A Blast From The Past: The Sound of a Stone (dir by Herk Harvey)


In this short film from 1955, a high school teacher in Kansas is wrongly accused of being a communist.  Despite the fact that he’s a Methodist Sunday School teacher, he made the mistake of assigning a book that was included on a list of subversive literature and, as a result, the entire town is turning against him!  While this short film might not win any points for subtlety (or good acting), it is an effective look at paranoia and how rumors get started.  I especially liked the shot of the spinning phone.

So, why am I sharing this in October?  Because this film was directed by Herk Harvey.  In the 50s and 60s, Harvey directed a countless number of short films.  Some of them were educational.  Some of them were industrial.  Some of them, like this one, were specifically made to be shown to civic groups.  However, horror fans will always know Harvery as the director of one of the most important horror films ever made, Carnival of Souls!

I’ll be sharing Carnival of Souls later this week.  For now, enjoy The Sound of a Stone!

 

Horror Scenes That I Love: The End of The Original Invasion of the Body Snatchers


This is from the original 1956 Invasion of the Body Snatchers.  This is how director Don Siegel wanted the film to end, with Kevin McCarthy vainly warning drivers that they’re coming for them.  The studio, however, insisted that Siegel add a scene that suggested that the authorities might be able to stop the invasion.

Incidentally, Don Siegel was born 108 years ago, today!  He was one of the great American genre directors.  Unfortunately, he didn’t really do enough horror films for me to devote a 4 Shots from 4 Films post to him but, that being said, it’s impossible to keep track of how many subsequent horror films would be influenced by Invasion of the Body Snatchers.

4 Shots From 4 James Whale Films: Frankenstein, The Old Dark House, The Invisible Man, Bride of Frankenstein


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

This October, we’ve been using 4 Shots from 4 Films to pay tribute to some of our favorite horror filmmakers!  Today, we honor the one and only James Whale!

4 Shots For 4 James Whale Films

Frankenstein (1931, dir by James Whale)

The Old Dark House (1932, dir by James Whale)

The Invisible Man (1933, dir by James Whale)

Bride of Frankenstein (1935, dir by James Whale)

Horror On the Lens: Phantom From Space (dir by W. Lee Wilder)


Today’s horror film is one that we haven’t shown on the Lens before!  That’s right, it’s a premiere!  Yay!

First released in 1953, Phantom From Space is about an invisible alien who wears a diving helmet.  It’s a film that alternates between being extremely silly and occasionally effective, with the emphasis very much on “occasionally.”  Even though the alien causes some mayhem, it’s still definitely a more sympathetic character than some of the humans that it runs into.  This film is very much of the “humans screw everything up” genre of sci-fi films.  Phantom From Space was also directed by Billy Wilder’s brother!  I should, however, admit that there’s absolutely nothing about this film that will remind you of The Apartment, Double Indemnity, or the Lost Weekend.

(Well, I guess you could argue that they all are in black-and-white so there is that….)

Anyway, I watched this with my friends in the Late Night Movie Gang on Saturday and we enjoyed it.  Maybe you will too.  It’s a film that definitely rewards a certain attitude of snarkiness.  It’s only 72 minutes long so give it a try.

Enjoy!

Here’s The Trailer For Dreamland!


Here’s the trailer for the upcoming Margot Robbie film, Dreamland!  Robbie not only stars in this film but she produced it as well.

Though the person who uploaded the video claims that Dreamland is a horror film, I’ve read that it’s actually a dramatic thriller.  If it was a horror film, releasing it in November would be a huge mistake.

Anyway, here’s the trailer:

Dreamland will be released on November 13th!

The TSL’s Horror Grindhouse: Hack-O-Lantern (dir by Jag Mundhra)


Note that actor Hy Pyke’s name is misspelled on the cover of this Blu-ray.

Sometimes, you just see a film that simply cannot be reviewed in any conventional use of the term and that’s definitely the case with the 1988 slasher/Satanist/rock musical Hack-O-Lantern.

On Friday, I watched Hack-O-Lantern on Shudder.  It was broadcast as a part of Joe Bob Brigg’s Last Drive-In Halloween special.  I watched the film in a bizarre sort of daze, trying to figure out just what the Hell was actually going on.  It’s a film that apparently has a plot but good luck figuring out what exactly that plot is.  I do know that that the film is supposed to be taking place on Halloween night but, in the world of Hack-O-Lantern, Halloween is apparently a time when people get together and dance in a gym or something.  Seriously, it’s a weird movie.

As far as I can tell, the film is about Tommy (Gregory Scott Cummings), who I guess is like the local trouble maker or something.  He spends all of his time listening to heavy metal music and having these elaborate fantasies in which the members of a band rip off his head.  Or, at least, I assume they were meant to be fantasies.  Tommy’s brother, meanwhile, is a local cop and his mother is crazy and overprotective …. I think.  As I said, the film’s plot was not always easy to follow and it actually took me a while to figure out that the earnest and innocent-looking cop was also Tommy’s brother.  To be honest, I’m not really sure that words alone can express just how incoherent the plot of Hack-O-Lantern is.  I could tell you that the film appears to have been edited with a chainsaw but even that would not begin to capture just how difficult it is to understand why one scene follows another in this film.

Anyway, Tommy’s Grandpa (Hy Pyke) might seem like he’s a fun-loving old man but actually, he’s in charge of the local Satanic cult.  He wants to bring Tommy into the cult but apparently, Tommy might be ambivalent or Tommy might just not know that the cult exists.  It’s really hard to figure out what exactly is going on inside of Tommy’s head, beyond the fact that it involves a heavy metal band beheading him.  Grandpa’s plot to turn Tommy into a Satanist somehow leads to several murders at the Halloween dance.  The murderer wears a devil’s mask and kills people in a variety of bloody ways.  If you like cheap but effective gore effects, you’ll get something out of this film.  The scene with shovel is especially nasty.

It’s a bit of a strange Halloween dance, to be honest.  For one thing, there’s a stripper who shows up for no particular reason and who appears to be like 70 years old.  There’s also a stand-up comedian who pops up out of literally nowhere and does this long routine that has nothing to do with Satanism, Halloween, or people getting killed with shovels.  Why is the comedian there?  Why does the film spend so much time on him?  Where does he disappear to after he tells his bizarrely long joke?  These are the type of questions that you’re forced to ponder while trying to figure out what the Hell’s going on in Hack-O-Lantern.

The thing is that, as easy as it is to criticize a film like Hack-O-Lantern, there really is no other film like it.  Sure, there are other slasher films.  There are other films about Satanists.  There are even other films that feature a random stand-up comedian and a lot of gratuitous nudity.  But there are few films that mix all of those elements together quite as incoherently as Hack-O-Lantern.  As such, Hack-O-Lantern is an oddly fascinating film.  You watch the film and you wonder, “How the Hell did this happen?”  And for that reason, it’s worth tracking down and watching.

Do I recommend Hack-O-Lantern?

Hell yeah, I do.

Horror Scenes That I Love: The Hypnosis Scene From Sisters


In this seriously creepy scene from the 1972 film Sisters, a reporter (Jennifer Salt) is hypnotized and made to believe that she was once a conjoined twin, attached to a psychotic model (played by Margot Kidder).  The scene was directed by Brian De Palma.

Enjoy!

 

A Blast From The Past: Manners in School (dir by Herk Harvey)


In this short film from 1958, a terrible little kid named Larry is given detention because he’s a terrible little kid.  He’s supposed to clean the chalkboard but instead he draws a cartoon character, which promptly comes to life and probably traumatizes Larry for life.  Larry does learn a little something about behaving at school but at what cost?  Seriously, Larry may have had bad manners but you know who I blame?  The parents.  That’s who the stick figure should be tormenting.

Now, believe it or not, there is a reason why I’m posting this in October.  This short film — like many educational films from the 50s — was directed by Herk Harvey.  Harvey spent the majority of his long career making industrial and educational films.  However, horror fans will always know him as the man who directed 1962’s Carnival of Souls!  I’ll be sharing Carnival Of Souls next week but for now, enjoy Manners in School!

And remember …. good manners are good for everyone!  And if you don’t believe me, a stick figure is going to lecture you and give you nightmares.

International Horror Film Review: Veronica (dir by Paco Plaza)


Agck!  Seriously, dear readers, don’t mess with Ouija boards.

That’s really the main lesson that’s to be learned from the 2017 Spanish film, Veronica.  Taking place in 1991 and based on a true story (No, it really is!), Veronica tells the story of a 15 year-old girl named …. well, Veronica (Sandra Escacena).  Veronica lives in a nice but cluttered apartment with her three younger siblings and her mother.  Ever since the death of her father, Veronica’s life has pretty much centered around going to school and looking after her siblings.  While her friends get to experience life and mature and develop, Veronica seems to be trapped in that one apartment with her responsibilities.  Veronica is a good babysitter and she appears to puts up with a lot without losing her temper.  You can’t help but sympathize with her.

One day, during a solar eclipse, Veronica and two friends sneak into the school’s basement.  While all of the other students watch the eclipse while under the strict supervisions of the nuns, Veronica and her friends use a Ouija board in an attempt to hold a séance.  Veronica wants to talk to the spirit of her father.  Instead, a very different spirit shows up and Veronica faints.

When Veronica wakes up, things have changed.  Her friends now seem scared to be around her and they refuse to talk about what happened during the séance.  When Veronica returns home, she feels like she and her siblings are not alone in the apartment.  She starts to have disturbing dreams, in which the children are in danger and a dark shadow is stalking her.  Veronica becomes convinced that an evil creature is after her and her family.  A blind nun known as Sister Death tells Veronica that the only way to get rid of the spirit is “by doing right what you did wrong.”  Cryptic advice is always the best advice, right?

Veronica knows that she has to do something but what?  With the children starting to suffer from mysterious injuries, Veronica tries to figure what she did wrong so that she can fix it.  But, as you probably already guessed, she’s not going to like the answer….

Veronica is an effectively chilling horror film.  I’ve seen it described as being “the scariest film on Netflix” but I wouldn’t quite go that far.  It didn’t make me jump, though it did make look over my shoulder a few times just to make sure there wasn’t anything sneaking up behind me.  Veronica is, however, a film that very much gets under your skin.  If you’ve ever had to look after a child (let alone three children) and feared that you might not be up to the task, you’ll be able to relate to Veronica and her terror.  It’s not just about bringing a bad spirit into the world.  Nor is it just about the fact that Ouija boards are inherently creepy.  Instead, it’s all about protecting those children and the gradual realization that, despite all of your best efforts, there are some bad things in the world that you can’t just wish away.  The evil spirit that follows Veronica into the world is not just a paranormal monster.  Instead, it’s a metaphor for every fear that anyone has ever had while growing up.  It’s the fear of not being good enough.  It’s the fear of missing out on life.  It’s the fear and resentment that comes from living in a world that is inherently unfair.

Veronica is an intelligent and thoughtful horror film, one that is blessed with a great performance from Sandra Escacena in the title role.  It’s on Netflix.  Just look for the blind nun.