Music Video of the Day: Burning Like A Flame by Dokken (1987, directed by James Yukich)


In the 80s, a lot of so-called “hair metal” bands had videos that revolved around flames and firefighters.  That is the risk you take with all of that hairspray.

This video was directed by James Yukich, who was one of the busiest video directors around.  Yukich pretty much directed at least video for everyone who was anyone.

Enjoy!

Song of the Day: Last Breath (from Heavy Rain) by Normand Corbeil


This is from the haunting soundtrack to the Quantic Dream video game, Heavy Rain.  This short piece of music captures the sad feel of the game and the madness of the Origami Killer.  This score was compared by the late Normand Corbeil, who also worked in film and television.  He’s probably best remembered for scoring the 2009 reboot of V.

I’ve lost track of how many times I’ve played Heavy Rain.  I’ve gotten the good ending but really, it’s the bad endings that stick with you.

Music Video Of The Day: You’re so Vain by Faster Pussycat (1990, directed by Rocky Schenck)


This cover of Carly Simon’s best-known song comes from Faster Pussycat.  The song was recorded for a compilation album celebrating Elektra’s 40-year anniversary.

Director Rocky Schenck is still active today.  He has directed videos for Adele, Robert Plant, Allison Krause, Van Halen, Alice In Chains, and many others.

Enjoy!

Music Video of the Day: Your Love by The Outfield (1986, directed by John Jopson)


This is a song that I will always associate with Grand Theft Auto: Vice CityYour Love is on the Flash FM playlist.  It’s not a great song to listen to when you’re in the middle of a police chase but it is nice when you’re just stealing cars on a rainy night.

The video was shot, over the course of a day, on a soundstage in Astoria.  While the band is playing, an artist played by JoAnne Willette finger paints the cover of The Outfield’s first album, Play Deep.  Willette would later co-star on the Growing Pains spin-off, Just The Ten Of Us.  She also appeared in episodes of The Facts of Life, T. J. Hooker, Santa Barbara, Growing Pains, Melrose Place, Chicago Hope, Becker, ER, The Young and the Restless, My Sister Sam, Private Practice, and The New Adventures of Old Christine.  Among her film credits are small roles in both Welcome to 18 and A Nightmare on Elm Street 2: Freddy’s Revenge.

Even though The Outfield was a British band, they never found much success in the UK.  Their popularity was almost solely centered in the U.S., where Your Love reached #6 on the Billboard Hot 100 and #7 on the Mainstream Rock chart in 1986.

Music Video Of The Day: Shout By Tears For Fears (1984, directed by Nigel Dick)


Tears For Fears frontman Roland Orzabal and keyboardist Ian Stanley were both practitioners of primal scream therapy, in which people confronted their fears and insecurities by shouting.  This song was inspired by both the treatment and political protest.

The video, which was put in heavy rotation on MTV and become one of the defining videos and songs of the 1980s, features Orazbal and Curt Smith letting it all out on the cliffside at Durdle Door in Dorset.  The video was one of the 300-something videos to have been directed by Nigel Dick, who has done videos for almost everyone.

Shout spend three weeks as the number one single in the US and has since become Tears for Fears signature song, along with Everybody Wants To Rule The World.

Music Video of the Day: Don’t Dream It’s Over by Crowded House (1986, directed by Alex Proyas)


This video was directed by a familiar name.  Alex Proyas got his start directing music videos for groups like INXS and this one but he is today better-remembered for directing such influential films as The Crow and Dark City.

The music video was a hit, picking up the award for Best New Artist at the MTV Music Video awards.  Don’t Dream It’s Over has gone on to become one of those songs that epitomizes an era.

Enjoy!

Musical Documentary Review: Woodstock ’94 (dir by Bruce Gowers)


Woodstock ’94 is the forgotten Woodstock.

Taking place in a field in Saugerties, New York, Woodstock ’94 opened on August 12 and it ended two days later.  Officially, it was held to celebrate the 25th anniversary of the original Woodstock and it was produced and promoted largely by the same people who were behind the original festival.  They were hoping to actually make some money this time but that plan failed when the fence surrounding the concert area was torn down by people who wanted to see the bands and hear the music without having to pay an exorbitant amount of money for tickets.  In all, 164,000 tickets were sold for Woodstock ’94 but it’s estimated that 350,000 attended.  To be honest, that sounds like a good example of the Woodstock spirit to me.  The people in charge of the festival disagreed, which is what led to the disaster that was Woodstock ’99.

Woodstock ’94 tends to be overlooked, precisely because it was neither the spontaneous celebration of the first Woodstock nor the epic trainwreck of the third Woodstock.  Instead, the second Woodstock was a largely peaceful festival that featured a good mix of older and, at the time, newer acts.  The original Woodstock featured open love and the third Woodstock featured random acts of arson.  The second Woodstock, on the other hand, featured a lot of rain.  Apparently, Green Day got pelted with mud.  Maybe a time traveler went back to 1994 and told everyone about American Idiot before the band started playing.  It makes sense if you think about it.

The first Woodstock lives forever as an epic documentary.  The third Woodstock has inspired at least two docuseries, both of which examine the festival with the grim weariness of a true crime recreation.  Earlier today, I discovered that the second Woodstock actually was filmed as well, though apparently Bruce Gowers’s Woodstock ’94 was never released in theaters and instead went straight to video.  It’s a sign of how forgotten Woodstock ’94 is that the film has never even been released on DVD or Blu-ray.  That said, after I learned of the film’s existence, I really did want to see it.  (I’m a completist at heart.)  I discovered that, fortunately, it’s been uploaded to YouTube.

From the start, Woodstock ’94 sets out to duplicate the style of the first Woodstock.  There’s plenty of split screens.  We open with people working hard to get the festival grounds ready.  There are interviews with concert goers.  There’s an interview with a guy selling food.  We get a few random announcements from the stage.  There’s a hint of nudity, though nowhere near as much as in the first film.  Probably the funniest moment in the documentary is when we see a sign telling us that a certain area has been reserved for those wanting to watch the concert nude.  During the first Woodstock, the nudity was spontaneous.  For the second one, it was prepared for.  The main thing that I noticed was how pleasant everyone seemed to be.  There was none of the anger that defined Woodstock ’99.  There was none of the bad brown acid that inspired so many warnings at the first Woodstock.  Instead, everyone appeared to be having a good time.  Even with Green Day getting pelted with mud, the Woodstock ’94 audience appeared to be rather mild-mannered.  Most of them seemed like they probably play golf now.

The majority of the documentary is devoted to the music.  We see tightly edited performances from, amongst others, Bob Dylan, Sheryl Crow, Aerosmith, Crosby Still Nash & Young, Nine Inch Nails, Metallica, The Cranberries, Green Day (though we don’t really get to see the incident with the mud, which is a shame), and Primus.  The festival had a good lineup.  Crosby, Stills, Nash & Young are a bit on the dull side but Primus more than makes up for it.  My only real complaint is that we only get to hear one song from each featured group.

Woodstock ’94 was surprisingly pleasant.  It’s too bad that, five years later, the whole idea of Woodstock fell apart.