Category Archives: Film Review

Pre Code Confidential #23: Marlene Dietrich in BLONDE VENUS (Paramount 1932)

Posted on by gary loggins

gary loggins's avatarcracked rear viewer

Director Josef von Sternberg and his marvelous muse Marlene Dietrich  teamed for their fifth film together with BLONDE VENUS, a deliciously decadent soap opera that’s a whole lot of fun for Pre-Code lovers. Sternberg indulges his Marlene fetish by exploring both sides of her personality, as both Madonna and whore, and Dietrich plays it to the hilt in a film that no censor would dare let pass just a scant two years later.

How’s this for an opening: a group of schoolboys hiking through the Black Forest stumble upon a bevy of naked stage chanteuses taking a swim! The girls scream and try to hide, and beautiful Helen (Marlene) tries to shoo them away. Ned Faraday refuses until Helen agrees to meet him later. Flash forward to a scene of Helen and Ned now married with a young son named Johnny. Ned, a chemist by trade, has been poisoned by…

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Review: Predators (dir. by Nimrod Antal)

Posted on by Arleigh

Predators

It would be twenty years before those space-faring hunters, the Predators, would return to the big screen. Sure, they appeared in the two Aliens vs. Predator films of the early 2000s, but I don’t count those as part of the Predator franchise—mostly because they weren’t the headliners. Plus, those two mash-up films were all kinds of awful.

2010’s Predators, directed by Nimród Antal and produced by Robert Rodriguez, set out to breathe new life into the sci-fi action franchise that the two AvP entries had drained of excitement. From the early 1990s until this film’s release, the Predator mythology had steadily expanded through novels, comics, and games, creating a world as rich as any in science fiction. Longtime fans came to understand the Predators’ culture, mindset, and technology.

For some, that world-building stripped away the mystery that made the Predator such an iconic monster. Others felt it helped establish consistent rules, allowing future stories to build on a solid foundation instead of endlessly one-upping what came before.

Predators embraced this expanded lore while adding a new wrinkle: the introduction of the so-called “Super Predators,” bigger, faster, and meaner than the classic hunters we’d seen over the decades. Another new element placed the story on an unnamed planet serving as an extraterrestrial game preserve, where Predators could hunt their chosen prey on familiar ground.

This setup lent a new dimension to the narrative. The humans being hunted had nowhere to run, and whatever advantage they might have enjoyed on Earth vanished instantly. They were now being hunted on Predator turf—a cruel inversion of game hunting, like a safari where the prey has no chance against its well-equipped pursuers.

Despite these new additions to the lore, the film mostly works as an action-thriller. We get the requisite band of misfits, murderers, and killers—the worst humanity has to offer, but the best at what they do. They range from black-ops mercenaries and elite snipers to cartel enforcers and even a serial killer.

Leading this reluctant ensemble is the enigmatic Royce, played by Oscar-winner Adrien Brody, who surprisingly pulls off the wiry, cold-hearted black-ops soldier. The film hinges on his performance. He’s not a team player, nor is he likable—he fits the antihero mold perfectly, willing to sacrifice anyone if it means surviving another hour. Yet he understands that his best chance lies in keeping others alive, if only as tools for his own survival. He’s the audience surrogate, the one who rolls his eyes as everyone else makes one bad decision after another.

Antal’s action direction recalls the McTiernan era. He favors long, sweeping takes that clearly define the geography of each battle—a quality too rare in modern action cinema, where quick cuts and shaky edits often stand in for real dynamism. Where the film falters is in its reliance on exposition-heavy dialogue. After nearly every action set piece, the momentum stalls as characters explain what’s happening. Laurence Fishburne even appears in a role that exists purely to deliver exposition.

Now, about those Super Predators: they’re an intriguing trio who expand the series’ creature variety, though at the cost of making the classic Predator seem almost obsolete. There’s the Tracker, who uses alien hunting dogs to flush out prey; the Falconer, who employs a cybernetic drone that feels straight out of the Marvel Cinematic Universe; and the Berserker, the biggest and most brutal of the three, relying on raw power rather than skill or strategy.

They look fantastic but slightly diminish the menace of the original Predator design. Against this new breed, the traditional hunters seem almost helpless.

Still, Predators stands several notches above what audiences got from the two AvP movies. Despite an exposition-heavy script and a bold but polarizing decision to downplay the classic Predator’s threat, Antal’s entry injects enough adrenaline and fresh lore to reenergize the series. It’s unfortunate that the AvP films’ lingering stench colored its reception, but over time, more fans have come to appreciate Predators for what it is: a fun, muscular, and engaging slice of sci-fi action.

That’s Blaxploitation! 13: BLACK CAESAR (AIP 1973)

Posted on by gary loggins

gary loggins's avatarcracked rear viewer

1972’s blockbuster smash THE GODFATHER began an onslaught of gangster movies released to your neighborhood theaters and drive-ins trying to capitalize on that film’s success. American-International Pictures was right in the thick of it, and since Blaxploitation was all the rage at the time, why not combine the two hottest genres? Producer/director/genius Larry Cohen already had a script written for Sammy Davis Jr., but when Sammy backed out, AIP Boss of Bosses Samuel Z. Arkoff signed Fred “The Hammer” Williamson to star as the Godfather of Harlem, BLACK CAESAR.

BLACK CAESAR is a semi-remake of the 1932 classic LITTLE CAESAR starring Edward G. Robinson, updated for the Blaxploitation/Grindhouse crowd and spun around on it’s head by Larry Cohen. You already know how much I enjoy Cohen’s work, and the auteur doesn’t fail to deliver the goods with this one. Casting the charismatic former NFL star Williamson was a bonus, and…

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Review: Predator 2 (dir. by Stephen Hopkins)

Posted on by Arleigh

Predator 2

Like any successful genre film, Predator would remain in the consciousness of filmgoers during the late 80’s. The film was that popular and successful. This also meant that the studio who produced and released the film were more than happy to try and replicate what made them a lot of money.  So, a sequel was quickly greenlit within the halls of 20th Century Fox.

Yet, despite the success the first film was able to garner despite some major production problems, this time around luck wasn’t with Predator 2. The follow-up film would have different production issues than the first but they would affect the film in the long run.

First off, John McTiernan wouldn’t be on-board to direct the sequel. His back-to-back successes with Predator and Die Hard has suddenly made him a coveted action director. His schedule would keep him from directing Predator 2 as his slate was already full with The Hunt for Red October being his next film. In comes Stephen Hopkins to helm the sequel.

Yet, the biggest blow to the production would be not being able to get Arnold Schwarzenegger to return in the role of Dutch, the sole survivor of the elite rescue team from the first film. As with most stars and sequels, this time it would be over a salary dispute that would keep Arnold from returning so in comes Danny Glover to take on the sequel’s lead role.

Now, Danny Glover has more than pulled his own action film weight with two Lethal Weapon films already under his belt, but in terms of on-screen charisma he would be a major downgrade from the presence Schwarzenegger provided the first film. But Glover was more than game to take on the role of Lt. Harrigan of the LAPD as the setting for the sequel moves from the steaming jungle canopy of Central America to the blistering asphalt and concrete jungle of gang-ridden Los Angeles.

This change in location made for an interesting take as it helped establish some world building that showed these Predators have visited Earth many times in the past and not just in the faraway jungles but more towards areas and places rife with conflict. We learn that it hunts those who have survived the conflicts of the area they’re in. Only the strongest for these extraplanetary hunters.

Unlike, the original film, Predator 2 fails in not having a cast of characters that the audience could empathize and root for. This follow-up is mostly about action and even more gore than the first. Even the opening sequence tries to one-up the jungle shooting scene from the first film, yet instead of shock and awe the sequence just seems loud and busy,

Predator 2 suffers from a lot of that as the film feels more than just a tad bit bloated. The Thomas brothers (Jim and John) who wrote the original film return for the sequel but were unable to capture lightning in a bottle a second time around. Where the first film was very minimalist in it’s narrative and plot, the sequel goes for the throw everything in but the kitchen sink approach. We have warring drug gangs, inept police leadership, secretive government agencies with their own agendas.

What does work with Predator 2 and has made it into a cult classic as years passed was the very worldbuilding I mentioned earlier. We learn a bit more of this predator-hunter. While some comes as exposition from Gary Busey’s special agent role Peter Keyes, the rest comes from just seeing the new look of this particular Predator courtesy of special effects master Stan Winston.

The biggest joy for fans of the films comes in an all-too-brief scene showcasing the trophy case of the Predator inside it’s spacecraft. Within this trophy case are the skulls of the prey it’s hunted and killed. One skull in particular would ignite the imagination of scifi action fans worldwide. It’s a skull of a xenomorph from the Alien franchise. It made fans wonder if the two films were part of a larger tapestry. Both properties were owned by 20th Century Fox, so there was a chance and hope that the two meanest and baddest alien creatures on film would crossover together.

It would be many, many years before such a team-up would happen. Even when it finally did fans of the franchises would be let down with what they get after waiting for over a decade.

Predator 2 could be seen as trying to make lightning hit the same patch twice or it could be seen as a quick cash grab by a studio seeing a potential franchise. Both are true and without its two biggest stars, Arnold Schwarzenegger and John McTiernan, returning to reprise their roles for the sequel the film was already behind the eight-ball before filming began.

While the follow-up had some interesting new ideas that helped round out the Predator as one of film’s greatest onscreen villains, it also failed to capitalize on those ideas in a creative way. There’s some good in Predator 2, but way too much baggage and too much bad to have it live up to the success and popularity of the original.

Jack Ryan (Season 1) Review by Case Wright

Posted on by casewright

jack-ryan-1035300-1280x0

There are two types of streaming television series: Get a sitter and watch in rapt silence with your SO and friends and Elliptical and/or Hangover Television.  Jack Ryan is in the latter category.  It’s a solid: NOT BAD.   Ok, it was a little weird seeing Jack Ryan (John Krasinski) put Osama Bin Laden’s AK-47 in a Jello Mold, but I thought it was a nice call back.  JK!

Jack Ryan has been a staple for nerds who like action for decades.  Jack Ryan is a data analyst badass who defeats terrorism and rogue commies, in other words, fictional.  He’s been in countless books, films, and video games.  The only other character that gets this much media has to use The Force.  In this iteration, Carlton Cuse of “Lost” fame takes a crack the characters.

Jack Ryan is a young Marine Vet turned CIA officer with PTSD.  He is teamed up with Greer who in the books and previous iterations was a tough talking Admiral with shitty dialogue; whereas, in this version, Greer’s a down and out muslim CIA officer whose career is in decline after killing a Pakistani asset.  They are on the hunt for the big bad: Sulieman.

Sulieman is the product of the American intervention in the Lebanese civil war in 1986, which…checks out.  He is hell bent on causing all kinds of mayhem in America and abroad.  They make a big show about how he was treated badly throughout his life-  Boo hoo.  I guess it was supposed to make him more human. I thought it made him really really whiny.  So what, you didn’t get your dream job that gives you the right to blow everybody up?!

The big question most of my readers have: Did John Krasinski – Jim- have a passable performance as a super spy?????  KINDA. He was pretty close at times, but was he held back by some purposely slowed down plot points.  I will get to the derpy derp moments later, but really the season should’ve been 6 episodes instead of 8 because there were too many contrivances, which inhibited John’s performance.  I have to write that he was in fact believable.   I did not know what to expect, but he delivered a good performance.

What they got right:

Sleepless nights with PTSD and drinking too much.  They portrayed that spot on.  I thought, I’ve had those late nights.  Ok, Pass!

The SEAL/Ranger team: I’ve known many Special Operators over the years and they are all real salt of the Earth types.  They played those matter of fact tough guys perfectly. Ok, Pass!

The inherent turpitude of civilian government officials: Very good, they’re all presumptive Dirtbaggus Americanus.  Ok, Pass!

The director building suspense? Yep, the direction was done quite well.  No complaints.

What was so very dumb?  NO F#@#!NG Way!!! NFW!!!! NFW!!!

1.  They portrayed Jack Ryan as dealing PTSD, giving him pause to shoot his weapon.  I get that, BUT he’s still a Marine.  There’s a scene where he makes the decision to shoot and misses by a mile just so they could have fight scene later.  This is just dumb.  Marines are ALL crackshots.  If you are in a Marine’s line of fire and he’s got a clear shot, you’re dust.  When you see it, you’ll roll your eyes.

2.  There’s a terrorist strike by Sulieman and he claims responsibility.  They show his face being plastered on all television networks. He’s on tv more than Anderson Cooper. Then, with no face disguise, he’s NEVER recognized.  We’re not talking just one time, but FIVE times at least.  His face would’ve been burned in everyone’s memory.  It was just dumb,  lazy, and contrived to keep the villain the in the action.

3.  A CIA Officer meets Sulieman’s wife and he just lets her walk away the same day as a major terror attack: NFW! Anyone who said that they knew an Osama equivalent would be sequestered and interrogated immediately, but it was obvious that they needed to pad the plot to squeeze three unnecessary episodes for story arc.

4.  There’s a duo who are drone pilots that are just sort of shoehorned into the story for no reason at all.  I couldn’t even figure out the message if drones were supposed to be good or bad.  I left thinking… Man, drones work really well.  Then, one of the drone pilots gets all guilty about a mistargeting incident and flies to Syria because ya know Active Duty Soldiers just get to go anywhere they like on leave…. NFW!!!!!!! Just think about it…we shouldn’t just get to go wherever we like.  It’s dangerous for us and could lead to a Soldier getting compromised.  NFW!

5.  There’s a plot point where a doctor becomes aware of a biological threat and just sends an email.  WHAAAA?!  She would be calling everyone and their brother to report that because she’s supposed to be smart.

Is it worth watching?

Yes, yes it is.  It’s got real problems in terms of story holes, but my hope is that Carlton Cuse learns from this.  He can DM me if he likes.  I’ll consult or script doctor for a very reasonable rate.  Jack Ryan is great for watching on the Elliptical at the gym or if you’re hungover or something.  It is NOT at this time get a babysitter and everyone be quiet television, but it is …. fun.

 

What Lisa Watched Last Night #194: Her Boyfriend’s Secret (dir by Lisa France)

Posted on by Lisa Marie Bowman

Last night, I watched the latest Lifetime movie premiere, Her Boyfriend’s Secret!

Why Was I Watching It?

With a title like that, how couldn’t I watch it!?  Seriously, whenever one of my friends gets a new boyfriend, I immediately start digging up all of their secrets.  I’m like the sassy best friend in a Lifetime movie except for the fact that I don’t get murdered right before the fifth commercial break.

What Was It About?

Melissa (Kelly Sullivan) and Travis (Jordan James Smith) have both built successful careers as home renovators.  In fact, everyone assumes that they must be a couple!  But no, they’re just friends and business colleagues.

In fact, Melissa may have met the one.  His name is John Anderson (Mark Famiglietti) and he’s handsome and charming and he owns a really big house.  Of course, it does seem strange that John is constantly taking business trips.  He claims that he spends his time flying from London to Paris to Geneva but he’s always kind of vague about what he actually does in any of those cities.

And then there’s Carrie (Maiara Walsh), the woman who approaches Melissa one day and informs her that 1) John is actually named Phillip and 2) Phillip/John has a history of stalking his ex-girlfriends!

That’s a lot of secrets but, believe it or not, there’s even more yet to be discovered!

What Worked?

I really liked this one.  Not only was it well-acted but it featured some really nice houses!  As any longtime fan can tell you, a good Lifetime film also features a combination of big melodrama and big houses!  The film’s central mystery was intriguing and Mark Famiglietti brought a convincing mix of creepiness and charm to the role of John.

Though I won’t spoil the nature of her role, Anne Leighton also gave a very good performance.  She’s doesn’t have a lot of screen time but she makes the most of it.

This film also played with the standard Lifetime stalker formula by casting a guy as the nosy best friend.  That actually added a whole new dynamic to all of the expected scenes of Travis digging into John’s background.  Was Travis right to be concerned or was he motivated by something more than just friendship?  The film did a good job of keeping you guessing.

What Did Not Work?

It all worked.  This was an entertaining Lifetime melodrama.

“Oh my God!  Just like me!” Moments

Again, as with all Lifetime films, I related to all of the skeptical and nosy best friends.  If only people would listen to them for once!

Lessons Learned

Just because someone has a big house, that doesn’t necessarily mean you should trust him.

Film Review: Tremors: A Cold Day In Hell (dir by Don Michael Paul)

Posted on by Lisa Marie Bowman

The Graboids are back!

For those who aren’t familiar with the term, the Graboids are the giant, ravenous sandworms that were first introduced in the 1990 film, Tremors.  Graboids are always on the hunt for food and, over the course of the original film, four sequels, and one prequel, they’ve attacked and devoured a countless number of communities, all while helping to spread all sorts of comedic mayhem.  For whatever reason, the mere presence of a Grabboid tends to lead to human beings getting very quippy.

This year, the Graboids return for a sixth time with Tremors: A Cold Day In Hell.  This time, the Graboids are up in Canada and they’re eating a bunch of scientists.  Normally, Canada would be too cold for a Graboid infestation but apparently, climate change has altered the rules of the game.  That’s one good thing about climate change.  It can be used to explain away just about anything.  Why does Northern Canada look so sunny and warm?  Climate change!  Why are the Graboids no longer limited to the desert?  Climate Change!

Anyway, this is pretty much a typical Tremors sequel.  A bunch of people end up getting trapped in one location and are then picked off by the Graboids.  There’s some sinister scientists and bio-weapon subplot but those are mostly afterthoughts.  The film promises Graboids and, eventually, it delivers them.  Especially when compared to some of the other films in the franchise, A Cold Day In Hell is rather slowly paced and the CGI isn’t always as convincing as you might want it to be.  On the one hand, the film delivers pretty much what you would expect it to deliver.  On the other hand, it’s also rather bland.

Oh well.  At least Burt Gummer is back!

As any fan of the franchise can tell you, the Graboids are pretty much secondary to the presence of Burt Gummer.  Brilliantly played by Michael Gross, Burt is the only character to have appeared in not only every Tremors film but also the TV series as well.  (Okay, technically, the fourth film featured Burt’s great-grandfather but Hiram Gummer might as well have been Burt Gummer.)  Burt is a heavily armed doomsday prepper who lives out in the middle of the desert and who hates the government.  Though the IRS may just view him as someone who refuses to pay his taxes, fans of the franchise know that Burt is the world’s greatest Graboid hunter.

What is Burt’s appeal?  Well, some of it has to do with the fact that Burt is always honest and consistent.  It’s been 28 years since Burt was first introduced and, in that time, he has always loved guns and hated the government.  He doesn’t hold back on his views and he makes absolutely no apologies and that’s exactly the type of guy who you want by your side when you’re dealing with a bunch of killer sandworms.

In the end, though, Burt’s greatest appeal is that he’s a thowback.  If Tremors had been produced in the 21st Century, there’s no way that a character like Burt would have survived the movie.  His anti-government stance would have been viewed as being unpatriotic during the Bush and Obama years and his love of guns would have gotten the movie picketed by Shannon Watts and denounced on twitter by the writers at Slate and Vox.  The AV Club would declare the character to be problematic and Michael Gross would have to go on Colbert and personally apologize to everyone who was hurt by his performance.  But since the first Tremors was made way back in the 90s, Burt is allowed to thrive in all of his anti-PC glory.  At a time in which monster movies are dominated by grimly-written heroes and overly rational scientists, Burt is a reminder that films like this should, at the very least, attempt to be fun.

As for Tremors: A Cold Day In Hell, it was released on Netflix earlier this year and it premiered on SyFy last night.  It’s forgettable but at least Burt’s back.

My Pet Dinosaur: Movie Preview, Review and Trailer

Posted on by paddiesthoughts

My pet dinosaur poster

 

Cast:

Jordan Dulieu as Jake Emory

Annabelle Wolfe as Abbie Tansy

Beth Champion as Jennifer Emory

Rowland Holmes as Colonel Roderick

Directed by Emmy award winning Matt Drummond (Life After People)

Plot:

Recently after his father passes away, Jake is flung into a science project with the new girl in town, Abbie. After their science project goes wrong, with the help of a failed military experiment, a new being and chaos is launched on the town of Brightwood.

Preview:

A cross between E.T and Monster’s Inc, My Pet Dinosaur fixes on the unlikely friendship between a boy and a dinosaur.

Featuring state-of-the-art visual effects, a heart-warming tale of friendship and the beautiful Australian countryside, My Pet Dinosaur is the perfect family treat.

Review:

If I had to pick a late summer movie to curl up with my dinosaur (or any other pet) and watch, this is probably the one. It has everything in a family drama you would want. Yes, you parents will enjoy some of the snarkyness while your kids will enjoy the heart-felt moments. I fell in love with ‘Magnus’ from the moment I saw him. The movie is driven by a very young cast (Dulieu, Wolfe, Williams) who all give an amazing performance.

Would I recommend this movie?

This is a perfect Saturday evening family watch! Snuggle up with your kiddos, make some popcorn and have a great family evening!

my pet dino pic

When is it available?

On VOD October 2nd and on DVD November 6th

Trailer:

Credits:

My Pet Dinosaur is an Empress Road Pictures, in cooperation with Pinnacle Films Distributed by Uncork’d Entertainment

What Lisa Watched Last Night #193: House of Darkness: New Blood (dir by Patrick DeLuca)

Posted on by Lisa Marie Bowman

Last night, I watched the latest Lifetime Movie Network premiere, House of Darkness: New Blood!

Why Was I Watching It?

The main reason I was watching it was because it was on Lifetime.

That said, I was also intrigued by the fact that Lifetime was premiering a horror film.  In the past, horror has been one of the few genres that Lifetime has usually avoided.  It’s only been rather recently that Lifetime started to show movies that could even be considered a part of the horror genre and, as a horror aficionado, I’m curious to see what this development will lead to.

Of course, another big reason why I was watching it was because it’s been raining nonstop since Thursday so, for once, I actually spent a Friday night at home.  There’s nothing like watching a horror movie while surrounded by rain, thunder, and lightning!

What Was It About?

Judd (Liam McNeill) has asked Brooke (Kate Stone) to marry him!  Yay!

There’s only a few problems.  For one, Brooke’s creepy son, Dylan (Jake T. Getman), doesn’t seem to like Judd that much.  Secondly, Brooke has yet to meet Judd’s mother, Elaine (Hilary Momberger-Powers).  Elaine, it turns out, lives in a big house out in the country, a house that’s full of secrets and — you guessed it — darkness!  When Judd takes Brooke and Dylan out to the house, Elaine doesn’t seem to be happy to see any of them.  Judd says that it’s just a symptom of Elaine’s dementia but is that all there is to it?

Soon, Brooke is hearing weird noises, seeing dark shadows, and having terrible nightmares.  Judd says that it’s probably just a side effect of the sleep aid that she’s taking but Brooke isn’t too sure.  Is it all in Brooke’s head or has she truly discovered …. A HOUSE OF DARKNESS!?

What Worked?

There were a few effectively creepy moments.  The house was big and spooky and full of ominous atmosphere and Hilary Momberger-Powers did a good job as Elaine.  She kept you guessing and off-balance.

What Did Not Work?

House of Darkness ran into the same problem that’s haunted a lot of made-for-TV horror films.  It’s difficult to maintain suspense when you the story has to come to a stop every 15-to-20 minutes for a commercial break.  Every time that I found myself starting to get invested in the storyline, it was suddenly time for that Humira commercial where that guy meets his girlfriend’s parents for the first time.

The fact that it was on television also meant that the horror often had to be a bit low-key.  There was one hanging scene that was effectively horrific but otherwise, the film often felt a bit too restrained to be fully effective.

“Oh my God!  Just like me!” Moments

I know that it’s usually said that people are stupid for not just leaving an obviously haunted house but, to be honest, I’d probably stay even longer than Brooke did.  I mean, it’s not every day you get to deal with the paranormal.

Lessons Learned

Always check the lights before moving into a new house.

Smashmouth Football: Burt Reynolds in THE LONGEST YARD (Paramount 1974)

Posted on by gary loggins

gary loggins's avatarcracked rear viewer

Dedicated to the memory of Burt Reynolds (2/11/1936-9/6/2018)

If it was producer Albert Ruddy’s idea to team macho actor Burt Reynolds with macho director Robert Aldrich for THE LONGEST YARD, then the man’s a bloody genius (Ruddy was no stranger to machismo himself, having previously produced THE GODFATHER)! This testosterone-fueled tale of an ex-NFL star turned convict, forced to assemble a football team of hardened criminals to take on the sports-mad warden’s goon squad of guards, is one of Burt’s best vehicles, and a comeback of sorts for Aldrich, who hadn’t scored a hit since 1967’s THE DIRTY DOZEN . Both men hit the end zone with this sports-themed film, and led the way for an onslaught of football films to come.

Former star quarterback Paul Crewe (Reynolds), who was thrown out of the NFL in a points shaving scandal, finds himself under arrest after fighting with his girlfriend, stealing…

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