Retro Television Review: St. Elsewhere 3.17 “Give The Boy A Hand”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

Oh, Dr. Westphall, what’s got you upset this week?

Episode 3.17 “Give The Boy A Hand”

(Dir by Janet Greek, originally aired on January 23rd, 1985)

Dr. Westphall’s daughter, Lizzie (Dana Short), comes home from college.  At first, Westphall is happy to have her home.  So is Tommy, Westphall’s several autistic son.  Still, he gets the feeling that Lizzie isn’t telling him something and we know he’s right because nothing good ever happens to Dr. Westphall.  Sure enough, Lizzie’s boyfriend shows up unannounced and Westphall discovers that Lizzie is struggling in college.  Lizzie reveals that she’s miserable away from home.  She wants to drop out and return home so that she can take care of Tommy.  Westphall tells her that’s not an option.  Lizzie gets angry and goes back to school.  Westphall ends up sitting in his house, alone and in the dark.

Agck!  Seriously, Dr. Westphall, can you get any more depressing!?

Meanwhile, Mrs. Hufnagle is back in the hospital.  When Dr. Chandler introduces himself as her new doctor, Hufnagle says that she doesn’t want him as her doctor.  “May I ask why?” Chandler asks.  “Because you’re colored,” comes the response.  Chandler explains that he went to Yale and graduated at the top of his class.  Hufnagle says that’s due to Affirmative Action.  In the cafeteria, Chandler begs the other doctors to take over as Hufnagle’s doctor.  “Go away!” the other doctors say.  Chandler is stuck with Hufnagle and, despite her original comments, Hufnagle decides that she’s okay with that.  Maybe she noticed that Dr. Chandler is played by a young Denzel Washington.

Dr. Woodley continues to treat pregnant teenager Maddy (Lycia Naff).  Meanwhile, Maddy’s idiot boyfriend (Timothy Van Patten) tried to set up a drug deal that went to pieces when one of his partners overdosed and was rushed to the ER, where he subsequently died.

Finally, Ehrlich has been on the local news, presenting a daily medical commentary.  However, when he tries to present a commentary about treating the disabled with respect, he tells a joke about a man who went to the hospital, had his legs accidentally amputated, tried to sue, and was told he didn’t have a leg to stand on.  After the station is flooded with complaints, Ehrlich is fired.  He gets the news right before he does his final commentary.  Ehrlich sings I’ve Got To Be Me on the air.  Later, he gets drunk and goes to the hospital, where he tells Dr. Craig that he feels like he’s forgotten what made him love being a doctor in the first place.  Ehrlich thinks he should quit medicine.

“It’s too late for that,” Craig replies.

“That’s it!?” Ehrlich, who was hoping for better advice, replies.

Craig sighs and gives Ehrlich a retractor of his very own.  Ehrlich thanks Craig and then makes a dumb joke.

“Just can’t help yourself,” Craig says.

The Ehrlich stuff was entertaining.  Ed Begley Jr. and William Daniels make for a great team.  Otherwise, this was a somewhat bland episode.  How many times can we watch Dr. Westphall get depressed?  Seriously, the man needs someone to tell him a good joke.

Paging Dr. Ehrlich….

Live Tweet Alert: Join #FridayNightFlix for The Mechanic!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1972’s The Mechanic!

If you want to join us this Friday, just hop onto twitter, find The Mechanic on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

 

 

4 Shots From 4 Films: Special Richard Donner Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been the 96th birthday of director Richard Donner.  It’s time for….

4 Shots From 4 Richard Donner Films

The Omen (1976, dir by Richard Donner, DP: Gilbert Taylor)

Superman (1978, dir by Richard Donner, DP: Geoffrey Unsworth)

Lethal Weapon (1987, dir by Richard Donner, DP: Stephen Goldblatt)

Scrooged (1988, dir by Richard Donner, DP: Michael Chapman)

Late Night Retro Television Review: Hunter 1.2 “Hard Contract”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week, Hunter breaks rules and shoots people.

Episode 1.2 “Hard Contract”

(Dir by Bruce Kessler, originally aired on September 28th, 1984)

When McCall calls in sick and says that she’s taking the week off, Capt. Cain (now played by Arthur Rosenberg) assigns Hunter to work with bowtie-wearing Bernie Terwilliger.  Cain sees this as an opportunity to get rid of Hunter.  He tells Bernie to write down every policy that Hunter breaks throughout the day.

Terwilliger wants to spend the day tracking down whoever is leaving graffiti in the park.  Hunter’s not interested in that.  He wants to know what’s going on with McCall.  Mostly, Hunter wants to find an excuse to draw his gun.  The only thing he gets out of the trip to the park is a chance to arrest a man trying to rob a hot dog vendor.  Hunter gets a hot dog, of course.

Eventually, Hunter drags Terwilliger to a bar where they discover McCall hanging out.  After a bar fight, Hunter and McCall abandon Terwilliger and go after Gus (David Ackroyd), McCall’s former partner.  Gus was McCall’s mentor and she’s still close to Gus and his wife.  However, Gus has fallen on hard times and now, he’s looking for work as a contract killer.

The most interesting thing about this episode is that, even though Gus and McCall are old friends, they’re still totally willing to shoot each other.  That seems to be a recurring theme with Hunter.  Everyone likes to shoot everyone else.

I enjoyed this episode.  It was very, very simple but Fred Dryer and Stepfanie Kramer got to show off their chemistry and there was plenty of humor involving poor old Bernie.  Sometimes, it’s enjoyable to watch something that doesn’t require you to do much thinking and that was certainly the case here.

Retro Television Review: Decoy 1.28 “Ladies Man”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

Episode 1.28 “Ladies Man”

(Dir by Stuart Rosenberg, originally aired on April 21st, 1958)

A man named (Michael Tolan) approaches Pearl Dillard (Chris Kane) at a subway station and gives her a box that he claims is an x-ray camera.  The man claims to be an insurance investigator and he says that he’s pursuing a woman (Lois Nettleton) who has stolen some diamonds.  He says that he needs Pearl to take a picture of the woman.  Because it’s an X-ray camera, it will reveal that she has the diamonds on her.  While the woman waits for her train, Pearl points the box at her and pushes a button.  However, it turns out that the box is not hiding a camera but a gun!  Pearl shoots the woman in the back.

The woman is named Lois and the man was her husband, Mike.  The police get a tip that Mike is hiding out at an upstate hunting lodge.  Casey, who pretends to be a lost tourist, heads up to the lodge.  Mike is indeed there.  With Mike is his new girlfriend (Joan Harvey), who refuses to believe that Mike could have done anything wrong.

This episode was a bit more melodramatic than the typical episode of Decoy.  I found it hard to believe that anyone would fall for Mike’s camera-box lie but I guess there are probably people out there who would be naive enough to believe him.  (I might accept the box from Mike but I would throw it away the first chance I got.)  Unfortunately, once Casey tracked Mike down, Michael Tolan’s performance was so over-the-top that it became difficult to take him or the episode seriously.

Decoy worked better as a low-key, melancholiac show.  I usually love melodrama but this episode didn’t work for me.

Join #TubiThursdasy For Predator!


Hi, everyone!  Tonight, on Mastodon, I will be hosting the #TubiThursday watch party!  Join us for Predator (1987)!

You can find the movie on Tubi and you can join us on Mastodon at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  We will be using #TubiThursday hashtag!  See you then!

Predator (1987, directed by John McTiernan, DP: Donald McAlpine)

Scenes that I Love: Laura Palmer Will See You Again In 25 Years


Since yesterday was Sheryl Lee’s birthday, here’s one of the best all-time examples of foreshadowing.

From the 1991 finale of Twin Peaks:

4 Shots From 4 Films: Special William Castle Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Tomorrow, the Shattered Lens will celebrate the 112th anniversary of the birth of director and showman, William Castle!  It’s time for for an early edition of….

4 Shots From 4 William Castle Films

House on Haunted Hill (1959, dir by William Castle, DP: Carl E. Guthrie)

13 Ghosts (1960, dir by William Castle, DP: Joseph F. Biroc)

Strait-Jacket (1964, dir by William Castle, DP: Arthur E. Arling)

Shanks (1974, dir by William Castle, DP: Joseph F. Biroc)