Retro Television Reviews: What She Doesn’t Know (dir by Kevin James Dobson)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1992’s What She Doesn’t Know!  It  can be viewed on YouTube!

Molly Kilcolin (Valerie Bertinelli) has graduated from law school!

In fact, she’s not only graduated from law school but she’s graduated from Harvard Law School, the most prestigious and most expensive law school out there.  And she’s graduated at the top of her class.  She’s the one who gets to give the speech at graduation, where she says that everything she knows about justice she learned from her father.

It’s really quite an accomplishment when you consider that Molly isn’t even from a rich family.  She’s from a family of blue collar, New York City cops.  Her father, Jack Kilcoin (George Dzundza), certainly never had a chance to go to Harvard.  How did Molly even afford to go to Harvard?  Apparently, her tuition was paid out of a trust fund that her aunt set up for her when she was a child.  Seriously, that must have been a helluva trust fund because Harvard is not cheap or easy to get into.

Unfortunately, Molly disappoints her father when she tells him that she will not be accepting a job with a high class law firm but instead, she plans to work for the District Attorney’s office.  Her fellow prosecutors are skeptical of her as well.  Why does she want to go from Harvard to making next to no money in the trenches?  Someone asks her if she has political ambitions but no, Molly just wants to do the right thing.  She grew up in the neighborhood, don’t you know.  She knows the people who are getting caught up in the Mafia’s schemes.

After Molly convinces a young mobster named Joey Mastinelli (Peter Dobson) to testify against his boss, she is shocked to discover that over half of the NYPD is on the Mob’s payroll.  She is even more shocked to discover that her father is one of those dirty cops.  For years, her father has been taking bribes and hiding the money away in Molly’s trust fund.  Molly’s Harvard education was paid for by the Mafia!

As you can probably guess, family dinners are about to get awkward!

I usually enjoy films like What She Doesn’t Know because I’m always interested in the Mafia and there was a time when I briefly thought it might be fun to grow up and go to law school.  I don’t know if I would have wanted to become a prosecutor, of course.  Unlike Molly, I probably would have taken that ritzy law firm offer.  The idea behind What She Doesn’t Know had potential but it was let down by the execution.  Valerie Bertinelli tries hard but she’s just not convincing as a tough-as-nails Harvard grad.  George Dzundza is a bit more believable as an aging New York cop but he’s still a bit on the dull side.  (It would have been nice if this film could have been made a few years later, with Mira and Paul Sorvino in the lead roles.)

The film’s biggest flaw is that it portrays Molly as being so totally clueless about her father’s activities that it makes her seem to be impossibly naïve.  I mean, did she never wonder how she could possibly afford to go to Harvard?

Seriously, Harvard’s expensive!

June Positivity: Online (dir by Kevan Otto)


The 2013 film, Online, opens with a bunch of male co-workers going out for pizza.  They’re celebrating the promotion of John Wild (Morgan Ayers), who has gone from being a preacher’s kid to being the youngest executive at their company.  Before they dig into the pizza, one of the older men says a quick blessing over it….

Yes, it’s one of those films!

John has a well-paying job, a big house, and a beautiful and supportive wife named Mary (Kelsey Sanders).  For most people, that would probably be enough to be happy for at least a few years but not for John!  John finds himself thinking about his high school girlfriend, Adrianna (Esseri Holmes).  John was in love with Adrianna, or at least he thought he was.  But then, one day, she told him that her father’s company was forcing them to relocate to France.  Both John and Adrianna were heart-broken.

(My family moved around a lot when I was growing up.  Whenever my Dad got a new job, we moved to a new town and often a new state.  Personally, I would happily trade that month in Tulsa for a few years in France.)

Despite the fact that he’s happily married and he knows that he shouldn’t, John decides to look Adrianna up online.  He uses a site called SocialFriends.com because everyone knows better than to run the risk of getting sued by Facebook.  (My favorite Facebook’s substitute was Degrassi‘s Facerange.)  It turns out that Adrianna has not only returned to America but she also lives nearby!

Unfortunately, Adrianna is married now.  Even more unfortunately, her husband is a French cosmetics heir named Pierre (Byron Herlong).  Pierre spends all of his time complaining about Americans being materialistic and arrogant.  Adrianna replies that, if it wasn’t for those “arrogant Americans,” he would “be speaking German right now.”  Boom!  You tell him, girl!  Pierre doesn’t have a snarky reply for that!

John reaches out to Adrianna.  They have dinner at a fancy restaurant.  They talk.  They catch up on old times.  They eventually share one kiss.  Of course, John doesn’t bother to tell his wife about any of this and instead, he just tells a lot of lies about having to work late.  However, Mary’s not dumb.  She knows that there is something her husband isn’t telling her, especially after the credit card bill comes in and she discovers how much he’s been spending on dinner.  Mary’s mother, who has never gotten over being cheated on by her own husband, hires a private detective to follow John around.

John’s mistake, one of his co-workers explains, wasn’t just that he reached out to Adrianna and then lied to his wife about it.  John’s mistake is that he allowed himself to dine alone with another woman to begin with!

Online is one of those low-budget indie films that really makes you appreciate directors and editors who know how to keep the action moving at a steady pace because the film was filled with so many slow spots that it was next to impossible for me to really focus on it.  My mind kept wandering as I watched the film.  I also got a bit annoyed that, while John was given a chance at redemption, Adrianna was not.  If John was portrayed as being someone who, in the midst of a mid-like crisis, made a mistake than Adrianna was essentially portrayed as just being a brazen homewrecker.  That said, the film did feature Pierre being put in his place and I appreciated that.  Arrogant Americans for the win!

Live Tweet Alert: Watch The Oak Room with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Tim Buntley will be hosting 2020’s The Oak Room!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Live Tweet Alert: Join #FridayNightFlix for Robocop!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1987’s Robocop!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Robocop is available on Prime and Tubi!  See you there!

Lisa Marie’s Early Oscar Predictions For May


Here are my Oscar predictions for May!

Well, for once, Cannes has helped the Oscar picture to come into focus.  The triumphant premiere of Killers of the Flower Moon not only cemented the film’s status as an early front runner but it also confirmed that Leonardo DiCaprio will be in the running for Best Actor and Lily Gladstone for either Best Actress or Supporting Actress.  It also sound like Robert De Niro could receive another nomination.  (Despite the importance of his role, Jesse Plemons’s screen time is apparently limited.)

The other Oscar contender to come out of Cannes would appear to be Jonathan Glazer’s The Zone of Interest.  There is some talk that the film itself could be a bit too chilly for the Academy and, being familiar with Glazer’s work, that would not necessarily surprise me.  But, for now, The Zone of Interest is among my predicated Best Picture nominee.  I’m also going to continue to predict that Oppenheimer will be nominated and, after seeing the trailer, I’m a bit more confident that The Color Purple will be nominated as well.  And I’m still going to toss in Barbie because why not?

That said, the year isn’t even halfway over yet and there’s a lot of films to come.  It’s entirely possible that the majority of the best picture nominees are going to be films that haven’t even shown up on anyone’s radar yet.

Below are my predictions for May.  Be sure to also check out my predictions for March and April!

Best Picture

Air

Barbie

The Color Purple

Dune: Part Two

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Poor Things

The Zone of Interest

Best Director

Blitz Bazawule for The Color Purple

Jonathan Glazer for The Zone of Interest

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Leonardo DiCaprio in Killers of the Flower Moon

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Andre Holland in The Actor

Best Actress

Emily Blunt in Pain Brokers

Greta Lee in Past Lives

Natalie Portman in May December

Margot Robbie in Barbie

Emma Stone in Poor Things

Best Supporting Actor

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Robert De Niro in Killers of the Flower Moon

Ryan Gosling in Barbie

Samuel L. Jackson in The Piano Lesson

Best Supporting Actress

Viola Davis in Air

Jodie Foster in Nyad

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Da’Vine Joy Randolph in The Holdovers

Scenes that I Love: The End of Dirty Harry


Today, we wish a happy 93rd birthday to Clint Eastwood!

Today’s scene that I love comes from 1971’s Dirty Harry, in which Clint finally confronts the the Scorpio Killer (Andy Robinson) and asks him if he feels lucky.  Eastwood himself later said that Callahan’s badge must have been attached to a rubber band because he was somehow able to get it back in time for Magnum Force.

4 Shots From 4 Films: Special Howard Hawks Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

127 years ago, on this date, the great American filmmaker Howard Hawks was born in Indiana.  Over a career that spanned several decades, Hawks proved himself to be a master of every genre.  He made great crime films, great noirs, great comedies, and great westerns.  His influence continues to be felt to this day.  In honor of his legacy, it’s time for….

4 Shots From 4 Howard Hawks Films

Scarface (1932, dir by Howard Hawks, DP: Lee Garmes)

Twentieth Century (1934, dir by Howard Hawks, DP: Joseph August)

The Big Sleep (1946, dir by Howard Hawks, DP: Sidney Hickox)

Gentleman Prefer Blondes (1953, dir by Howard Hawks, DP: Harry J. Wild)

Monday Live Tweet Alert: Join Us For Crackerjack 2 and Top Gun: Maverick!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1997’s Crackerjack 2!  Selected and hosted by Bunny Hero, this movie is a sequel to a film that didn’t even need one!  So, you know it has to be good!

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching Top Gun: Maverick!  The film is on Prime!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Crackerjack 2 on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start Top Gun: Maverick, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

Retro Television Reviews: Dark Angel (dir by Robert Iscove)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1996’s Dark Angel!  It  can be viewed on YouTube!

Eric Roberts is Walter D’Arcangelo!

Walter was raised in the Louisiana foster system and eventually a series of Catholic orphanages.  With a last name like D’Arcangenlo, it’s hard not to feel that Walter was destined to eventually become an eccentric homicide detective who does things his way and that’s exactly what happened.  After starting his career in Baton Rouge, Walter has recently transferred to New Orleans.  He arrives just in time to help investigate a series of gruesome murders, the victims of which are all women who cheated on their husbands.  Walter even starts to get phone calls from someone who claims to be the murderer.

Unfortunately, for Walter, he’s somehow become a suspect in the murders.  The rest of the homicide division doesn’t quite know what to make of the somewhat nervy Walter.  When they discover that he went missing for several months while working in Baton Rouge, that makes him even more suspicious in the eyes of his new colleagues.  Even while she personally is falling for him, Detective Anna St. Cyr (Ashley Crow) investigates Walter’s past and discovers that Walter does indeed have a link to the murders but not in a way that anyone was expecting.

Dark Angel was clearly intended to be a pilot for a weekly detective show.  I imagine that Detective D’Arcangelo would have spent every week investigating a different murder in New Orleans.  The show is full of moments that don’t have much to do with the case but which seem to have been included to make viewers say, “Wow, Eric Roberts is a really interesting guy!  I wish he was starring in TV series that I could watch every Tuesday night!”  Roberts does give a pretty good performance as Walter, hinting that, even if he isn’t a killer, the detective is still someone who could snap at any minute.  Roberts plays Walter as if Walter himself is a little bit scared of the darkness that’s lurking inside of him.  Walter’s an interesting character, though one gets the feeling that the demands of a weekly show would have led to the character becoming a bit less enigmatic if Dark Angel had been turned into a series.

The film takes place in New Orleans and it’s somewhat shameless about indulging in every “Big Easy” cliché possible.  Yes, Walter listens to jazz.  Yes, there are scenes of rain and shots where the steamy humidity seems to be rising from the French Quarter.  Yes, Walter visits a voodoo priestess and yes, there’s even a scene set during Mardi Gras.  Though there’s nothing unexpected about the show’s portrayal of New Orleans, the pilot does do a good job of capturing the city’s unique atmosphere.  Eric Roberts and New Orleans feel like a perfect match,

Of course, Dark Angel did not become a series.  Still, the pilot is entertaining and Eric Roberts gives another memorable performance.  Dark Angel is a enjoyably macabre diversion.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Blood Red (1989)
  3. The Ambulance (1990)
  4. The Lost Capone (1990)
  5. Love, Cheat, & Steal (1993)
  6. Love Is A Gun (1994)
  7. Sensation (1994)
  8. Doctor Who (1996)
  9. Most Wanted (1997)
  10. Mr. Brightside (2004)
  11. Six: The Mark Unleased (2004)
  12. Hey You (2006)
  13. In The Blink of an Eye (2009)
  14. The Expendables (2010) 
  15. Sharktopus (2010)
  16. Deadline (2012)
  17. Miss Atomic Bomb (2012)
  18. Lovelace (2013)
  19. Self-Storage (2013)
  20. This Is Our Time (2013)
  21. Inherent Vice (2014)
  22. Road to the Open (2014)
  23. Rumors of War (2014)
  24. A Fatal Obsession (2015)
  25. Stalked By My Doctor (2015)
  26. Joker’s Poltergeist (2016)
  27. Stalked By My Doctor: The Return (2016)
  28. The Wrong Roommate (2016)
  29. Stalked By My Doctor: Patient’s Revenge (2018)
  30. Monster Island (2019)
  31. Seven Deadly Sins (2019)
  32. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  33. The Wrong Mommy (2019)
  34. Free Lunch Express (2020)
  35. Her Deadly Groom (2020)
  36. Top Gunner (2020)
  37. Just What The Doctor Ordered (2021)
  38. Killer Advice (2021)
  39. The Poltergeist Diaries (2021)
  40. My Dinner With Eric (2022)

May Positivity: Grace Unplugged (dir by Brad J. Silverman)


The 2013 film, Grace Unplugged, is about Grace Trey (AJ Michalka) and her father, Johnny Trey (James Denton).  Back in the 80s, Johnny was a rock star who had one hit song and then basically wasted away with his career with drugs and alcohol.  Eventually, he got clean and turned his back on rock stardom.  Instead, he started writing and performing faith-based music.  Like her father, Grace is musically talented but, at the age of 18, she is chafing at the idea of living under his strict rules.  Though she plays in his band, she resents the fact that he won’t left her play the songs the way that she wants to.

One day, Johnny is visited by his former manager, Mossy Mostin (Kevin Pollack).  (Never trust anyone named Mossy.)  Mossy explains that, because it was performed by the winner of an Australian singing competition, Johnny’s one hit is suddenly popular again.  Mossy wants Johnny to start recording again.  “None of the religious stuff, obviously,” Mossy says.  Johnny turns Mossy down but Grace, looking for an escape, records her own version of her father’s song and sends it to Mossy.

After she ditches youth group so that she can go to a movie and subsequently gets yelled at about it by her father, Grace decides to leave home and go to Mossy.  Mossy offers to manage Grace.  He also tells Grace that he will be totally taking over her image.  Soon, Grace finds herself in a phony relationship with a vapid television star (Zane Holtz) and she’s told that she has to be willing to sex up her image if she’s going to be a star.  Johnny continually asks her to come back home.  Mossy continually pressures her to stop thinking and just listen to her management.

On the positive side, Grace Unplugged avoids the many of the cliches that one might normally expect to come along with a film like this.  Grace, for instance, doesn’t get hooked on pills or any other drugs.  At worse, she has too much to drink one night and then wakes up with a bad hangover.  Grace may often feel confused about what she wants to do with her career and she doesn’t appreciate her father’s strict ways but she never becomes self-destructive or strung out or any of the other things that usually happen in movies like this.  As well, Mossy is portrayed as being a bit insensitive but he’s not some sort of a mustache-twirling villain.  In fact, the film is smart enough to understand that Grace does have a point about her father.  Johnny is too over-protective and over-controlling, especially when it comes to her music.  He fears that she’ll make the same mistakes that he did but the viewers never have any doubt that she’s not going to.  Grace is often naïve and unsure of what she should do but she’s never portrayed as being weak and I appreciated that.

That said, the film ends on a bit of a heavy-handed note as it reveals itself to be yet another adaptation of the parable of the Prodigal Son.  The film’s script conspires to only leave Grace with two options, which is either abandon her family or abandon stardom.  In the end, the film’s conclusion feels just a little bit too simplistic.