Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday December 30th, we’re watching 48 HRS. starring Nick Nolte and Eddie Murphy.
So why did I pick 48 HRS., you might ask?
It’s quite simply one of the best “Buddy-Cop” action comedies of all time! If you love tough, violent, badass action, as well as laughing your ass off, 48 HRS. is the perfect movie for you.
Eddie Murphy made one of the great film debuts of all time with 48 HRS. After establishing himself as a comic genius on Saturday Night Live with roles like Mr. White, Buckwheat, and Mr. Robinson, Murphy absolutely steals his debut film. Nick Nolte is also great as the tough, grizzled cop, but it’s Murphy’s performance that turned this into a classic.
Walter Hill directed 48 HRS. and he’s one of my favorite directors. My personal favorite film as I type this is Hill’s directorial debut, HARD TIMES (1975), starring legendary tough guy icon, Charles Bronson. Hill has such a great resume of top-notch films including THE DRIVER (1978), THE WARRIORS (1979), THE LONG RIDERS (1980), SOUTHERN COMFORT (1981), CROSSROADS (1986), EXTREME PREJUDICE (1987), and RED HEAT (1988). And 48 HRS. is probably the best of the bunch.
I love the songs in the film. Of course it starts with Eddie Murphy’s rendition of “Roxanne” by The Police. And then you can’t help but want to dance when the BusBoys are singing “The Boys are Back in Town” and “New Shoes.” Heck, I love “Torchy’s Boogie” by Ira Newborn as well, setting the stage for Murphy’s rousting of the redneck bar, one of the movie’s best scenes!
So join us tonight to for #MondayMuggers and watch 48 HRS. It’s on Amazon Prime.
The North Texas Film Critics Association has announced its picks for the best of 2024!
BEST PICTURE Anora
The Brutalist
Conclave
Dune: Part Two
Sing Sing
BEST ACTOR
Adrien Brody – The Brutalist
Ralph Fiennes – Conclave Timothée Chalamet – A Complete Unknown
Colman Domingo – Sing Sing
Daniel Craig – Queer
BEST ACTRESS
Cynthia Erivo – Wicked Mikey Madison – Anora
Demi Moore – The Substance
Pamela Anderson – The Last Showgirl
Anya Taylor-Joy – Furiosa: A Mad Max Saga
BEST SUPPORTING ACTOR Kieran Culkin – A Real Pain
Guy Pearce – The Brutalist
Clarence Maclin – Sing Sing
Edward Norton – A Complete Unknown
Yura Borisov – Anora
BEST SUPPORTING ACTRESS
Isabella Rossellini – Conclave
Ariana Grande – Wicked
Aunjanue L. Ellis-Taylor – Nickel Boys Zoe Saldana – Emilia Pérez
Felicity Jones – The Brutalist
BEST DIRECTOR
Sean Baker – Anora
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance Denis Villeneuve – Dune: Part Two
RaMell Ross – Nickel Boys
BEST FOREIGN LANGUAGE FILM The Seed Of The Sacred Fig (Germany) (TIE) Flow (Latvia) (TIE)
Kneecap (Ireland)
I’m Still Here (Brazil)
All We Imagine As Light (an international co-production involving companies from France, India, the Netherlands, Luxembourg, and Italy)
BEST DOCUMENTARY
The Remarkable Life of Ibelin
Sugarcane
Will & Harper
Daughters Super/Man: The Christopher Reeve Story
BEST ANIMATED FILM The Wild Robot
Memoir Of A Snail
Inside Out 2
Flow
Transformers One
BEST CINEMATOGRAPHY Jarin Blaschke – Nosferatu
Stéphane Fontaine – Conclave
Lol Crawley – The Brutalist
Greig Fraser – Dune: Part Two
John Mathieson – Gladiator II
Jomo Fray – Nickel Boys
BEST NEWCOMER
Marissa Bode – Wicked
Ethan Herisse – Nickel Boys Clarence Maclin – Sing Sing
Vera Drew – The People’s Joker
Aaron Pierre – Rebel Ridge
BEST SCREENPLAY Sean Baker – Anora
Brady Corbet & Mona Fastvold – The Brutalist
RaMell Ross & Joslyn Barnes – Nickel Boys
Coralie Fargeat – The Substance
Jesse Eisenberg – A Real Pain
GARY MURRAY AWARD (Best Ensemble)
Conclave Saturday Night
Sing Sing
Wicked
Dune: Part Two
Awards season marches on! Yesterday, the Columbus Film Critics Association announced its nominations for the best of 2024. The winners will be announced on January 2nd.
Best Film
Anora
The Brutalist
Challengers
Civil War
Conclave
Dune: Part Two
Love Lies Bleeding
Nickel Boys
Nosferatu
Sing Sing
The Substance
Best Director
Brady Corbet – The Brutalist
Robert Eggers – Nosferatu
Coralie Fargeat – The Substance
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two
Best Lead Performance
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Lily-Rose Depp – Nosferatu
Colman Domingo – Sing Sing
Cynthia Erivo – Wicked: Part I
Ralph Fiennes – Conclave
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Sebastian Stan – A Different Man
Best Supporting Performance
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Danielle Deadwyler – The Piano Lesson
Aunjanue Ellis-Taylor – Nickel Boys
Ariana Grande-Butera – Wicked: Part I
Felicity Jones – The Brutalist
Clarence Maclin – Sing Sing
Edward Norton – A Complete Unknown
Guy Pearce – The Brutalist
Margaret Qualley – The Substance
Zoe Saldana – Emilia Pérez
Bill Skarsgård – Nosferatu
Stanley Tucci – Conclave
Denzel Washington – Gladiator II
Best Ensemble
Anora
Challengers
Conclave
Dune: Part Two
The Piano Lesson
Sing Sing
Wicked: Part I
Actor of the Year (for an exemplary body of work)
Timothée Chalamet – A Complete Unknown and Dune: Part Two
Nicholas Hoult – The Garfield Movie, Juror #2, Nosferatu, and The Order
Cailee Spaeny – Alien: Romulus and Civil War
Sebastian Stan – The Apprentice and A Different Man
Zendaya – Challengers and Dune: Part Two
Breakthrough Film Artist
Brady Corbet – The Brutalist – (for directing and screenwriting)
Coralie Fargeat – The Substance – (for directing, film editing, and screenwriting)
Clarence Maclin – Sing Sing – (for acting)
Mikey Madison – Anora – (for acting)
Dev Patel – Monkey Man – (for acting, directing, producing, and screenwriting)
Best Cinematography
Jarin Blaschke – Nosferatu
Lol Crawley – The Brutalist
Greig Fraser – Dune: Part Two
Jomo Fray – Nickel Boys
Benjamin Kracun – The Substance
Best Film Editing
Sean Baker – Anora
Marco Costa – Challengers
Jerome Eltabet, Coralie Fargeat, and Valentin Féron – The Substance
Nick Emerson – Conclave
Dávid Jancsó – The Brutalist
Nicholas Monsour – Nickel Boys
Best Adapted Screenplay
Robert Eggers – Nosferatu
RaMell Ross & Joslyn Barnes – Nickel Boys
Chris Sanders – The Wild Robot
Peter Straughan – Conclave
Denis Villeneuve and Jon Spaihts – Dune: Part Two
Best Original Screenplay
Sean Baker – Anora
Brady Corbet and Mona Fastvold – The Brutalist
Jesse Eisenberg – A Real Pain
Coralie Fargeat – The Substance
Justin Kuritzkes – Challengers
Best Score
Volker Bertelmann – Conclave
Daniel Blumberg – The Brutalist
Kris Bowers – The Wild Robot
Robin Carolan – Nosferatu
Trent Reznor and Atticus Ross – Challengers
Hans Zimmer – Dune: Part Two
Best Documentary
Daughters
No Other Land
Sugarcane
The Remarkable Life of Ibelin
Will & Harper
Best Foreign Language Film
All We Imagine as Light
Emilia Pérez
Evil Does Not Exist
Kneecap
The Seed of the Sacred Fig
Best Animated Film
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot
Frank Gabrenya Award for Best Comedy
Babes
Hit Man
My Old Ass
A Real Pain
Saturday Night
Thelma
Best Overlooked Film
Didi
His Three Daughters
Hundreds of Beavers
The Last Stop in Yuma County
Snack Shack
Thelma
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be Turbulence 3, featuring Rutger Hauer and a guy who looks like a discount version of Marilyn Manson! I picked it so you know it’ll be good.
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, find the movie on Tubi, hit play at 8 pm et, and use the #MondayActionMovie hashtag! The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.
2024 is nearly over and I have a cold so here’s one final abbreviated week in review for 2024! This time next week, it will be 2025 and hopefully, I’ll be feeling a lot better. I’ve already got a lot of reviews written and scheduled to drop, starting with January 1st. 2024 was a rough year for me so I’m looking forward to making 2025 count!
I hope everyone had a great holiday season! Stay safe out there1
(Author’s note: I’m using the film’s original title of DRACULA 3D for my review. It seems to be going under the title of ARGENTO’S DRACULA as well, like in the image above. That’s also how I found it on Amazon Prime for my current viewing.)
If you’re one of my favorite directors or actors, I will watch all of your work, and I will probably like it. Such is the case with Dario Argento and Rutger Hauer. These two have been a part of so many great films over the years, but they have also been associated with some pretty bad stuff as well. I remember when I first read that Argento was making his own version of Dracula in 3D, and that Rutger Hauer would be playing the famous vampire hunter Van Helsing, the movie immediately went on my watch list. This means that I would google for more information every couple of days, as well as follow various entertainment-related websites looking for additional info. I also remember when the trailer was released. I specifically remember thinking that it looked awesome. I couldn’t wait to see it! And then it came out, and it seemed like everyone hated it. I made the mistake of reading reviews, which I often purposely avoid, and it seemed that many critics had a personal vendetta against the film. The reviewers weren’t content to just say it was a bad movie, they wanted me to know that it was an incompetent mess that everyone involved in should be completely ashamed of. There were a few exceptions to this universal shame, including my friend Lisa Marie Bowman, but that was definitely the general consensus. Because of this public disdain for the movie, I haven’t put that much effort into watching DRACULA 3D over the years. I’d started it a time or two, but I’d never actually finished it before. That is, until now. It’s a rainy day here in Central Arkansas, so I chose the movie for my wife and I to watch as the thunder rolled, and the rain came on in.
The plot of the DRACULA 3D sticks to most of the things I remember about watching Dracula movies over the years. Count Dracula (Thomas Kretschmann) seems to be inflicting a sort of reign of terror in his part of the world and all the locals seem to know that going out into the woods by yourself at night is a bad idea, but they keep doing it anyway. The movie opens with Tanja (Miriam Giovanelli) going to meet her boyfriend in a barn for a late night sex romp. Sadly, after he gets satisfied, he refuses to walk her back to town. She throws her cross necklace at him and walks away in anger. Soon a big owl flies down on her, turns into Dracula and starts sucking her blood. The next person I remember meeting is an out of towner named Jonathan Harker (Unax Ugalde). It seems Count Dracula has called him to his castle to organize his library or something. He visits with Dracula for a bit, listens to wolves howling in the distance, and then heads to his room. It turns out that Tanja is not dead but is now living at the castle with Dracula. She invites herself in to tempt Jonathan, a married man, with her assets. Of course, it isn’t long before she’s trying to suck his blood. Dracula isn’t having any of that though, and he shows up and reminds Tanja that “he’s mine,” before attacking Jonathan’s neck like it’s a lobster tail at an all-you-can-eat seafood buffet in Branson, MO! Soon Jonathan’s wife, Mina (Marta Gastini), and her friend Lucy (Asia Argento) show up at Dracula’s place since Jonathan seems to have gone missing. Dracula proceeds to suck on Lucy behind her knee, turning her into a member of the undead, and then tries to turn Mina into his eternal love. Finally, after all the activities above, Van Helsing (Rutger Hauer), Dracula’s old nemesis, shows up to try to end his reign of terror once and for all. I’ve probably missed some important details, but I think I got the gist of it. Feel free to correct me in the comments if I missed anything important.
After watching DRACULA 3D, the multitude of critics may have been right if all they cared about is a great movie by “movie criticism” standards. That just doesn’t describe me though. I watch movies because I like the people in them, and the people who make them. I certainly don’t expect perfection, and I certainly value entertainment over some self-important “message.” The critics have always gone out of their way to disparage my hero Charles Bronson, and I just keep watching his movies anyway. I have to admit I had that same feeling when watching DRACULA 3D. I think this movie is fun, and I don’t really give a shit what the critics think. Based on past movies like SUSPIRIA and BLADE RUNNER, maybe the critics have a right to expect more out of Argento and Hauer. But then again, if any person expected that level of cinema back in 2012 when they watched this movie, I wonder if they should consider going into another profession. DRACULA 3D never intended to compete with those classics. It is camp of the highest order, it’s on purpose, and it should be judged as such. The special effects are cheesy, the boobs are plenty, and the performances are over the top. Dario Argento has made some of the best movies I’ve ever watched. I don’t think he just forgot how to make a movie. This is the movie he meant to make, and, in my opinion, the campiness adds to the charm. Thomas Kretschmann gives a committed performance as Dracula, and Rutger Hauer is very serious as Van Helsing, without a hint of comedy or goofiness. With all the crazy things going on around them, I think their “serious” performances are perfect for the movie. If I had any complaint about the movie, it would be that Hauer doesn’t show up until over an hour into the one hour, 50-minute runtime. However, once he comes to town, Van Helsing pretty much takes over the movie from that point forward. As a big time, fan of Hauer, I enjoyed his Van Helsing turning badass and dispatching everyone who had seemed unkillable up to that point.
My final word is if you’re truly a fan of Argento or Hauer, you should enjoy this film. Don’t expect TENEBRAE or THE HITCHER. Just enjoy it for what it is… a cheesy, B-movie take on a legendary story. That was enough for me!