Guilty Pleasure No. 61: Double Dragon (dir by James Yukich)


The time is …. the future!

The future looks a lot like a cheap music video.  Due to repeated earthquakes, California is now an island and Los Angeles has been left in ruins.  The city has been renamed New Angeles, even though the correct name would have been Nuevos Angeles but whatever.  The important thing is that city is now a mess.  The police allow the gangs to run rampant at night in return for not running rampant during the day.  The nightly news, which is anchored by George Hamilton and Vanna White, is full of stories about the federal government refusing to send any more aid to California, despite the fact that Jerry Brown is the Vice President.  For some reason, Andy Dick plays the weatherman and gives continual updates on the smog and rain.

Despite the fact that the city is the most dangerous place on Earth, Satori Imada (Julia Nickson) still makes the time to drive her teenage sons, Billy (Scott Wolf) and and Jimmy Lee (Mark Dacascos, who was clearly not a teenager when this film was shot) to and from their karate tournaments.  However, that might all end because Sartori possesses half of a magic medallion and the evil Koga Shuko (Robert Patrick, looking oddly like Sugar Ray’s Mark McGrath) has the other half.  Satori gives her half of the medallion to Billy and tells him that he and his brother must keep it out of the hands of Shuko.

That’s not going to be easy because Shuko not only has control of the local gangs but also the police.  Fortunately, rebel leader Marian Delario (Alyssa Milano) is willing to help out the Lee brothers.  It all leads to a lot of fights, a lot of running, some campy humor, and stiffly delivered dialogue.  For whatever reason, the filmmakers decided that the way to make this marital arts film a success would be to push accomplished martial artist Mark Dacascos into the background and instead focus on Scott Wolf, who spends most of the movie looking like he’s either confused by the plot or terrified as to what Double Dragon might do to his career.

Yeah, this movie is pretty stupid and the plot is pretty much impossible to follow.  And yet, it is oddly entertaining in its own weird way.  If you ignore the story and just focus on the visuals, it can actually be kind of fun.  Look at all the bright colors.  Look at Robert Patrick, with his goat-tee and his 90s pop star hair.  Look at Alyssa Milano, who, surprisingly, seems to actually be in on the joke.  Look at all of the Mad Max-inspired fashion choices.  From a purely visual point of view, New Angeles is a huge improvement on Los Angeles.  Along with the film visuals, the film is also worth watching just so one can witness just how over-the-top Robert Patrick goes in his performance.  I don’t normally think of Patrick as being someone who chews the scenery but, in this film, he gives into every cartoonish impulse that he has and it’s actually a lot of fun to watch.  There’s not a moment of subtlety to be found in either his performance or Alyssa Milano’s and thank the Angels for that.  Finally, I have to appreciate the fact that the film’s main message appears to be that the government and all other forms of civil authority are basically useless.  Not even Vice President Jerry Brown can be bothered to help out the people of New Angeles.  That pretty much tells you all that you need to know.

In the end, Double Dragon is not a particularly good film but it’s fun in its own deeply dumb way.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man

Retro Television Reviews: See The Man Run (dir by Corey Allen)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1971’s See The Man Run!  It  can be viewed on YouTube!

Two criminals have kidnapped the 18 year-old daughter of Dr. Thomas Spencer (Eddie Albert).  They call the number that they have for Dr. Spencer and they tell the man that answers that they are going to kill his daughter unless he pays them a large amount of money.

What the criminals don’t know is that Dr. Spencer has recently changed his phone number and his old number was given to a struggling actor named Ben Taylor (Robert Culp).  When the kidnappers call, Ben has just gotten out of bed and he’s still a bit too groggy to explain to them that they have the wrong number.  Though he suspects that the whole thing might be an elaborate prank, he decides to call the real Dr. Spencer and tell him about the phone call.  However, when the doctor answers, Ben does such a bad job of explaining the situation that Dr. Spencer thinks that Ben is the kidnapper.  Begging Ben not to hurt his daughter, Dr. Spencer says that he’ll pay anything and that he won’t even call the police.

This gives Ben and his wife, Joanne (Angie Dickinson), an idea.  When the kidnappers call back, Ben pretends to be Dr. Spencer.  After the kidnappers tell Ben the amount of money that they want, Ben then calls Dr. Spencer and, pretending to be the kidnapper, relays the message but he also adds an extra $50,000 to the ransom demand.  Ben and Joanne’s plan is to collect the ransom from Dr. Spencer, take their cut, and then deliver the ransom to the kidnappers.

It’s a complicated plan and, throughout the course of the day, both Ben and Joanne have their moments of doubt.  But they stick with it, because Joanne wants the money and Ben wants the chance to not only prove himself as an actor but to also show Joanne that he’s not the loser that she insists that he is.  Complicating matters, though, is that Dr. Spencer’s wife (June Allyson) has called the police without telling Dr. Spencer.  Though Dr. Spencer doesn’t know it, the cops are determined to be there when he hands off the ransom to the man who claims to have his daughter.

Clocking in at a briskly-paced 73 minutes, See The Man Run is an enjoyable thriller, one that is full of unexpected twists and which features a fierce performance from Angie Dickinson and a rather poignant one from Robert Culp.  Culp is convincing rather he’s playing a kidnapper, a doctor, or just an out of work actor who doesn’t realize that he’s gotten in over his head.  As smart as he may be, Ben cannot escape from his own insecurities and his fear of being betrayed.  It all leads to a diabolically clever surprise ending, one that proves that you can run only so far before you stumble.

Lisa Marie’s Way Too Early Oscar Predictions For April


Here are my Oscar predictions for April!  As always, when it’s this early in the year, I recommend taking all of these with a grain of salt.  At this point, the only thing that anyone knows for sure is that it’s safe to remove Jonathan Majors and Magazine Dreams from any list of predictions.

Check out my predictions for March by clicking here!

Best Picture

The Actor

Barbie

The Color Purple

Dumb Money

Dune: Part Two

Flint Strong

The Holdovers

Killers of the Flower Moon

Oppenheimer

Rustin

Best Director

Blitz Bazawule for The Color Purple

Rachel Morrison for Flint Strong

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Andre Holland in The Actor

Anthony Hopkins in Freud’s Last Session

Best Actress

Fantasia Barrino in The Color Purple

Emily Blunt in Pain Brokers

Greta Lee in Past Lives

Margot Robbie in Barbie

Emma Stone in Poor Things

Best Supporting Actor

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Brian Tyree Henry in Flint Strong

Samuel L. Jackson in The Piano Lesson

Jesse Plemons in Killers of the Flower Moon

Best Supporting Actress

Viola Davis in Air

Jodie Foster in Nyad

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Da’Vine Joy Randolph in The Holdovers

4 Shots From 4 Films: Special Lars Von Trier Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 67th birthday to cinematic provocateur, Lars Von Trier!

It’s time for….

4 Shots From 4 Lars Von Trier Films

Europa (1991, directed by Lars Von Trier, DP: Henning Bendtsen,
Edward Kłosiński, Jean-Paul Meurisse.  Released as Zentropa in North America)

Breaking the Waves (1996, dir by Lars Von Trier, DP: Robby Muller)

Dogville (2002, dir by Lars Von Trier, DP: Anthony Dod Mantle)

Melancholia (2011, dir by Lars Von Trier, DP: Manuel Alberto Claro)

Live Tweet Alert: Watch Breakdown with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, ArtAttackNYC will be hosting 1997’s Breakdown, starring Kurt Russell, Kathleen Quinlan, and J.T. Walsh!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

 

Scenes That I Love: Prewitt Fights Back In From Here To Eternity


In honor of what would have been Fred Zinnemann’s 116th birthday, today’s scene that I love comes from 1953’s From Here To Eternity, one of the two Zinnemann-directed films to win the Oscar for Best Picture.

In this scene, Private Prewitt (Montgomery Clift) proves that he’s still a skilled boxer.  That’s not something that Prewitt wants the world to know because he’s still guilt-stricken over accidentally blinding one of his sparring partners.  Captain Holmes wants Prewitt to fight on the regimental team.  Prewitt would rather just play the bugle but, as he shows in this scene, he can still throw a punch if he’s forced to.  It leads to a lot of drama, the majority of which is forgotten in the wake of the attack on Pearl Harbor.

4 Shots From 4 Films: Special Phillip Noyce Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 73rd birthday to Australian filmmaker, Phillip Noyce.  It’s time for….

4 Shots From 4 Phillip Noyce Films

Heatwave (1982, dir by Phillip Noyce, DP: Vincent Monton)

Dead Calm (1989, dir by Phillip Noyce, DP: Dean Semler)

Blind Fury (1989, dir by Phillip Noyce, DP: Don Burgess)

Sliver (1993, dir by Phillip Noyce, DP: Vilmos Zsigmond)

Live Tweet Alert: Join #FridayNightFlix for Bend It Like Beckham!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 2002’s Bend It Like Beckham!

This film is a favorite of both me and my sister’s and I can’t wait to watch it with everyone!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Bend It Like Beckham is available on Prime!  See you there!

4 Shots From 4 Films: Special Nico Mastorakis Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the 82nd birthday of Greek filmmaker, Nico Mastorakis.  And that means that it’s time for….

4 Shots From 4 Nico Mastorakis Films

Island of Death (1975, dir by Nico Mastorakis, DP: Nikos Gardelis)

Death Has Blue Eyes (1976, dir by Nico Mastorakis, DP: Nikos Gardelis)

Blind Date (1984, dir by Nico Mastorakis, DP: Andreas Bellis)

In the Cold of the Night (1990, dir by Nico Mastorakis, DP: Andreas Bellis)