What Lisa Watched Last Night #171: Ten: Murder Island (dir by Chris Robert)


Last night, Drink Slay Love was not the only Lifetime premiere that I watched.  I also watched Ten Murder Island!

Why Was I Watching It?

The obvious answer, of course, is that it was on Lifetime and, whenever I review a Lifetime film, this site gets an upsurge in clicks.

But, beyond that, I liked the commercials for Ten: Murder Island.  They looked moody and atmospheric.  When I read that the movie was about ten people being stalked and murdered on an island, I immediately was reminded of Harper Island, a.k.a. the scariest TV show ever.  How could I not watch, right?

What Was It About?

Ten teenagers have gathered at a house that’s located on an isolated island.  They’re throwing a weekend party but a storm not only knocks out all the power but also everyone’s phone signal.  Add to that, someone on the island is killing everyone, one by one.  Uh-oh!

Why are they being targeted?  Does it have anything to do with Claire Hicks, an unpopular student who committed suicide shortly after homecoming?  Considering that pages ripped from her journal keep appearing at every murder scene, that would seem to be a safe bet.  Will the smart and studious (and kinda boring) Meg (China Anne McClain) be able to figure out what’s happening before everyone’s dead?  And will her pseudo-boyfriend TJ (Rome Flynn) ever come clean about what happened at homecoming?

What Worked?

Both the house and the island were well-chosen locations and, visually, the film had a memorably spooky atmosphere.  If nothing else, while you were watching Ten, you were convinced that anyone could die at any moment.  No one seemed to be safe.  The deaths themselves were, for a Lifetime film, surprisingly graphic and rather mean-spirited.  This killer wasn’t missing around.

I especially liked the flashback scenes that accompanied the reading of Claire’s journals.  They were well-handled, with everyone’s face literally scratched out and obscured, keeping you guessing as to who Claire was writing about.

What Did Not Work?

As I watched Ten: Murder Island, I couldn’t help but be bothered by the fact that no one on the island really seemed to be that upset by the fact that all of their friends were being brutally and gruesomely murderer.  Meg and TJ would get upset whenever they stumbled across a body but, in the very next scene, they would be laughing and flirting and teasing each other about homecoming.

This movie also featured a truly cringeworthy line that was uttered right after Meg learned the terrible truth about what happened at homecoming.  After learning about a truly terrible thing that happened, Meg turns to TJ and exclaims, in all sincerity, “I didn’t realize I meant that much to you!”  Now, I can’t say too much without spoiling the movie but, just to indicate how inappropriate this response felt, this is what I tweeted as soon as I heard the line:

I mean, it’s generally accepted that the majority of characters in a movie like this are going to be douchebags but Ten: Murder Island really abused the privilege.

“Oh my God!  Just like me!” Moments

I totally related to Kumiko (Annie Q), who was the sarcastic girl who had no hesitation about accusing Meg of being a murderer and who seemed to be more annoyed than terrified by the all the lethal drama going on around her.

Lessons Learned

There’s only one Harper’s Island.

A Movie A Day #252: The Death Collector (1976, directed by Ralph De Vito)


Jerry Bolanti (Joe Cortese) is a cocky loud-mouth who has just returned to New Jersey after serving a prison sentence.  Jerry needs a work so a mid-level gangster named Tony (Lou Criscuolo) hires Jerry as a debt collector.  The problem is that Jerry is just not very good at his job.  His attempt to collect money from Bernie Feldshuh (Frank Vincent) leads to Bernie hiring a legendary hitman (Keith Davis) to kill Jerry.  Despite working with two experienced enforcers, Joe (Joe Pesci) and Serge (Bobby Alto), Jerry’s next job is just as unsuccessful and leads to even more unnecessary deaths.  Tony starts to wonder if maybe he made a mistake giving a job to Jerry and, unfortunately, no one simply gets fired from the Mafia.

A low-budget and nihilistic film, The Death Collector occupies a strange place in film history.  Though it was largely ignored when it was first released, one of the few people who did see it was actor Robert De Niro.  De Niro brought the film to the attention of Martin Scorsese, who was casting Raging Bull at the time.  Both Joe Pesci and Frank Vincent made their film debuts in The Death Collector and, after watching the movie, Scorsese cast both of them in Raging Bull.

The rest is history:

In Raging Bull, Pesci beats up Vincent.

In Goodfellas, Pesci kills Vincent.

In Casino, Vincent finally gets to kill Pesci.

If not for The Death Collector, Frank Vincent would never have told Joe Pesci to “get your fucking shinebox.”  If not for The Death Collector, Joe Pesci would never have thrown Frank Vincent in that trunk.  It all started with The Death Collector.

As for the film itself, The Death Collector was filmed on location in New Jersey and it occasionally has a raw and intense grittiness but it suffers because there’s never any reason to care about Jerry.  He starts the movie as an asshole and he ends the movie as an asshole and Joe Cortese’s bland performance fails to make Jerry into a compelling antihero.  The Death Collector works best whenever Vincent and Pesci are on-screen.  Pesci’s performance is slightly toned down version of the hyped-up maniacs that he became best known for playing while Vincent shows that, even in his first film, he was already a master at playing slightly ridiculous tough guys.

The Death Collector can also be found under the title, Family Enforcer.  It’s been released on DVD by several companies, all of which claim that the film “stars” Joe Pesci.  My copy has a picture of Pesci that was lifted from 8 Heads In A Duffel Bag on the cover.

What Lisa Watched Last Night #170: Drink Slay Love (dir by Vanessa Parise)


Last night, I watched a new Lifetime film, Drink Slay Love!

Why Was I Watching It?

Because it was on Lifetime, of course!

Plus, it was a Canadian film about vampires.  I love Canada and I love vampires!  Ever since that episode of Degrassi where Emma got a “social disease” while playing Mina in a school production of Dracula, Canada and vampires have mixed well.

(Now, I should admit, that, while watching Drink Slay Love, I was also watching a film called The Dead Don’t Die on YouTube.  I’m a big believer in multitasking.)

What Was It About?

Pearl (Cierra Ramirez) has a life that most of us can only have erotically-themed nightmares about.  She’s a sixteen year-old vampire princess.  She’s headstrong.  She’s a little bit bratty.  She’s convinced that nothing can hurt her.  Even after she’s the victim of an attempted staking, she still insists on going out in the middle of the night by herself.  On the plus side, Pearl doesn’t attack animals.  She only attacks humans, especially Brad, the poor guy who works at a 24 hour ice cream parlor and who never remembers Pearl’s nightly visits, in which she always gets a scoop of mint ice cream and a pint of blood.

However, everything changes when it’s discovered that Pearl is immune to sunlight!  She is a rare vampire who can actually walk around in the daylight.  This leads to her parents getting the brilliant idea of sending Pearl to high school.  There’s a big feast coming up and apparently, teenage blood is in high demand.  However, once Pearl arrives at the school, she starts to make friends, almost despite herself.  She starts to do the type of things that teenagers in Lifetime movies always do.  How can she set her new friends up to be the main course?

Of course, some of her new friends have secrets of their own.  You know how that goes…

What Worked?

This was a nice change of pace for Lifetime.  After endless movies about obsessive stalkers and stolen babies and bad celebrity lookalikes, it was nice to see something different on Lifetime.  I’m going to guess that Drink Slay Love was made with October in mind and really, this is a good movie for people who want celebrate Halloween without getting traumatized.  It’s not particularly scary but it’s got vampires and it’s enjoyably silly.

Cierra Ramirez did a good job as Pearl.  Pearl is a very sardonic vampire, which is the best type of vampire to be.  Ramirez delivered her sarcastic dialogue with just the right amount of bite.  (Heh heh, see what I did there?)

If the director’s name seems familiar, that’s because Vanessa Parise has directed several Lifetime movies.  She does a good job with Drink Slay Love, keeping the story moving at a good pace and getting good performances from the entire cast.

What Did Not Work?

To be honest, I liked the whole film.  Even the occasionally sketchy CGI added to the film’s charm.

“Oh my God!  Just like me moments!”

I related to Pearl.  Well, I didn’t necessarily relate to the blood sucking.  But I was really sarcastic when I was sixteen, too.  Plus, I always used to dress in black and then dare anyone to make a comment about it… (Actually, not that much has changed since then…)

Lessons Learned

Canada and Vampires are a good combination!

A Movie A Day #251: Cisco Pike (1972, directed by Bill L. Norton)


Yesterday, the great character actor Harry Dean Stanton passed away at the age of 91.   Cisco Pike is not one of Stanton’s best films but it is a film that highlight why Stanton was such a compelling actor and why his unique presence will be missed.

Cisco Pike (Kris Kristofferson) is a musician who has fallen on hard time.  After having been busted several times for dealing drugs, Cisco now just wants to spend time with his “old lady” (Karen Black) and plot his comeback as a musician.  However, a corrupt narcotics detective, Leo Holland (Gene Hackman), approaches Cisco with an offer that he cannot refuse.  Holland has come into possession of 100 kilos of marijuana.  He wants Cisco to sell it for him and then Leo plans to take the money and retire.  Cisco has the weekend to sell all of the weed.  If he doesn’t, Holland will arrest him for dealing and sent him back to prison,

About halfway through this loose and improvisational look at dealers, hippies, and squares in 1970s Los Angeles, Harry Dean Stanton shows up in the role of Jesse Dupree, an old friend and former bandmate of Cisco’s.  Jesse is a free-living wanderer, too old to be a hippie but too unconventional to be a member of the establishment.  Unfortunately, Jesse also has a nasty heroin habit.  Jesse Dupree is a prototypical Harry Dean Stanton role.  Like many of Stanton’s best roles, Jesse may be sad and full of regrets but he is not going to let that keep him from enjoying life.  Stanton may not appear in much of the film but he still takes over every scene in which he appears.

Stanton is, by far, the best thing about Cisco Pike.  As always, Gene Hackman is entertaining, playing the inverse of The French Connection‘s Popeye Doyle and Karen Black is her usual mix of sexy and weird.  The weakest part of the movie is Kris Kristofferson, who was still a few years away from becoming a good actor when he starred in Cisco Pike.  It is interesting to consider how different Cisco Pike would have been if Stanton and Kristofferson had switched roles.  Stanton may not have had Kristofferon’s movie star looks but, unlike Kristofferson, he feels real in everything that he does.  With his air of resignation and his non-Hollywood persona, Stanton brought authenticity to not only Cisco Pike but to every film in which he appeared.

Along with Stanton, several other familiar faces appear in Cisco Pike.  Keep an eye out for Roscoe Lee Browne, Howard Hesseman, Viva, Allan Arbus, and everyone’s favorite spaced-out hippie chick, the one and only Joy Bang.

Rockin’ in the Film World #12: The Monkees in HEAD (Columbia 1968)


gary loggins's avatarcracked rear viewer

The Monkees (Davy Jones, Mickey Dolenz, Peter Tork, and Mike Nesmith) brought rock’n’roll to TV with their mega-successful 1966-68 musical sitcom. Inspired by The Beatles’ onscreen antics in A HARD DAY’S NIGHT and HELP!, producers Bob Rafelson and Bert Schneider cast four fresh-faced youths (Jones was a Tony nominee for OLIVER!, Dolenz had starred in TV’s CIRCUS BOY, Tork and Nesmith were vets of the folk-rock scene), hired some of the era’s top songwriters (Gerry Goffin & Carole King, Tommy Boyce & Bobby Hart, Neil Diamond, Harry Nilsson) and session musicians (Hal Blaine, James Burton, Glen Campbell  , Carol Kaye), and Monkeemania became a full-fledged teenybop pop phenomenon.

Detractors (and there were many) in the music biz called them ‘The Pre-Fab Four’, looking down their noses at The Monkees while looking up as hits like “I’m a Believer”, “Daydream Believer”, and “Pleasant Valley Sunday” climbed to the top of the…

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Free Movies for all!


Going to try something new and if this catches on I’ll keep it going with them.

A list of movies that you can stream absolutely free, no logins, no subscriptions, no add-ons, no payments, just free movies*.  I’m thinking 4-5 movies per weekend spaced across several genres of movies; Comedy, Drama, Family/Kid-friendly,  Horror, Sci-Fi, and Romance.

Okay, cool, you get the idea! So here we go!

Drama:

Ali:

Amazing performance by Will Smith portraying the G.O.A.T. Muhammad Ali. From Academy award nominated director Michael Mann and co-staring Jon Voight, Ali is a gripping story into his life

Ali is free on Crackle

Ali trailer is here:

 

Comedy:

Woke Up Dead:

Starting out as a web series, Woke Up Dead was turned into a full length feature film. Starring Jon Heder and Krysten Ritter.

A young man who awakes in a full bathtub after ‘drowning’ and has no heartbeat, prompting his friends to believe him to be a zombie.

More in the, um, vein, (sorry for the pun) of comedy-horror, still a funny movie.

Woke Up Dead is also available for free on Crackle

And you can watch the trailer here:

 

Family Movie:

All Dogs Go To Heaven

A-sit-around-the-TV family friendly movie, All Dogs go to Heaven is a song filled story of laughs,tears and true love! Burt Reynolds, Dom Delouise and Lonnie Anderson star in this classic!

All Dogs Go to Heaven is available on TubiTV for free!

And you can see the trailer here:

 

Horror:

Puzzlehead:

For you horror fiends, this movie really twisted me. It’s very post-apocalyptic, Frankenstein-ish twist, with all the suspense and gore you want.  (what is it like to be dead)

Puzzlehead is on MidnightPulp for free.

and you can see the trailer here:

 

There it is y’all, four free movies you can stream this weekend across various genres!

 

If you like the idea of what I am trying to do, please comment, RT or Like!

 

*Can’t say there won’t be commercials in these movies, likely they are, but that is just time for bathroom breaks!

 

 

 

 

A Movie A Day #250: Taking Care of Business (1990, directed by Arthur Hiller)


Jimmy Dworski (Jim Belushi) is a convicted car thief who only has a few days left in his criminal sentence but still decides to break out of prison so he can go see the Cubs play in the World Series.  Spencer Barnes (Charles Grodin) is an uptight ad executive who needs to learn how to relax and have a good time.  When Spencer loses his organizer, Jimmy finds it.  Before you can say “The prince and the pauper,” Jimmy has access to all of Spencer’s money and the mansion that Spencer is supposed to be staying at over the weekend.  While Spencer tries to survive on the streets and track down his organizer, Jimmy is living it up, spending money, impressing a Japanese businessman (Mako), romancing the boss’s daughter, and taking care of business.

Made in the uncertain period between the end of the culture of 80s materialism and the start of the 90s indie boom, Taking Care of Business is a rip-off of Trading Places that came out six years too late to be effective.  Everything that needs to be known about Jimmy and Spencer is apparentl from the minute that Charles Grodin’s and Jim Belushi’s names appear in the credits.  Grodin was usually the best when it came to playing uptight yuppies but he seems bored in Taking Care of Business.  Belushi mugs through his role, overplaying his character’s blue collar roots.  The movie builds up to a huge confrontation between Belushi and Grodin but it never really delivers, instead devolving into a predictable buddy comedy, complete with a trip to Wrigley Field and an elaborate plan to sneak Belushi back into prison before the warden (Hector Elizondo) discovers that he’s been gone for the weekend.  Taking Care of Business has a few laughs but it’s never as good as the BTO song.

A Movie A Day #249: Beatlemania (1981, directed by Joseph Manduke)


In this filmed version of a hit Broadway musical, four musicians who look like the Beatles from a distance play 3o Lennon/McCartney songs while newspapers headlines scroll over their heads and famous events and figures from the 60s appear on the screen behind them.  The camera sometimes follows the musicians backstage as they switch from dark suits to white Magical Mystery Tour tuxedos and later into the uniforms of Sgt. Pepper’s Lonely Hearts Club Band.  They also try on a variety of wigs and fake facial hair.

The main problem with Beatlemania is that the four musicians may be good but they are still not the Beatles and, regardless of how hard they try, they never really sound like the Beatles either.  At first, I was impressed by the fact that they did, at least, physically resemble the Beatles but then I realized that musician I thought was George was actually supposed to be John and that the musician who actually was supposed to be George looked more like Keith Richards.  Ringo, meanwhile, looked like Keith Moon.  On the other hand, the show’s Paul looked exactly like the real Paul but was so stiff and precise in his movement that it was like watching one of the robots from Disney’s Hall of Presidents.

I can understand why nostalgic baby boomers made the original stage show a hit but, ultimately, it is best just to stick with the originals.

Film Review: The Wall (dir by Doug Liman)


The Wall tells a very simple story.

Opening with a title card that informs us that “President Bush has declared victory,” The Wall takes place in Iraq in 2007.  Two soldiers — a sniper named Matthews (John Cena) and a spotter named Isaac (Aaron Taylor-Johnson) — have responded to a call for help that came from a pipeline construction site.  When they arrive, they see only dead contractors.  Matthews and Isaac spend a day watching the site, finally determining that it is safe to investigate.

Of course, as soon as Matthews approaches the site, shots ring out as a sniper opens fire on him.  Matthews falls while Isaac finds himself trapped behind a crumbling wall, shot in the right knee and slowly bleeding out.  As Isaac tends to his wound and tries to determine whether Matthews is alive or dead, his radio comes to life.  The voice, on the other end, initially claims to be an American soldier but Isaac eventually figures out that the voice actually belongs to the man who just shot him.  The sniper is an Iraqi who calls himself Juba.  He may or may not be a legendary and feared sniper that Matthews and Isaac were discussing mere minutes before being attacked.

And that’s pretty much the entire film right there.  For 81 minutes, Isaac tries not to die while Juba alternates between taunting him and demanding to know why he and the American forces have yet to leave Iraq.  Isaac claims that America is rebuilding Iraq.  Juba claims that the wall that Isaac is hiding behind used to be a part of a school.  Isaac tells Juba to fuck off.  Juba replies, “We are not so different, you and me,” revealing that, if nothing else, Al Qaeda snipers apparently appreciate a good cliché.  If anything, it reminded me a bit of The Shallows, except Blake Lively was now a soldier and the shark refused to stop talking.

I have to admit that I have mixed feelings about The Wall.

On the one hand, it’s a very well-made film.  Visually, the film captures the deadly heat of the desert and it makes good use of its limited setting.  It’s far more watchable than any movie that exclusively takes place behind a crumbling wall has any right to be.  From what I’ve read, it appears that The Wall‘s depiction of both combat and dying is fairly accurate and the film does a good job of putting you in Isaac’s boots, forcing you to try to desperately figure out where Juba could be hiding.

Also, Aaron Taylor-Johnson actually gives a good performance.  Since, with a few notable exceptions, Aaron Taylor-Johnon usually bores me to tears, I was shocked to see how good of a performance he gave as the country-accented Isaac.  It’s especially impressive since he’s on screen for almost the entire film.  It was hard for me to believe that the same actor who was so unbearably dull in Savages was suddenly so watchable in The Wall.  However, he definitely was.

And yet, The Wall is also one of the most thoroughly unpleasant films that I’ve ever sat through.  Admittedly, that’s probably the way it should be.  War films shouldn’t be pleasant and I don’t think anyone could ever accuse The Wall of romanticizing combat.  At the same time, the film itself doesn’t seem to be quite sure what it wants to say about war.  Juba and Isaac do briefly debate America’s role in the Middle East but their discussion has all the depth of a twitter fight between Bernie Sanders supporter and a Donald Trump voter.  Neither Isaac nor Juba are particularly deep thinkers.  They’re both fighting and potentially dying for the benefit of others.  Maybe that’s the point.  The problem is that the film itself doesn’t seem to be quite sure.

The Wall is one of those films where I respect the craftsmanship behind it while, at the same time, having no desire to ever sit through it again.

A Movie A Day #248: Flinch (1994, directed by George Erschbamer)


Harry (Judd Nelson) is a law student who has failed the bar exam three times.  Daphne (Gina Gershon) is an aspiring actress who has an unfaithful boyfriend.  With neither of them making much headway in their chosen careers, they end up working as living mannequins in a department store display window.  If they flinch even the least little bit, they will lose their jobs.  At first, it does not seem that there is much of a romantic future for Harry and Daphne.  But when Daphne breaks up with her boyfriend, Harry invites her to join him in breaking into the store after hours and partying.  But while Harry and Daphne are celebrating, they witness a crazed artist (Nick Mancuso) strangling one of his models.

If the name of the director, George Erschbamer, seems familiar, you may be familiar with the Snake Eater films that he made with Lorenzo Lamas.  Fortunately, Flinch is far superior to Snake Eater III.  Starting out like a romantic comedy before turning into a thriller, Flinch is actually one of the better direct-to-video Judd Nelson films to come out in the 90s.  Of course, considering that the competition comes from Entangled and Conflict of Interest, Flinch doesn’t have that high of a bar to clear.  Though the thriller aspect is predictable, The first half of the movie, which is almost entirely Gershon and Nelson trying to talk to each other without anyone noticing their lips moving, is actually enjoyable.  Gina Gershon is as sexy as ever and she brings out the best in Judd Nelson, who is almost likable in this movie.

Still, there is one thing that could have improved Flinch.  Like almost any other Judd Nelson film, it really could have used a Burt Reynolds cameo.

Right, Burt?