Scenes that I Love: John Grant Meet Doc Tydon in Wake In Fright


107 years ago today, the great actor Donald Pleasence was born.

Pleasence is, of course, best-known for playing Dr. Loomis in Halloween. He’s so identified with that franchise that it’s always seemed appropriate that he celebrated his birthday in October. And usually, to celebrate his birthday, we would share a scene of Dr. Loomis yelling at or shooting Michael Myers.

This year, though, I’m going to do something a little different and share a scene from a different type of horror movie, 1971’s Wake in Fright. In this Australian film, Donald Pleasence plays Doc Tydon, an alcoholic doctor who lives in the Australian outback and who befriends John Grant (Gary Bond), a naïve school teacher who has become stranded in a town full of people who don’t have much respect for Grant’s intellectual pursuits. Actually, befriends is perhaps the wrong word. Tydon allows Grant to stay with him but it soon become apparent that Tydon, like almost everyone else in this movie, might have a less-than-friendly agenda of his own.

Wake In Fright features what may be Pleasence’s best performance. In the scene below, Tydon and Grant meet for the first time and Pleasence shows that he was capable of far more than just playing Blofeld and Dr. Loomis.

Horror Scene That I Love: Charlton Heston And Woodstock In The Omega Man


Today would have been the 103rd birthday of actor Charlton Heston.

This scene that I love comes from one of the few horror films in which Heston appeared.  An adaptation of Richard Matheson’s I Am Legend, 1971’s The Omega Man featured Charlton Heston as Robert Neville.  By night, Neville protects his house against the mutant horde.  By day, he tracks those sleeping mutants down and watches Woodstock over and over again.

“They don’t make them like that anymore,” Neville says.

This scene gets a lot of attention because of the contrast between the conservative Heston and the hippies in the film.  To me, the reason that it works is because Woodstock is a documentary.  Neville isn’t watching an actor pretending to be a character in a film.  He’s watching an actual human being who went to the Woodstock music festival and who is presumably either now a mutant or dead.  Imagine being the hippie interviewed by this scene and seeing yourself in The Omega Man and knowing you didn’t survive the apocalypse.  For that matter, we also have to assume that all of the Woodstock performers have been turned into mutants as well.  Write a song about that, Country Joe.

(I choose to believe that Arlo Guthrie made it to safety.  Sha Na Na, though?  Doomed.)

Neville’s right.  They don’t make them like this anymore.

 

Brad’s Scene of the Day features Chuck Norris in SILENT RAGE!


One of the first movies I chose to write about when I started contributing to this site was SILENT RAGE. It was the Chuck Norris movie I watched most as a kid, because they played it all the time on one of our local TV stations. I thought it was pretty scary at the time as Chuck took on the type of indestructible killer who could have walked straight off of a horror film set. I think this opening scene sets the stage pretty well on why I liked the film. It’s violent, Chuck is badass, and Stephen Furst even provides a little bit of sweet and silly humor. Enjoy!

Horror Scenes I Love: Catriona MacColl and Cinzia Monreale in The Beyond


Today, the Shattered Lens wishes a happy birthday to actress Catriona MacColl.

This scene that I love comes from Lucio Fulci’s 1981 masterpiece, The Beyond.  In this scene, Liza (MacColl) first meets the mysterious Emily (Cinzia Monreale).  To those not familiar with Fulci’s aesthetic, it may seem strange that Liza would not be more surprised to find a blind girl waiting for her on one of Louisiana’s infamous bridges to nowhere.  Those of us who are familiar with Fulci, though, recognize this as being one of his most gloriously dream-like moments.

This scene is also memorable for bringing together two of the best actresses to have worked with Fulci.  MacColl appeared in all three of the Beyond films, though she played a different character each time.  Monreale also appeared in several Fulci films, including the family western Silver Saddle and the underrated Sweet House of Horrors.

Horror Scene of the Day: “Chop Chop” from The Wicker Man


Today would have been the 97th birthday of British director Robin Hardy.

Hardy was best-known for directing the original The Wicker Man.  Indeed, his subsequent films — including the long-delayed sequel — achieved nowhere near the acclaim as 1973’s Wicker Man.  A film in which a Christian detective (Edward Woodward) is lured to an island so that he can be tricked into becoming a pagan sacrifice, The Wicker Man is remembered for Christopher Lee’s chilling performance of Lord Summerisle and, of course, the burning man.

At the risk of being accused of heresy, I’ve always found The Wicker Man to be good but a bit overrated.  Woodward’s detective is portrayed as being such a fool that the film’s ending is nowhere near as shocking as it should be.  (The Wicker Man was written by Anthony Shaffer who, just as he would later do with 1978’s Absolution, lets his own issues with religion bleed a bit too heavily into the film.)  That said, the film is full of wonderfully creepy scenes, like the one below.

“Chop!  Chop!” the villagers say and it may seem like it’s all good fun but the look of relief on some of the people’s faces clue us into the fact that the blades have not always remained motionless.  It’s the supreme act of trust on an island where no one really has any reason to trust anyone.

Horror Scenes That I Love: The Opening of Suspiria


The opening of Dario Argento’s 1977 masterpiece, Suspiria, is about as perfect an opening as one could hope for.  American ballet student Suzy Banyon (Jessica Harper) arrives in Freiburg, Germany.  Both Argento and Harper perfectly capture Suzy’s confusion as she makes her way through the airport and, as torrential rain drenches her, attempts to hail a taxi and get a ride to the dance academy.  (What Suzy doesn’t know, of course, is that the dance academy is home to the ancient witch known as The Mother of Sighs.)

With this opening scene, Argento both immediately establishes the off-center, nightmarish atmosphere of Suspiria and establishes Suzy as a character who we, as the audience, relate to and care about.  Suspiria is a great film and it all begins with this brilliant opening.

(And just as Suzy is starting her  journey to the school, we are just starting Horrothon!  Get ready for the best 31 days of the year!)

Scenes That I Love: Naomi Watts in Twin Peaks: The Return


Yesterday was the birthday of the great Naomi Watts!

In this scene from 2017’s Twin Peaks: The Return, Watts tells off to low-level hoodlums who have been demanding money from her husband.

Scenes That I Love: Tony Soprano Dreams Of A House In The Sopranos


With our annual Horrorthon starting in three days, I thought that this would be an appropriate time to share a creepy scene that I love from The Sopranos.

The Sopranos was well-known for its dream sequences. For me, this dream from the season 4’s Calling All Cars is one of the best and scariest of the series. It’s full of menace and ominous atmosphere, from the minute we see Tony being led to the house by the deceased Ralphie. And then, when that mysterious shadow appears on the staircase — AGCK!

I look forward to inviting you inside the TSL House of Horrors this October.

Brad’s “Scene of the Day” celebrates the great character actor J.T. Walsh!


J.T. Walsh is one of the great character actors of all time. Born on September 28th, 1943, he died way too young at just 54 years of age. You could count on him being good in any role, but I always appreciated him appearing with Billy Bob Thornton at the beginning and end of SLING BLADE (1996). He filmed his scenes about 15 miles from my house.

Happy Birthday in “character actor” heaven, J.T.!