A Nightmare on Elm Street (1984, dir by Wes Craven, DP: Jacques Haitkin)
Since today is Wes Craven’s birthday, our scene of the day comes from 1984’s A Nightmare On Elm Street. Along with Scream, this was Wes Craven’s signature film. And also, much like Scream, a series of sequels led to many people forgetting just how effective the first film was. Wes Craven reportedly reached back to his own childhood fears with the character of Freddy and, in Robert Englund, he found the perfect actor to bring the character to life.
(Interestingly, Craven’s initial choice for the role was David Warner.)
In this scene, we see just how scary the original A Nightmare on Elm Street actually was.
Seeing as how he was born in the month of August, this seems like a good time to pay tribute to Tom Laughlin, the actor who revolutionized independent American cinema through his Billy Jack films.
In four films, Laughlin played Billy Jack, an American Navajo, a former Green Beret, a veteran of the Vietnam War, a hapkido master, and a man who just protects children and other living things. When he first appeared in 1967’s TheBornLosers, he was protecting a woman from bikers. In 1971’s BillyJack, he was protecting the Freedom School from ignorant townspeople. In 1974’s TheTrialofBillyJack, he was …. well, in that film, Billy Jack did a little bit of everything but the National Guard still ended up destroying the Freedom School. Finally, in 1977’s BillyJackGoesToWashington, Billy was appointed to the United Stated Senate because what else are you going to do with someone who has killed a tremendous amount of people over the course of three films?
(Of course, in Senator Jack’s defense, they were all bad people.)
Laughlin not only starred as Billy Jack but he also directed all four of the films and, starting with BillyJack, he also handled the distribution of them. A huge box office hit, BillyJack is considered to be a seminal counter culture film. The other three films are a bit less acclaimed and TrialofBillyJack is often cited as one of the most pretentious and self-indulgent films ever made. But, regardless of their individual artistic merits, all of the Billy Jack films share an appealing mix of sincerity and silliness. Laughlin was a good actor and, visually, he was a stronger director than he was often given credit for. Some of the shots in the original Billy Jack are breath-taking. At a time when even self-styled progressive films still portrayed women in the most condescending and demeaning way possible (check out GettingStraight or R.P.M., if you dare), the BillyJack films were as much about Jean (played by Delores Taylor, Laughlin’s wife and creative partner), the founder of the Freedom School, and her beliefs, as they were about Billy Jack and his struggles to accept pacifism. If nothing else, the Billy Jack films featured actual conversations and debates about actual ideologies and philosophies, as opposed to the usual shallow Hollywood politics. Unfortunately, Laughlin was also a heavy-handed storyteller and a terrible editor. TheTrialofBillyJack goes on for three hours.
And yet, of all the BillyJack films, TheTrialofBillyJack is my favorite. It’s just so weird that it’s hard not to like it. It’s a film that doesn’t really work but, at the same time, you can’t help but appreciate all the effort that was put into it. Whatever else you might be able to say about him and his films, it’s obvious that Tom Laughlin truly did think that the movies could make a difference. There’s an aching sincerity to Laughlin’s work that pretty much cannot be found in the majority of today’s films.
In honor of Laughlin’s birthday and his legacy, here’s a scene that I love from TheTrialofBillyJack. In this scene, Billy goes on a vision quest and experiences the Three Levels. I would be lying if I said I really followed much of the logic in the scene but at least we get to see Billy hit a hippie professor. Billy also smacks Jesus, which isn’t cool but Jesus shows exactly how to handle that type of belligerence and hopefully, he provides a lesson for us all.
Learn about the Three Levels, with Billy Jack. And be sure to spare a thought for the hard work of Tom Laughlin.
Since today is the birthday of the great Mario Bava, today’s scene that I love comes from one of Bava’s best films. Here is the wonderfully atmospheric and ominous opening of 1960’s Black Sunday:
Today, the Shattered Lens wishes a happy birthday to the greatest director come out of Texas, Richard Linklater!
Today’s scene that I love comes from Linklater’s 1991 film, Slacker. Filmed in Austin, this film not only established Linklater as one of the best indie film directors but it also inspired a countless number of other aspiring filmmakers. How many other director have attempted to make a Slacker? None have done it as well as Linklater. Indeed, the film not only helped to define the modern independent film aesthetic but it also continues to shape the way that people view Texas’s idiosyncratic capital city.
In this opening scene, Linklater himself gets the film started, delivering a monologue as he’s driven around Austin.
Today would have been the birthday of the late Tony Sirico. Sirico was a former mob associate who, after serving a term in prison, reinvented himself as an actor. Because of his background, he was often typecast as gangsters but he also proved himself to be an intelligent performer with perfect comedic timing. For a lot of us, he will always be remembered for playing Paulie on The Sopranos.
Today scene that I love comes from The Sopranos and it features excellent work from the entire cast, especially Tony Sirico. In this scene from the 2002 episode “The Strong, Silent Type,” the Sopranos and their associates stage an intervention for Christopher Moltisanti and it goes about as well as you might expect. In just five minutes, this scenes manages to capture everything that The Sopranos was about, as well as giving each member of the cast a chance to shine. Since this is Sirico’s birthday, I’ll just recommend that viewers especially watch Paulie’s facial expressions while Adriana reads her letter to Christopher.
Today is Hong Kong film star Donnie Yen’s 63rd birthday. The first time I remember seeing him on screen was in Yuen Woo-Ping’s 1993 film IRON MONKEY. He kicked butt then and he’s still kicking it to this day!
Celebrate with me by watching this clip from the martial arts classic!
Today’s scene that I love comes from Stanley Kubrick’s The Shining.
Stephen King can whine about this film all that he wants. It’s one of the few adaptations of his novels that can still scare the view even after numerous rewatches.
July 25th is the birthday of actor Woody Strode. In celebration of what would have been the icon’s 112th birthday, I’m sharing one of my favorite scenes in the history of cinema, which was made greater by the presence of Strode. One of the genius movies that Sergio Leone made when filming ONCE UPON A TIME IN THE WEST (1968) was casting Jack Elam and Woody Strode as two of the three men waiting for Harmonica to get off the train in the opening scene. It’s a classic!
I’m not sure how many of you are aware of this, but I love Charles Bronson. I don’t mean I just enjoy his movies, either. I have been obsessed with him for most of my life, well at least for about the last 40 years. During that time, I have watched all of his movies, I have driven 17 hours just to watch a Bronson triple-feature at the drive-in, I’ve visited the Colorado filming locations of MR. MAJESTYK, and I’ve visited his gravesite in Vermont. I’m currently a co-host of the “This Week in Charles Bronson Podcast” where I’ve been able to be parts of interviews with his co-stars and even a family member. For a man in his early 50’s, I think an awful lot about a movie star who passed away over 20 years ago. I call it a healthy obsession, but you can feel free to draw your own conclusions.
Well, it all began sometime in ’84 or ’85 when I stayed up one night with my Dad, and we watched the late movie. The movie that night was the TV edit of the Bronson classic, DEATH WISH. Before that night I had never heard of Bronson, but as the movie progressed and bad things happened to his family, Dad assured me that Bronson would take care of the bad guys. Looking back now, it’s ironic since Bronson didn’t kill any of the actual bad guys who brutalized his wife and daughter. Regardless, I didn’t know anything about Bronson, but my Dad certainly did, and that intrigued me as a boy. This also coincided around the same time when our family got our first VCR. Every time we’d go to the video store, I’d see that same guy from DEATH WISH, and I would beg mom and dad to rent one of his movies. I can assure you that no junior high kid in Arkansas knew as much about Charles Bronson in the 80’s than I did.
DEATH WISH premiered at the movies on July 24, 1974! It was an immediate, controversial smash hit, and in today’s dollars, it earned the equivalent of around $150 Million in America and approximately $300 Million around the globe. It cemented Bronson as a bonafide box office star in his home country and spawned the series that he would be most connected with for the remainder of his career. In honor of the 52nd anniversary of DEATH WISH, I’m sharing this iconic scene from the classic: