More Pure 80s Hokum: The Park Is Mine (1985, directed by Steven Hilliard Stern)


The_Park_Is_Mine_VideoCoverTommy Lee Jones is Mitch, a troubled Vietnam veteran who has just lost his job and who can not convince his ex-wife to let him spend any time with his kids.  One day, Mitch receives a letter from Mike, a friend who has recently committed suicide.  In the letter, Mike explains that he has been stashing weapons and explosives in Central Park.  Before he discovered that he had cancer, Mike had been planning to take over the park as a symbolic protest against government bureaucracy.  Now that Mike is dead, it is now Mitch’s job to declare, “The park is mine!”

When Mitch takes over the park, he announces that he does not want to hurt anyone.  Instead, he wants everyone in New York to spend some time to thinking about their lives.  “There’s a lot of people like me, who don’t feel like they have any control over their lives,” he says, “Think about how you treat people and how you want to be treated.”  Meanwhile, he will be camping out in the park for 72 hours and anyone who tries to come after him runs the risk of getting shot or blown up.   Then he orders everyone to vote for Bernie Sanders and make America great again.  Or at least he would if this film had been made today, instead of in 1985.

Deputy Mayor Dix (Peter Dvorsky) is so evil that he makes Ghostbusters‘s Walter Peck look reasonable.  Dix is personally offended that Mitch has taken over Central Park.  He is so offended that he is even willing to first call out the National Guard and then hire foreign mercenaries to sneak into the park and track Mitch down.

Reporter Valerie Weaver (Helen Shaver) also sneaks into the park so that she can interview Mitch.  When Mitch captures her, he shouts at her, “GET NEKKID!”  No, it’s not that type of movie.  Mitch just wants to make sure that she’s not carrying any weapons on her.  (The Park Is Mine was made for HBO.  Even in the 80s, HBO understood the importance of getting nekkid.)

One of my favorite things about The Park Is Mine is that, after he goes to all the trouble to paint his face and dress up in camouflage, Mitch still spends the entire movie wearing a blue Yankees cap that would make him an easy target for anyone with a scope.

The Park Is Still Mine

My other favorite thing is that, after Mitch asks everyone to think about how they treat people, a crowd of people gathers outside the park.  When a reporter interviews them, a burly man with a hockey mullet and dressed in denim steps up and says, in a perfect Canadian accent, “My name is Elton Costanza.  I’m from Queens!”

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I’m not sure if Elton Costanza is meant to be related to George Costanza.  He does look like he could be a distant cousin.

The rest of the film’s depiction of New York City is about as plausible as Elton’s accent.  For a film taking place in New York in the 80s, the streets are too clean and the people are too friendly.  Even when that crowd shows up to support Mitch, they are the most polite crowd that anyone could hope for.  That may be because. though The Park Is Mine takes place in New York, it was filmed in Toronto.

The Park is Mine is both thoroughly implausible, totally heavy handed, and stupidly entertaining. Tommy Lee Jones is one of the few actors who can actually sell a line like, “The park is mine!” and Yaphet Kotto provides good support as a policeman who is sympathetic to Mitch.  Peter Dvorsky is all too believable as the ultimate example of heartless bureaucracy.  The most interesting thing about The Park Is Mine is that it comes down, without a hint of ambiguity, on the side of a domestic terrorist.  That probably would not be allowed to happen today.  In fact, the entire film feels like a relic of a past age, a celebration of an individualistic philosophy that America once embraced but, ever since the trauma of 911, has been in the process of abandoning.  If Mitch was unhappy with America in the 80s, imagine how he would feel about the Patriot Act, NSA spying, too big to fail bailouts, and campus safe spaces.

Like Let’s Get Harry, The Park Is Mine is pure 80s hokum that deserves a nostalgic DVD release.

Hopefully, one with Tommy Lee Jones providing commentary.

The Park Is Definitely Mine

Pure 80s Hokum: Let’s Get Harry (1986, directed by Alan Smithee)


Lets-get-harry-movie-poster-1986-1020362350Let’s Get Harry opens deep in the jungles of Columbia.  The newly appointed American Ambassador (Bruce Gray) is touring a newly constructed water pipeline when suddenly, terrorist drug smugglers attack!  The Ambassador, along with chief engineer Harry Burck (Mark Harmon, long before NCIS), is taken hostage.  Drug Lord Carlos Ochobar announces that both the Ambassador and Harry will be executed unless the U.S. government immediately releases Ochobar’s men.  However, the policy of the U.S. government is to not negotiate with terrorists.  As grizzled mercenary Norman Shrike (Robert Duvall) explains it, nobody gives a damn about a minor ambassador.

Nobody in a small blue-collar town in Illinois gives a damn about the ambassador either.  But they do give a damn about their friend Harry!  When its obvious that the bureaucrats up in Washington are not going to do anything, Harry’s younger brother, Corey (Michael Shoeffling, Sixteen Candles), decides that he and his friends are going to go to Columbia themselves and get Harry!  Helping him out are Bob (Thomas F. Wilson, Back to the Future), Kurt (Rick Rossovich, Top Gun), Spence (Glenn Frey!), and Jack (Gary Busey).  If Jake Ryan, Biff Tannen, Slider, Buddy Holly, and the guy from the Eagles who wasn’t Don Henley can’t get Harry, then who can!?

There were a lot of these “American rescue mission” movies made in the 80s, everything from Uncommon Valor to The Delta Force to the Rambo films.  Plotwise, Let’s Get Harry adds little to the genre.  It’s about as simplistic and implausible as a Donald Trump campaign speech.  A bunch of terrorists are holding American hostages and making us all look bad while the establishment refuses to do anything about it?  Don’t worry!  Here come a bunch of heavily armed, no-nonsense American citizens to save the day and make America great again!

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There are two things that distinguish Let’s Get Harry.  First, Let’s Get Harry is one of the many films to have been credited to Alan Smithee.  From 1968 to 2000, Alan Smithee was the official pseudonym used by directors who wanted to disown a project.  Smithee has been credited as directing everything from Solar Crisis to Morgan Stewart’s Coming Home to The O.J. Simpson Story.  In the case of Let’s Get Harry, Smithee was standing in for veteran director Stuart Rosenberg (probably best known for Cool Hand Luke).  Rosenberg originally only planned for Mark Harmon to be seen only at the end of the film, much like Matt Damon in Saving Private Ryan.  When TriStar Pictures demanded extra scenes featuring Harmon being taken and held hostage, Rosenberg took his name off the film.

(Before Rosenberg signed on to direct, Let’s Get Harry started out as a Sam Fuller project and he received a story credit on the film.  With the exception of some of the scenes with Harmon, which may have been shot by a different director, Rosenberg’s direction was adequate but Let’s Get Harry really does cry out for a director like Sam Fuller.)

Secondly, there is the cast, which is a lot more interesting than would be typically found in a low-budget, 80s action film.  Not surprisingly, by respectively underplaying and overplaying, Duvall and Busy give the two best performances.  Meanwhile, lightweight Mark Harmon gives the worst.  Perhaps because of the conflict between Rosenberg and the studio over his character, Harmon spends the entire movie looking lost.

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As an exercise in patriotic wish fulfillment, Let’s Get Harry is pure 80s hokum.  It may be dumb but it is also entertaining.  After all, any film that features not only Robert Duvall, Gary Busey, and Ben Johnson, but also Glenn Frey is going to be worth watching.  Let’s Get Harry has never been released on DVD and is currently only available on VHS.  Somebody needs to do something about this.

Let’s get Harry on DVD!

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Worst of the Worst: Mad Dog Time (1996, directed by Larry Bishop)


Mad_dog_time_4841Remember how, in the 1990s, every aspiring indie director tried to rip off Quentin Tarantino by making a gangster film that mixed graphic violence with quirky dialogue, dark comedy, and obscure pop cultural references?  That led to a lot of terrible movies but not a single one (not even Amongst Friends) was as terrible as Mad Dog Time.

That Mad Dog Time was terrible should come as no surprise.  Most directorial debuts are.  What made Mad Dog Time unique was the sheer amount of talent that was assembled and wasted in the effort to bring this sorry movie to life.  As the son of Joey Bishop, director Larry Bishop was Hollywood royalty and was able to convince several ridiculously overqualified actors to play the thinly drawn gangsters and rouges who populated Mad Dog Time.  Much like the Rat Pack movies that his father once starred in, Larry Bishop’s debut film was full of familiar faces.  Some of them only appeared for a few seconds while others had larger roles but they were all wasted in the end.  Hopefully, everyone was served a good lunch in between filming their scenes because it is hard to see what else anyone could have gotten out of appearing in Mad Dog Time.

Mob boss Vic (Richard Dreyfuss) has just been released from a mental hospital.  With the help of his main enforcer, Mick (Jeff Goldblum), and a legendary hitman named Nick (Larry Bishop, giving not only the worst performance in the film but also the worst performance of the 1990s), Vic is going to reassert his control over the rackets.  Vic also wants to find his former mistress, Grace Everly (Diane Lane) but he doesn’t know that Grace is now with Mick and that Mick is also having an affair with Grace’s sister, Rita (Ellen Barkin).

(Grace and Rita are the Everly Sisters!  Ha ha, between that and all the rhyming names, are you laughing yet?)

Anka and Byrne

Ben London (Gabriel Byrne) has taken over Vic’s nightclub and, while singing My Way with Paul Anka, tells Vic that he should take an early retirement because he’s a paranoid schizophrenic.  Before he can deal with Ben, Vic has to kill all of his other rivals, all of whom are played by actors like Michael J. Pollard, Billy Idol, Kyle MacLachlan, Gregory Hines, and Burt Reynolds.  The bodies start to pile up but Jimmy the Undertaker (Richard Pryor, looking extremely frail in one of his final roles) is always around to make sure that everyone gets a proper burial.

And there are other cameos as well.  Joey Bishop is the owner of a mortuary.  Henry Silva is wasted as one the few gangsters to stay loyal to Vic.  Christopher Jones, who previously co-starred with Larry Bishop and Richard Pryor in Wild In The Streets before dropping out of a society, plays a hitman who pretends to be Nick Falco.  Even Rob Reiner shows up a limo driver who talks too much.

Almost every poorly paced scene in Mad Dog Time plays out the same way.  Three or more men confront each other in a room.  Hard-boiled dialogue is exchanged for an interminable length of time until someone finally gets shot.  You would think, at the very least, it would be watchable because of all the different people in the cast but none of the actors really seem to be into it.  Richard Dreyfuss and Jeff Goldblum resort to smirking through their scenes while Gabriel Byrne often appears to be drunk.  Whenever he’s in a scene, Burt Reynolds seems to be trying to hide his face and it is hard to blame him.  There were many terrible movies released in the 90s but none were as bad as Mad Dog Time.

Let’s Play Hardcore Henry (2016, directed by Ilya Naishuller)


Hardcore_(2015_film)If you ever wondered whether a movie would ever be able to capture the excitement of watching a total stranger silently play an uninspired video game, Hardcore Henry is here to answer your question.

Filmed with a GoPro Hero 3 camera that used a specially-built rig that could be worn as a mask, Hardcore Henry is an action film that, from beginning to end, is told from a first-person perspective.  You are Henry.  When the film starts, you are having a dream where Tim Roth calls you a “pussy.”  When you wake up, a beautiful woman named Estelle (Haley Bennett) says that you are her husband and that you have amnesia because of a horrible accident.  You also lost your left arm and left leg but Estelle replaces your missing limbs with cybernetic ones.  Just before Estelle can give you a new voice, the laboratory is attacked by a telekinetic albino named Akan (Danila Kozlovsky), leaving you as mute at GTA III‘s Claude.  You spend the rest of the movie running through the streets of Moscow, trying to rescue Estelle and getting advice and side missions from Jimmy (Sharlto Copely).  Jimmy was my favorite part of the movie because every time he was killed, he would return in a different version.  Cocaine Jimmy was the best of the Jimmys.

There are a few times when the stunt work is awe-inspiring but too often watching Hardcore Henry felt like watching a Let’s Play video on YouTube, the only difference being that at least the YouTube vid would have featured a joke or two.  The problem is not that Hardcore Henry feels like a video game.  The problem is that doesn’t feel like a good video game.  It feels like a clichéd and uninspired first person shooter, right down to the scenes were Estelle and Jimmy train you on how to use your new abilities and weapons.  (When Henry visits a brothel, it’s as if he figured out how to unlock the hidden rooms in Grand Theft Auto: San Andreas.)  If Hardcore Henry had a plot that was as interesting as the first person gimmick, it would be a great action film.  But, as it is, Hardcore Henry is just an intriguing experiment that does not really work.

4 Shots From 4 Films: The Natural, Field of Dreams, Eight Men Out, 42


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Two months ago, Lisa reviewed The Pride of the Yankees.  Two days ago, Gary reviewed Take Me Out To The Ballgame.  Erin just explained to me why the Orioles are going to lose this season and the Rangers are going to win.  Opening Day is almost here.

These 4 shots from 4 films are dedicated to baseball lovers everywhere.

4 Shots From 4 Films

The Natural (1984, directed by Barry Levinson)

The Natural (1984, directed by Barry Levinson)

Field of Dreams (1989, directed by Phil Alden Robinson)

Field of Dreams (1989, directed by Phil Alden Robinson)

Eight Men Out (1989, directed by John Sayles)

Eight Men Out (1989, directed by John Sayles)

42 (2013, directed by Brian Hegeland)

42 (2013, directed by Brian Hegeland)

Things Could Be Better: 5 Fictional Presidents Who Were Surprisingly Good At Their Job


americathon

Since we already looked at 8 fictional presidents who were terrible at their job, here are 5 fictional presidents who were surprisingly good at their job.

1) President Dwayne Elizondo Mountain Dew Herbert Camacho (Terry Crews) in Idiocracy (2006)

Sure, it’s easy to be critical of President Comacho.  During his presidency, there was famine, pestilence, death, and a total economic collapse.  His decision to irrigate the nation’s crops with sports drink called Brawndo did not help.  When Secretary of Interior Not Sure (Luke Wilson) decided to use water on the crops, instead of Brawndo, President Comacho sentenced him to die in a monster truck rally.  President Comacho did many things that we might disagree with but he was just giving the people what they want.  During the Comacho administration the people were happy.  Stupid but happy.  To his credit, when shown filmed proof that the water making crops grow better than Brawndo, President Comacho pardoned Not Sure and appointed him Vice President.  A good President always surrounds himself with the best and the brightest people available.

2) President Thomas “Tug” Benson (Lloyd Bridges) in Hot Shots! Part Deux (1993)

What can we say about President Thomas “Tug” Benson that hasn’t already been said?  The former admiral did many controversial things as President.  He complained that his ambassadors always left the country right after he appointed them.  He nearly invaded Minnesota.  He mistook the first lady for a spy.  He hit every other living President with a shovel (except for Gerald Ford, who just fell down on his own).  But what other President could swim to Iraq and personally engage Saddam Hussein in a  light saber duel?  To quote President Benson, “We’ll do this the old Navy way.  First man to die, loses!”

3) President Chet Roosevelt (John Ritter) in Americathon (1979)

When Chet Roosevelt is elected president, the former governor of California brings a sunny disposition, an optimistic outlook, and an encyclopedic knowledge of affirmative sayings to the White House.  America needs it because all of the oil has dried up, many of its citizens are living out of their cars, and a cartel of wealthy Native Americans are threatening to repossess the entire country unless their money is paid back.  How does President Roosevelt save the country?  First, he smokes a joint.  After that, he puts together a telethon — an Americathon — to raise the money to save the country!  Teddy and FDR would be proud!

4) President Taffy Dale (Natalie Portman) in Mars Attacks! (1996)

At the end of Mars Attacks!, 15 year-old Taffy Dale succeeds to the presidency after her father, President James Dale, is killed the Martians.  That may not be constitutional and Taffy is legally too young to serve but since there are only 10 people left alive at the movie and Tom Jones doesn’t want the job, an exception to the rules can be made.  By awarding the medal of honor to Richie Norris and his grandmother, President Taffy Dale lets those 10 people know that America will rebuild.

5) President John “Bluto” Blutarsky (John Belushi) in National Lampoon’s Animal House (1978) and Where Are They Now?: A Delta Alumni Update (2003)

We should only be so lucky.

President Blutarsky

Things Could Be Worse: 8 Fictional Presidents Who Were Terrible At Their Job


Jack Nicholson

2016 is an election year and things are looking pretty grim right now.  It’s enough to make you throw your hands up in frustrating and demand that someone push the reset button.  However, things could always be worse.  From the world of film, here are 8 President so incompetent, corrupt, and sometimes murderous that they will make you long for the dull mediocrity of a Jeb Bush or a Martin O’Malley.

1) The President (William Devane) in The Dark Knight Rises (2012)

devaneYou’re the leader of the free world and a masked terrorist has just launched a deadly attack on a major U.S. city.  He has blown up a major sporting event on national television.  He has killed the mayor.  He is allowing a crazy sociopath to preside over show trials.  The terrorist demands that you neither send troops into the city nor do you aid anyone who is trying to leave.  What do you?  If you are the President played by William Devane in The Dark Knight Rises, you say, “Okay,” and then breathe a sigh of relief when Batman turns out not to be dead after all.  William Devane also played JFK in The Missiles of October and President James Heller on 24.  Neither of them would have backed down to Bane as quickly as the President in The Dark Knight Rises.

2) The President (Billy Bob Thornton) in Love Actually (2003)

This President thinks that he can bully the world until he makes the mistake of getting on the bad side of the new British Prime Minister (Hugh Grant).  How are you going to call yourself the leader of the free world when even Hugh Grant can make you look like a fool?

3) The President (Donald Pleasence) in Escape From New York (1981)

DonaldHey, Mr. President, when Snake Plisskin nearly gets killed trying to save your life, you might want to try showing a little gratitude.  Escape From New York ends with Snake asking The President who he feels about all the people who died rescuing him from New York.  When the President can only mutter a few words of regret, Snake responds by destroying the tape that would have presumably prevented World War IV.  Way to go, Mr. President!  Would it have killed you to shed a few crocodile tears, at least over the fate of Cabbie?

4) The President (Cliff Robertson) in Escape From L.A. (1996)

The President from Escape From New York was practically Lincolnesque compared to the jerk who succeeded him.  A theocrat who claimed to have an open line to God, this President banned smoking, drinking, cursing, red meat, guns, atheism, pre-marital sex, and everything else that made life fun.  Anyone who disagreed got exiled to the island of California.  Good thing that Snake Plisskin was still around to set things straight, even if it did mean that Florida ended up getting conquered by Cuba.  Why doesn’t Snake ever run for President?

5) President Thomas J. Whitmore (Bill Pullman) in Independence Day (1996)

billIn a word, overrated.  Yes, President Whitmore did lead the army that repealed the alien invaders but he would not have had to do that in the first place if he had prevented the Earth from being invaded in the first place.  How many warning signs did the Whitmore administration ignore until it was too late?  And how much funding did his administration cut from the military that the Air Force was left in such poor shape that they could get shown up by Randy Quaid in a crop duster?  As for Whitmore’s famous speech and the battle that followed, a sequel to Independence Day is coming in June so he must not have done that good of a job of scaring the aliens off.

6) President James Dale (Jack Nicholson) in Mars Attacks! (1996)

At least President Whitmore got a chance to redeem himself by leading the battle against the invaders.  James Dale did not even get that far.  After foolishly believing everyone who told him that the aliens came in peace, he made the mistake of offering his hand in friendship and ended up with a flag sticking out of his chest.

7) President Alan Richmond (Gene Hackman) in Absolute Power (1997)

Not only did President Richmond think that he could get away with murder, he also thought he could outsmart Clint Eastwood.  Big mistake.  Clint Eastwood is no Hugh Grant.

8) President Merkin Muffley (Peter Sellers) in Dr. Strangelove: Or How I Learned To Stop Worrying And Love The Bomb (1964)

Mixing the raw charisma of Adlai Stevenson and the phone skills of Bob Newhart, President Merkin Muffley attempts to stop the end of the world and fails miserably.  He even allows the Soviet ambassador to get a picture of the Big Board!  But don’t worry.  President Muffley may have failed to prevent nuclear war but he will not allow there to be a mineshaft gap!

When this election year get you down, just remember: things could always be worse!

strangelove

 

 

So You Want To Be A Rock’n’Roll Star: The Idolmaker, Breaking Glass, That’ll Be The Day, Stardust


So, you want to be a rock and roll star?  Then listen now to what I say: just get an electric guitar and take some time and learn how to play.  And when your hair’s combed right and your pants fit tight, it’s gonna be all right.

If you need any more help, try watching these four films:

Idolmaker

The Idolmaker (1980, directed by Taylor Hackford)

The Idolmaker is a movie that asks the question, “What does it take to be a star?  Who is more interesting, the Svengalis or the Trilbys?”  The year is 1959 and Vinny Vacari (Ray Sharkey, who won a Golden Globe for his performance but don’t let that dissuade you from seeing the movie) is a local kid from New Jersey who dreams of being a star.  He has got the talent.  He has got the ambition and he has got the media savvy.  He also has a receding hairline and a face like a porcupine.

Realizing that someone who looks like him is never going to make hundreds of teenage girls all scream at once, Vinny instead becomes a starmaker.  With the help of his girlfriend, teen mag editor Brenda (Tovah Feldshuh) and a little payola, he turns saxophone player Tomaso DeLorussa into teen idol Tommy Dee.  When Tommy Dee becomes a star and leaves his mentor, Vinny takes a shy waiter named Guido (Peter Gallagher) and turns him into a Neil Diamond-style crooner named Cesare.  Destined to always be  abandoned by the stars that he creates, Vinny continually ends up back in the same Jersey dive, performing his own songs with piano accompaniment.

The Idolmaker is a nostalgic look at rock and roll in the years between Elvis’s induction into the Army and the British invasion.  The Idolmaker has some slow spots but Ray Sharkey is great in the role of Vinny and the film’s look at what goes on behind the scenes of stardom is always interesting.  In the movie’s best scene, Tommy performs in front of an audience of screaming teenagers while Vinny mimics his exact moments backstage.

Vinny was based on real-life rock promoter and manager, Bob Marcucci.  Marcucci was responsible for launching the careers of both Frankie Avalon and Fabian Forte.  Marcucci served as an executive producer on The Idolmaker, which probably explains why this is the rare rock film in which the manager is more sympathetic than the musicians.

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Breaking Glass (1980, directed by Brian Gibson)

At the same time that The Idolmaker was providing American audiences with a look at life behind-the-scenes of music stardom, Breaking Glass was doing the same thing for British audiences.

In Breaking Glass, the idolmaker is Danny (Phil Daniels, who also starred in Quadrophenia) and his star is an angry New Wave singer named Kate (Hazel O’Connor).  Danny first spots Kate while she is putting up flyers promoting herself and her band and talks her into allowing him to mange her.  At first, Kate refuses to compromise either her beliefs or her lyrics but that is before she starts to get famous.  The bigger a star she becomes, the more distant she becomes from Danny and her old life and the less control she has over what her music says.  While her new fans scare her by all trying to dress and look like her, Kate’s old fans accuse her of selling out.

As a performer, Hazel O’Connor can be an acquired taste and how you feel about Breaking Glass will depend on how much tolerance you have for her and her music.  (She wrote and composed all of the songs here.)  Breaking Glass does provide an interesting look at post-punk London and Jonathan Pryce gives a good performance as a sax player with a heroin addiction.

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That’ll Be The Day (1973, directed by Claude Whatham)

Real-life teen idol David Essex plays Jim MacClaine, a teenager in 1958 who blows off his university exams and runs away to the Isle of Wright.  He goes from renting deckchairs at a resort to being a barman to working as a carny.  He lives in squalor, has lots of sex, and constantly listens to rock and roll.  Eventually, when he has no other choice, he does return home and works in his mother’s shop.  He gets married and has a son but still finds himself tempted to abandon his family (just as his father previously abandoned him) and pursue his dreams of stardom.

David Essex and Ringo Starr

Based loosely on the early life of John Lennon, the tough and gritty That’ll Be The Day is more of a British kitchen sink character study than a traditional rock and roll film but rock fans will still find the film interesting because of its great soundtrack of late 50s rock and roll and a cast that is full of musical luminaries who actually lived through and survived the era.  Billy Fury and the Who’s Keith Moon both appear in small roles.  Mike, Jim’s mentor and best friend, is played by Ringo Starr who, of all the Beatles, was always the best actor.

That’ll Be The Day ends on a downbeat note but it does leave the story open for a sequel.

stardust-1

Stardust (1974, directed by Michael Apted)

Stardust continues the story of Jim MacClaine.  Jim hires his old friend Mike (Adam Faith, replacing Ringo Starr) to manage a band that he is in, The Straycats (which includes Keith Moon, playing a far more prominent role here than in That’ll Be the Day).  With the help of Mike’s business savvy, The Stray Cats find early success and are signed to a record deal by eccentric Texas millionaire, Porter Lee Austin (Larry Hagman, playing an early version of J.R. Ewing).

When he becomes the breakout star of the group, Jim starts to overindulge in drugs, groupies, and everything that goes with being a superstar.  Having alienated both Mike and the rest of the group, Jim ends up as a recluse living in a Spanish castle.  Even worse, he gives into his own ego and writes a rock opera, Dea Sancta, which is reminiscent of the absolute worst of progressive rock.  Watching Jim perform Dea Sancta, you understand why, just a few years later, Johnny Rotten would be wearing a homemade “Pink Floyd Sucks” t-shirt.

Stardust works best as a sad-eyed look back at the lost promise of the 1960s and its music.  Watch the movie and then ask yourself, “So, do you really want to be a rock and roll star?”

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In Memory of Keith Emerson


Tarkus

When I was growing up, I used to watch my Dad and his band rehearse in our den.  Hanging on the wall, directly behind the dummer, was a poster of a strange armadillo that was also a tank.  I later found out that the armadillo was named Tarkus and he was the star of his very own album by a group called Emerson, Lake, and Palmer.

I just heard the very sad news that the Emerson in Emerson, Lake, and Palmer, the legendary Keith Emerson, died yesterday.  He was 71 years old.

Whether it was as a member of the Nice, ELP, the Best, or the Keith Emerson Band or as a solo soundtrack artist, Keith Emerson is one of the men who made synthesizers cool.  After starting out playing a Hammond organ, Emerson soon discovered and popularized the Moog synthesizer.  In doing so, he changed music forever.

Rest in peace, Maestro Emerson and thank you for the music.

The one, the only Keith Emerson

The one, the only Keith Emerson

 

 

“THE GUILTY WILL BE PUNISHED!”: The Punisher (1989, directed by Mark Goldblatt)


The-Punisher“What the fuck do you call 125 murders in 5 years?”

“Work in progress.”

With that line, Dolph Lundgren claimed the role of Frank Castle as his own.

Who is Frank Castle?  A former cop, he was mistakenly believed to be dead after mobsters killed his wife and children.  He has spent five years waging a one man war on the Mafia.  When not killing the criminal element, he spends his time naked in the sewers and having conversations with God.

“Come on God,” he says, “answer me. For years I’m asking why, why are the innocent dead and the guilty alive? Where is justice? Where is punishment? Or have you already answered, have you already said to the world here is justice, here is punishment, here, in me.”

Everyone knows him as the Punisher.  Only his former partner, Detective Berkowtiz (Lou Gossett, Jr.) suspects that the Punisher is actually Frank Castle.

Frank has been so effective in his one-man war on crime that the Mafia is now permanently weakened.  Plotting to take over city’s underworld, the Yakuza arrives in New York City.  Their leader, Lady Tanaka (Kim Miyori), kidnaps the son of Gianni Franco (Jereon Krabbe) and threatens to kill him unless Franco turns his operation over to her.  The Punisher and Franco team up to rescue Franco’s son and to destroy the Yakuza.  Even as the two works together, the Punisher makes sure that Franco knows that he will be punished for being a criminal.

“There’s a limit to revenge, you know,” Franco says.

“I guess I haven’t reached mine yet,” The Punisher answers.

With the current popularity of the Marvel Cinematic Universe, it is easy to forget that, in the 80s and 90s, almost all Marvel movies were straight-to-video affairs like this one, made with budgets so low that they could not even afford a Stan Lee cameo.  The Punisher was one of the few halfway entertaining ones.  It may not be a great movie but when compared to the 1990 version of Captain America or the Roger Corman-produced Fantastic Four, The Punisher looks like a masterpiece.  When this movie was first released, The Punisher was one of the most popular of Marvel’s characters, starring in three separate titles.  While the movie embraces the Punisher’s violent methods and reactionary worldview, it also make some unnecessary chances to the character, not only tweaking his origin story by making Frank a former cop (instead of a grieving father whose family fell victim to random mob violence) but also doing away with The Punisher’s iconic skull shirt.

Marvel's Punisher

Marvel’s Punisher

Dolph Lundgren's Punisher

Dolph Lundgren’s Punisher

Can a punisher without a skull still be The Punisher?

Surprisingly, he can.  Dolph Lundgren is not only physically right for the role but he is also believable as a psychologically damaged vigilante.  This Punisher could teach Deadpool a thing or two.  After the Punisher kills one gangster in front of the man’s terrified son, he tells him, “Stay a good boy and grow up to be a good man.  Because if you don’t, I’ll be waiting.”  When the boy aims his father’s gun at him, the Punisher places his forehead against the barrel and says, “Do it.”  When you consider that The Punisher was originally introduced, in the pages of The Amazing Spider-Man, as someone who would shoot jaywalkers because they had broken the law, you can see that Lundgren’s performance really gets to the twisted soul of the character.

Even without the skull, Lundgren’s Punisher is still far superior to the versions played by Tomas Jane and Ray Stevenson.  When Jon Bernthal plays the role in the second season of Daredevil (and officially brings the character into the MCU), he will hopefully have learned some lessons from watching Dolph Lundgren.

Punisher