Song of the Day: Live to Tell (by Madonna)


Jedadiah Leland wrote and very good review on the 1986 crime drama At Close Range (dir. by James Foley) that brought up some nostalgic memories growing up as a teenager during the 1980’s. Pretty much every teenage boy had a crush on Madonna when she first debut and the years following. I wasn’t immune to such a crush.

The latest “Song of the Day” is Live to Tell”, a song that Madonna co-wrote and co-produced with songwriter and film composer Patrick Leonard for At Close Range who also happened to star her-then husband Sean Penn. “Live to Tell” was a major departure for the pop-centric Madonna in that it was a bluesy, torch ballad that evoked feelings of regret and the scars of childhood tragedy.

Even Madonna’s look in the accompanying video shows her in a much more toned-down and mature image that brought to mind singers and actresses of the 1940’s and 50’s. Ironically, while the song itself was one of Madonna’s least controversial releases during her early years, her performance of the song during 2006’s Confessions Tour was seen as controversial by the Roman Catholic Church due to her hanging from a cross on stage.

Live to Tell

I have a tale to tell
Sometimes it gets so hard to hide it well
I was not ready for the fall
Too blind to see the writing on the wall

A man can tell a thousand lies
I’ve learned my lesson well
Hope I live to tell the secret I have learned till then it will burn inside of me

I know where beauty lives
I’ve seen it once
I know the warmth she gives
The light that you could never see
It shines inside you can’t take that from me…

A man can tell a thousand lies
I’ve learned my lesson well
Hope I live to tell the secret I have learned till then it will burn inside of me…

The truth is never far behind
You’ve kept it hidden well
If I live to tell the secret I knew then
Will I ever have the chance again?

If I ran away
I’d never have the strength to go very far
How would they hear the beating of my heart…?
Will it grow cold?
(will it grow cold?)
The secret that I hide
Will I grow old?
How will they hear?
When will they learn?
How will they know…?

A man can tell a thousand lies
I’ve learned my lesson well
Hope I live to tell the secret I have learned till then it will burn inside of me…

The truth is never far behind
You’ve kept it hidden well
If I live to tell the secret I knew then
Will I ever have the chance again…?
A man can tell a thousand lies
I’ve learned my lesson well
Hope I live to tell the secret I have learned till then it will burn inside of me…

4 Shots From 4 Films: Special 1946 Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to the year 1946.  It’s time for….

4 Shots From 4 1946 Films

Beauty and the Beast (1946, dir by Jean Cocteau, DP: Henri Arinal)

It’s A Wonderful Life (1946, dir by Frank Capra, DP: Joseph Walker and Joseph Biroc)

The Big Sleep (1946, dir by Howard Hawks, DP: Sidney Hickox)

The Stranger (1946, dir by Orson Welles, DP: Russell Metty)

Music Video of the Day: Too Much Pressure by The Selecter (2017, dir by ????)


Too much pressure!

I hope that’s not a case where you are today.  If it is, calm down.  Take a walk.  Take a few deep breaths.  Count backwards from 100.  Listen to this song.  You’re going to be okay!

Enjoy!

Late Night Retro Television Review: Pacific Blue 1.11 “The Phoenix”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

A serial arsonist is setting Malibu on fire so, of course, the bike patrol is called in.

Episode 1.11 “The Phoenix”

(Dir by Charles Siebert, originally aired on May 11th, 1996)

Fires are breaking out all over Malibu.  Whoever the arsonist is, he seems to be targeting a shady businessman named Curtis Bilson (Michael Cavanaugh).  TC and Chris decide to start investigating the arsons themselves, even though neither one of them is in the arson division.  “Bike patrol?” the arson detective asks, when he first meets them.  However, because everyone respects Lt. Palermo, TC and Chris are allowed to investigate.  Chris, being a former jet pilot, is naturally an expert on accelerants.  “Smells like jet fuel.”  Wow, really?

(Basically, this is the equivalent of allowing a school crossing guard to head up the search for a serial killer.)

A surfer named Suicide (Sam Hennings) insists that he saw the fire being set by The Phoenix, a legendary arsonist who the police consider to be dead.  His real name was Willoughby (Tim DeZarn) and the official story is that he got caught in one of his own fires and his body was reduced to ash and that’s why he disappeared without leaving a trace behind.  That seems awfully convenient and really doesn’t make much sense when you think about it but, then again, Malibu has their bike patrol investigating a serial arsonist.  We’re through the looking glass here.

(Myself, I’m concerned by the fact that no one seems to find it weird that their source is nicknamed “Suicide.”  I’m going to guess that’s a surfer thing but still, I cringed every time TC said, “My friend, Suicide….”)

TC and Chris’s investigation leads them to Dr. Anton (Dennis Christopher), an arsonist who is currently in a mental hospital.  They try to do a Lecter/Clarice thing between Anton and Chris.  Dennis Christopher is a good actor and it appears that he was having fun playing a thoroughly demented character.  Jim Davidson and Darlene Vogel were very bad actors and it seems almost unfair to force them to share a scene like Dennis Christopher.  It’s like giving me a chance to play tennis on national television and then telling me, right when the cameras start rolling, that I’m going to be playing against the Williams sisters.  It’s just adding insult to injury.

Anyway, it turns out Willoughby is still alive and he’s targeting the businessman and he also kidnaps Lt. Palermo for some reason.  Chris and TC are able to save Palermo and the crooked guy from the inferno and Willoughby once again vanishes.  Because, of course, he does….

Meanwhile, Cory tries to catch a man who keeps bringing a snake to the boardwalk.  At one point, she accidentally gets doused in a wet t-shirt contest.  She’s win the trophy and then come back to the station without bothering to change shirts, which kind of goes against everything we’ve seen about Cory’s personality up until this point.  For some reason, Palermo also puts Cory in charge of catch a mouse that’s running around the station.  The snake, once captured, eats the mouse but then gets lost in the station.  That made me laugh just because I like it whenever its acknowledged that the bike patrol is totally incompetent.

Next week …. Chris has a new boyfriend!  Dr. Anton, maybe?  We’ll find out!

 

Embracing The Melodrama: The God Committee (dir by Austin Stark)


First released (after being delayed by the COVID lockdowns) in 2021, The God Committee tells the story of a group of doctors faced with a difficult decision.

They’re the so-called God Committee, the ones who have been tasked with deciding which one of their patients will be receiving a new heart.  When the original “next name on this list” suddenly dies while being prepped for surgery, it comes down to three other possibilities.  One is a cranky old woman who has said that she doesn’t even want a new heart.  Another is a middle-aged, obese Black family man who suffers from bipolar disorder and who, years earlier, attempted to commit suicide.  And finally, there’s a young white guy who is famous for his addictions and his wild lifestyle.  He’s just arrived at the hospital, in critical condition.  Normally, his history of cocaine addiction would rule him out as a possible recipient but his father (Dan Hedaya) is rich and the hospital is in desperate need of money.

“I’m not going to let a good heart go to waste,” the brilliant Dr. Andre Boxer (Kelsey Grammer) says and he has a point.  Most candidates for a heart transplant die before a suitable heart is found.  This heart, taken from a teenage boy was hit by a car while returning home from a date, is a good one but it won’t stay viable forever.  Boxer, who is scheduled to leave the hospital in another month to set up his own private practice, is torn between the candidates.  Dr. Valerie Gilroy (Janeane Garofalo) and Father Dunbar — a disbarred lawyer-turned-priest — both feel the heart should go to the patient whose father can afford to fund the hospital.  Even if the decision is made just for the money, it’ll still do some good.  Dr. Jordan Taylor (Julie Stiles), who is Dr. Boxer’s former lover, is not so sure.  Psychiatrist Dr. Allen Lau (Peter Kim) recuses himself from voting for personal reasons and Nurse Wilkes (Patricia R. Floyd) eventually casts a vote that takes everyone by surprise.

While the God Committee debates who should get the heart, the film occasionally flashes forward.  Dr. Boxer, who is now dying and in need of a heart transplant himself, is working on a project that, if successful, will revolutionize the organ transplant business.  But will he survive long enough to see it completed?  Dr. Taylor, now in charge of the God Committee, tracks him down and asks him if he’s ready to see his son.  Though it takes a while for us to understand why and how, the decision that Doctors Boxer and Taylor made in the past will continue to have repercussions in the present.

The God Committee is based on a play.  Even if I didn’t already know that, I would have guessed as much from watching the film.  The God Committee is type of melodrama that tends to work better on stage than on film.  The artificiality of the stage allows for a story to be a bit overbaked and heavy handed.  On the other hand,  as a film, The God Committee‘s arguments are stacked so heavily to one side that it weighs down the plot.  It’s not enough for the rich candidate to be a former drug addict.  He also has to beat his pregnant girlfriend and leave her with a roadmap of cuts crisscrossing across her face.  It’s not for the good candidate to simply be a nice guy with a family.  Instead, he’s presented as being almost saintly.  There’s nothing subtle about it.

Fortunately, the talented cast steps up and keeps the story from going off the rails, with Julia Stiles, Colman Domingo, and Kelsey Grammer especially bringing some much-needed shading and nuance to their roles.  Grammer especially does well as the genius who can save lives and change the world but who struggles to connect with anyone on an emotional level.  In the end, The God Committee works due to the strength of its performers, all of whom bring their characters to multi-layered life and who remind us that it’s never easy to play God.

April True Crime: Our Guys by Bernard Lefkowitz and Our Guys (dir by Guy Ferland)


If there’s any true crime book that I recommend without hesitation, it’s Our Guys by Bernard Lefkowitz.

First published in 1997, Our Guys deals with a terrible crime that occurred in the leafy suburban community of Glen Ridge, New Jersey.  In 1989, it was an affluent community that loved its high school football team and where conformity and financial success were the most valued qualities the someone could have.  On March 1st, a 17 year-old girl was invited to a house party where, after she was convinced to head down to the basement, she was raped with a broomstick and a baseball bat by several members of the football team.  The girl was intellectually disabled and was later determined to have an IQ of 64.  Her name has never been revealed to the public.  In his book, Lefkowitz assigned her the pseudonym of Leslie Faber.

The crime was terrible.  So was the aftermath.  When one of the witnesses went to a teacher with what he saw happen in the basement, the town responded by rallying around the accused.  Initially, Leslie was accused of lying.  Then, as it became clear that something actually had happened in that basement, Leslie was accused of bringing it on herself.  Leslie, who was desperate to have friends and who was later determined to be psychologically incapable of saying “no” or even understanding what consent meant, was cast as a wanton seductress who led the members of the football team astray.  A girl who went to school with Leslie even tape recorded a conversation with Leslie in which Leslie was manipulated into saying that she had made the entire thing up.  It also undoubtedly didn’t help that some of the accused boys had fathers who were on Glen Ridge’s police force.

It’s a book that will leave you outraged.  Lefkowitz not only examined the crime itself but also the culture of the town and its general attitude that “boys will be boys.”  Despite the fact that they had a losing record and the fact that one of them was infamous for exposing himself every chance that he got, the football team was viewed as being made up as winners.  They were allowed to party every weekend with their parties becoming so legendary that they bragged about them in their yearbook quotes.  With a group of supportive girlfriends doing their homework for them, the football team was free to do whatever they wanted and, by the time they were seniors, they were infamous for being voyeurs.  While one football player would have sex, all the others would hide in a closet and watch.  When one of the football players stole $600 from one of his classmates, his father paid back the money and no one was ever punished.  In a town that valued material success above all else and viewed being different as a sign of weakness, Leslie and her family were treated as being outcasts.  In the end, three of the football players were sentenced to prison.  One was sentenced to probation.  A few others accepted plea deals and had their arrests expunged from the record.  Years later, one of the guys who was in the basement but not charged would murder his wife while home on leave from the military.

In 1999, Our Guys was adapted into a made-for-television movie.  Featuring Heather Matarazzo as Leslie, Ally Sheedy as the detective who investigated her rape, Eric Stoltz as the lawyer who prosecuted the case, and Lochlyn Munro as a cop who starts out on the side of the football team before realizing the truth, Our Guys simplifies the story a bit.  While the book focused on Glen Ridge and the culture of celebrating winners no matter what, the film focuses on Sheedy as the detective and her disgust with the suburbs in general.  Unfortunately, by not focusing on the culture of the town, the film presents the rape as being the bad actions of a group of dumb jocks as opposed to an expression of Glen Ridge’s contempt for anyone who was viewed as being on the outside.  What Lefkowitz showed through a precise examination of the town and its citizens, the film quickly dispenses by having Stoltz and Sheedy make a few pithy comments about how much the town loves it football team.  The story will still leave you outraged and Heather Matarazzo gives a heart-breaking performance as Leslie.  But, for those wanting the full story of  not only what happened in Glen Ridge but also how it happened, the book is the place to find it.

The Rangers Only Need One Run To Win!


1-0 may not be the biggest victory in the history of baseball but I’ll take it!  Coming after a night when the Reds scored 14 runs against the Rangers, I’m happy with our one to zero victory.  Last night, the Reds put on a hitting clinic.  Tonight, the Rangers and Nathan Eovaldi put on a pitching clinic.  Eovaldi pitched a complete game shutout giving up just four hits and striking out eight.  He did not walk a single batter.

Our one run, the winning run of the game, was scored by Wyatt Langford.

The Rangers are now 4-2 and practically tied with the Angels for the lead in the American League West.

Go Rangers!

Brad’s Song of the Day – “Toshiro and I” from CHARLES BRONSON – More Than a Vigilante – THE MUSICAL! 🎶 


Toshiro Mifune is one of the all time great actors in the history of world cinema, and he’s also one of my personal favorites. Charles Bronson may sit alone at the top of Mt. Bradmore, but there’s a tier of actors just below him who I also obsess over. That tier includes people like Chow Yun-Fat, Clint Eastwood, Lau Ching-Wan, Roy Scheider, James Woods, Rutger Hauer, John Wayne, Jimmy Stewart and Toshiro Mifune. I have read voluminous books about Mifune, and I’ve collected so many of his Japanese films. His work with Kurosawa is amazing, but he’s also done impressive work with other great Japanese directors like Kihachi Okamoto, Masaki Kobayashi, and Hiroshi Inagaki. 

It makes me so happy that Charles Bronson and Toshiro Mifune had the opportunity to make the enjoyable East meets Western, RED SUN, together. Although Mifune had more range than Bronson as an actor, they both had such a magnificent screen presence. And the one time they worked together, Bronson actually had the more showy role. Watching Bronson underplay his scalawag cowboy against the honorable samurai played by Mifune is a true delight to any person who appreciates macho cinema. Henry Brooks really hones in on their macho personas in his song “Toshiro and I” from his new musical, CHARLES BRONSON – More Than a Vigilante – THE MUSICAL. It’s my favorite song in the entire musical, and I’m glad to be able to share it on the legendary Toshiro Mifune’s 105th birthday! Enjoy!