Here Are The 2024 Nominations of the Michigan Movie Critics Guild!


The Michigan Movie Critics Guild have announced their nominations for the best of 2024.  The winners will be announced on December 9th!

Best Picture
Anora
The Brutalist
Dune: Part Two
The Substance
Wicked

Best Director
Sean Baker – Anora
Jon M. Chu – Wicked
Brady Corbet – The Brutalist
Robert Eggers – Nosferatu
Coralie Fargeat – The Substance

Best Actress
Amy Adams – Nightbitch
Cynthia Erivo – Wicked
Nicole Kidman – Babygirl
Mikey Madison – Anora
Demi Moore – The Substance

Best Actor
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Daniel Craig – Queer
Colman Domingo – Sing Sing
Hugh Grant – Heretic

Best Supporting Actress
Ariana Grande-Butera – Wicked
Felicity Jones – The Brutalist
Natasha Lyonne – His Three Daughters
Margaret Qualley – The Substance
Zoe Saldaña – Emilia Pérez

Best Supporting Actor
Yura Burisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Guy Pearce – The Brutalist
Adam Pearson – A Different Man
Denzel Washington – Gladiator II

Best Animated Film
Flow
Inside Out 2
Piece By Piece
Transformers One
The Wild Robot

Best Documentary
Daughters
Music By John Williams
No Other Land
Piece By Piece
Super/Man: The Christopher Reeve Story
Will & Harper

Best Ensemble
Conclave
Dune: Part Two
Nosferatu
Saturday Night
Wicked

Best Screenplay (Adapted or Original)
Anora
The Brutalist
Challengers
Nosferatu
The Substance
Wicked

Breakthrough Award
Mikey Madison – Actress for Anora
Giovanni Ribisi – Cinematographer for Strange Darling
Jane Schoenbrun – Director for I Saw the TV Glow
Maisy Stella – Actress for My Old Ass
Zelda Williams – Director for Lisa Frankenstein

Stunts
Deadpool & Wolverine
The Fall Guy
Furiosa: A Mad Max Saga
Kill
Monkey Man
Road House

The MMCG Award for Film Excellence (presented to a filmmaker, writer, actor, crew member, etc., who has Michigan ties or to a film made or set in Michigan)
The Fire Inside (Set in Flint, and lead actress Ryan Destiny is a Detroit native)
Francis Ford Coppola (Writer/Director of Megalopolis)
Hundreds of Beavers (Partially filmed in Michigan)
Keegan-Michael Key (Actor in IF, Transformers One & Dear Santa)
J.K. Simmons (Actor in Saturday Night, Red One and Juror #2)

The Seattle Film Critics Society Announced Their Nominees For The Best of 2024


The Seattle Film Critics Society has announced their nominations for the best of 2024!  The winners will be announced on December 16th!

BEST PICTURE
Anora – Sean Baker
The Beast – Bertrand Bonello
The Brutalist – Brady Corbet
Challengers – Luca Guadagnino
Conclave – Edward Berger
Dune: Part Two – Denis Villeneuve
Furiosa: A Mad Max Saga – George Miller
I Saw the TV Glow – Jane Schoenbrun
Sing Sing – Greg Kwedar
The Substance – Coralie Fargeat

DIRECTOR
Sean Baker – Anora
Bertrand Bonello – The Beast
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Denis Villeneuve – Dune: Part Two

LEAD ACTOR
Adrien Brody – The Brutalist
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Keith Kupferer – Ghostlight
George MacKay – The Beast

LEAD ACTRESS
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Léa Seydoux – The Beast

SUPPORTING ACTOR
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Josh O’Connor – Challengers
Guy Pearce – The Brutalist

SUPPORTING ACTRESS
Joan Chen – Dìdi (弟弟)
Danielle Deadwyler – The Piano Lesson
Ariana Grande – Wicked
Margaret Qualley – The Substance
Isabella Rossellini – Conclave

ENSEMBLE
Anora – Sean Baker
Conclave – Nina Gold and Martin Ware
Dune: Part Two – Dixie Chassay and Francine Maisler
His Three Daughters – Nicole Arbusto
Sing Sing – Greg Kwedar

PACIFIC NORTHWEST FILM
All We Carry – Cady Voge
Fish War – Jeff Ostenson, Charles Atkinson, and Skylar Wagner
Gasoline Rainbow – Bill Ross IV and Turner Ross
Rainier: A Beer Odyssey – Isaac Olsen
Strange Darling – J.T. Mollner

INTERNATIONAL FILM
The Beast – Bertrand Bonello
Evil Does Not Exist – Ryûsuke Hamaguchi
Flow – Gints Zilbalodis
Red Rooms – Pascal Plante
The Seed of the Sacred Fig – Mohammad Rasoulof

DOCUMENTARY FILM
Dahomey – Mati Diop
No Other Land – Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Super/Man: The Christopher Reeve Story – Ian Bonhôte and Peter Ettedgui
Will & Harper – Josh Greenbaum

ANIMATED FILM
Flow – Gints Zilbalodis
Inside Out 2 – Kelsey Mann
Transformers One – Josh Cooley
Wallace & Gromit: Vengeance Most Fowl – Merlin Crossingham and Nick Park
The Wild Robot – Chris Sanders

CINEMATOGRAPHY
The Brutalist – Lol Crawley
Dune: Part Two – Greig Fraser
Furiosa: A Mad Max Saga – Simon Duggan
Nickel Boys – Jomo Fray
Nosferatu – Jarin Blaschke

EDITING
Anora – Sean Baker
The Brutalist – Dávid Jancsó
Dune: Part Two – Joe Walker
Furiosa: A Mad Max Saga – Eliot Knapman and Margaret Sixel
The Substance – Coralie Fargeat, Jérôme Eltabet, and Valentin Feron

SCREENPLAY
Anora – Sean Baker
The Brutalist – Brady Corbet and Mona Fastvold
Conclave – Peter Straughan
A Real Pain – Jesse Eisenberg
The Substance – Coralie Fargeat

PRODUCTION DESIGN
The Brutalist – Judy Becker (Production Design)
Conclave – Suzie Davies (Production Design) | Cynthia Sleiter (Set Decoration)
Dune: Part Two – Patrice Vermette (Production Design) | Shane Vieau (Set Decoration)
Furiosa: A Mad Max Saga – Colin Gibson (Production Design) | Katie Sharrock (Set Decoration)
Wicked – Nathan Crowley (Production Design) | Lee Sandales (Set Decoration)

COSTUME DESIGN
Conclave – Lisy Christl
Dune: Part Two – Jacqueline West
Furiosa: A Mad Max Saga – Jenny Beavan
Nosferatu – Linda Muir
Wicked – Paul Tazewell

ORIGINAL SCORE
The Brutalist – Daniel Blumberg
Challengers – Trent Reznor and Atticus Ross
Conclave – Volker Bertelmann
Evil Does Not Exist – Eiko Ishibashi
The Wild Robot – Kris Bowers

ACTION CHOREOGRAPHY
Dune: Part Two – Lee Morrison (Stunt Coordinator) | Roger Yuan (Fight Choreographer)
The Fall Guy – Chris O’Hara and Keir Beck (Stunt Coordinator) | Jonathan Eusebio (Fight Choreographer)
Furiosa: A Mad Max Saga – Tim Wong (Stunt Coordinator) | Richard Norton (Fight Choreographer)
Monkey Man – Udeh Nans (Stunt Coordinator) | Brahim Achabbakhe (Fight Choreographer)
Twilight of the Warriors: Walled In – Kenji Tanigaki (Stunt Coordinator)

VISUAL EFFECTS
Dune: Part Two – Paul Lambert, Stephen James, and Rhys Salcombe
Furiosa: A Mad Max Saga – Andrew Jackson and Dan Bethell
Kingdom of the Planet of the Apes – Erik Winquist and Sean Noel Walker
The Substance – Bryan Jones and Guillaume Le Gouez
Wicked – Anthony Smith, Jonathan Fawkner, Pablo Helman, and Robert Weaver

YOUTH PERFORMANCE
Alyla Browne – Furiosa: A Mad Max Saga
Katherine Mallen Kupferer – Ghostlight
Izaac Wang – Dìdi (弟弟)
Alisha Weir – Abigail
Zoe Ziegler – Janet Planet

VILLAIN OF THE YEAR
Count Orlok – Nosferatu (as portrayed by Bill Skarsgård)
Dementus – Furiosa: A Mad Max Saga (as portrayed by Chris Hemsworth)
Feyd-Rautha Harkonnen – Dune: Part Two (as portrayed by Austin Butler)
Longlegs – Longlegs (as portrayed by Nicolas Cage)
Macrinus – Gladiator II (as portrayed by Denzel Washington)

The National Board of Review Gets Wicked


 

The National Board of Review has announced its pick for the best of 2024!  The National Board of Review is considered to be one of the big precursors as far as the Oscars are concerned, though perhaps not as much as they once were.

That said, Wicked is definitely contender so get ready for the most annoying people you know to suddenly get very emotionally invested in the Oscars.

Best Film:  Wicked

Best Director:  Jon M. Chu, Wicked

Best Actor: Daniel Craig, Queer

Best Actress: Nicole Kidman, Babygirl

Best Supporting Actor: Kieran Culkin, A Real Pain

Best Supporting Actress: Elle Fanning, A Complete Unknown

Best Ensemble: Conclave

Breakthrough Performance: Mikey Madison, Anora

Best Directorial Debut: India Donaldson, Good One

Best Original Screenplay: Mike Leigh, Hard Truths

Best Adapted Screenplay: Clint Bentley & Greg Kwedar, Sing Sing

NBR Spotlight Award: Creative Collaboration of Cynthia Erivo & Ariana Grande

NBR Freedom of Expression Award: No Other Land

Best Animated Feature: Flow

Best International Film: The Seed of the Sacred Fig

Best Documentary: Sugarcane

Outstanding Achievement in Cinematography: Jarin Blaschke, Nosferatu

Outstanding Achievement in Stunt Artistry: Furiosa: A Mad Max Saga

Top Films (in alphabetical order):

Anora
Babygirl
A Complete Unknown
Conclave
Furiosa: A Mad Max Saga
Gladiator II
Juror #2
Queer
A Real Pain
Sing Sing

Top 5 International Films (in alphabetical order):

All We Imagine as Light
The Girl with the Needle
I’m Still Here
Santosh
Universal Language

Top 5 Documentaries (in alphabetical order):

Black Box Diaries
Dahomey
Look Into My Eyes
Super/Man: The Christopher Reeve Story
Will & Harper

Top 10 Independent Films (in alphabetical order):

Bird
A Different Man
Dìdi
Ghostlight
Good One
Hard Truths
His Three Daughters
Love Lies Bleeding
My Old Ass
Thelma

Cleaning Out The DVR Yet Again #16: Zoolander 2 (dir by Ben Stiller)


(Lisa recently discovered that she only has about 8 hours of space left on her DVR!  It turns out that she’s been recording movies from July and she just hasn’t gotten around to watching and reviewing them yet.  So, once again, Lisa is cleaning out her DVR!  She is going to try to watch and review 52 movies by Wednesday, November 30th!  Will she make it?  Keep checking the site to find out!)

zoolander_2_poster

On October 14th, I recorded Zoolander 2 off of Epix.

A sequel to the 2001 cult hit, Zoolander 2 came out earlier this year and got absolutely terrible reviews and quickly vanished from theaters.  Watching the film last night, I could understand why it got such terrible reviews.  Zoolander 2 is not only a terrible movie but it’s also a rather bland one.  Somehow, the blandness is even more offensive than the badness.

Zoolander 2 opens with Justin Bieber getting assassinated and Derek Zoolander (Ben Stiller) being forced to come out of retirement and discover why pop stars are being targeted.  And, of course, Zoolander can’t do it without the help of Hansel (Owen Wilson)!  Penelope Cruz is in the film as well, playing  Zoolander’s handler and essentially being wasted in a role that could have been played by anyone.

Oh!  And Will Ferrell returns as well.  Ferrell gives a performance that essentially shouts out to the world, “Fuck you, I’m Will Ferrell and no one is going to tell Will Ferrell to tone his shit down!”

Actually, I think everyone in the world is in Zoolander 2.  This is one of those films that is full of cameos from people who probably thought a silly comedy would be good for their image.  For instance, there’s a huge number of journalists who show up playing themselves.  Matt Lauer shows up and I get the feeling that we’re supposed to be happy about that.  There was a reason why people cheered when the sharks ate him in Sharknado 3.

You know who else shows up as himself?  Billy Zane!  And Billy Zane has exactly the right type of attitude for a film like this.  He shows up and he mocks the whole enterprise by giving the Billy Zaniest performance of Billy Zane’s career.  For that matter, Kiefer Sutherland also shows up as himself.  I’m not really sure what Kiefer was doing in the film but he makes sure to deliver all of his lines in that sexy growl of his.  Kiefer knows what we want to hear.

You may notice that I’m not talking about the plot of Zoolander 2.  That’s largely because I couldn’t follow the plot.  This is an incredibly complicated film but it’s not complicated in a funny way.  Instead, it’s complicated in a way that suggests that the film was made up on the spot.  It’s as if the cast said, “We’re all funny!  Just turn on the camera and we’ll make it work!”

The problem with Zoolander 2 is obvious.  The first film pretty much exhausted the comic possibilities of making a spy film about shallow and stupid models.  Don’t get me wrong — the first film did a good job but it’s not like it left any material untapped.  But I would ask you to indulge me as I imagine an alternate reality.

Consider this: Terrence Malick was reportedly a huge fun of Zoolander.

Let’s take just a minute to imagine a world in which Ben Stiller asked Terrence Malick to write and direct Zoolander 2.  And let’s say, just for the sake of argument, that Malick agreed!

Just think about it — 4 hours of Zoolander and Hansel staring up at the sky and thinking about nature.  “What is this thing that causes the heart of man to beat?” Zoolander asks.  “Are we nature or has nature become us?” Hansel replies.

That would have been a fun film!

Music Video of the Day: Side To Side by Ariana Grande ft. Nicki Minaj (2016, dir. Hannah Lux Davis)


Let’s see what things I have already talked about in the area of sex when it comes to music videos:

-Laura Branigan brought us an orgy and being seduced with Self Control.
-Cyndi Lauper brought us masturbation with She Bop.
-Fiona Apple brought us the uncomfortably erotic Criminal that looks like it was shot on the set of a 70’s porno.
-Fifth Harmony loaded Work From Home with sexual references.

I think that’s it.

I didn’t think I would get to a music video in the area of anal sex, or rough sex, depending on how you interpret “getting railed”, till I did Dog Police.

I love that this music video about anal/rough sex is sponsored by Guess. It even premiered on their website.

There isn’t much to say if you’re my age–I thought. I take one look at this and think: Let’s get physical! Physical! I wanna get physical! Except can we do it in a way that comes across as somebody trying to be shocking instead of making something clever?

Director Hannah Lux Davis clearly had that music video in mind when she made this. The look of this gym is based on the one from Physical.

According to Grande in an interview with Ryan Seacrest, she thinks the album Dangerous Woman will move her away from her Nickelodeon image:

“It still sounds like me, but it feels like a more mature, evolved version. There’s a nice blend of the R&B vibes and a nice blend of pop vibes. The whole body of work is a little darker and sexier and more mature…”

Maybe she pulled that logic from Miley Cyrus’ Wrecking Ball. The difference is that the music video for Wrecking Ball referenced Nothing Compares 2 U by Sinead O’Connor, True Colors by Cyndi Lauper, and being her real-self instead of an image assigned to her by others via a reference to the wig from Hannah Montana which represented disguising who you are to please others. That was well-done. The song also had meat and punch to it.

This has Grande wearing a hat that says she is an “Icon” as a stand-in for a mostly shaved head. It has her dressed in an allegedly sexy manner that I guess represents maturity and being herself as a sexual being who isn’t ashamed to talk about anal/rough sex. It also has men turned into Ken dolls that I’m assuming are supposed to be a replacement for the newly buff guys pairing off and leaving the gym together in Physical. Otherwise, I’m not sure why they are around at all. It comes across as similar, but it doesn’t have the same impact when I watch it. I don’t feel anything when I hear the song.

I have never watched her Nickelodeon show, so I am not familiar with what her image was there. However, I can speak about Disney, which is along the same lines. This doesn’t break from that image at all. There’s sex all over their shows in one form or another.

That’s really it. It’s a more explicitly sexed-up version of a late-90s pop-princess music video based on Olivia Newton-John’s Physical, trying to do the same kind of thing as what that video and Wrecking Ball did for Newton-John and Cyrus, respectively. I hope that if she wants to move away from her Nickelodeon image, that she doesn’t let herself get trapped in this image. She has plenty of time. She’s only 23.

6 from 2016:

  1. Music Video of the Day: Work From Home by Fifth Harmony ft. Ty Dolla $ign (2016, dir. Director X)