As the world still mourns the loss of Doris Day yesterday, another great has left us – TV comedy genius Tim Conway, who died today at age 85. Tim rightfully deserves a tribute post of his own, and he’ll get it, but until then, enjoy this classic bit of comedy gold from THE CAROL BURNETT SHOW (and watch Harvey Korman try to keep a straight face!):
Tim Conway (1933-2019)
As this day comes to a close, I have some sad news to report. The actress Peggy Lipton passed away earlier today, at the age of 72. While one generation may know her best as a star of 1960s television and others know her for her marriage to legendary music producer Quincy Jones (and as the mother of Rashida Jones), I knew Peggy Lipton as Norma Jennings, one of the few characters to get a happy ending in David Lynch’s Twin Peaks: The Return.
Norma was the owner of the Double R Diner and, for the most part, one of the few stable residents of Twin Peaks. While the rest of the town was collapsing around her, Norma could usually be found in a back booth, going over expense reports and continually proving herself to often be the lone voice of sanity in her hometown.
The love affair between Norma and Ed Hurley (Everett McGill) was a story that ran through both the original Twin Peaks and the Showtime revival. One of the big moments in the revival came when Ed, having finally gotten Norma to agree to give him a divorce, finally asked Norma to marry him. It’s perhaps the most unabashedly romantic scene to be found in David Lynch’s filmography. (Lynch did the scene in one take and, according to Lipton, was in tears by the end of it.) It’s a scene that’s wonderfully acted by both McGill and Lipton, with both actors saying so much without saying a word.
And here it is, a scene that I love from Part 15 of Twin Peaks: The Return:
John Llewellyn Moxey’s “Horror Hotel” (1960)
You won’t find the name of John Llewellyn Moxey bandied about in conversations on great film directors. Truth is, though Moxey did make some features of note, he spent most of his career doing made-for-television movies, a genre that doesn’t get a lot of respect. John Llewellyn Moxey wasn’t a flashy director or an “auteur” by any stretch of the imagination, but he was more than capable of turning out a solid, worthwhile production, and some of his TV-Movie efforts are just as good (if not better) than what was currently playing at the local neighborhood theaters or multiplexes at the time. Moxey’s passing on April 29 at age 94 was virtually ignored by the press, but his career deserves a retrospective, so Cracked Rear Viewer is proud to present a look back at the film and television work of director John Llewellyn Moxey.
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This is the first time in a long time where I rooted for the “villains” to kill off every character. It’s a hard thing to watch a show you love slowly fail. It’s like a bad relationship that slouches on from inertia and the inconvenience of setting up a separate bank account. This is how I feel about CAOS. I was really hoping that this episode would be the last one, but….not so much.
I would normally describe the director’s technique, but it’s Alex Pillai again and…man it has all the subtlety of a Lifetime MOW. Not to say that I don’t REALLY like a good guilty pleasure lifetime live tweet, BUT that’s a different animal. Lifetime movies are supposed to be campy and over the top ridiculous, but CAOS is supposed to bridge comics and realism and instead it’s just giggle-inducing borefest.
The episode opens with Nick being tortured by a guy who looks like a Mormon missionary who is about to chop his hands off. Oh well, Nick kinda got on my nerves; maybe they’ll have to write a soupy episode featuring Nick titled: Who needs the clap? Ambrose is still locked up without a shirt doing pull-ups. This show has more gratuitous beefcake than Arrow season 1 and that is saying A LOT! I do give Chance Perdomo credit on his abs. I’m developing my abs and it is a process. Chance, tip of the hat to committing to the shred!
The “Missionaries”of the episode aren’t really missionaries per se, but they ARE gorgeous blonde angels named Jerathmiel and Mehitable (Spencer Treat Clark and Bayley Corman)! I guess it makes sense that angels would be pretty, but WHOA! It turns out these angels are avenging angels armed with the latest in …..Ancient Weaponry… wait, what?! Why?! Really, why are they armed with crossbows? Most states just require a driver’s license to purchase any gun you want; let alone what you can get on craigslist. This just seemed unnecessarily antiquated and dumb like really dumb….really! Crossbows are heavy, awkward, take a long time load, hard to aim, and are ridiculous. Bleh.
Jerathmiel and Mehitable spent most of the episode blundering through town trying to kill all of the witches of Greendale. Why bother? We already learned in previous episodes that the teenagers are unvaccinated and catch the Chicken Pox. Just send in Jenny MacArthy’s measles carrying minions into town and you’ll have the whole town on its knees in matter of hours!
Jerathmiel and Mehitable catch most of the witches and start purifying the town. I guess this says a lot about how the show has degraded because I really rooted for the Angels. I thought to myself…Self, maybe they could just go full-on Hamlet?!!!!
This main plot is interwoven with the more compelling love story between Wardwell and Adam. He wants to take her to Tibet. She is about to accept when the Devil finds out about their escape plan, so the Devil turns Adam in Wardwell’s diner. REALLY. It’s really sad, but sets up a great revenge arc for Wardwell that looks MUCH more interesting than the primary storyline.
Jerathmiel and Mehitable have all the witches cornered and even put a few arrow bolts into Sabrina, but the Devil resurrects Sabrina and gets the Angels to renounce God and envelopes the angels in flames. Honestly, I thought this scene was just plain terrible. The angels spent the whole episode being intrepid crusaders, but they were easily cowed by a floating Sabrina?! Really?! It came across as contrived. The angels were so brave for the entire episode and then… nope. It was just awful in an awful way, not like Lifetime which is bad in an AWESOME way.
I’m not sure what the show should do or where it should go, but it needs artistic honesty because without it, the suspense withers away like a dried out orange.
First of all, it’s always so fun to read Lisa’s reviews. I hope she wants to review another one of these episodes. She always sees things that I don’t like HERE!!!! and HERE!!!!. It has been a true pleasure working with/for her over these years. This series is making me already plan for my October reviews!!! Weren’t they awesome last October?! Yes…Yes…They were.
Is this season getting better? Yes, but that’s mostly because the first episode of the second season was so very unsatisfying and disappointing. The series seems to be evolving into a Tales From The Crypt over the top fest. I loved TFTC, but that’s not what I expected Sabrina to become. I saw this series as a scary in your face we’re mad as hell at the patriarchy and we’re not gonna take it anymore! The feminism is still there, but it really hits you over the head with its agenda ….every….single…episode; It comes across as a PSA sometimes. When done right, like last season, you root for the agenda, but now I’m lectured by it. It’s kind of annoying when you already agree.
This episode was directed by Alex Pillai (Riverdale) and he did a fine paint by numbers job with the episode. It got the job done….fine, not great, but definitely fine like the Chicago Cubs in the 2000s or Two Buck Chuck (Charles Shaw). The episode was all about marriage, the loss of feminine identity, and misogyny…lots and lots of misogyny. Really, this Church of Night is a bunch of knuckle dragging dirtbags. I get the whole- we’re evil bit, but it doesn’t really work all the time. The characters are mostly strong women and the constant subjugation that the Church imposes seems kinda silly that anyone would put up with it let alone these powerful heroines. Also, the constant “for Hell’s Sake” “Your Unholiness” “Your Dishonor” just makes me laugh; I look like loon when I’m on the elliptical watching this.
In the episode, Aunt Z is getting married and she’s all jittery and worried about being exposed for stealing one of the Blackwood babies. Also, Father Blackwood is going full-on misogynist pig. He wants the church of night to go back to its old ways of chauvinism. His plan is to write up the basic philosophy and give it to the Anti-Pope (Ray Wise). (Side Note: God, I love Ray Wise. He’s awesome in everything he does and was the best devil ever in Reaper. Unfortunately, he’s only in the show for a couple of minutes.) Sabrina catches wind of Blackwood’s Misogynist plan because Ambrose tells her .
The Solution: Sabrina gets her Dad’s manifesto that’s all women and men are equal, witches should marry mortals, and powertrain warranties are bullshit. Sabrina has Nick retrieve it from the bottom of the sea. Just as the Anti-Pope will read it, Father Blackwood has him murdered and frames Ambrose for it!!! DUN DUN DUN!!!! Basically, all of Sabrina’s plans fail: Aunt Z and Blackwood marry, Blackwood has Aunt Z walk behind him (bleh), Ambrose is jailed, Sabrina and Nick are expelled, and Aunt Hilda becomes lactose intolerant. Bad all the way around.
I normally don’t get into subplots, but spring is in the air. Ms Wardwell and Adam are falling in love. It’s really sweet. She explains that marriage is a complete destruction of a woman’s identity. Wardwell looks at Adam expecting a fight, but instead he accepts her, her values, and just wants to be with her. It’s …well….sweet. I was a bit moved. Satan gets jealous and wants her to kill him, but instead she makes him a ring of protection. I hope these crazy kids make it work.
The show is moving in the right direction, but the show seems to collapse under its own weight sometimes. It has these big themes and plots, but can’t quite deliver them this season because of the campiness, clunky dialogue, and endless subplots that grind the suspense and gravitas to dust. Maybe this is the way Riverdale is? I never wanted to watch that show and now I really don’t want to. My guess is that season 1 was Ruth Chris Steakhouse and season 2 is Red Robin and yes I did get food poisoning from them once.
Sometimes, while scrolling through the Internet doing research, I run across some truly bizarre things. Let me set the stage for you: Merv Griffin was a former Big Band singer whose biggest hit was 1950’s “I’ve Got A Lovely Bunch of Coconuts”. He turned to television, becoming first a game show host, then a successful talk show host (and created both WHEEL OF FORTUNE and JEOPARDY later on). Merv was a nice guy, but the very definition of a ‘square’, though he did present some rather thought-provoking guests over the years (including hippie radical Abbie Hoffman and John & Yoko Lennon).
Edie Sedgwick was an underground legend, a Warhol “Superstar” that epitomized Swingin’ 60’s culture, dubbed the New ‘It Girl’ and a Vogue Magazine ‘Youthquaker’, famous just for being famous before that was even a thing. She modeled, acted in Warhol’s underground films, had songs written about her by the…
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Good morning, and Happy Easter (and Passover season!). Today’s holiday treat is from 1951’s THE LIVING CHRIST SERIES , a 12-part retelling of the life of Jesus made by Episcopal minster James K. Friedrich’s Cathedral Films. Though extremely low budget, the films are much more earnest than your typical Hollywood Biblical Extravaganza. As for your Easter Eggs, they’re in the film: see if you can spot Familiar Faces Gregg Barton, Jeanne Bates, Lawrence Dobkin, James Flavin, Lowell Gilmore, William Henry, ‘TV’ Tommy Ivo, Dennis Moore, and Will Wright as you bear witness to Jesus preaching, performing miracles, and making His decision on His road to destiny. Narrated by ‘Familiar Voice’ Art Gilmore, and starring Robert Wilson as The Lord, enjoy RETREAT & DECISION:
Happy Easter & Passover from Cracked Rear Viewer!
It has now been over five years since ABC last aired It’s The Easter Beagle, Charlie Brown.
While It’s The Easter Beagle might not be as well-known as either It’s The Great Pumpkin, Charlie Brown or A Charlie Brown Christmas, it still doesn’t seem right not to air it. It’s the perfect conclusion to all of Peanuts holiday specials, tying up all the loose ends and building on the lessons of the previous specials. After giving Charlie Brown a hard time about serving popcorn and toast for Thanksgiving, Peppermint Patty discovers that it’s not so easy to prepare for a holiday at the last minute. After getting laughed at about the Great Pumpkin, Linus is proven to be correct about the Easter Beagle. After seeing his nest destroyed a countless number of times, Woodstock finally gets his own birdhouse. Even Lucy is proven right about Easter being the “gift-giving season,” even if the Easter Beagle is just returning to her the same eggs that she previously painted and hid. After not getting any cards on Valentine’s Day, Charlie Brown still doesn’t get any eggs on Easter. Some things will never change.
Whether ABC realizes it or not, we all need the Easter Beagle in our lives. He rewards our hope and reminds us to never surrender our faith in whatever it is that we believe in. He brings happiness to all of the people of the world, or at least he tries to. There’s only so many eggs that can be put in one basket. He’s the Easter Beagle and things just aren’t the same without him.
Happy Easter!
Is Chilling Adventures of Sabrina the most underlit show on Netflix?
Seriously, every scene on the show seems to take place in near darkness. I get that’s because the show itself is supposed to be dark and spooky and I appreciate the fact that the show is trying to maintain a proper atmosphere but still, as I watched the fourth episode of the 2nd season, I found myself shouting, “Will someone turn on a freaking light!?” Like a lot of things about this show, the constant darkness seems like one of those “it seemed like a good idea at the time” concepts.
That said, I also have to say that I liked this installment a bit more than the previous episode. Though it can probably be correctly stated that this was something of a filler episode, it still had enough surreal moments to remain entertaining. In fact, it reminded me a bit of last season’s superior Dreams In A Witch House. Like that episode, House of Horrors largely took place in the minds of the show’s characters. Whereas Dreams In A Witch House used the character’s nightmares as a way to provide a glimpse of their subconscious fears and desires, this episode used Tarot readings.
The episode begins with Hilda and Dr. Cee hanging out at Cerebrus Books. No mention is made of the fact that Dr. Cee apparently has an incubus inside of him, which seems like an odd thing to go unmentioned. Anyway, a fortune teller (played by Veronica Cartwright) shows up and asks if she can do readings in the back of the store. Hilda and Dr. Cee promptly agree because …. well, when do they ever say no to anyone?
For the next hour, various characters wandered into Cerebrus Books and got their fortune read. The fortune teller turning over her cards would lead to everyone having a surreal vision of the future. The visions rarely turned out well but, with one huge exception, the fortune teller was always quick to explain that the ominous vision was actually a good thing. For instance, Sabrina may have seen herself getting killed during Nick’s magic show but the fortune teller was quick to explain that the vision meant Sabrina should put her faith in Nick and not trust anyone else. Theo may have had a vision of turning into a boy and then having his body turn to wood but apparently, that meant Theo should trust others to help him out. Roz was thinking of having an operation to get her sight restored but her vision — in which a blind girl accused Roz of stealing her eyes — convinced Roz that she should remain blind. Harvey saw that going to Rhode Island would lead to him having a Satanic roommate. Hilda envisioned telling Father Blackwood the truth about the baby but then discovered that would just lead to Blackwood cheating on her. “Some secrets,” the fortune teller announces, “should stay secrets.”
Finally, Ambrose showed up and got his vision of the future. Four things disturbed him. First off, Luke was nowhere in the vision. Secondly, in the vision, Father Blackwood made him a member of the Judas Society and ordered him to murder the Spellmans. Third, in the vision, Ambrose did just that. And fourth, the fortune teller told Ambrose this was going to happen, regardless of what he did.
Rushing to Father Blackwood’s office, Ambrose asked for an assurance that Father Blackwood would never hurt the Spellmans. “Of course not!” Blackwood replied before informing Ambrose that Luke was dead and that Ambrose was now a member of the Judas Society….
After all this, it was revealed that the fortune teller had actually been Ms. Wardwell in disguise. I can’t say that I was particularly surprised by this reveal. Since Wardwell was, up until the show’s final five minutes, the only regular not to have made an appearance, it was obvious that the fortune teller would turn out to be her. I’m going to assume that her advice was intentionally bad and we should definitely be worried about Sabrina’s relationship with Nick.
Anyway, this episode was entertaining enough. Since Sabrina is really the only multidimensional character on the show, Chilling Adventures can be uneven when it doesn’t focus on her but this show managed to do a pretty good job with the other characters. We may not have learned anything new about any of them but some of their visions were enjoyably surreal and macabre. The scenes of Theo’s body turning to wood were well-handled and Roz’s vision was genuinely frightening. Even though you knew they weren’t real, the scenes of a murderous Ambrose stalking through the Spellman House were appropriately creepy.
Up next in the TSL’s Sabrina review-a-thon: Case returns with his reviews of Episodes Five and Six!
Hi, everyone! Case already reviewed the first two episodes of the second season of Netflix’s Chilling Adventures of Sabrina and now, I’m here to take care of episode 3.
Episode 3 is centered around Lupercalia, an actual Pagan holiday from ancient Rome that is reimagined here as a sort of Valentine’s Day for witches and warlocks. Basically, in the Sabrina version of Lupercalia, the holiday begins with the Matching, where each witch is paired up with a warlock. This leads to the Courting, where the warlock and the witch go out into the woods, get naked, and spend the night staring up at the moon. Then, finally, we get the Hunt, where each witch chases her warlock through the woods and the whole thing ends with a big orgy. (The Sabrina version sounds considerably more fun than the real version, which involved a lot of animal sacrifices.) Though participation in Lupercalia is voluntary, Zelda tells Sabrina that it would be foolish for her not to take part. (Hilda, meanwhile, can’t even bring herself to say the word “sex.”) After all, now that Sabrina and Harvey are no more, this would be a perfect opportunity for Sabrina to spend some time with that charming young warlock, Nicholas Scratch.
Interestingly enough, Nick is just as fascinated with Valentine’s Day as Sabrina is with Lupercalia. As eager as Sabrina is to leave behind Baxter High and experience life at the Academy, Nick is just as curious about experiencing what it’s like to be a mortal. It’s actually one of the more clever things about this sometimes uneven episode. Though I don’t trust Nick, he and Sabrina do make for a far more interesting couple than Sabrina and Harvey ever did. It also helps that Kiernan Shipka and Gavin Leatherwood have an undeniable chemistry together. You believe their romance, even when the show occasionally seems determined to mess things up with unnecessary filler.
Yes, that’s right. I just used the dreaded “f” word. As I watched Lupercalia, it occurred to me that I’d probably like The Chilling Adventures of Sabrina a lot more if each episode was only 30 to 40 minutes long. That way, the show could focus on Sabrina and we wouldn’t have to waste time with any of the less interesting characters or subplots. Instead, this episode was a little over an hour long and it seemed that, every time that I started to get really involved in Sabrina and Nick’s storyline, the episode would cut to something less interesting.
For instance, Sabrina and Nick discover that Nick is being stalked by his former familiar, a wolf named Amalia. Amalia is jealous of Nick’s attraction to Sabrina. Ms. Wardwell says that the only solution is for Nick to murder his familiar. Will Nick kill for Sabrina? Will Sabrina kill for Nick? Well, before we can find that out, we have to deal with stuff like Roz suddenly going blind right after she kisses Harvey and Father Blackwood asking Zelda to marry him. Or else Hilda’s trying to let Dr. Cee know how she feels about him, just to discover that he can’t be with her because he has an incubus inside of him. And the whole time this is going on, I was just thinking to myself, “Yes, but what about Sabrina? I DON’T CARE ABOUT ANY OF THESE OTHER CHARACTERS!”
Kiernan Shipka has always been the best thing about Chilling Adventures of Sabrina. Even when the writers fail her, Shipka always manages to keep the show afloat. She’s likable, she’s compelling, and she’s believable as both a curious teenager and a naive witch. Shipka has many great moments in Lupercalia but the episode’s momentum seems to come to a halt whenever she’s not on screen. It’s not that the rest of the cast isn’t capable as much as their characters are all rather one-note. Hilda is always insecure and introverted. Zelda is always arch and sardonic. Roz is always going blind and Harvey is always kind of a goof. The only character, other than Sabrina, who is the least bit interesting is Theo and that’s because his storyline is about how far society has come and how far it has yet to go.
In the end, Lupercalia is an interesting but uneven episode of a frequently interesting but uneven show.
A few final notes:
