Late Night Retro Television Reviews: CHiPs 1.4 “Moving Violation”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, we learn who is a good cop and who is a not-so good cop.

Episode 1.4 “Moving Violation”

(Dir by Edward M. Abroms, originally aired on October 13th, 1977)

Tonight’s episode of CHiPs doesn’t so much have a plot as much as it’s just a random collection of incidents that are designed to allow us to see the differences in personality between Officer Jon Baker and Officer Frank “Ponch” Poncharello.

Officer Baker is quiet, conscientious, and mild-mannered.  He’s the officer who spots a stolen church bus but gives his partner the credit for discovering it because his partner is on probationary status with the department.  On a more serious note, he’s also the guy who is sent to inform women that they are now widows because their husbands met misfortune on the California highways.  Tonight’s episode sees Baker being sent to inform a woman that her husband has died and Baker handles the job with sensitivity and tact.  He wipes away a tear of his own as the woman starts to cry.  Larry Wilcox was not exactly the most expressive actor in the world but, in that scene, he did a wonderful job.

Officer Poncharello, on the other hand, is a screw-up who smiles frequently, lies to an almost pathological extent, and who often looks straight at the camera while delivering his lines.  He’s the type of police officer who needs his fellow officers to lie to Sgt. Getraer about what a good police officer he is.  If Officer Baker is the ideal highway patrolman, Ponch is the guy who really shouldn’t be out there.  It’s not just that Erik Estrada looks notably less assured on that motorcycle than Larry Wilcox.  It’s also that Ponch himself doesn’t ever really seem to be paying attention to …. well, anything!

This episode, Ponch lies to a woman and gets her to go out on a date with him under the assumption that he’s a sergeant.  She’s not thrilled to discover that he’s just a police officer and that he drives (and live in) an RV.  Ponch is not thrilled when he gets a ticket for not using his turn signal and he has to take a driver’s education class.  Worried that he might run into someone who he has ticketed, Ponch wears a fake mustache and, eventually, a fake beard.

As I mentioned earlier, there’s not much of a story to this episode.  Ponch and Baker just deal with whatever they come across, whether it’s a stolen church bus or a man trapped in a van with a bunch of rattlesnakes.  The oddest moment of the show comes when they pull over a motorist played by football player Roosevelt Grier and Grier proceeds to start beating up his car.  Ponch and Baker just watch in amazement.  At one point, Grier puts his fist through a window and Ponch laughs.  Uhmm …. how about checking to make sure the guy isn’t bleeding to death?

And, hey — guess who shows up in driver’s education class at the end of this episode!?  And guess who rips off Ponch’s fake beard and mustache.  The episode ends with a freeze frame of a nervous Ponch laughing but I don’t think he’s going to be laughing much longer.

This was a weird episode.  It was basically a combination of broad comedy, lovely California scenery, and that one shockingly dramatic scene in which Baker told a woman that her husband was dead.  The episode was obviously meant to introduce us to Baker and Ponch.  I would definitely prefer to get pulled over by Baker because he’s obviously just trying to do his job quickly and efficiently.  Ponch, on the other hand….

Anyway, assuming that Ponch wasn’t killed by Rosey Grier, he should be next week!  We’ll see what happens!

Retro Television Reviews: Miami Vice 1.13 “Milk Run”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi!

This week, Crockett and Tubbs fail to observe movie line etiquette.

Episode 1.13 “Milk Run”

(Dir by John Nicolella, originally aired on January 4th, 1985)

At Miami International Airport, Tubbs is sweating buckets (one thing I do appreciate about Miami Vice is that it captures that Yankees never seem to get used to Southern humidity) while Crockett watches and smiles at a woman in a miniskirt.  Not surprisingly, ZZ Tops’s Legs is playing on the soundtrack.  Having good legs is definitely a plus in life.  They’ve certainly helped me out.

Anyway, Crockett and Tubbs notice that two teenagers have just paid for a ticket to Colombia in cash.  Crockett and Tubbs confront them in the airport cafeteria, causing both Louis Martinez (Evan Handler) and his friend, Eddie Rivers (Al Shannon), to make a run for it.  They manage to outrun both Crockett and Tubbs.  Louis and Eddie may not be as streetwise or experienced as the two cops but they’re definitely a lot younger and a lot quicker.

Louis is enthusiastic about Eddie flying down to Colombia and smuggling cocaine-filled statues into the United States.  Eddie is more nervous about it and keeps saying that he wishes he could just go home and pretend like they never agreed to help this week’s villains, the Moya cousins.

Not surprisingly, at least to anyone who has watched this show, Crockett and Tubbs just happen to be investigating a drug warehouse that belongs to the Moyas.  After the warehouse blows up, they discover a locker full of the statues and they also find out that the Moyas are into Santeria.  This leads to a scene where they attempt to interrogate one of their informants (played by Rainbow Harvest), a Santeria high priestess who works at a “punk rock movie theater.”  (Don’t ask me, I didn’t write the episode.)  While Crockett keeps bothering her at work, Tubbs has a tense conversation with her boyfriend, who is played by a youngish Eric Bogosian!

The two stories eventually link back up.  Eddie flies to Colombia but he and Louis are arrested by Crockett and Tubbs as soon as he returns to America.  While Louis continues to play tough, Eddie talks about how he wishes that he could just go back home and not get involved in any of this.  Crockett promises Eddie that he’ll make sure he gets home safely.  Can you guess who ends up getting gunned down the cartel at the end of the episode?

Milk Run was an episode about which I had mixed feelings.  At first, it was hard for me to have much sympathy for either Louis or Eddie.  But, at the same time, I also had a hard time having much sympathy for Crockett and Tubbs.  Whether they were holding up a line to interrogate a ticket agent at the airport or holding up the line to interrogate the Santeria priestess at the movie theater, they ended up holding up a lot of lines and that’s a pet peeve of mine.  But, by the end of this episode, I felt sorry for Eddie and the dark conclusion drove home the episode’s point.  There’s no way to escape your decisions.  Of course, by this point, we pretty much know what’s going to happen whenever Crockett promises to keep someone safe but that didn’t make the ending any less effective.

This was an okay episode.  The ending was powerful and it featured a strong supporting turn from John Kapelos in the role of a sleazy attorney.  In the end, the message was clear.  Don’t get involved with a shady business unless you’re totally prepared to deal with the consequences.

The Michigan Movie Critics Guild Honors Barbie!


In their inaugural awards, the Michigan Movie Critics Guild have announced their picks for the best of 2023 and they really liked Barbie!

The winners are listed in bold.

Best Picture
American Fiction
Anatomy of a Fall
Barbie
The Holdovers
Past Lives
Poor Things

Best Director
Greta Gerwig – Barbie
Cord Jefferson – American Fiction
Yorgos Lanthimos – Poor Things
Christopher Nolan – Oppenheimer
Martin Scorsese – Killers of the Flower Moon

Best Actress
Lily Gladstone – Killers of the Flower Moon
Sandra Hüller – Anatomy of a Fall
Greta Lee – Past Lives
Carey Mulligan – Maestro
Emma Stone – Poor Things

Best Actor
Bradley Cooper – Maestro
Zac Efron – The Iron Claw
Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Jeffrey Wright – American Fiction

Best Supporting Actress
America Ferrera – Barbie
Da’Vine Joy Randolph – The Holdovers
Rachel McAdams – Are You There God? It’s Me, Margaret.
Julianne Moore – May December
Rosamund Pike – Saltburn

Best Supporting Actor
Sterling K. Brown – American Fiction
Robert De Niro – Killers of the Flower Moon
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Mark Ruffalo – Poor Things

Best Animated Film
The Boy and The Heron
Nimona
Spider-Man: Across The Spider-Verse
The Super Mario Bros. Movie
Teenage Mutant Ninja Turtles: Mutant Mayhem

Best Documentary
Beyond Utopia
Sly
Still: A Michael J. Fox Movie

Best Ensemble
Air
Barbie
The Holdovers
Killers of the Flower Moon
Oppenheimer

Best Screenplay (Adapted or Original)
American Fiction
Anatomy of a Fall
Barbie
The Holdovers
Past Lives

Breakthrough Award
Sandra Hüller – Actress, Anatomy of a Fall
Cord Jefferson – Director, American Fiction
Greta Lee – Actress, Past Lives
Dominic Sessa – Actor, The Holdovers
Celine Song – Director/Writer Past Lives

Stunts
John Wick: Chapter 4
The Killer
Mission: Impossible – Dead Reckoning Part One
Polite Society
Silent Night

The MMCG Award for Film Excellence (presented to a filmmaker, writer, actor, crew member etc. who has Michigan ties or to a film made or set in Michigan)
Keegan-Michael Key – Actor Wonka/The Super Mario Bros. Movie/Migration
Ashley Park – Actress, Joy Ride
Paul Schrader – Director, Master Gardener
Lily Tomlin – Actress, 80 For Brady
J.K. Simmons – Actor, Spider-Man: Across The Spider-Verse
Bruce Campbell – Producer, Evil Dead Rise

Film Review: Evil Dead Rise (dir by Lee Cronin)


In the latest Evil Dead film, an earthquake hits Los Angeles, shaking an apartment complex, destroying the fire escape, and screwing up the elevators.  It also leads to a part of the basement parking lot collapsing, revealing a previously concealed chamber.  Three siblings — teenagers Danny (Morgan Davies) and Bridget (Gabrielle Echols) and their younger sister, Kassie (Nell Fisher) — enter the  chamber.  Danny finds several vinyl records and a book that is bound in human skin.

Now, personally, if I found a book that was bound in human skin, I would not pick it up.  I mean, that’s just creepy!  Honestly, the only reason why someone would bound a book in human skin would be to let the world know that the book is something evil.  But Dany is stupid, so he takes the book back to the apartment where he and his siblings live with their mother, Ellie (Alyssa Sutherland).  Danny not only opens the book but he also plays the records.  The second record features a priest reciting an incantation and soon, all Hell breaks lose.  It doesn’t take long before Ellie is dead and then possessed by the Deadites.  Soon, the entire building is full of possessed people and it falls to Ellie’s wayward sister, a “groupie” named Beth (Lily Sullivan), to protect the children from the demon that is inhabiting their mother’s body.

Evil Dead Rise has been described as being the “second Evil Dead film without Bruce Campbell” but that’s not quite true.  Along with Sam Raimi, Bruce Campbell served as an executive producer on the film and he also provided the voice of one of the people heard on the vinyl record.  As Campbell is heard telling the priest not to read the incantation, it’s totally probable that the voice on the record is meant to be belong to Ash Williams.  Evil Dead Rise definitely takes place in the same cinematic universe as the previous Evil Dead films.  This isn’t like one of David Gordon Green’s snooty Halloween films.  Evil Dead Rise is not ashamed of its heritage and, indeed, it’s full of visual references to the previous Evil Dead films.  Yes, an eyeball is swallowed.  Yes, there is a huge amount of blood spilled in the film, with the film’s main characters literally getting drenched in it.  Yes, a boomstick is fired.  And yes, there is some chainsaw action towards the end of the film.  Beth says, “Come get some,” at one point and it’s a crowed-pleasing moment.  The characters are all named after people who were involved in the previous films.  At a time when so many sequels and reboots seem to resent the films that came before, Evil Dead Rise does not hide its heritage.

That said, while watching Evil Dead Rise, it was hard not to miss the slapstick anarchy that Raimi and Campbell brought to Evil Dead II and Army of DarknessEvil Dead Rise plays up the horror of the Deadites and it is one of the rare horror films where you truly do come to feel like any character, regardless of how innocent or likable, could die at any moment.  But, to be honest, the Deadites aren’t that interesting without Sam Raimi’s hyperactive visuals and Ash’s over-the-top mix of machismo and stupidity.  Without the humor and the destructive glee of Raimi and Campbell, the Deadites are just another group of mean-spirited demons.  Without Ash and Raimi’s kinetic camerawork, the film focuses on the Deadites and the film sometimes feels a bit generic as a result.

Which is not to say that Evil Dead Rise is not an effective survival horror film.  The apartment building is an appropriately claustrophobic location and the sibling rivalry between Ellie and Beth brings an interesting subtext to the film’s story.  When the possessed Ellie taunts Beth, it’s obvious that Beth is hearing everything that she’s always suspected her sister thought about her.  Defeating her possessed sister is as much about Beth conquering her own insecurities as it is about defending Ellie’s children.  Even if it’s not quite to the level of Raimi’s films, the blood-drenched finale achieves a horrific grandeur that bring to mind the best of Lamberto Bava’s Demons films.  Evil Dead Rise is a well-made if occasionally generic chapter in the Evil Dead saga, though it’s impossible not to miss Rami and Campbell while watching the film.

Monday Live Tweet Alert: Join us for Fist of the North Star and Cop!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1995’s Fist of the North Star, selected and hosted by Sweet Emmy Cat!

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1988’s Cop!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Fist of the North Star on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start Cop, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy. 

Atlanta Really Likes Oppenheimer!


The Atlanta Film Critic Circle has announced their picks for the best of 2023!  They really, really liked Oppenheimer.

Here are all the winners in Atlanta!

Top 10 Films
1. OPPENHEIMER
2. KILLERS OF THE FLOWER MOON
3. THE HOLDOVERS
4. PAST LIVES
5. BARBIE
6. MAY DECEMBER
7. SPIDER-MAN: ACROSS THE SPIDER-VERSE
8. AMERICAN FICTION
9. ANATOMY OF A FALL
10. POOR THINGS

Best Director
Christopher Nolan – OPPENHEIMER

Best Lead Actor
Cillian Murphy – OPPENHEIMER

Best Lead Actress
Lily Gladstone: KILLERS OF THE FLOWER MOON

Best Supporting Actor
Robert Downey Jr. – OPPENHEIMER & Ryan Gosling – BARBIE (TIE)

Best Supporting Actress
Da’Vine Joy Randolph – THE HOLDOVERS

Best Ensemble Cast
OPPENHEIMER

Best Screenplay
Christopher Nolan – OPPENHEIMER

Best Documentary
STILL: A MICHAEL J. FOX MOVIE

Best Foreign Language Film
ANATOMY OF A FALL

Best Animated Film
SPIDER-MAN: ACROSS THE SPIDER-VERSE

Best Cinematography
Hoyte van Hoytema – OPPENHEIMER

Best Original Score
Ludwig Göransson: OPPENHEIMER

Best Stunt Work
JOHN WICK: CHAPTER 4

Best Breakthrough Performer
Lily Gladstone: KILLERS OF THE FLOWER MOON

Best First Feature Film
Celine Song – PAST LIVES

Music Video of the Day: Radar by Britney Spears (2009, dir by Dave Meyers)


In today’s music video of the day, Britney Spears visits a polo mansion and decides that she doesn’t really need a new necklace.  Apparently, the original plan for the video was to have Britney and her friends chasing one guy through several different clubs.  However, in what director Dave Meyers described as being an attempt to “class things up,” the video was instead moved to a mansion and featured Britney flirting with polo players.  Personally, while I think this video is well-done, I think they should have stuck with the original plan.  Britney’s appeal has always been that she doesn’t have to be posh.

Enjoy!

Late Night Retro Television Review: Degrassi Junior High 1.12 “Parents’ Night”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989!  The series can be streamed on YouTube!

Though not as dramatic as last week’s episode, this week’s episode is just as important to the future of Degrassi.

Episode 1.12 “Parents’ Night”

(Dir by Kit Hood, originally aired on April 5th, 1987)

When it comes to this week’s episode of Degrassi Junior High, it helps to know a little bit about franchise’s history.  On the surface, this is a fairly standard episode, with Wheels, Joey, and Spike all getting a storyline.  But if you know what waits for these characters in the future, then you know this is one of the most important shows of the franchise’s history.  Much like last week’s It’s Late, this episode sets up the storylines that will play out over the next three decades.

Spike is still adjusting to being pregnant.  As she tells the Farrell twins, she doesn’t want to have an abortion but she also know that, at the age of 14, she’s too young to be a mother.  Shane, she says, has barely spoken to her since discovering that she’s pregnant.  Spike is considering giving up the child for adoption.  The Farrell twins suggest that Spike speak to Wheels, who is adopted himself.  In a rather sweet scene that is well-played by both Amanda Stepto and Neil Hope, Wheels tells Spike that he’s never been angry over being adopted.  He also says that he’s never been curious about his birth parents.  Much like Spike and Shane, they were simply too young to raise a child.

Wheels has a lot going on in this episode.  He’s the bass player in a band!  Joey and Snake are also in the band.  Joey wants to call the band Joey and the Joy Buzzers.  Snake wants to call them Snake and the Charmers, which is actually pretty clever.  Wheels says that he’s fine with whatever because Wheels, at this point in the show, is the most well-balanced kid in school.  Sadly, this won’t last.

While leaving rehearsal for the upcoming Parents’ Night Talent Show, Wheels is approached by a man named Mike Nelson (Dave James).  Mike introduces himself as Wheels’s father and he gives Wheels his number.  With Joey’s encouragement, Wheels calls Mike and even meets with him at a local diner.  It’s an awkward meeting but, when Wheels finds out that Mike is also in a band, he starts to feel a connection to his father.

However, Wheels also feels guilty because he hasn’t told his parents that he’s been talking to Dave.  This eventually leads to him getting angry with Dave and yelling at Dave for trying to re-enter his life.  Dave calls Wheels’s adoptive parents and apologizes.  When Wheels’s parents tell him that it’s okay if he wants to talk to Dave, Wheels worries that they don’t really want him.  Eventually, after giving it some thought, Wheels realizes that he can have a relationship with both his birth father and the people who raised him.

As for Joey’s storyline, he forges a letter from his parents, in which “they” tell Mr. Raditch that they will not be coming to Parents’ Night.  Mr. Raditch sees right through him.  Oh, Joey!

As I said, it’s a fairly simple episode but it works due to the wonderful and empathetic performance of Neil Hope.  Unfortunately, the tragic details of Neil Hope’s life after Degrassi has often overshadowed just how good he truly was on the show.  Indeed, it’s not always easy to watch him, bright and full-of-life in Degrassi Junior High, with the knowledge of what the future holds for both the actor and the character.  Hope, whose own life provided the inspiration for a few of Wheels’s storylines, was such a good and natural actor that Wheels is compelling despite having the second worst nickname on the show.  (Snake, of course, wins the prize for worst nickname.  That said, the character was apparently nearly named Slim, which would have been even worse.)

So, why is this episode so important to the future of Degrassi?  The reasons below are all technically spoilers but, if you’re a big enough Degrassi fan that you tracked down this review, I’m probably not telling you anything that you don’t already know.

First off, the band will eventually get a name and it won’t be Joey and the Joy Buzzers or Snake and the Charmers.  It would be Zit Remedy and Joey’s attempts to become a star would not only be a major plotline through Degrassi Junior High and Degrassi High but it would also frequently be mentioned in Degrassi: The Next Generation as Joey vicariously lived his rock dreams through his stepson, Craig Manning.  Famously, Zit Remedy only wrote and performed one song but that song has had a very long life on the show.  Everybody wants something, right?

(As well, Zit Remedy was the first of MANY bands to be formed at Degrassi.  Hell Hath No Fury, Downtown Sasquatch, Studz, and Whisperhug would all follow but Zit Remedy was there first.)

Though this episode ends with Wheels at peace with both his birth father and his adopted parents, that peace wouldn’t last.  One reason why it’s kind of sad to see Wheels happy in this episode is because Wheels would rarely be happy for the rest of the series.  Musical “talent” is not the only thing that Wheels and Dave have in common.  Dave is an alcoholic and Wheels is destined to end up in prison after killing a kid while driving drunk.  (Following this seemingly innocuous episode, Wheels’s life got dark!)

As for Joey, he’ll never be a rock star but eventually, he will make peace with Mr. Raditch, to the extent that Raditch will even joke with him when Joey comes up to the school after Craig is caught skipping class.

And finally, Spike is not going to give up her baby for adoption.  Instead, she’s going to keep her daughter and, in the future, Emma Nelson will be at the center of the Degrassi universe.  (And Snake will even be her stepfather!)

Next week, season one comes to a close!

Lisa Marie’s Week In Review: 11/27/23 — 12/3/23


It’s December!  I can’t believe that this year is nearly over!  It seems like time has just flown by and before we know it, it’ll be 2024!

There’s so much to do this month.  I’ve got a lot of movies and books to get caught up on and I’ve got a wonderful holiday for which to prepare!

What’s your favorite Christmas movie?  I love It’s A Wonderful Life and The Godfather.  And yes, The Godfather is a Christmas movie!  Tom Hagen got the Reynolds Pen after all!  I also can’t wait for my annual viewing of Santa Claus Conquers the Martians!

Happy Holiday Season!

Films I Watched:

  1. Blood Sport (1973)
  2. The Brain Machine (1972)
  3. Death Car on the Freeway (1979)
  4. Evil Dead Rise (2023)
  5. No Way Out (1987)
  6. Rock, It’s Your Decision (1982)
  7. Santa Claus (1959)
  8. The Snowman (1982)
  9. Yakuza Apocalypse (2015)

Television Shows I Watched:

  1. Bar Rescue
  2. Baywatch Nights
  3. Check It Out
  4. CHiPs
  5. Degrassi Junior High
  6. Dr. Phil
  7. Fantasy Island
  8. Friday the 13th
  9. Highway to Heaven
  10. Jennifer Slept Here
  11. Kitchen Nightmares
  12. The Love Boat
  13. Love Has Won: The Cult of Mother God
  14. Monsters
  15. Mystery Science Theatre 3000
  16. T and T
  17. Welcome Back Kotter

Books I Read:

  1. The Invisible Hour (2023) by Alice Hoffman
  2. The Wager: A Tale of Shipwreck, Mutiny and Murder (2023) by David Grann

Music To Which I Listened:

  1. Annalisa
  2. Armin van Buuren
  3. Britney Spears
  4. The Chemical Brothers
  5. Coldplay
  6. Darlene Love
  7. Dillon Francis
  8. Geri Halliwell
  9. Katy Perry
  10. Kiki Rockwell
  11. Moby
  12. Olivia Rodrigo
  13. Rita Ora
  14. Saint Motel
  15. St. Vincent
  16. Spice Girls
  17. Taylor Swift
  18. The Ting Tings
  19. Wham

Live Tweets:

  1. Death Car On The Freeway
  2. No Way Out
  3. Yakuza Apocalypse
  4. Evil Dead Rise

Awards Season:

  1. Gotham Award Winners
  2. Lisa Marie’s Oscar Predictions For November
  3. NYFCC Winners
  4. Michigan Movie Critics Guild Nominees

News From Last Week:

  1. Actress Frances Sternhagen Dies At 93
  2. Shane MacGowan Dies At 65
  3. Felicity Huffman says college admissions scandal was ‘only option’ to help her daughter
  4. Susan Sarandon apologizes for ‘terrible mistake’ of making anti-Jewish comments at Pro-Palestinian rally

Links From Last Week:

  1. Kelly Clarkson’s Incredible “Sisters” Duet! Fill Your Ears With Holiday Cheer! Here Are Both Of Her Holiday Albums!
  2. Happy Caturday! (12.02.2023)
  3. Spider-Boy #1
  4. Tater’s Week in Review 12/2/23

Links From The Site:

  1. We celebrated Arleigh’s birthday!
  2. I shared my week in television!
  3. I reviewed Degrassi Junior High, Miami Vice, CHiPs, Fantasy Island, Baywatch Nights, The Love Boat, Monsters, Jennifer Slept Here, Highway to Heaven, T and T, Friday the 13th, Welcome Back Kotter, Check It Out, and Blood Sport!
  4. I shared music videos from Saint Motel, Britney Spears, Annalisa, Kiki Rockwell, Armin van Buuren, Moby, and Rita Ora!
  5. Erin shared Pep Stories, Romantic Western, Illustrated World, Brief Stories, Telling Tales, The Case of the Shoplifter’s Shoe, and Film Fun!

More From Us:

  1. At her photography site, Erin shared Water Tower, Nativity, Ho Ho Ho, SMU, Chem Trail, George Dealey, and America!
  2. At my music site, I shared songs from Katy Perry, Moby, Darlene Love, The Ting Tings, Geri Halliwell, Coldplay, and St. Vincent!

Click here to check out last week!

Retro Television Reviews: Blood Sport (dir by Jerrold Freedman)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1973’s Blood Sport!  It  can be viewed on YouTube.

David Birdsong (played by Gary Busey, who was 29 at the time) is a high school senior with a potentially bright future ahead of him.  He’s the quarterback of his high school’s football team and it looks like he’s on the verge of leading his team to an undefeated season.  He’s getting recruited by all the big schools.  Scouts are coming to his games to watch him play.  He also has one of the highest GPAs at his school, though it’s suggested that might have more to do with his importance to the football team than his actual study skills.

“Don’t you have anything else you want to do with your life?” his high school principal (David Doyle) asks him and David’s reaction indicates that he’s never really given it much thought.  From the time he was born, David’s father, Dwayne (Ben Johnson), has been shaping his son to become a star athlete.  Dwayne is happiest when he’s watching David play, whether on the field or in the highlight reels that he keeps down in the basement.  When Dwayne sees that his son isn’t on the field, he’s the type of father who will get out of the stands and argue with the coach on the sidelines.  Dwayne continually tells David not to stay out too late.  The one time that David does, Dwayne slaps him hard enough to send his son to the floor.

Coach Marshall (Larry Hagman) is determined to get his undefeated season, no matter how hard he has to push his players.  The coach is the type who is convinced that his players respect him for his stern ways and his long-winded speeches but little does he realize that they all secretly despise him.  When one of his players drop dead of a heart attack during practice, Coach Marshall demands that the player stop being lazy and get up.  When he realizes that the player is never going to get up, Coach Marshall angrily asks, “Why did this have to happen now!?”  Later, at a pep rally, Coach Marshall announces that his team had a private meeting and agreed that they would win the final game in the player’s memory.  The team is disgusted but the rest of the town loves their coach.

David is never happier than when he’s on the field, playing football and being cheered by both the crowd and his team.  But, through it all, he sees reminders that the future in uncertain.  On the sidelines, David spots an injured player, watching the game with the knowledge that his dreams of getting a scholarship have ended.  When David visits a college, he’s reminded that being the best high school player doesn’t mean much in college and when he says that he’s a quarterback, he is told that his coach will ultimately decide who he is and David will accept the coach’s decision because David isn’t being offered a scholarship to think for himself.

When the film originally aired in 1973, it was called Birdsong but the title was changed to Blood Sport for both subsequent showings and for a European theatrical release.  Blood Sport is the more appropriate title because, even though the main character is named David Birdsong, the film is ultimately about all of the athletes who are expected to put their health at risk for the people on the sidelines.  It’s not just football that’s a blood sport, the film suggests.  It’s the entire culture that has sprung up around it, the one that cheers when players are at their best but which also looks away at the times when the players need the most help.

At 29 years of age, Gary Busey is a bit too old to be totally convincing as a high school senior but he still does a good job of capturing David’s gradual realization that he’s never really had any control over his own life.  Ben Johnson and especially Larry Hagman also give good performances as the two men who are living vicariously through David’s accomplishments.  Hagman is so believably obnoxious as the coach that you’ll want to cheer when someone finally finds the guts to stand up to him and tell him to just shut up for a minute.

The film ends on an ambiguous note, leaving many questions open about David’s future.  One hopes that he’s started to find the strength necessary to live his own life but it’s ultimately hard to say.  In the end, nothing is guaranteed, no matter how far you can throw a football.