Song of the Day: Heart of Courage (by Two Steps From Hell)


I’m feeling a bit under the weather. I swear the crazy raining then sunny then raining split-personality of Bay Area weather will be the death of me. So, instead of a review of an animated film about a toothless dragon or a war zone where someone is punishing criminals I’ve decided on a new “song of the day”. This time the latest song is a short one, but what it lacks in length more than makes up for it’s epicness. It’s the Tyrion Lannister of epic music. The song I chose is from the production music company Two Steps From Hell: “Heart of Courage”.

What is a production music company?

It’s a company who makes nothing but music for trailers and tv spots for shows, film and video games. Yes, Two Steps From Hell makes trailer music. So, if you’ve ever watched a film trailer or even the latest video game trailer then you probably have heard one of their music. The fact that they make trailer music shouldn’t take away from the quality work they’ve produced through the years. The one piece of music they’ve done which have stood out for me is “Heart of Courage”.

This song begins with a bevy of strings creating an ethereal intro which suddenly transitions to the inclusion of the percussion section. The intro of the percussion section would soon be followed by the very strings themselves changing from ethereal to a martial tempo. It’s in the middle of the song where the choir joins in to complete what I consider one of the most epic-sounding pieces of music I’ve ever heard. It’s no wonder that people who make film and video game trailers often pick this song to complement the visuals they’ve spliced together to sell a product.

The song was most recently used in a fan-made trailer for the upcoming EA shooter, Battlefield 3. Watching that fan-made trailer one could see how the music added more drama and gravitas to the scenes being played out. While the trailer’s editing itself didn’t fully match every beat and crossovers in the song there were enough that did match to make the trailer become accepted and approved by the publishers of Battlefield 3. But it’s another video game which used this song that really used it best.

It was a game which came out in early 2010 and the trailer itself even premiered during the Half-Time of the Super Bowl. Some who saw the trailer thought it was a commercial for an upcoming sci-fi blockbuster. To their surprise it wasn’t but for an upcoming game instead. What convinced some that it was a film was the music. Just watch the trailer below and you’ll know why this song makes anything with drama and action very epic.

Song of the Day: I Against I (by Massive Attack feat. Mos Def)


Here I sit in my room watching on Encore HD a running of Guillermo Del Toro’s sequel to Blade. As awesome as this film was it was the soundtrack to Blade II that continues to impress. It’s from this soundtrack that I picked the latest “Song of the Day”. That choice happens to be the collaboration between electronica/trip-hop duo Massive Attack with hip-hop artist Mos Def.

“I Against I” is the latest song of the day and I consider the best song in the Blade II soundtrack which was all about electronica artists and band collaborating with hip-hop artists. This song occurs early in the film where Blade and his crew joined by a vampire kill-team called the Bloodpack does their slo-mo march towardsa a vampire underground club. It’s a scene that needs to be seen to be appreciated. The massive and clear bass beat by Massive Attack lends itself well to Mos Def’s smooth lyrical flow even as electronic melodies and beats accompanies the rest.

This song could be listened to in it’s instrumental version and it would sound very good. Mos Def could rap it’s lyrics accapella style and he would also sound good, but it’s when the two combines that the song becomes great. It’s one of a few reasons why I consider Blade II the best in the trilogy and why I continue to watch it whenever it comes on cable.

I Against I

I-ya,
I against I,
Flesh of my flesh,
And mind of my mind,
Two of a kind but one won’t survive,
My images reflect in the enemies eye,
And his images reflect in mine the same time,

I-ya, I-ya,
I against I,
Flesh of my flesh,
And mind of my mind,
Two of a kind but one won’t survive,

Right here is where the end gon’ start at,
Conflict, contact ‘n’ combat,
Fighters stand where the land is marked at,
Settle the dispute about who the livest,
3 word answer,
Whoever survive this,
Only one of us can ride forever,
So you and I cant ride together,
Can’t live or cant die together,
All we can do is collide together,
So I skillfully apply the pressure,
Won’t stop until I’m forever… One!

A door step where death never come,
Spread across time til my time never done,
And I’m never done,
Walk tall, why ever run?
When they move if I ever come?
Bad man never fret the war, tell’em come
General we have the stock, the mad fire burn

I-ya,
I against I,
Flesh of my flesh,
And mind of my mind,
Two of a kind but one won’t survive,
My images reflect in the enemies eye,
And his images reflect in mine the same time,

I-ya, I-ya,
I against I,
Flesh of my flesh,
And mind of my mind,
Two of a kind but one won’t survive,
Survive (x16)

Reign supreme in your U-N-I,
V-E-R-S-E with the sharpness,
Narrow row building no space for partners,
No space for drivers, no space for walkers,
No space regardless,
Your on my path then get off it,
Hardheaded and unresponsive,
Get they lives put on target with harshness,
Come with the canons sparkin’ they darken,
Who am i? One man squadron,
Ma stir the fire this time that’d snatch your tomorrow,
The thousand yard spear that’ll pierce through your armor,
You can get it on right now if you want to,
But when ya front 9 get marched through,
I warned you,
You know who forever belong to,

I-ya, I-ya
I against I,
Flesh of my flesh,
And mind of my mind,
Two of a kind but one won’t survive,
My images reflect in the enemies eye,
And his images reflect in mine the same time,

I-ya, I-ya,
I against I,
Flesh of my flesh,
And mind of my mind,
Two of a kind but one won’t survive,
My images reflect in the enemies eye,
And his images reflect in mine, survive
Survive (x16)

Song of the Day: Don’t Let Me Be Misunderstood (performed by Santa Esmeralda)


Okay, two quick confessions.  First off, I really wanted to write this post in Spanish because it’s Cinco De Mayo but unfortunately, other than a few phrases I picked up from my mom, I don’t speak Spanish.  Secondly, I’ve done some research and I’ve discovered that the band featured here (Santa Esmeralda) is actually a French group.  So, despite the fact that Santa Esmeralda’s cover of Don’t Let Me Misunderstood is obviously influenced by Latin music, it’s still not exactly ideal for Cinco De Mayo.

But you know what?  When I first heard this song on the soundtrack for Kill Bill Volume One, I immediately fell in love with it and I forced my mom to listen to all 10 minutes of it and she loved it too.  And unlike me, my mom grew up speaking Spanish and actually had a very pretty singing voice.  She was also very proud of her heritage.  So, if this song was good enough for her, it’s good enough for me.

I have to admit, as well, that when I first heard Santa Esmeralda’s version, I assumed that the cover had been recorded specifically for the Kill Bill soundtrack.  Well, turns out I was not only wrong, I was way wrong.  This cover version was actually recorded way back in 1977.

I also thought, before I started writing this post, that the song was originally performed by the Animals.  Wrong again.  The song was first written in 1964 by Bennie Benjamin, Gloria Caldwell, and Sol Marcus and it was originally performed by Nina Simone.  Then, in 1965, the Animals did their famous cover.  The Animals’ version of the song is the one that got stuck in my head when I was dating this guy who worked at Mervyn’s because, oh my God, it was playing all the freaking time in that store!

But the Santa Esmeralda version is my favorite and it is today’s song of the day.

Song of the Day: O-Daiko (by Kodo)


The latest “Song of the Day” was inspired by having witnessed on April 23, 2011 at the Hynes Convention Center during Anime Boston 2011 a performance by the Odaiko New England (ONE). This traditional taiko drum group performed both traditional taiko set numbers and more modern compositions. To say that the experience was quite primal would be an understatement. Since then I’ve searched and listened to many other taiko drum groups and I’ve come to realize that the band Kodo really shows the Japanese art of taiko drumming at its best. I chose their song “O-Daiko” as the latest song of the day.

“O-Daiko” by Kodo is traditional taiko drumming at its finest. It begins quite subtly and gradually builds up to the booming, heart-pumping bass beats that could only come from taiko drummers playing their instruments in perfect tempo. It’s difficult to listen to any taiko music and not have oneself brought back to a simpler time. Taiko drum music has been a mainstay with Shinto shrine rituals, but they’ve also been instrumental in warfare during the warring period of Feudal Japan. The drum beats would be used to signal coded information to allies and friendly forces. They could also be used to demoralize opposing enemy forces.

So, if you ever learn that a taiko drum group is going to be performing in your area I highly recommend that you attend said performance. It’s an experience everyone should have at least once in their life.

Song of the Day: Still Alive from Portal (by Jonathan Coulton and Ellen McClain)


The latest “song of the day” comes in just in time to show that my major bout with the cold/flu last week and this weekend hasn’t taken me out. It’s also a proper choice with the release of Portal 2, Valve’s sequel to their very popular puzzle-shooter Portal. What better way to send me off to Anime Boston this weekend but with the very geeky and otaku anthem of “Still Alive”.

“Still Alive” is the end credits song which plays once the player has completed Portal. The voice who sings the song (written by songwriter Jonathan Coulton) is one Ellen McClain and she is suppose to be the AI-computer GLaDOS lamenting the player’s success and escape. The song became as big of a hit with gamers as the game it was part of. Pretty much a whole cottage industry of all things geek-culture sprung up around this song. Shirts were made, youtube videos of varying quality using the song were uploaded and comic book, gaming and anime convention goers worldwide adopted the song as their unofficial anthem.

The song is pretty cute and catchy. The way the lyrics were sung with such sweetness by singer Ellen McClain makes it such a happy ditty. But when stepping back from singing along one really has to look at the lyrics and see how dark and twisted “Still Alive” truly was and still is. And on that note, catch you allafter Anime Boston.

Still Alive

This was a triumph
I’m making a note here
HUGE SUCCESS
It’s hard to overstate my satisfaction
Aperture Science

we do what we must because we can
for the good of all of us except for the ones who are dead
but there’s no sense crying over every mistake
you just keep on trying until you run out of cake
and the science gets done and you make a neat gun
for the people who are still alive

I’m not even angry
I’m being so sincere right now
even though you broke my heart and killed me
and torn into pieces
and threw every piece into a fire
as they burned it hurt because I was so happy for you!
Now these points of data make a wonderful line
and we’re out of beta, we’re releasing on time
so I’m glad I got burned
Think of all the things we learned for the people that are still alive

go ahead and leave me
I think I prefer to stay inside
maybe you’ll find someone else to help you
maybe black mesa
that was a joke, haha, fat chance
anyway this cake is great, it’s so delicious and moist
look at me still talking, when there’s science to do
when I look out there it makes me glad I’m not you
I’ve experiments to run, there is research to be done
on the people who are still alive

and believe me I am still alive
I’m doing science and I’m still alive
I feel FANTASTIC and I’m still alive
While you are dying I’ll be still alive
and when you’re dead I’ll be still alive
STILL ALIVE, still alive…


Song of the Day: Аркона – Покровы Небесного Старца


I have never been to Russia. I imagine they have cities and cars and year-end clearance sales and pizza delivery just like anyone else. But that’s just being boring and realistic. I would rather think of Russia as that savage, untamed land to the east, from whence road the Hun and the Mongol–a mysterious, Dionysian place in which primeval landscapes produce warriors with the spirits of beasts. Arkona seem to perfectly capture this. Their music dances care-free about you but is poisonous to the touch.

There’s something about Slavic languages that sounds ruthlessly vicious when screamed–a very different vibe from the power and command of Germanic tongues. At the same time, that typical deep Russian chorus sound is always so encompassing, embracing everything around it except, perhaps, the listener. Arkona employ ample quantities of both, and fuse it with brilliant folk. If someone described a sound as “one with nature” to me I’d probably roll my eyes, but the nature here presented is a pack of wolves delighting in the kill.

I don’t know, this particular song has just really struck me lately. Ot Serdtsa K Nebu is one of my most listened-to albums, but perhaps because of the lengthy intro I never took sufficient notice of the opening track before. “Shrouds of Celestial Sage”, or “Pokrovy Nebesnogo Startsa”, or “Покровы Небесного Старца”, however you want to write it, isn’t Arkona’s most beautiful song, but I think it might be their greatest success at melding such meledies with a characteristically eastern savagery.

The explosion at 5:03 is one of the most epic moments in metal, and the sound quality of a youtube video cannot do it justice. Also, Miss Masha Arhipova is the most awesome person ever. Yes, that’s her screaming.

Songs of the Day: The Devil Is In The Details/Beats from Hanna (by The Chemical Brothers)


To cap off the day I decided to take a lead from my favorite spring and summer past-time (baseball) and give everyone a double-header. The latest song of the day is actually two of them. While they’re really a single melody they’re done in two diverging ways that fit in with Joe Wright’s modern fairy tale action film, Hanna.

Once again these songs are from The Chemical Brothers who everyone by now have heard composed the score for Hanna. They did such a magnificent job scoring this film that I wouldn’t be surprised if they’re asked to do more of it in the future. I will admit that I actually like they’re work on Hanna than what Daft Punk did for Tron: Legacy. The songs I picked are called “The Devil Is In The Details” and “The Devil Is In The Beats” respectively.

The first song is a charming little melody that sounds like it’s being played on a calliope. It really underscores the fairy tale aspect of the film and Hanna’s own Grimm’s fairy tale like journey from the frozen wilderness of Finland to the rundown carnival (looking like something out of Bizarro World Grimm’s fairy tale) to end the film. This melody also becomes a sort of leitmotif for whenever Hanna became endangered from the assassins hired by her nemesis, Marissa Veigler, to chase her down. The leader of this group will begin to whistle this tune when they’ve caught onto Hanna’s trail.

The second song is a more aggressive version of this fairy tale melody done in the only way The Chemical Brothers know how. “The Devil Is In The Beats” is twists, distorts, remixes and adds a funky bassline to the original “The Devil Is In The Details” but without losing the original calliope tone. This version I liken to a fairy tale story seen through the eyes of someone tripping out on acid or LSD.

Both songs fit in well in the scenes they complement and just shows how well both filmmaker Joe Wright and The Chemical Brothers were on the same wavelength when it came to telling the story of Hanna.

Song of the Day: Container Park from Hanna (The Chemical Brothers)


Tonight I saw what would probably end up as one of the top films of 2011. I am talking about Joe Wright’s modern fairy tale, Hanna, and starring one of the industry’s finest young actress in Saoirse Ronan in the title role. The latest “song of the day” comes directly from this film which was fully scored by British electronica duo, The Chemical Brothers.

“Container Park” arrives close to the end of the second act of the film and perfectly accompanies one of the film’s best action sequences. The Chemical Brother’s give this song a very heavy and deep bassline which set’s the rhythm for the whole sequence. They begin the song very subtly with just a hint of dissonance creeping into the dark fairy tale-like melody. I just loved how they were able to combine not just the fairy tale aspect of the film, but also add in that sense of danger with subtle use of distortion and dissonance to unbalance the original melody.

This song went perfectly well with the action sequence it complemented and it was halfway through the song that I realized (like all of the music in this film) that the bassline was setting up the rhythm of the action itself. I saw this clip at WonderCon 2011 and the song was the same and as I look back to that clip to seeing the clip as part of the whole film I was impressed how The Chemical Brothers’ score for this film was very instrumental in setting up each scene and not just becoming background music.

“Container Park” is just one of several great songs from the Hanna soundtrack by The Chemical Brothers. First there’s the wonderful, cover-filled soundtrack for Sucker Punch and now this full-on electronica score for Hanna. It’s been a very good year, so far, for soundtracks and I do believe we’ve got more excellent examples coming down the pipeline.

Above is the original song used in the film while below is a remix done by the duo and found on the film’s website. The latter has been extended, but I really don’t see too much of a difference between the two other than their running times.

Song of the Day: Endless Love (by Lionel Richie and Diana Ross)


Lisa Marie’s latest post about the film Love Story and her reaction to it got me thinking that I haven’t put up an R&B ballad as “Song of the Day” for quite awhile now. Well, just as the day is close to coming to an end to start a new one I’ve chosen to continue the theme began by the previous post and picked the R&B ballad, “Endless Love”.

“Endless Love” is a ballad duet sung by Lionel Richie and Diana Ross. These two of the biggest R&B stars of the 70’s and early 80’s. Their star and singing power truly shines in this duet of the love theme for the very maudlin, cheesy and almost-grindhouse romantic film of the same name starring Brooke Shields, Martin Hewitt and a young James Spader. The film itself is quite forgettable if one was looking for something in the same vein as Love Story, but for those looking for a very twisted look at true love then Endless Love is the flick for you.

The film might not have been popular with critics, but the theme definitely resonated with the public and critics. It has been voted by Billboard as the greatest song duet of all-time. It’s become a staple with wedding planners since it came out to be played during wedding receptions. It got a modern cover duet by Luther Vandross and Mariah Carey in 1994.

There’s not much to say about this song other than watch the video and just listen to the song and it’s lyrics. Even the most coldhearted bastard out there may just melt a bit as they listen to this song.

Endless Love

My love,
There’s only you in my life.
The only thing that’s right.

My first love,
You’re every breath that I take.
You’re every step I make.

And I
(I-I-I-I-I)
I want to share,
All my love with you.
No one else will do.

And your eyes,
Your eyes, your eyes,
They tell me how much you care.
Ooh yes, you will always be,
My endless love

Two hearts,
Two hearts that beat as one.
Our lives have just begun.

Forever,
(Ohhhhhh)
I’ll hold you close in my arms.
I can’t resist your charms.

And love,
Oh, love,
I’ll be a fool, for you.
I’m sure,
You know I don’t mind.
Oh, you know I don’t mind.

‘Cause you,
You mean the world to me.
Oh, I know,
I know,
I’ve found in you,
My endless love.

Oooh, love,
Oh, love,
I’ll be that fool, for you.
I’m sure,
You know I don’t mind.
Oh you know,
I don’t mind.

And, YES!
You’ll be the only one.
‘Cause no one can deny,
This love I have inside,
And I’ll give it all to you.
My love,
My love, my love,
My Endless Love!

Song of the Day: You Know My Name from Casino Royale (by Chris Cornell)


So, I’m at home flipping channels when I saw that Casino Royale was about to start on one channel I kept going back to. Inspiration hit like a JSOW from high above and I decided to pick this Bond reboot’s title theme as the latest “Song of the Day”.

“You Know My Name” is the latest song of the day and one played and sung by one of my favorite rock vocalists ever in Chris Cornell. Anyone who has even listened to 90’s hard rock and alternative rock has to know who Chris Cornell is. He’s the longtime frontman for the alternative rock band Suoundgarden and then later on for the supergroup Audioslave. With “You Know My Name” he has joined a very exclusive club of Bond film intro singers. Not to mention an even more rarefied group of male singers who have sung the intro songs to Bond films. I could only remember and name three who have and they were Tom Jones doing the one for Thunderball, Paul McCartney for Live And Let Die and the Euro band Duran Duran for A View To A Kill.

Cornell sings the hell out of this song and I like the fact that the song’s title doesn’t match the film’s. “You Know My Name” sounds better than “Casino Royale” and the lyrics, as written by Chris Cornell (w/ some minor help from film composer David Arnold), really matches the grittier and more aggressive personality of the film and it’s main character of James Bond. I will say that this song is definitely better than most of the Pierce Brosnan Bond film intro songs which ranged from the great one sung by Shirley Manson and her band Garbage for the forgetful The World Is Not Enough right up to the very awful one by Madonna for Die Another Day.

The official music video created for the song also does a great job of paralleling the job of James Bond as a spy and Cornell as a rock star as being similar in some ways. Just one listen to this song and it’ll be stuck in one’s head for the rest of the day.

You Know My Name

If you take a life do you know what you’ll give?
Odds are, you won’t like what it is
When the storm arrives, would you be seen with me?
By the merciless eyes of deceit?

I’ve seen angels fall from blinding heights
But you yourself are nothing so divine
Just next in line

Arm yourself because no-one else here will save you
The odds will betray you
And I will replace you
You can’t deny the prize it may never fulfill you
It longs to kill you
Are you willing to die?

The coldest blood runs through my veins
You know my name

If you come inside things will not be the same
When you return to the night
And if you think you’ve won
You never saw me change
The game that we all been playing

I’ve seen diamonds cut through harder men
Than you yourself
But if you must pretend
You may meet your end

Arm yourself because no-one else here will save you
The odds will betray you
And I will replace you
You can’t deny the prize it may never fulfill you
It longs to kill you
Are you willing to die?

The coldest blood runs through my veins

Try to hide your hand
Forget how to feel
Forget how to feel

Life is gone with just a spin of the wheel
Spin of the wheel

Arm yourself because no-one else here will save you
The odds will betray you
And I will replace you
You can’t deny the prize it may never fulfill you
It longs to kill you
Are you willing to die?

The coldest blood runs through my veins
You know my name
You know my name
You know my name
You know my name
You know my name
You know my name
You know my name