Live Tweet Alert: Watch 1BR with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, ArtAttackNYC will be hosting 2020’s 1BR!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Retro Television Review: One World 2.12 “A Cheating Heart” and 2.13 “Coming of Age”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past!  On Fridays, I will be reviewing One World, which ran on NBC from 1998 to 2001.  The entire show is currently streaming on Tubi!

The Cast of One World

This week, the second season of One World comes to an end!  Will we all still be living in one world once it’s over?

Episode 2.12 “A Cheating Heart”

(Directed by Mary Lou Belli, originally aired on December 4th, 1999)

Finally, Sui gets a storyline!

When Marci sets up a charity date auction at Miami’s “hottest under-21 club,” The Warehouse, Sui is purchased by a guy named Scott (Jason Strickland) and …. ugh, this is cringey already.  Anyway, Scott turns out to be kind of dorky and Sui doesn’t really want to date him but Scott decides that he’s totally in love with her and insists that she is actually in love with him too.  Scott even befriends Dave so that he can hang out in the Blake House with Sui.  Needless to say, Scott’s behavior is stalkerish and more than a little disturbing but the show plays it for laughs.  Ugh, poor Sui.

Meanwhile, Ben is purchased by a woman with whom he has little in common and Cray is purchased by an old woman who needs him to do some yard work.  Wait a minute …. the Warehouse had an auction in which they sold someone to do manual labor for free?  This is seriously icky.

Meanwhile, Jane has suddenly decided that she wants to go to college but, after 12 years of goofing off, she knows that there is no way she’s going to do well on the SAT.  Since St. Neal is a genius, he tries to tutor her.  Jane suggests just cheating instead but Neal is like, “No!  Cheating is wrong!”  (He may be right but, on the other hand, cheating is the only way I passed Algebra.)  However, when they take the test, Neal realizes that Jane is struggling and he allows her to copy his answers.  Good for you, Neal!  Your sister deserves a future.

Uh-oh!  The SAT proctor noticed what they were doing and, as a result, their tests are thrown out and they’re both told that they will never be allowed to retake the SAT.  Jane confesses to cheating but lies and says that Neal had nothing to do with it.  Neal announces that he will not lie and will instead accept his punishment.  St. Neal says that he’s not going to give up on getting into college, even if it’s going to take him longer now.  St. Neal also asks to be allowed to see what his score would have been.

“What did we get!?” Jane asks him.

Neal replies, “Let’s just say that mom and dad would have been very proud of us …. IF WE HADN’T CHEATED!”

And that’s how the episode ends!  Seriously, what a dark world!

Anyway, my main impression of this episode is that Neal is a complete chump.  After spending two seasons working hard and trying to make something of himself and talking about how important it was to him to go to an Ivy League college, Neal threw it all away for someone who probably would have ended up dropping out of college anyways.  Call me a cynic but I doubt this sort of thing would happen in real life.

Episode 2.13 “Coming of Age”

(Directed by Mary Lou Belli, originally aired on January 1st, 2000)

According to the imdb trivia page, this episode was originally supposed to air on September 25, 1999 but it was pushed back to January 1st.  I guess that’s why no one mentions the fact that both Jane and Neal have thrown away their futures.  This also means that, originally, the plan for the second season of One World was for it to end with Neal and Jane getting busted for cheating.  That would have been an incredibly depressing way to end the season.

The delayed air date explains why, in this episode, Cray is noticeably shorter than he was in the previous episode, his voice is noticeably higher, and his hair is a lot longer.  In fact, the episode opens with Cray’s birthday party and Cray announcing that he is now a teenager and he’s ready to start dating.  Jane and Ben give Cray a lot of silly dating advice.  It’s dumb.  Maybe if Ben and Jane had done a better job, Cray wouldn’t have gotten caught up with that crazy marijuana girl.

Meanwhile, Karen gets a job as a waitress at the Warehouse and the kids are forced to finally appreciate everything that she does for them.  It took two seasons but Karen finally gets to call out all of her spoiled adoptive children.  Good for her!

Anyway, this was an episode that in no way felt appropriate for a season finale.  Regardless, season two is over!  Next week, we start the third and final season of One World.

Live Tweet Alert: Join #FridayNightFlix for Disco Godfather!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie? 1979’s Disco Godfather!

“Put your weight on it!”  Watch as the legendary Rudy Ray Moore battles PCP dealers!  The beat never stops and neither do the beatings!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Disco Godfather is available on Prime, Tubi, Pluto, and almost every other streaming service!  See you there!

Music Video of the Day: Madam by Aidan (2022, dir by ????)


This music video has a retro feel to it that I like.  It’s like an old film about one of those wonderfully sordid wedding ceremonies that rich people have on the Isle of Capri.  All that’s missing is Fernando Rey smoking a cigarette.

Enjoy!

Retro Television Review: City Guys 2.13 “Saving Private Johnson” and 2.14 “A Gift of Friendship”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  The entire show is currently streaming on Tubi!

Today, the 2nd season of City Guys come to an end with L-Train considering his future and Al considering the true meaning of friendship.  Let’s get to it!

Episode 2.13 “Saving Private Johnson”

(Directed by Frank Bonner, originally aired on December 5th, 1998)

It’s career day at Manny High!  Dawn wants to be a doctor.  Al wants to be a stockbroker.  L-Train wants …. well, L-Train doesn’t know what he wants.  In fact, he’s so upset at his bad midterm grades that he decides that he’s going to drop out of school and join the Marines!  Ms. Nobel is stunned and says that she feels like she failed with L-Train.  L-Train tells her it’s not her fault.  Ms. Nobel wishes him luck and she also wishes for peace….

It’s interesting to watch this episode today because we know what the future would have held for L-Train if he had joined the Marines.  L-Train would have eventually ended up in either Afghanistan or Iraq.  From that perspective, this storyline feels a bit different in 2022 than it probably did in 1998.  Of course, L-Train doesn’t end up joining the Marines.  He’s not allowed to join because the Marines discover that he’s dyslexic.  L-Train returns to school, confident that he will now be able to get good grades and go to a good college.

This is one of those “very special episodes” that shouldn’t work but it does.  This largely due to the performance of Steven Daniel, who bring just the right hint of melancholy to the scene in which he tells Nobel that he’s dropping out of school.  L-Train was often a one-joke character but Steven Daniel always played him as being someone who was secretly far more intelligent than even he realized.  Daniel took the role seriously, even if the show’s writers often didn’t.  Steven Daniel was often this show’s secret weapon and this episode shows why.

Episode 2.14 “A Gift Of Friendship”

(Directed by Frank Bonner, originally aired on December 12th, 1998)

It’s the Christmas season and Dawn and Cassidy are in charge of the canned food drive.  Ms. Nobel is proud of them but, unfortunately, some of the students aren’t as concerned about helping out as Ms. Nobel believes they should be.

For instance, Chris, Jamal, and L-Train are all excited because Chris’s uncle has a place in Florida and he’s willing to let them use it during the Christmas break.  They just have to pay their own way to Florida and that won’t be difficult.  Chris has a rich father.  Jamal has a middle-class father.  L-Train gets a job walking dogs.  However, by going on vacation, they won’t be around to help “feed the poor.”  Ms. Nobel tells them that she’s very disappointed in them.  Considering that 1) it’s their Christmas break and they can do whatever they want with it and 2) none of what they’re planning has anything to do with the school, I have to kind of wonder just how exactly it is any of Ms. Nobel’s business.

Meanwhile, Al hasn’t even donated any food!  Al keeps saying that he’ll bring some food “tomorrow” but, unfortunately, Al can barely afford to feed himself.  Al’s father has been laid off and Al is planning on dropping out of school so that he can take on a full time job so that he can help support the family.  Ms. Nobel is not happy to hear this and that’s not really a shock.  I mean, first L-Train tried to drop out and now Al!  Plus, Chris and Jamal would rather spend their break on Florida beach than getting mugged in New York City!  Ms. Nobel has failed them all!

Anyway, it all ends on a good note.  After Jamal reveals that Al’s family is struggling, Everyone goes to Al’s apartment and they give him and his family food.  Ms. Nobel dressed up as Santa Claus and announces that there is a janitorial job at the school for Al’s father.  Al realizes that there’s nothing wrong with accepting help.  It’s not a bad message for Thanksgiving and Christmas, though I did have to wonder just how exactly Ms. Nobel could just magically give someone a job.  I mean, seeing as how Mr. Ramos is going to be working at a school, it seems like he would have to at least pass a background check before he was hired.  Also, does Ms. Nobel offer a job to all of the out-of-work parents who have children enrolled at her school or is she just making an exception for Al?  Indeed, for all the time that the students spend singing her praises, Ms. Nobel really only seems to care about L-Train and Al.

Obviously, this episode presented me with a lot of unanswered questions.  But it also ended with everyone gathered in front of a Christmas tree and singing Silent Night and that was a nice moment.  It appealed to my sentimental side.  That said, I do hope that Chris, Jamal, and L-Train still went down to Florida because, seriously, they had nothing to feel guilty about!

Happy Thanksgiving!

Retro Television Reviews: The Love Boat 1.12 “The Old Man and the Runaway / The Painters / A Fine Romance”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Welcome aboard!  We’re expecting you.

Episode 1.12 “The Old Man and the Runaway / The Painters / A Fine Romance”

(Directed by Stuart Margolin and James Sheldon, originally aired on December 24th, 1977)

Hey, this episode of The Love Boat aired on Christmas Eve!  Oddly enough, unlike last week’s episode, it was not a holiday-themed episode.  You really do have to wonder if there was some sort of scheduling snafu at ABC and perhaps the episodes were shown out-of-order.  Then again, it could be that ABC realized that everyone would be busy getting ready for Midnight Mass on Christmas Eve so they decided to burn off a lesser episode while no one was watching.

(Doesn’t everyone spend Christmas Eve getting ready for Midnight Mass while their aunt tells them to dress more like the Virgin and less like the Magdalene?  Or was that just my experience?)

Yes, this is a lesser episode of The Love Boat.  It’s not a terrible episode but, at the same time, it’s not all the memorable.  A big problem is that there’s not really much romance on this cruise.  The show was called The Love Boat for a reason and, when there’s no love, it just doesn’t feel right.

For instance, one subplot dealt with two incompetent painters (played by Arte Johnson and Pat Morita) painting the captain’s office during the cruise.  They kept screwing up the job, which led to Captain Stubing getting progressively more and more annoyed.  From the start, I guessed that the punchline would be that the painters were screwing up on purpose so that they could stay on the boat and get a free cruise and …. yep, that’s exactly what it was.  Johnson and Morita were a good comedy team but the story itself felt like filler.

Meanwhile, a grumpy old widower (Will Geer) discovered that he was sharing his cabin with a teenage runaway (Bayn Johnson), who had stowed away on the ship and who was planning on meeting up with her boyfriend in Mexico.  Once he got over complaining about her being young and irresponsible, Geer convinced her to return to her parents.  Again, it wasn’t terrible and Bayn Johnson did a good job of keeping her character from getting annoying but it felt a bit out of place on The Love Boat.  Obviously, the 75 year-old man and the 16 year-old runaway weren’t going to fall in love and leave the ship arm-in-arm while the crew smiled knowingly.  Instead, this was a typical generation gap story.  The most interesting thing about this story is that this was the second time that a runaway managed to stowaway on the Love Boat.  Does that boat not have a security team?  Don’t you actually have to show your tickets to board the boat?  How does these people keep sneaking aboard?

Finally, the third storyline felt a bit more like a Love Boat story.  Cruise director Julie (Lauren Tewes) is super-excited when she sees that Sean McGlynn (Anson Williams) is a passenger on the cruise.  Julie and Sean grew up together and Julie always had a crush on him.  At first, Julie and Sean have fun hanging out but, whenever Julie tries to flirt, Sean panics and runs off.  Julie worries that there’s something wrong with her (oh, Julie!) but …. nope, Sean’s a priest.  Apparently, he was having a crisis of faith when he boarded the boat, which is why he didn’t tell anyone he was a priest.  But, when his roommate (Tom Poston) has a heart attack, Sean delivers the last rites and his faith is restored.  (Don’t worry.  His roommate survives and has a surprisingly quick recovery.  Doc Bricker is a miracle worker!)  Anyway, Sean leaves the boat wearing his collar and Julie stays on the boat, no doubt waiting for someone else from her past to buy a ticket.  It’s a bit of a shame, as Lauren Tewes and Anson Williams did make a cute couple.  Then again, we all know that Julie and Gopher belong together.

Like I said, this was not a terrible episode.  It just wasn’t particularly memorable.  It needed just a bit more romance.  After all, love is life’s sweetest reward.

Here Are The Independent Spirt Nominations!


The nomination for the Independent Spirit Awards were announced earlier today.

Making a very good showing were Tar, Women Talking, and Everything Everywhere All At Once.  Not showing up at all was Darren Aronofsky’s The Whale, which failed to even pick up a lead performance nomination for Brendan Fraser.  Seeing as how Fraser has been viewed as being the Oscar front runner for a few months now, his lack of a nomination definitely took observers by surprise.

Anyway, here are all the nominees!

FILM CATEGORIES

Best Feature
“Bones and All” (MGM/United Artists Releasing)
“Everything Everywhere All at Once” (A24)
“Our Father, the Devil” (Resolve Media)
“Tár” (Focus Features)
“Women Talking” (MGM/United Artists Releasing)

Best Director
Todd Field – “Tár” (Focus Features)
Kogonada – “After Yang” (A24)
Daniel Kwan, Daniel Scheinert – “Everything Everywhere All at Once” (A24)
Sarah Polley – “Women Talking” (MGM/United Artists Releasing)
Halina Reijn – “Bodies Bodies Bodies” (A24)

Best Lead Performance

Cate Blanchett – “Tár” (Focus Features)
Dale Dickey – “A Love Song” (Bleecker Street)
Mia Goth – “Pearl” (A24)
Regina Hall – “Honk for Jesus. Save Your Soul.” (Focus Features)
Paul Mescal – “Aftersun” (A24)
Aubrey Plaza – “Emily the Criminal” (Roadside Attractions)
Jeremy Pope – “The Inspection” (A24)
Taylor Russell – “Bones and All” (MGM/United Artists Releasing)
Andrea Riseborough – “To Leslie” (Momentum Pictures)
Michelle Yeoh – “Everything Everywhere All at Once” (A24)

Best Supporting Performance

Jamie Lee Curtis – “Everything Everywhere All at Once” (A24)
Brian Tyree Henry – “Causeway” (A24/Apple Original Films)
Nina Hoss – “Tár” (Focus Features)
Brian D’Arcy James – “The Cathedral” (Mubi)
Ke Huy Quan – “Everything Everywhere All at Once” (A24)
Trevante Rhodes – “Bruiser” (Onyx Collective)
Theo Rossi – “Emily the Criminal” (Roadside Attractions)
Mark Rylance – “Bones and All” (MGM/United Artists Releasing)
Jonathan Tucker – “Palm Trees and Power Lines” (Momentum Pictures)
Gabrielle Union – “The Inspection” (A24)

Best Breakthrough Performance
Frankie Corio – “Aftersun” (A24)
Garcija Filipovic – “Murina” (Kino Lorber)
Stephanie Hsu – “Everything Everywhere All at Once” (A24)
Lily McInerny – “Palm Trees and Power Lines” (Momentum Pictures)
Daniel Zolghardi – “Funny Pages” (A24)

Best Screenplay
“After Yang” (A24) – Kogonada
“Catherine Called Birdy” (Amazon Studios) – Lena Dunham
“Everything Everywhere All at Once” (A24) – Daniel Kwan, Daniel Scheinert
“Tár” (Focus Features) – Todd Field
“Women Talking” (MGM/United Artists Releasing) – Sarah Polley

Best First Screenplay
“Bodies Bodies Bodies” (A24) – Sarah DeLappe, Kristen Roupenian
“Emergency” (Amazon Studios) – K.D. Dávila
“Emily the Criminal” (Roadside Attractions) – John Patton Ford
“Fire Island” (Searchlight Pictures) – Joel Kim Booster
“Palm Trees and Power Lines” (Momentum Pictures) – Jamie Dack, Audrey Findlay

Best First Feature
“Aftersun” (A24) – Charlotte Wells (director), Mark Ceryak, Amy Jackson, Barry Jenkins, Adele Romanski (producers)
“Emily the Criminal” (Roadside Attractions) – John Patton Ford (director), Tyler Davidson, Aubrey Plaza, Drew Sykes (producers)
“The Inspection” (A24) – Elegance Bratton (director), Effie T. Brown, Chester Algernal Gordon (producers)
“Murina” (Kino Lorber) – Antoneta Alamat Kusijanović (director), Danijel Pek, Rodrigo Teixeira (producers)
“Palm Trees and Power Lines” (Momentum Pictures) – Jamie Dack (director), Leah Chen Baker (producer)

John Cassavetes Award (Given to the best feature made for under $1,000,000)
“The African Desperate” (Mubi) – Martine Syms (writer, director, producer), Rocket Caleshu (writer, producer), Vic Brooks (producer)
“A Love Song” (Bleecker Street) – Max Walker-Silverman (writer, director, producer), Jesse Hope, Dan Janvey (producers)
“The Cathedral” (Mubi) – Ricky D’Ambrose (writer, director), Graham Swon (producer)
“Holy Emy” (Utopie Films) – Araceli Lemos (writer, director), Giulia Caruso (writer, producer), Mathieu Bompoint, Ki Jin Kim, Konstantinos Vassilaros (producers)
“Something in the Dirt” (XYZ Films) – Justin Benson (writer, director, producer), Aaron Moorhead (director, producer), David Lawson Jr. (producer)

Best Cinematography
“Aftersun” (A24) – Gregory Oke
“Murina” (Kino Lorber) – Hélène Louvart
“Neptune Frost” (Kino Lorber) – Anisia Uzeyman
“Pearl” (A24) – Eliot Rockett
“Tár” (Focus Features) – Florian Hoffmeister

Best Documentary
“A House Made of Splinters” (Madman Entertainment) – Simon Lereng Wilmont (director), Monica Hellström (producer)
“All that Breathes” (HBO) – Shaunak Sen (director, producer), Teddy Leifer, Aman Mann (producers)
“All the Beauty and the Bloodshed” (Neon) – Laura Poitras (director, producer), Howard Gertler, Nan Goldin, Yoni Golijov, John Lyons (producers)
“Midwives” (POV) – Snow Hnin Ei Hlaing (director, producer), Mila Aung-Thwin, Ulla Lehmann, Bob Moore (producers)
“Riotsville, U.S.A.” (IFC Films) – Sierra Pettengill (director), Sara Archambault, Jamila Wignot (producer)

Best Editing
“Aftersun” (A24) – Blair McClendon
“The Cathedral” (Mubi) – Ricky D’Ambrose
“Everything Everywhere All at Once” (A24) – Paul Rogers
“Marcel the Shell with Shoes On” (A24) – Dean Fleischer Camp, Nick Paley
“Tár” (Focus Features) – Monika Willi

Robert Altman Award (Given to one film’s director, casting director and ensemble cast)

“Women Talking” (MGM/United Artists Releasing) – Sarah Polley (director), John Buchan, Jason Knight (casting directors), Shayla Brown, Jessie Buckley, Claire Foy, Kira Guloien, Kate Hallett, Judith Ivey, Rooney Mara, Sheila McCarthy, Frances McDormand, Michelle McLeod, Liv McNeil, Ben Whishaw, August Winter (ensemble cast)

Best International Film
“Corsage” (Austria/Luxembourg/France/Belgium/Italy/England) – dir. Marie Kreutzer
“Joyland” (Pakistan/USA) – dir. Saim Sadiq
“Leonor Will Never Die” (Philippines) – dir. Martika Ramirez Escobar
“Return to Seoul” (South Korea/France/Belgium/Romania) – dir. Davy Chou
“Saint Omer” (France) – dir. Alice Diop

Producers Award (presented by Bulleit Frontier Whiskey  – The Producers Award, now in its 26th year, honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality independent films.)
Liz Cardenas
Tory Lenosky
David Grove Churchill Viste

Someone to Watch Award (The Someone to Watch Award, now in its 29th year, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition)
Adamma Ebo – “Honk for Jesus. Save Your Soul”
Nikyatu Jusu – “Nanny”
Araceli Lemos – “Holy Emy”

“The Truer Than Fiction Award” (The Truer Than Fiction Award, now in its 28th year, is presented to an emerging director of non-fiction features who has not yet received significant recognition)
Isabel Castro – “Mija”
Reid Davenport – “I Didn’t See You There”
Rebeca Huntt – “Beba”