes this year, I have to ask: Is it just me or is 2016 shaping up to be a fairly blah year for the movies?

I mean, just think about last year at this time.  Everyone at the Cannes Film Festival was excited over Carol.  People were still talking about how much they loved Brooklyn and End of The Tour at Sundance.  Both Mad Max: Fury Road and Ex Machina were playing in theaters.  Inside Out was on the verge of being released and people were whispering that Straight Outta Compton might actually be a great movie.  There was a lot to be excited about!

This year, however, it’s just like, “Who cares?”  Even the excitement that some people have for Nate Parker’s Birth of a Nation and Martin Scorsese’s Silence feels more obligatory than sincere.

(Did Sasha Stone go to Cannes this year?  I know I could check the Awards Daily web site but, as of late, reading Awards Daily has become almost as tedious as reading the Daily Kos.  But I mention Stone specifically because she epitomizes something that I’ve noticed about almost all of the big names in the online film community. They are currently more concerned with bitching about this meaningless and stupid election than in talking about movies.  Even when they do talk about movies, it’s always in relation to this election.  BLEH!  Political situations are only temporary.  Movies are forever.)

Anyway, just from what I did hear back from Cannes, I’m looking forward to seeing Personal Shopper, Elle, The Neon Demon, Toni Edrmann, and American Honey.  I doubt I’ll get a chance to see the Palme D’or winner because it’s a Ken Loach film and Ken Loach films rarely get much distribution in the U.S.

In fact, when Ken Loach won the Palme d’Or (and this is his second time to win), he immediately started trending on twitter.  In the UK, he was trending because people were saying, “Ken Loach won!”  In the US, he was trending because everyone who is not a member of Film Twitter was saying, “Who is Ken Loach and who does he play for?”

(As for how this will affect the upcoming Oscar race, it probably won’t.  With the exception of the year that Tree of Life won the Palme d’Or and then went on to to score a best picture nomination, Cannes is usually ignored by the Oscar voters.)

Anyway, here’s the winners!

COMPETITION

Palme d’Or: “I, Daniel Blake” (Ken Loach, U.K.)

Grand Prix: “It’s Only the End of the World” (Xavier Dolan, Canada-France)

Director (tie): Olivier Assayas, “Personal Shopper” (France), and Cristian Mungiu, “Graduation” (Romania)

Actor: Shahab Hosseini, “The Salesman” (Iran)

Actress: Jaclyn Jose, “Ma ‘Rosa” (Philippines)

Jury Prize: Andrea Arnold, “American Honey” (U.K.-U.S.)

Screenplay: Asghar Farhadi, “The Salesman” (Iran)

OTHER PRIZES

Palme d’Honneur: Jean-Pierre Léaud

Camera d’Or: “Divines” (Houda Benyamina, France-Qatar)

Short Films Palme d’Or: “Timecode” (Juanjo Jimenez, Spain)

Special Mention – Short Films Palme d’Or: “The Girl Who Danced With the Devil” (Joao Paulo Miranda Maria, Brazil)

Ecumenical Jury Prize: “It’s Only the End of the World” (Xavier Dolan, Canada-France)

UN CERTAIN REGARD

Un Certain Regard Prize: “The Happiest Day in the Life of Olli Mäki” (Juho Kuosmanen, Finland)

Jury prize: “Harmonium” (Koji Fukada, Japan)

Director: Matt Ross, “Captain Fantastic” (United States)

Screenplay: Delphine and Muriel Coulin, “The Stopover” (France)

Special Jury Prize: Michael Dudok de Wit, “The Red Turtle” (France-Japan)

DIRECTORS’ FORTNIGHT

Art Cinema Award: “Wolf and Sheep” (Shahrbanoo Sadat)

Society of Dramatic Authors and Composers Prize: “The Together Project” (Solveig Anspach)

Europa Cinemas Label: “Mercernary” (Sacha Wolff)

CRITICS’ WEEK

Grand Prize: “Mimosas” (Oliver Saxe)

Visionary Prize: “Album” (Mehmet Can Mertoğlu)

Society of Dramatic Authors and Composers Prize: “Diamond Island” (Day Chou)

FIPRESCI

Competition: “Toni Erdmann” (Maren Ade, Germany-Austria)

Un Certain Regard: “Dogs” (Bogdan Mirică, Romania-France)

Critics’ Week: “Raw” (Julia Ducournau, France-Belgium)

A Few Final Thoughts On The 88th Academy Awards…


Oscars

Well, another Oscar season has come to an end.  I’m going to take one day off from thinking about the Oscars and then, once March begins, it’ll be time to start speculating about what will win next year.

Like the majority of our readers, I just finished watching the 88th Academy Awards.  It was an interesting ceremony.  It was strange.  It was full of moments that made me cringe.  And, at the same time, there were a few moments that left me feeling very inspired.  Clocking in at 3 hours and 30-something minutes, it was neither the worst nor the best Oscar telecast that I’ve ever watched.  (My favorite remains the ceremony that was hosted by James Franco and Anne Hathaway.  It was such a fun disaster.)  On twitter, people seem to think that it was either the greatest or the worst thing ever.  I am one of the few to think that it actually fell somewhere in the middle.

Let’s talk about the awards.  Going into this, I was hoping there would be a few upsets and there were.  Unfortunately, few of them were upsets that I was particularly looking forward to.  For instance, Mark Rylance won best supporting actor for Bridge of Spies and, no offense meant to Rylance, but it was hard not to wish that the award had instead gone to Creed‘s Sylvester Stallone.  Stallone, no matter what you may think of the majority of his films, is a cinematic icon and this was probably his last chance to win an Oscar.  Rylance, meanwhile, seems to be destined to being the actor you call when you can’t get Richard Jenkins.

And then there was Best Original Song.  I, for one, am still stunned that the song from SPECTRE was even nominated.  But then it actually won the Oscar!  And, in doing so, it defeated Lady Gaga’s anthem of survival and strength, Til It Happens To You.  Lady Gaga’s performance of Til It Happens To You was definitely one of the show’s highlights.  Not even the presence of our long-winded, gropey Vice President could diminish the strength and power of that performance.  Just imagine what a great moment it would have been if that performance had been followed by Til It Happens To You actually winning the Oscar.

I got really excited when, early on, Mad Max: Fury Road started to win all of the technical awards.  Oh my God, I thought, what if Mad Max actually wins Best Picture!?  That would be a game changer as far as the future of the Oscars is concerned…

But then Alejandro Inarritu won best director and gave his typical sermon.  And then Leonardo DiCaprio won best actor and used it as an excuse to lecture us all about global warming.  And I started to dread the idea of The Revenant winning best picture and having to sit through another speech from either of these two undeniably talented gentlemen.  But then, after being shut out for most of the night, Spotlight won best picture.  The producers ran up on stage and started to lecture the Vatican…

It’s a strange victory.  Spotlight won a total of two Oscars.  Mad Max won six Oscars.  The Revenant won three.  The Big Short and Room took one.  Though the vote totals are never released, I’m going to guess it was a very close race.

I have to admit that I always cringe a little whenever the Oscars get political because celebrities, on the whole, tend to be flaky.  And, often times, they lecture everyone else without bothering to look at or modify any of their own behavior.  Frequently, it leads to a hypocrisy on their part that, over the years, has tarnished some very worthy causes.  It’s not surprising that the 88th Academy Awards were extremely political.  A lot of people said a lot of things but did they actually understand what they were saying or were they just playing another role?  That’s the question I always ask whenever a celeb says to vote this way or that.

I have to admit that I got kind of bored with Chris Rock trying to get people to buy girl scout cookies.  But, let’s give credit where credit is due.  Chris Rock called the film industry out on its own bullshit as far as diversity is concerned.  He told the self-congratulatory Academy audience that they too were capable of being racists and, even watching on TV, you could feel the tension in the room.  This was the epitome of speaking truth to power and good for Chris Rock for going there and, hopefully, making everyone in that audience feel a little bit uncomfortable.

And yet, at the same time, it was hard not to feel that it won’t make much of a difference.  The assembled members of the Academy applauded whenever a presenter or a winner called for diversity but, in the end, are they going to do anything more than applaud?  Watching the show, I imagine that most of the rich white people in the theater were thinking to themselves, “Chris isn’t talking about us.  He’s talking about those other rich white people.”

What’s the solution to the industry’s diversity problem?  Well, the first thing that would have to happen would be for the industry to admit that it has a problem and that’s never going to happen.  The mainstream American film industry is too high on its own rhetoric to ever take an honest look at itself.  Instead, studio execs and producers are always going to put the blame on “those other white people.”

There are so many stories out there waiting to be told.   At some point, the industry is going to have to stop bragging about how they tolerant they are and instead help those unique and interesting stories to be told.  Out there right now, there are people of every race, gender, religion, and political ideology who have a story to tell.  At some point, if the film industry really wants to change, it’s going to have to start seeking out those stories and giving those storytellers a chance.   At some point, those in industry are going to have to stop bragging about how much they donated to which campaign and actually put their rhetoric into action.

Until then, it’s going to take a lot more than merely giving Chris Rock a standing ovation to truly bring diversity to the film industry.

Did anyone else find it weird that the show ended with “Fight the Power” being played over pictures of wealthy white people accepting awards?  I don’t think the show’s producers really considered what that would look like.

Anyway, that concludes this Oscar season!  It was an exciting one and I can hardly wait for a new one to begin!

Here’s A Complete List Of The Oscar Winners!!!!


 

Spotlight

Best Picture: Spotlight

Best Director: Alejandro G. Inarritu for The Revenant

Best Actor: Leonardo DiCarpio in The Revenant

Best Actress: Brie Larson in Room

Best Supporting Actor: Mark Rylance in Bridge of Spies

Best Supporting Actress: Alicia Vikander in The Danish Girl

Best Original Screenplay: Tom McCarthy and Josh Singer. Spotlight

Best Adapted Screenplay: Adam McKay and Charles Randolph.  The Big Short

Best Animated Film: Inside Out

Best Documentary Feature: Amy

Best Foreign Language Film: Son of Saul

Best Cinematography: Emmanuel Lubezki, The Revenant

Best Costume Design: Jenny Bevan, Mad Max: Fury Road

Best Editing: Margaret Sixel, Mad Mad: Fury Road

Best Make-up and Hairstyling: Mad Max: Fury Road

Best Original Score: Ennio Morricone, The Hateful Eight

Best Original Song: “Writing’s On The Wall” from SPECTRE

Best Production Design: Colin Gibson and Lisa Thompson, Mad Max: Fury Road

Best Sound Editing: Mad Max: Fury Road

Best Sound Mixing: Mad Max: Fury Road

Best Visual Effects: Ex Machina

Best Animated Short Film:Bear Story

Best Documentary Short Film: The Girl In The River: The Price of Forgiveness

Best Live Action Short: Stutterer

MadMaxFuryRoad