Song of the Day: And Then There Was Silence… (by Blind Guardian)


The latest pick for Song of the Day is one that is, quite literally, worshipped by some people I know. For them, this is the greatest song ever committed to record — or, if not the absolute pinnacle, something so close to it that the distinction barely matters. Today’s selection is Blind Guardian’s “And Then There Was Silence,” and if you’ve never heard it, you are about to understand what the word “epic” actually means.

The song runs a staggering fourteen minutes long and comes from this German power metal band’s 2001 album, A Night at the Opera. The lyrical foundation draws from two of the greatest works in the Western literary canon: Homer’s The Iliad and Virgil’s Aeneid. Let that sink in for a moment. A heavy metal song rooted in ancient Greek and Roman epic poetry. Specifically, “And Then There Was Silence” chronicles the final days of Troy — the fall of a city, the collapse of a civilization, and the human cost of a decade-long war — all rendered in the language of power metal. The ambition alone is enough to demand respect.

There is a persistent and deeply unfair misconception about metal as a genre — the idea that it is nothing more than formless noise, guttural bellowing, and musicians who wouldn’t recognize a melody if it knocked them flat. “And Then There Was Silence” will dismantle that notion within its first minute. Blind Guardian frontman Hansi Kürsch doesn’t merely carry a tune; he commands the music with a vocal range and precision that rivals the most accomplished operatic tenors and sopranos working today. His voice soars through passages of genuine beauty, then plunges into something more urgent and desperate, perfectly mirroring the emotional arc of the story being told. This is singing in the most demanding and traditional sense of the word.

This is also the song that finally pulled me headlong into the world of power metal — a subgenre I have affectionately and unapologetically taken to calling “nerd metal.” The label is meant as the highest of compliments. Power metal draws its lyrical DNA from fantasy novels, mythology, folklore, medieval history, science fiction, and the great legends of human civilization. It is music made by and for people who stayed up past midnight reading Tolkien, who know the difference between the Trojan War and the Peloponnesian War, and who see no contradiction between loving heavy guitars and loving great literature. Blind Guardian, in particular, have built an entire career on this premise, and “And Then There Was Silence” represents the form at its absolute peak.

What makes the song especially remarkable is its narrative perspective. Rather than presenting the fall of Troy from a broad, panoramic viewpoint, Blind Guardian tells the story through the eyes of Cassandra — the Trojan princess cursed by Apollo to speak true prophecies that no one would ever believe. She saw every catastrophe coming and was powerless to prevent any of it. It is one of the most haunting figures in all of classical literature, and the choice to center the song on her experience gives the music a quality of grief and inevitability that the straightforward historical account could never achieve.

The structure of the song itself echoes that of an ancient epic poem. It builds, recedes, transforms, and builds again. I have compared its finale to the ending of Peter Jackson’s The Return of the King — the one famously criticized for having too many endings. Just when you feel certain the song has reached its emotional peak and is preparing to close, another movement begins, and rather than feeling excessive, each new section deepens and enriches everything that came before it. The song earns every one of its fourteen minutes.

Here is the honest truth: even people who are entirely indifferent to metal — who would not voluntarily put on a heavy guitar record under any ordinary circumstances — tend to find something in this song that reaches them. Something in the melody, the storytelling, the sheer scale of it connects across the usual genre boundaries. It asks only fourteen minutes of your time and, in exchange, offers something genuinely unlike almost anything else in popular music. That seems like a reasonable trade.

And Then There Was Silence

Turn your head and see the fields of flames

He carries along
From a distant place
He’s on his way
He’ll bring decay
(don’t move along cause things they will go wrong
the end is getting closer day by day)
in shades of grey
We’re doomed to face the night
Light’s out of sight

Since we’ve reached the point of no return
We pray for starlight
We wait for the moon
The sky is empty
Alone in the unknown
We’re getting nowhere

We have been betrayed
By the wind and the rain
The sacred halls empty and cold
The sacrifice made should not be done in vain
Revenge will be taken by Rome

We live a lie
Under the dying moon
Pale faced laughs doom
Indulges in delight

It’s getting out of hand
The final curtain will fall
Hear my voice
There is no choice
There’s no way out
You’ll find out

We don’t regret it
So many man have failed
But now he’s gone
Go out and get it
The madman’s head it shall be thine
We don’t regret it
That someone else dies hidden in disguise
Go out and get it
Orion’s hound shines bright

Don’t you think it’s time to stop the chase
Around the ring
Just stop running, running
Round the ring
Don’t you know that fate has been decided
By the gods
Feel the distance, distance
Out of reach

Welcome to the end…
Watch your step, Cassandra
You may fall
As I’ve stumbled on the field
Sister mine
Death’s a certain thing
Find myself in darkest places
Find myself drifting away
And the otherworld
The otherworld appears

Find myself, she dies in vain
I cannot be freed
I’m falling down
As time runs faster
Moves towards disaster
The ferryman will wait for you
My dear

And then there was silence
Just a voice from the otherworld
Like a leaf in an icy world
Memories will fade

Misty tales and poems lost
All the bliss and beauty will be gone
May my weary soul find release for a while
At the moment of death I will smile
It’s the triumph of shame and disease
In the end
Iliad

Raise my hands and praise the day
Brake the spell, show me the way
In decay
The flame of Troy will shine bright

The newborn child would carry ruin to the hall
The newborn’s death will be a blessing to us all

Good choice?
Bad choice?
Out of three
You’ve choosen misery
Power and wisdom
You deny
Bad choice

War is the only answer
When love will conquer fear
So the judgment’s been made
To the fairest
The graceful says
Badly he fails

Warning
Fear the heat of passion, father king
Don’t let him in
Don’t let her in
Desire, lust, obssession
Death they’ll bring
We can’t get out
Once they are in

She’s like the sunrise
Outshines the moon at night
Precious like starlight
She’ll bring in a murderous price

In darkness grows the seed of man’s defeat
Jealousy
I can clearly see the end now
I can clearly see the end now
I can clearly see the end now

The thread of life in spun
The coin’s been placed below my tongue
Never give up
Never give in
Be on our side
So we can win
Never give up
Never give in
Be on our side

Old moon’s time is soon to come

Nowhere to run
Nowhere to hide
Nothing to lose
Like one we’ll stand
We’ll face the storm
Created by man

Troy, Troy, Troy, Troy

And as the lion
Slaughters man
I am the wolf
And you’re the lamb

Hallowed Troy shall fall
Round the walls
Faith is shattered, bodies fall

Nowhere to run
Nowhere to hide
Nothing to lose
Like one we’ll stand
It’s all for one and one for all
All we live for will be wiped out

I feel that something’s wrong
Surprise, surprise they’re gone
Full moon your time goes by
And new moon’s still kept out of sight

We live
We die

Misty tales and poems lost
All the bliss and beauty will be gone
May my weary soul find release for a while
At the moment of death I will smile
It’s the triumph of shame and disease
In the end
Iliad

Raise my hands and praise the day
Brake the spell, show me the way
In decay
The flame of Troy will shine bright

Roam in darkness
Spread the vision
We will be lost if you truly believe
Troy in darkness
There’s a cold emptiness in our hearts
That they’ve gone away
And won’t come back

They’ll tear down the wall to bring it in
They’ll truly believe in the lie
With blossoms they’ll welcome the old foe

The vision’s so clear
When day and dream unite
The end is near
You’d better be prepared

The nightmare shall be over now
There’s nothing more to fear
Come join in our singing
And dance with us now
The nightmare shall be over now
There’s nothing more to fear
The war it is over, forevermore

No hope
The blind leads the blind
Carry on
Though future’s denied
Mare or stallion
There’s far more inside
We are in at the kill
We’ll cheerfully die

Misty tales and poems lost
All the bliss and beauty will be gone
May my weary soul find release for a while
At the moment of death I will smile
It’s the triumph of shame and disease
In the end
Iliad

Raise my hands and praise the day
Brake the spell, show me the way
In decay
The flame of Troy will shine bright

Its holy light shines on
So the judgement’s been made
We’re condemned though the trial’s far ahead
The crack of doom
Father
Your handsome son is heading home

Heading home

Still the wind blows
Calm and silent
Carries news from a distant shore

Out of mind
Can’t get it
Can’t get it out of my head

Sorrow and defeat
Sorrow and defeat

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Song of the Day: Harvest of Sorrow (by Blind Guardian)


Who would’ve thought that a German power metal band will end up penning and composing one of the best ballad’s dedicated to a story from J.R.R. Tolkien’s classic novel, Silmarillion. Power metal bands has always been quite adept at using fantasy-related subject matter as inspiration for songs and entire albums. The band Blind Guardian have pretty much made a career out of using J.R.R. Tolkien’s stories and tales as inspiration. They’ve even dedicated an entire full-length album to Middle-Earth: Nightfall in Middle-Earth.

One of the bonus tracks from Nightfall on Middle-Earth is our “Song of the Day.” It is a song based on Tolkien’s tragic tale of  Túrin Turambar as he mourns the loss of his sister Nienor. One would expect Harvest of Sorrow to be full of metal riffs and overdubbed vocals common in metal power ballads, but this is not the case in this Blind Guardian ballad. The band has instead gone renaissance folk-rock in their composition. I will say that their stylistic choice fits the song well. The song has been so popular that there are nine versions of the song. There are the seven recording variants in addition to two live versions. There are two English versions, two versions in Spanish, one in French and another in Italian with another a mix of all versions minus the English acoustic.

So, those who think that metal is all about sturm und drang with screaming and guttural noises will be in for a surprise to know that they can also be quite subtle in the music they make. Harvest of Sorrow is a fine example and quite easy to sing-along to. Just pull up a chair at the table, grab a stein of ale or a horn full of mead and sing-along using the lyrics provided.

Harvest of sorrow

She is gone leaves are falling down
The tear maiden will not return
The seal of oblivion is broken
And a pure love’s been turned into sin

At the dawn of our living time
Hope may cover all cries
Truth lurks hidden in the shadows
Dreams might be filled with lies
Soon there will be night
Pain remains inside

Suddenly (oh) it seemed so clear
All the blindness was taken away
She closed her eyes and she called out my name
She was never ever never ever seen again

Harvest of sorrow, your seed is grown
In a frozen world full of cries

When the ray of light shrinks
Shall cold winter nights begin

She is gone and I fall from grace
No healing charm covers my wounds
Fooled’s the dawn and so I am
Fooled by life and a bitter doom
To bring you the end of the day

At the dawn of our living time
Hope it soon will pass by
Facing a darkness
I stand (alone)

Harvest of sorrow, your seed is grown
In a frozen world full of cries
When the ray of light shrinks
Shall cold winter nights begin

Ten Bands You Ought to Experience Live


Having seen 263 different bands live, and a good many of those more than once, I offer you a top 10 list based on ample experience. Oh there might be better live bands out there, but mark my words, these guys are among the very best.


10. Sunn O)))
1 time: 20090917
Recommended album: Black One, or their collaboration with Boris: Altar
Sunn O))) is what happens when an ancient mystery cult encounters electricity. This is probably the closest you can get in this day and age to a true pagan spiritual experience. This is amplifier worship in the literal sense.


9. The Mountain Goats
1 time: 20061029
No Children off of Tallahassee
Recommended album: All Hail West Texas
A funny looking man picks up an acoustic guitar and starts singing you a story about two young lads named Jeff and Cyrus. As the painfully awkward lyrics inform you of their botched efforts to form a metal band, accusing society’s lack of tolerance for holding their dreams at bay, you really start to wonder whether you should cheer the guy on or steal his lunch money. Then the story reaches its conclusion with a chorus of “Hail Satan! Hail Satan tonight!”, everyone in the audience is singing along, and you at last realize that it doesn’t really matter whether you understand the guy or not. This is delightful. If you bother to dig around a little, read more of the lyrics, catch the references here and there, you’ll come to find that John Darnielle absolutely “gets it”. The joke was on you. But it was a clever innocent joke, because everything this guy writes is just as honest as it is intentionally comical. Show up, sing along, listen to his stories, walk away smiling.


8. Týr
2 times: 20080516, 20080517
Hail to the Hammer off of various albums
Recommended album: Eric the Red
“Viking metal” is as much an ethos as a musical style. Indeed, I hesitate to label any but the most undeniable bands “viking”, as opposed to “folk” or “pagan”. But in Týr we find the true third generation of the genre, following Bathory and Falkenbach, with whom they share little stylistically save a knack for writing anthemic heavy metal pagan hymns. I never got into Týr much until I saw them live, but was impressed by their great vocal harmonies, trance-like song progressions, and most notably the confidence with which they could hold the stage even when singing a cappella. By the end of the night I was making arrangements to drive three hours away to see them again.


7. Cracker
3 times: 20060614, 20071031, 20090527
St. Cajetan off of Cracker
Recommended album: Garage D’Or best of compilation
Cracker are the most underrated band of the last 20 years. I’ve been a fan since Teen Angst (What the World Needs Now) and Low were radio staples in the early 90s, but when I finally saw them live for the first time in 2006, I was blown away by their energetic stage presence. Johnny Hickman is a rock guitar guru, blending the established melodies with bluesy improvisations that at no point feel forced. David Lowery, nearly 50, rocks out harder than most younger musicians today. You’ll show up with limited hopes of tapping your feet to a few old familiar songs and discover a band that ranges from head-banging rock to slow tongue-in-cheek ballads to plodding blues-worship masterpieces.


6. Explosions in the Sky
1 time: 20070429
Your Hand in Mine off of The Earth is Not a Cold Dead Place
Recommended album: The Earth is Not a Cold Dead Place
The name says it all. Granted I saw them main stage at Coachella on a sound system set to support Rage Against the Machine’s first gig in nearly a decade, I have to imagine their music completely encompasses any venue. Explosions in the Sky write songs so compelling that you will completely forget you’re at a gig. The music penetrates everything in its vicinity and thrusts itself into you so forcefully that no amount of distractions will diminish the experience.


5. The Decemberists
4 times: 20040627, 20040628, 20061024, 20090814
excerpt from The Hazards of Love
Recommended album: The Crane Wife
The Decemberists have evolved from a thoroughly entertaining sideshow into a complex, operatic experience, without losing track of their original nature. Last time I saw them they performed the Hazards of Love rock opera in its hour long entirety without breaks, then returned for a good half hour of interactive fun. Audience participation is required, but hard to resist when they’re marching up and down the aisles in parade, awkwardly yanking people out of their seats to perform weird skits set to their older songs.


4. Boris
3 times: 20070316, 20071019, 20080629
Farewell off of Pink
Recommended album: Akuma No Uta
A youtube comment for this video described Farewell as “probably the greatest sludge ballad of all time”. Remember that feeling of disintegrating into the world that you got the first time you listened to Converge’s “Jane Doe” or Explosions in the Sky’s “The Birth and Death of Day”? A video of Boris can’t possibly do them justice. The shear volume of sound is their most distinguishable characteristic. On songs like “Farewell” it will disolve you. On songs like “My Neighbor Satan” it will implode you. On songs like “Naki Kyoku” it will chill you out in a mellow bliss.


3. GWAR
5 times: 20060723, 20061124, 20070707, 20071006, 20090923
Womb with a View off of War Party
Recommended album: Beyond Hell
Ever seen a man in a pig suit get a spear jammed up his ass and split out the top of his spine? Ever get soaked in the blood and puss launching forth from the gaping wound, while a monster with a three foot dick sings about raping your girlfriend and feeding her to bears? …What, that doesn’t sound fun? Everyone should see GWAR live at least once. You will either become a cult follower or start going to church more.


2. Dropkick Murphys
3 times: 20070913, 20080307, 20090629
Kiss Me, I’m Shitfaced off of Blackout
Recommended album: The Meanest of Times
If you’ve ever drank a beer and liked it, you are a Dropkick Murphys fan. Their gigs are more like giant parties… Well, parties with bagpipes and Guinness.


1. Blind Guardian
2 times: 20061210, 20061211
Mirror Mirror off of Nightfall in Middle-Earth
Recommended album: NiME or A Night at the Opera
Hansi Kursch is the King of the Nerds, and we must give our worthy sage the rightful placement he deserves. What happens when you combine Iron Maiden stage presence with the most epic melodies ever written and lyrics about the Dark Lord Sauron? Click and see my friend. Click and see.

5 Artists/Bands I Fell In Love w/ in 2009


While I’m not as well-versed with all sorts of music genres like some friends of mine I do have a well-rounded taste when it comes to music. Growing up during the 80’s it was hard not to get into the hair-metal which dominated the scene. Yes, I fully admit to being a Motley Crue fan and even listened to the random Poison track here and there. In addition to hair-metal I also got into rap and hip-hop during the 80’s and early 90’s which I still consider the Golden Age of the genre.

Young people nowadays can have their Lil’ Wayne or Soulja Boy (but why would they want to) and the Dirty South crew and all that. I say I’ll take giants of the genre like Eric B. and Rakim, EPMD, Wu-Tang Clan, Afrika Bambaataa, Paris, N.W.A, Ice-T and Ice Cube over these new youngbloods any day of the week and Sundays included. While rap and hip-hop have become too much about commercialization I do like current acts like Mos Def and Talib Kweli of Black Star, Common, OutKast, Mobb Deep and Goodie Mobb.

As I’ve gotten older I’ve branched out from those two genres and embraced all types of music (though folk music still escapes me most of the time). It doesn’t matter now whether the artist/band plays some subgenre of metal like Norwegian Black, Viking, Pagan or combinations in-between. Or if they’re more classical genres like baroque, chamber and symphony. If they sounded good and I got into them I couldn’t care less what sort of genre they went under.

2009 was a good year for me in terms of discovering some new bands and artists. These were not new in the way that they’ve just been making music recently. All five I’m about to mention have been making music for at least a decade or decades for a couple.

1. Altan Urag

Altan Urag is a folk-rock band from Mongolia who have combined traditional Mongolian folk music, Western rock stylings and traditional Tuvan/Mongolian “karkhiraa” throat singing. It’s just very difficult to try and explain Altan Urag who has never heard of throat singers and folk music from the region. I’ve pretty much scoured every music store in my area, the net and other shadowy options to find their music. To say that I fell in love with this band would be one of the major understatement of the year.

2. Bathory

Bathory is one band I’ve heard of in the past but never really bothered to try. I was still very leery of the subgenres of metal that went by labels such as Norwegian Black, Pagan, Viking, etc. I was very much still a child of the NWOBHM movement of the lat 70’s and early 80’s and the rise of trash/speed metal of the 80’s. But the last two years I’ve branched out to try more types of metal and in 2009 I finally gave Bathory a chance and was instantly hooked. I’ve wondered since why I never gave them a chance. My favorite track of theirs has to be “Hammerheart” from their “Twilight of the Gods” album. It’s a much more subdued Bathory, but every time I listen to it I feel like I should be at a pub or some Viking hall downing a few pints of ale or horns of mead with my buddies before going off to battle. I definitely feel like Odin is watching over me when I listen to Bathory.

3. Blind Guardian

What is there to say about Blind Guardian that its most ardent fans haven’t already said ad infinitum about this greatest of all power metal bands. Power metal have been a genre I’ve dabbled in here and there in years past but never really paid them much attention as they truly deserve. Blind Guardian changed all that for me in 2009 and I now count Power Metal as one of my favorite type of music. Blind Guardian’s epic and quite operatic 2002 album, “A Night at the Opera”, was my first introduction to this power metal band of all power metal. While I’ve come to love all the other albums of their pre- and post-Opera I found this album of theirs the most accomplished and musically complete. Even people who are not typically fans of metal would find this album as something they would enjoy listening to. My favorite track is also the longest and most complex in the album, “…And Then There Was Silence.” It is an epic 14-minute track that tells the story of the Trojan War. If there’s a song more epic than this one I haven’t heard it.

4. Boris

Whenever I used to think of Japanese popular music and rock I always thought of J-Pop and it’s rock equivalent. I’m not wrong in that assumption as those type of music coming out of Japan have become quite popular due to the rise in the popularity of anime in the West. So, color me surprised when the same friend who introduced me to Blind Guardian and Altan Urag told me to check out Boris. The band is the power trio of Atsuo (vocals/drums), Wata (lead guitar) and Takeshi (bass guitar/vocals) out of Tokyo who simply cannot be hobbled by any particular genre of rock. One album may be stoner rock while the next all about doom and drudge metal. They’ve even released ambient rock and noise rock albums where one would think the music was just amps feedbacking back on themselves. I’ve come to call Boris the mad scientists of rock and their albums attest to that. My favorite track of theirs come from their 2003 album, “Akuma no Uta.” The song in question is called “Naki Kyoku” and one just has to listen to this song just what sort of musical geniuses the trio of Boris really are.

5. Tom Waits

Tom Waits. There’s just nothing much I can say about my love for Tom Waits other than people who have never heard him should just listen to “Pasties and a G-String” and be amazed. To try and describe Tom Waits would be an exercise in failure. One either loves The Waits or just don’t get him. There’s no middle-ground when it comes to The Waits.

So that makes the 5 bands and artists I fell in love with in 2009. Honorable mentions must go to these others: Mastodon, Turisas, Isis, Otis Taylor, Mantic Ritual, The Black Keys, Mirrorthrone and Nightwish just to name a few.