That’s Blaxploitation! 12: COTTON COMES TO HARLEM (United Artists 1970)


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I’m not really sure if COTTON COMES TO HARLEM qualifies as a Blaxploitation film. Most genre experts point to Melvin Van Peebles’ SWEET SWEETBACK’S BADASSSSS SONG and/or Gordon Parks’s SHAFT , both released in 1971, as the films that kicked off the Blaxploitation Era. Yet this movie contains many of the Blaxploitation tropes to follow, and is based on the works of African-American writer Chester Himes.

Hardboiled author Chester Himes

Himes (1909-1984) began his writing career while doing a prison stretch for armed robbery. After his short stories started being published in Esquire, he was paroled in 1936, and soon met poet Langston Hughes, who helped him get established in the literary world. Reportedly, Himes worked for a time as a screenwriter for Warner Brothers in the 40’s, but was let go when a racist Jack Warner declared he “don’t want no n*ggers on this lot” (1). His first …

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That’s Blaxpolitation! 12: SHAFT (MGM 1971)


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“That Shaft is a bad mother…”

“Shut your mouth!”

“But I’m talkin’ about Shaft”

“We can dig it!”

  • – lyrics from Isaac Hayes’ “Theme from SHAFT

1971’s SHAFT, starring Richard Roundtree as “the black private dick that’s a sex machine to all the chicks”, is the movie that kicked off the whole 70’s Blaxploitation phenomenon.  Sure, Mario Van Pebbles’ indie SWEET SWEETBACK’S BADASSSSS SONG was released three months earlier, but it’s X-rating kept younger audiences out of the theaters. SHAFT reached more people with it’s R rating, and the publicity machine of MGM behind it. In fact, John Shaft not only saved the day in the film, but helped save the financially strapped MGM from bankruptcy!

The opening sequence alone makes it worth watching, as the camera pans down the gritty mean streets of New York City (42nd Street, to be exact!) and that iconic funky theme song by Isaac…

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That’s Blaxploitation! 11: Jim Brown in SLAUGHTER (AIP 1972)


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Jim Brown  is one bad mother… no wait, that’s Richard Roundtree as Shaft! Jim Brown is one bad dude as SLAUGHTER, a 1972 Blaxploitation revenge yarn chock full of action. Brown’s imposing physical presence dominates the film, and he doesn’t have to do much in the acting department, ’cause Shakespeare this ain’t – it’s a balls to the wall, slam-bang flick courtesy of action specialist Jack Starrett (RUN ANGEL RUN, CLEOPATRA JONES , RACE WITH THE DEVIL) that doesn’t let up until the last second, resulting in one of the genre’s best.

Ex-Green Beret Slaughter (no first name given) is determined to get the bad guys who blew up his dad’s car, with dad in it! Seems dear ol’ dad was mob connected and knew too much. Slaughter’s reckless abandon in seeking revenge lands him in hot water with Treasury agents, and he’s “persuaded” to assist them in taking down…

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That’s Blaxploitation! 9: THREE THE HARD WAY (Allied Artists 1974)


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An All-Star Blaxploitation cast barrels their way through THREE THE HARD WAY, director Gordon Parks Jr.’s ultra-violent classic that dives into action from jump street and rarely lets up on the gas pedal straight through til the end. It’s the quintessential 70’s action flick whose thin plot only serves to weave a tapestry of wild action set pieces and well-staged stunt work courtesy of stunt coordinator Hal Needham and his stellar stunt gang.

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We’re lured into the action right from the get-go in a pre-credits scene of a desperate young black man escaping from a concentration-camp-like compound. He makes it to L.A. and contacts his friend, the BMW-driving, hot-shot record producer Jimmy Lait, played by NFL great Jim Brown . The kid is then assassinated in his hospital bed and Jimmy’s girl Wendy (Sheila Fraser) is kidnapped. A scene change lets us in on the plot, as white supremacist Monroe Feather and evil scientist…

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That’s Blaxploitation! 7: TROUBLE MAN (20th Century-Fox 1972)


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One of the earliest Blaxploitaion films is TROUBLE MAN, a 1972 entry about Mr T…

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…no, not THAT Mr. T! THIS Mr. T…

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Thank you! This Mr. T is played by Robert Hooks, a tough talking private eye who drives a big-ass Lincoln Continental and “fixes troubles” on the mean streets of L.A. T gets hired by gangsters Chalky Price and Pete Cockrell to protect their crap games, which are getting ripped off by masked gunmen. Things go awry when Chalky shoots one of the heisters, a dude named Abby who works for rival gangster “Big”. Abby’s body is dumped and word is on the streets T did the killing. Police Capt. Joe Marx puts the heat on T, as does “Big”, so T arranges a late night summit between “Big”, Chalky, and Pete at Jimmy’s Pool Hall .  “Big” arrives, but before Chalky and Pete do, some cops raid the joint. These…

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