Song of the Day: If I Can’t Have You by Yvonne Elliman


Today’s song of the day is my favorite song of all time, performed by the wonderful Yvonne Elliman.  I can actually sing this song!

I don’t know why I’m surviving every lonely day
When there’s got to be no chance for me
My life would end, and it doesn’t matter how I cry
My tears of love are a waste of time

If I turn away, am I strong enough to see it through?
Go crazy is what I will do

If I can’t have you, I don’t want nobody, baby
If I can’t have you, ah-ah-ah, oh
If I can’t have you, I don’t want nobody, baby
If I can’t have you, ah-ah-ah

Can’t let go, and it doesn’t matter how I try
I gave it all so easily to you, my love
To dreams that never will come true
Am I strong enough to see it through?
Go crazy is what I will do

If I can’t have you, I don’t want nobody, baby
If I can’t have you, ah-ah-ah, oh
If I can’t have you, I don’t want nobody, baby
If I can’t have you, ah-ah-ah, oh

If I can’t have you, I don’t want nobody, baby
If I can’t have you, ah-ah-ah, oh
If I can’t have you, I don’t want nobody, baby
If I can’t have you, ah-ah-ah (I’m in love with nobody)

If I can’t have you, I don’t want nobody, baby
If I can’t have you, ah-ah-ah, oh
If I can’t have you, I don’t want nobody, baby
If I can’t have you, ah-ah-ah, no

(Lyrics by Maurice Ernest Gibb / Robin Hugh Gibb / Barry Alan Gibb)

Scenes That I Love: “Greed is Good” from Wall Street


Today, the Shattered Lens wishes a happy 82nd birthday to actor and producer Michael Douglas!

For today’s scene that I love, we have a scene from Oliver Stone’s 1987 film, Wall Street.  In this scene, Michael Douglas plays Gordon Gekko.  Gekko is supposed to be the film’s villain but he’s actually a lot more compelling and, at times, sympathetic than the film’s heroes.  He’s not a judgmental jerk like the union leader played by Martin Sheen.  Nor is he a snitch like his protegee, played by Charlie Sheen.  Instead, Gordon Gekko is honest about who he is.

This is the scene that won Michael Douglas an Oscar.  Watching him in this scene, it’s easy to see why Douglas’s performance supposedly inspired a lot of people to get a job working on Wall Street.  Douglas is so charismatic in this scene that he makes this movie into one of the best advertisements for capitalism ever filmed.

4 Shots From 4 Films: Special Robert Bresson Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

125 years ago, on this date, the great French director Robert Bresson was born in Bromont-Lamothe, France.  In honor of Robert Bresson’s life and cinematic legacy, it is time for….

4 Shots From 4 Robert Bresson Films

Pickpocket (1959, dir by Robert Bresson, DP: Leonce-Henri Burel)

Mouchette (1967, dir by Robert Bresson, DP: Ghislain Cloquet)

Lancelot Du Lac (1974, dir by Robert Bresson, DP: Pasqualino De Santis)

L’Argent (1983, dir by Robert Bresson, DP: Pasqualino De Santis)

Late Night Retro Television Review: Hunter 2.3 “The Biggest Man In Town”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week, Hunter and McCall investigate a murder!  Yes, another one.

Episode 2.3 “The Biggest Man In Town”

(Dir by Bob Bravler, originally aired on October 5th, 1985)

When Charles Lattimer (Gregory Itzin), a man with no criminal record, is found executed gangland-style, Hunter and McCall suspect that it was more than just random California violence.  After they find out that Lattimer was last seen alive while having a tense lunch at an expensive French restaurant, they decide to go undercover in Lattimer’s home town, an exclusive resort full of rich people and women in bikinis.

Hunter, pretending to be an oceanographer, meets Lattimer’s girlfriend, librarian Amy Lauton (Nana Visitor).  McCall, pretending to be an aspiring singer, meets the biggest man in town, insurance tycoon Raymond Bellamy (Stuart Whitman).

Now, we already know that Bellamy is the one who ordered Lattimer’s death.  Bellamy is the man with whom Lattimer had his final lunch.  Lattimer was blackmailing Bellamy over a case of insurance fraud.  We also know that the execution was carried out by Sheriff Johnson (Don Stroud).  We know all this because we saw it at the beginning of the episode.  There’s no real mystery here.

Then again, this episode isn’t about mystery.  It’s about Hunter and McCall getting away from Los Angeles for a while.  It’s about McCall getting to sing three songs at the resort’s premier nightclub.  It’s about Hunter getting distracted every time a woman in a bikini walks by.  Mostly, it’s just about the chemistry between Hunter and McCall.  It doesn’t matter how many people die, they’ve always got a quip to trade.

Actually, not that many people die in this episode. Lattimer dies.  His father is murdered.  But otherwise, this episode is almost peaceful by Hunter standards.  For once. Hunter and McCall arrest the bad guys instead of killing them.  Getting out of Los Angeles must have mellowed them.

This episode was entertaining but forgettable.  The story was nothing special but the Hunter/McCall chemistry was enjoyable.  Hunter and McCall are solving crimes and having fun!  Good for them.

Retro Television Review: The Best Of Times


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  This Thursday, I will be reviewing The Best Of Times, which aired its only episode on ABC in 1981.  The show can be found on YouTube!

Episode 1.1 “Pilot”

(Dir by Don Mischer, originally aired on July 31st, 1981)

The Best of Times opens with a teenage Crispin Glover in his bedroom. Looking straight at the camera, he introduces himself as “Crispin.” His unseen mother starts to yell at him about cleaning his room. Crispin smiles nervously and then introduces us to the kids he hangs out with. There’s Jill Schoelen, Julie Piekarski, Kevin Cortes, Lisa Hope Ross, David Rambo, Janet Robin, and “my friend” Nicolas Coppola.

Nicolas Coppola, of course, would soon be better known as Nicolas Cage. Both Cage and Glover made their screen debuts in The Best of Times. While Glover spends his time talking directly to the camera and smiling awkwardly, Cage spends his time exercising at the beach and talking about sports. The big school dance is coming up, and all of Crispin’s friends are either trying to find dates or the perfect pair of jeans or else they’re trying to join a band. Nicolas Cage, however, isn’t worried about any of that. He’s confident and smooth.

The plot of The Best of Times is not easy to summarize. The show was executive-produced by George Schlatter, the creator of Laugh-In, and it tries to imitate that classic show’s format, just with teenagers in the ’80s. There are quick blackout sketches. There’s a lot of corny one-liners. There’s a surprisingly large number of musical numbers. Crispin Glover puts on a pair of jeans, and all the girls in the cast start singing “Heartbreaker.” “Special guest star” Jackie Mason plays Mr. O’Reilly and rolls his eyes about the kids nowadays. Crispin looks at the camera and tries to explain why teenagers get a little crazy sometimes. “Try to remember,” he tells the parents watching, “when you were our age.”

There’s one dramatic moment. Nicolas Cage stands on the beach and gives a dramatic monologue about how, if war breaks out in El Salvador, he’ll serve his country. His father served in Korea and still suffers from PTSD. Nic hopes that there isn’t a war, but if there is, he’ll be there.

The Best of Times is energetic and relentless, and it’s also rather corny and predictable. It may have been made by the guy behind Laugh-In, but it feels more like a lesser episode of MADtv. (“Tonight, Mad TV looks at teenagers!”) With the exception of Crispin Glover and Nicolas Cage, most of the members of the cast are interchangeable. This show features not one but two dorky guys who can’t get dates to the big dance. That might be realistic, but it still feels like overkill.

That said, it is a pilot starring a young Nicolas Cage. Compared with the actor he would become, Cage is fairly restrained here. He’s likable, but he’s also clearly an actor carefully following direction. The only time he really gets to let loose is at the school dance. His moves are killer.

The Best of Times was not turned into a regular series. Nicolas, Crispin, and Jill Schoelen went on to become beloved cult actors. As for the rest of the cast, David Rambo is now an award-winning playwright, and Janet Robin is an acclaimed composer and guitarist. I doubt any of them remember much about this pilot, but I’m glad they’ve gone on to live the best of times.

Join #TubiThursday For Rambo III!


Hi, everyone!  Tonight, on Mastodon, I will be hosting the #TubiThursday watch party!  Join us for 1988’s Rambo III!

You can find the movie on Tubi and you can join us on Mastodon at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  We will be using #TubiThursday hashtag!  See you then!

Scenes That I Love: Coyote Shivers and Renee Zellweger perform “Sugar High” in Empire Records


It’s not Rex Manning Day but it is Coyote Shivers’s birthday!

Here, he and Renee Zellweger do their part to save the store by performing Sugar High on the roof.

4 Shots From 4 Films: Special Bert I. Gordon Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens celebrates would have been the 104th birthday of director Bert I. Gordon!  Known as Mr. BIG, both because of his initials and the fact that his films often dealt with things becoming bigger than they should, Gordon made his directorial debut in 1954 and continued to work all the way through 2014.  And that means that it’s time for….

4 Shots From 4 Bert I. Gordon Films

King Dinosaur (1955, dir by Bert I. Gordon, DP: Gordon Avil)

Beginning of the End (1957, dir by Bert I. Gordon, DP: Jack A. Marta)

Village of the Giants (1965, dir by Bert I. Gordon, DP: Paul Vogel)

The Mad Bomber (1973, dir by Bert I. Gordon, DP: Bert I. Gordon)

Lisa Reviews Survivor 51 Episode 1 “Permanent Uncertainty”


Considering how much time I’ve spent complaining about the direction Survivor has taken in the post-COVID era, I was really happy with last night’s premiere of Survivor 51. There were no returning players. The castaways seem like a good mix of personalities. There are some people I can already tell I’m going to hate (Devin) and some I’m now definitely rooting for (Lewis, Jenna). So far there are only two idols floating around, and only one of them has actually been claimed. (Congratulations, Rob.) After three months of watching the Big Brother houseguests pretend to be time travelers, there was something genuinely gratifying about watching people compete in a real immunity challenge.

Of course I wouldn’t be me if I didn’t have something to complain about. “Permanent uncertainty” is almost as dumb a slogan as “Expect the unexpected,” and I found it strange that Jeff Probst seemed to think this was a new concept. Every season of Survivor, people have been uncertain about their place in the game and whether they were going to survive that night’s tribal council. Probst’s speech about this being “the open era” of Survivor went on forever and didn’t add up to anything. Basically he said any twist from a past season could happen again. And how is that a new thing? I wondered.

Finally, Probst tried to defend the firemaking challenge, which is one of the worst things that ever happened to Survivor. He even gave the castaways a chance to do away with it, but he insisted the vote had to be unanimous. Of course it wasn’t. The players know the firemaking challenge is there to rescue people who couldn’t get themselves into the final three on their own. The whole vote felt like Probst taunting those of us who prefer old-school Survivor and who know the only reason firemaking was introduced was so Ben Driebergen could limp into the final three in season 36 despite a terrible social game.

But enough complaining. There were enough good moments and interesting personalities last night to make up for anything Jeff Probst said.

First off, Kilby losing all of his tribe’s equipment in a thumb war was a classic Survivor moment. When it happened, my immediate thought was that Kilby was doomed. I was surprised no one brought it up at camp or at tribal council, so I can only assume Kilby must be the most likable man on Earth.

Secondly, I really cannot stand Devin, and I think the rest of Toka is eventually going to turn on him. He comes across as fake. Even more importantly, his crusade to vote out Jenna rubbed me the wrong way. Even if Jenna were lying about being a wedding photographer (she isn’t), that wouldn’t change the fact that she worked hard in the challenge and hadn’t been causing trouble at camp. Devin went into tribal feeling very smug, but by the end of it he saw he didn’t have nearly as much power as he thought.

I hated that Jenna was essentially being targeted for being shy. One of the things that bugs me about that later seasons of Survivor is that the castaways always want to talk about their personal lives and take it personally if someone doesn’t want to share. That Jenna survived tribal made me happy. That there was so much genuine suspense reminded me of just how good Survivor can still be.

I feel terrible for Lewis. He did all that work chopping down the mast to get the idol. What’s sad is that whoever goes to Exile Island next will probably face the same challenge and have a much easier time because of the work Lewis already did. He basically exhausted himself for someone else. I really like Lewis and I hope he does well.  I assume he’ll be joining the Toka Tribe.

As for Savu, Rob found an immunity idol. I don’t know how I feel about that, because I’m not a huge Rob fan. He spent the episode trying too hard to be a classic reality-show villain. Eric talks too much and I’d probably have a hard time living on a beach with him, but Rob’s obsession with getting him voted out felt like a bit much. Just from last night, I get the feeling Eric is being set up for a redemption arc.

Tribal council was exciting. Personally I was happy Aaliyah went home, if only because it means Devin has one less ally. It looks like the show is setting up a massive Devin/Brady rivalry. Of course, judging from the preview of next week, Brady might also have chopped off one of his fingers, so we’ll see.

Are you glad Survivor’s back? I’m glad it’s back.  When I was growing up, I always watched Survivor, Big Brother, and The Amazing Race with my mom.  I’ve struggled a bit with the post-COVID era direction of Survivor.  The fact that everyone suddenly had a sob story always bugged me because, to me, Survivor should only be about what happens on the Island.  (It also didn’t help that Jeff Probst lost a bit of his edge as host.  The season where he asked the castaways whether it was okay for him to keep saying, “Come on in, guys!” might as well have been hosted by Henry Winkler and a shark.)  I missed the previous few seasons of Survivor but, with Big Brother being such a bust this year, I decided to give Survivor another chance.  Last night’s episode felt like a return to the show that I grew up watching.