Late Night Retro Television Reviews: Baywatch Nights 1.5 “Just A Gigolo”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, an detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on Youtube!

This week, Mitch and Ryan go undercover!

Episode 1.5 “Just A Gigolo”

(Dir by Martin Pasetta, originally aired on October 28th, 1995)

David Hasselhoff is a gigolo!

No, not really.  Mitch may be wearing sunglasses and speaking broken French but that’s just because he has gone undercover as a con artist.  He’s trying to expose the actual gigolo, a younger man named Grant Styles (Joel Beeson).  Grant swindled a good deal of money from Mitch’s friend, Julie (Candy Clark), but, because Julie voluntarily handed over the money and told Grant that he didn’t have to pay her back, no crime was committed.

“To catch a gigolo,” Mitch tells us, “I decided to become a gigolo.”  This is followed by a lengthy exercise montage.  Finally, after a week of lifting weights and jogging on the beach, Mitch is ready to make his debut at the local country club.  Accompanying him is Ryan (Angie Harmon), who is pretending to be a wealthy divorcee.  (Mitch’s aunt agrees to allow Ryan to use her mansion.)  Grant immediately starts hitting on Ryan and Mitch can only watch as Ryan flirts back.  Mitch actually starts to feel jealous and Ryan, for her part, starts to feel jealous whenever she sees Mitch flirting with the older women at the club.  Could Mitch and Ryan be falling in love?

Actually, Mitch and Ryan do kind of make a cute couple.  I mean, seriously, they just look like they belong together.  From the first episode of this series, David Hasselhoff and Angie Harmon have had a playful chemistry and their personalities definitely compliment each other.  These two definitely need to get together.

For now, though, the important thing is exposing Grant and his “manager,” Margo Curtis (future reality star Lisa Vanderpump).  Though Mitch can’t stand the idea of Grant spending time with Ryan, he still has to do things like stand perfectly still while Grant beats him up because fighting back would apparently blow his cover.  (To be honest, I think the only reason the fight scene was included was so Hasselhoff could look directly at the camera and do a “Why me?” shrug.)  After Grant beats up Julie, Mitch and Ryan realize that Grant is far more dangerous than the average gigolo.  After Grant, while flying a paraglider, tries to shoot Mitch on the beach, Mitch and Ryan trick him into breaking into Ryan’s mansion so that he can be captured and sent away.

While all of this is going on, Garner (Gregory Alan Williams) and Destiny (Lisa Stahl) worked together to  catch a notorious bail jumped named Bobby Bahama (Jeff Dashnaw).  Most bail jumpers would probably try to leave the state but Bobby jumps bail and then decides to just keep hanging out at the beach and his favorite club.  Destiny meets Bobby at the club, invites him to her hotel room, and then handcuffs him to the bed.

“Kinky,” Bobby says.

No, Bobby, the term is “captured.”

I enjoyed this episode, not so much for the basic plot but for the chemistry between Angie Harmon and David Hasselhoff.  Like I said earlier, they’re an appealing couple and they have a fun chemistry whenever they’re acting opposite each other.  Any show that features David Hasselhoff pretending to be a gigolo is going to have a bizarre appeal to it but Mitch’s relationship with Ryan was strong enough that not even a rather silly storyline could sabotage it.

Finally, Here Are The 2023 Nominees of the Phoenix Critics Circle!


Finally, in today’s final awards season development, the Phoenix Critics Circles have announced their nominees for the best of 2023!  On December 15th, we will learn which films will rise from the ashes in Phoenix and be declared the winners!

BEST PICTURE
THE HOLDOVERS
KILLERS OF THE FLOWER MOON
OPPENHEIMER
PAST LIVES
POOR THINGS
THE ZONE OF INTEREST

BEST COMEDY FILM
AMERICAN FICTION
ASTEROID CITY
BARBIE
BOTTOMS
THE HOLDOVERS

BEST SCIENCE FICTION FILM
ASTEROID CITY
THE CREATOR
GUARDIANS OF THE GALAXY VOL. 3
INDIANA JONES AND THE DIAL OF DESTINY
INFINITY POOL
THEY CLONED TYRONE

BEST HORROR FILM
EVIL DEAD RISE
NO ONE WILL SAVE YOU
TALK TO ME
THANKSGIVING
WHEN EVIL LURKS

BEST ANIMATED FILM
THE BOY AND THE HERON
ELEMENTAL
SPIDER-MAN: ACROSS THE SPIDER-VERSE
TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM
WISH

BEST FOREIGN LANGUAGE FILM
ANATOMY OF A FALL
FALLEN LEAVES
GODZILLA MINUS ONE
PERFECT DAYS
THE ZONE OF INTEREST

BEST DOCUMENTARY
20 DAYS IN MARIUPOL
AMERICAN SYMPHONY
BEYOND UTOPIA
THE MISSION
STILL: A MICHAEL J. FOX MOVIE

BEST ACTOR
BRADLEY COOPER – MAESTRO
LEONARDO DICAPRIO – KILLERS OF THE FLOWER MOON
PAUL GIAMATTI – THE HOLDOVERS
BARRY KEOGHAN – SALTBURN
CILLIAN MURPHY – OPPENHEIMER
JEFFREY WRIGHT – AMERICAN FICTION

BEST ACTRESS
LILY GLADSTONE – KILLERS OF THE FLOWER MOON
SANDRA HÜLLER – ANATOMY OF A FALL
GRETA LEE – PAST LIVES
NATALIE PORTMAN – MAY DECEMBER
MARGOT ROBBIE – BARBIE
EMMA STONE – POOR THINGS

BEST SUPPORTING ACTOR
WILLEM DAFOE – POOR THINGS
ROBERT DOWNEY JR. – OPPENHEIMER
RYAN GOSLING – BARBIE
MARK RUFFALO – POOR THINGS
DOMINIC SESSA – THE HOLDOVERS

BEST SUPPORTING ACTRESS
EMILY BLUNT – OPPENHEIMER
PENELOPE CRUZ – FERRARI
RACHEL MCADAMS – ARE YOU THERE GOD? IT’S ME, MARGARET.
JULIANNE MOORE – MAY DECEMBER
ROSAMUND PIKE – SALTBURN
DA’VINE JOY RANDOLPH – THE HOLDOVERS

BEST DIRECTOR
GRETA GERWIG – BARBIE
JONATHAN GLAZER – THE ZONE OF INTEREST
YORGOS LANTHIMOS – POOR THINGS
CHRISTOPHER NOLAN – OPPENHEIMER
MARTIN SCORSESE – KILLERS OF THE FLOWER MOON
CELINE SONG – PAST LIVES

BEST SCREENPLAY
GRETA GERWIG AND NOAH BAUMBACH – BARBIE
DAVID HEMINGSON – THE HOLDOVERS
CORD JEFFERSON AND PERCIVAL EVERETT – AMERICAN FICTION
TONY MCNAMARA AND ALASDAIR GRAY – POOR THINGS
CELINE SONG – PAST LIVES

BEST CINEMATOGRAPHY
HOYTE VAN HOYTEMA – OPPENHEIMER
MATTHEW LIBATIQUE – MAESTRO
RODRIGO PRIETO – BARBIE
RODRIGO PRIETO – KILLERS OF THE FLOWER MOON
ROBBIE RYAN – POOR THINGS
LUKASZ ZAL – THE ZONE OF INTEREST

BEST SCORE
JERSKIN FENDRIX – POOR THINGS
LUDWIG GÖRANSSON – OPPENHEIMER
MICA LEVI – THE ZONE OF INTEREST
DANIEL PEMBERTON – SPIDER-MAN: ACROSS THE SPIDER-VERSE
ROBBIE ROBERTSON – KILLERS OF THE FLOWER MOON

Here Are The 2023 Nominations of the North Texas Film Critics Association!


Here are the 2023 nominations of the North Texas Film Critics Association!  This group, of which I’m still not a member, will be announcing their winners on December 14th.

BEST PICTURE
American Fiction
Barbie
The Holdovers
Killers of the Flower Moon
Oppenheimer
Poor Things
Saltburn

BEST ACTOR
Leonardo DiCaprio – Killers of the Flower Moon
Paul Giamatti – The Holdovers
Barry Keoghan – Saltburn
Cillian Murphy – Oppenheimer
Jeffrey Wright – American Fiction

BEST ACTRESS
Lily Gladstone – Killers of the Flower Moon
Greta Lee – Past Lives
Margot Robbie – Barbie
Cailee Spaeny – Priscilla
Emma Stone – Poor Things

BEST SUPPORTING ACTOR
Willem Dafoe – Poor Things
Robert De Niro – Killers of the Flower Moon
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Glenn Howerton – Blackberry
Mark Ruffalo – Poor Things
Dominic Sessa – The Holdovers

BEST SUPPORTING ACTRESS
Emily Blunt – Oppenheimer
America Ferrera – Barbie
Rachel McAdams – Are You There God? It’s Me, Margaret.
Rosamund Pike – Saltburn
Da’Vine Joy Randolph – The Holdovers

BEST DIRECTOR
Emerald Fennell – Saltburn
Greta Gerwig – Barbie
Cord Jefferson – American Fiction
Christopher Nolan – Oppenheimer
Alexander Payne – The Holdovers
Martin Scorsese – Killers of the Flower Moon

BEST FOREIGN LANGUAGE FILM
Anatomy of a Fall
Godland
Perfect Days
The Taste of Things
The Zone of Interest

BEST DOCUMENTARY FILM
20 Days in Mariupol
American Symphony
Beyond Utopia
A Disturbance in the Force
Judy Blume Forever
Little Richard: I Am Everything
The Mission
Still: A Michael J. Fox Movie

BEST ANIMATED FILM
The Boy and the Heron
Elemental
Spider-Man: Across the Spider-Verse
The Super Mario Bros. Movie
Teenage Mutant Ninja Turtles: Mutant Mayhem
Wish

BEST CINEMATOGRAPHY
Robert Yeoman – Asteroid City
Rodrigo Prieto – Barbie
Rodrigo Prieto – Killers of the Flower Moon
Dariusz Wolski – Napoleon
Hoyte van Hoytema – Oppenheimer
Robbie Ryan – Poor Things
Linus Sandgren – Saltburn

BEST NEWCOMER
Halle Bailey – The Little Mermaid/The Color Purple
Abby Ryder Fortson – Are You There God? It’s Me, Margaret.
Charles Melton – May December
Allison Oliver – Saltburn
Dominic Sessa – The Holdovers

BEST SCREENPLAY
Alex Convery – Air
Cord Jefferson – American Fiction
David Hemingson – The Holdovers
Christopher Nolan – Oppenheimer
Celine Song – Past Lives

GARY MURRAY AWARD (BEST ENSEMBLE)
Air
Asteroid City
The Holdovers
The Iron Claw
Oppenheimer
Saltburn

Here Are The 2023 Nominations of the Indiana Film Journalists Association!


The Indiana Film Journalists Association announced their nominations for the best of 2023 today.  The winners will be announced on December 18th.

I like the IFJA nominations because they nominate every single movie that they like, without limiting themselves.  This may be the only critics group to nominate Godzilla Minus One for Best Picture.

BEST FILM
American Fiction
Are You There God? It’s Me, Margaret.
Asteroid City
Barbie
Beau is Afraid
BlackBerry
Dream Scenario
Fair Play
Godzilla Minus One
The Holdovers
John Wick: Chapter 4
The Killer
Killers of the Flower Moon
May December
Oppenheimer
Past Lives
Poor Things
Robot Dreams
Spider-Man: Across the Spider-Verse
A Thousand and One

BEST ANIMATED FILM
The Boy and the Heron
Nimona
Robot Dreams
Spider-Man: Across the Spider-Verse
The Super Mario Bros. Movie
Suzume

BEST FOREIGN LANGUAGE FILM
Anatomy of a Fall
The Boy and the Heron
Godzilla Minus One
Monster (2023)
Past Lives
Pathaan
The Promised Land (2023)
Suzume
When Evil Lurks
The Zone of Interest

BEST DOCUMENTARY
20 Days in Mariupol
American Symphony
Beyond Utopia
Greener Pastures
Kokomo City
Lakota Nation vs. United States
Turn Every Page — The Adventures of Robert Caro and Robert Gottlieb

BEST ORIGINAL SCREENPLAY
Wes Anderson (screenplay / story) and Roman Coppola (story), Asteroid City
Kristoffer Borgli, Dream Scenario
Samy Burch (screenplay / story) and Alex Mechanik (story), May December
Chloe Domont, Fair Play
David Hemingson, The Holdovers
A.V. Rockwell, A Thousand and One
Emma Seligman and Rachel Sennott, Bottoms
Celine Song, Past Lives

BEST ADAPTED SCREENPLAY
Ari Aster, Beau is Afraid
Kelly Fremon Craig, Are You There God? It’s Me, Margaret.
Greta Gerwig and Noah Baumbach, Barbie
Daniel Goldhaber, Ariela Barer and Jordan Sjol, How to Blow Up a Pipeline
Cord Jefferson, American Fiction
Phil Lord, Christopher Miller and David Callaham, Spider-Man: Across the Spider-Verse
Tony McNamara, Poor Things
Christopher Nolan, Oppenheimer
Eric Roth and Martin Scorsese, Killers of the Flower Moon
M. Night Shyamalan, Steve Desmond & Michael Sherman, Knock at the Cabin

BEST DIRECTOR
Joaquim Dos Santos, Kemp Powers and Justin K. Thompson, Spider-Man: Across the Spider-Verse
David Fincher, The Killer (2023)
Greta Gerwig, Barbie
Todd Haynes, May December
Yorgos Lanthimos, Poor Things
Christopher Nolan, Oppenheimer
Alexander Payne, The Holdovers
Martin Scorsese, Killers of the Flower Moon
Celine Song, Past Lives
Chad Stahelski, John Wick: Chapter 4

BEST LEAD PERFORMANCE
Nicolas Cage, Dream Scenario
Leonardo DiCaprio, Killers of the Flower Moon
Colman Domingo, Rustin
Phoebe Dynevor, Fair Play
Paul Giamatti, The Holdovers
Lily Gladstone, Killers of the Flower Moon
Glenn Howerton, BlackBerry
Greta Lee, Past Lives
Carey Mulligan, Maestro
Cillian Murphy, Oppenheimer
Joaquin Phoenix, Beau is Afraid
Natalie Portman, May December
Margot Robbie, Barbie
Emma Stone, Poor Things
Teyana Taylor, A Thousand and One
Jeffrey Wright, American Fiction

BEST SUPPORTING PERFORMANCE
Willem Dafoe, Poor Things
Viola Davis, Air
Robert De Niro, Killers of the Flower Moon
Robert Downey, Jr., Oppenheimer
Ryan Gosling, Barbie
Rachel McAdams, Are You There God? It’s Me, Margaret.
Charles Melton, May December
Da’Vine Joy Randolph, The Holdovers
Mark Ruffalo, Poor Things
Dominic Sessa, The Holdovers

BEST VOCAL / MOTION-CAPTURE PERFORMANCE
Jack Black, The Super Mario Bros. Movie
Oscar Isaac, Spider-Man: Across the Spider-Verse
Shameik Moore, Spider-Man: Across the Spider-Verse
Chloë Grace Moretz, Nimona
Hailee Steinfeld, Spider-Man: Across the Spider-Verse

BEST ENSEMBLE ACTING
Air
Are You There God? It’s Me, Margaret.
Asteroid City
Barbie
Beau is Afraid
Dungeons & Dragons: Honor Among Thieves
The Holdovers
Killers of the Flower Moon
Oppenheimer
Poor Things
A Thousand and One

BEST EDITING
Michael Andrews, Spider-Man: Across the Spider-Verse
Kirk Baxter, The Killer
Daniel Garber, How to Blow Up a Pipeline
Jennifer Lame, Oppenheimer
Curt Lobb, BlackBerry
Yorgos Mavropsaridis, Poor Things
Nathan Orloff, John Wick: Chapter 4
Franklin Peterson, Fair Play
Thelma Schoonmaker, Killers of the Flower Moon
Michelle Tesoro, Maestro

BEST CINEMATOGRAPHY
Dan Laustsen, John Wick: Chapter 4
Matthew Libatique, Maestro
Erik Messerschmidt, The Killer
Pawel Pogorzelski, Beau is Afraid
Rodrigo Prieto, Killers of the Flower Moon
Robbie Ryan, Poor Things
Linus Sandgren, Saltburn
Hoyte van Hoytema, Oppenheimer
Robert Yeoman, Asteroid City
Łukasz Żal, The Zone of Interest

BEST MUSICAL SCORE
Gavin Brivik, How to Blow Up a Pipeline
Alexandre Desplat, Asteroid City
Jerskin Fendrix, Poor Things
Ludwig Göransson, Oppenheimer
Daniel Pemberton, Spider-Man: Across the Spider-Verse
Trent Reznor and Atticus Ross, The Killer
Trent Reznor and Atticus Ross, Teenage Mutant Ninja Turtles: Mutant Mayhem
Robbie Robertson, Killers of the Flower Moon
Naoki Satō, Godzilla Minus One
Marcelo Zarvos, May December

BEST STUNT / MOVEMENT CHOREOGRAPHY
Laurent Demianoff (fight / stunt coordinator), John Wick: Chapter 4
Wade Eastwood (stunt coordinator) and Wolfgang Stegemann (fight coordinator), Mission: Impossible — Dead Reckoning, Part One
Deven MacNair (stunt coordinator), Bottoms
Constanza Macras (choreographer), Poor Things
Noon Orsatti, Shane Habberstad, Leoš Stránský, Stanimir Stamatov and Thayr Harris (stunt coordinators) and Travis Gomez (fight choreographer) & Sunny Sun (fight coordinator), Extraction 2
Marcus Shakesheff (stunt coordinator) and Alison Faulk & Luke Broadlick (choreographers), Magic Mike’s Last Dance
Jennifer White (choreographer) and Lisa Welham (associate choreographer), Barbie

BREAKOUT OF THE YEAR
Josiah Cross (performer), A Thousand and One
Chloe Domont (writer-director), Fair Play
Daniel Goldhaber (director / co-writer), How to Blow Up a Pipeline
Cord Jefferson (writer-director), American Fiction
Marshawn Lynch (performer), Bottoms
Charles Melton (performer, May December
Dominic Sessa (performer), The Holdovers
Celine Song (writer-director), Past Lives
Iman Vellani (performer), The Marvels

ORIGINAL VISION
Barbie
Beau is Afraid
Dream Scenario
Enys Men
Infinity Pool
Poor Things
Robot Dreams
Smoking Causes Coughing

Chicago Honors The Killers Of The Flower Moon!


The Chicago Film Critics Association have announced their picks for the best of 2023!  The winners are listed in bold.

BEST PICTURE
Barbie
Killers of the Flower Moon
May December
Oppenheimer
Poor Things

BEST DIRECTOR
Greta Gerwig – Barbie
Todd Haynes – May December
Yorgos Lanthimos – Poor Things
Christopher Nolan – Oppenheimer
Martin Scorsese – Killers of the Flower Moon

BEST ACTOR
Leonardo DiCaprio – Killers of the Flower Moon
Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Andrew Scott – All of Us Strangers
Teo Yoo – Past Lives

BEST ACTRESS
Lily Gladstone – Killers of the Flower Moon
Sandra Huller – Anatomy of a Fall
Natalie Portman – May December
Margot Robbie – Barbie
Emma Stone – Poor Things

BEST SUPPORTING ACTOR
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Glenn Howerton – BlackBerry
Charles Melton – May December
Mark Ruffalo – Poor Things

BEST SUPPORTING ACTRESS
Jodie Foster – Nyad
Sandra Huller – The Zone of Interest
Rachel McAdams – Are You There God? It’s Me, Margaret.
Julianne Moore – May December
Da’Vine Joy Randolph – The Holdovers

BEST ORIGINAL SCREENPLAY
Anatomy of a Fall – Arthur Harari & Justine Triet
Barbie – Greta Gerwig
The Holdovers – David Hemingson
May December – Samy Burch
Past Lives – Celine Song

BEST ADAPTED SCREENPLAY
Are You There God? It’s Me, Margaret. – Kelly Fremon Craig
Killers of the Flower Moon – Eric Roth & Martin Scorsese
Oppenheimer – Christopher Nolan
Poor Things – Tony McNamara
The Zone of Interest – Jonathan Glazer

BEST ANIMATED FEATURE
The Boy and the Heron
Leo
Robot Dreams
Spider-Man: Across The Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem

BEST DOCUMENTARY
20 Days in Mariupol
Beyond Utopia
Kokomo City
Menus-Plaisirs – Les Troisgros
Still: A Michael J. Fox Movie

BEST FOREIGN LANGUAGE FILM
Anatomy of a Fall
The Boy and the Heron
Godzilla Minus One
The Teachers’ Lounge
The Zone of Interest

MILOS STEHLIK AWARD FOR BREAKTHROUGH FILMMAKER
Kyle Edward Ball – Skinamarink
Raven Jackson – All Dirt Roads Taste of Salt
Cord Jefferson – American Fiction
A.V. Rockwell – A Thousand and One
Celine Song – Past Lives

MOST PROMISING PERFORMER
Abby Ryder Fortson – Are You There God? It’s Me, Margaret.
Milo Machado Graner – Anatomy of a Fall
Charles Melton – May December
Dominic Sessa – The Holdovers
Teo Yoo – Past Lives

BEST ART DIRECTION/PRODUCTION DESIGN
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

BEST CINEMATOGRAPHY
Asteroid City – Robert D. Yeoman
Killers of the Flower Moon – Rodrigo Prieto
Oppenheimer – Hoyte Van Hoytema
Poor Things – Robbie Ryan
The Zone of Interest – Lukasz Zal

BEST COSTUME DESIGN
Asteroid City – Milena Canonero
Barbie – Jacqueline Durran
Killers of the Flower Moon – Jacqueline West
Poor Things – Holly Waddington
Priscilla – Stacey Battat

BEST EDITING
All Dirt Roads Taste of Salt
John Wick: Chapter 4
Killers of the Flower Moon
Mission: Impossible – Dead Reckoning – Part One
Oppenheimer

BEST ORIGINAL SCORE
Barbie – Mark Ronson & Andrew Wyatt
Killers of the Flower Moon – Robbie Robertson
Oppenheimer – Ludwig Goransson
Poor Things – Jerskin Fendrix
The Zone of Interest – Mica Levi

BEST USE OF VISUAL EFFECTS
Barbie
Godzilla Minus One
Mission: Impossible – Dead Reckoning – Part One
Oppenheimer
Poor Things

Retro Television Reviews: Fantasy Island 4.4 “Don Quixote/The Sex Goddess”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost the entire show is currently streaming is on Youtube, Daily Motion, and a few other sites.

This week’s journey to Fantasy Island is oddly unpleasant.

Episode 4.4 “Don Quixote/The Sex Goddess”

(Dir by Michael Vejar, originally aired on November 15th, 1980)

As always, this episode opens with “the plane, the plane” landing at Fantasy Island and Mr. Roarke and Tattoo heading out to meet their guests.  Unfortunately, as has been the case since the since the third season, Mr. Roarke and Tattoo no longer share any sort of playful banter before meeting the guests.  In fact, Roarke often seems to refuse to even look at Tattoo while speaking to him.  It’s awkward to watch because the dislike between Ricardo Montalban and Heve Villechaize is obvious whenever they share a scene.  It’s something that is easy to joke about while talking about the show but it’s far more unpleasant to actually witness.

Of course, this entire episode is rather unpleasant, which is a shame because Fantasy Island‘s greatest strength as a show was that watching it was usually a pleasant and undemanding way to spend an hour.

Take, for instance, the fantasy of Helen Hendrix (Phyllis Davis).  Helen’s fantasy is to become a “sex goddess.”  Tattoo expresses disbelief that the pretty but far from glamorous Helen could ever be a sex goddess but Roarke reminds Tattoo that, on Fantasy Island, all things are possible.  Roarke then says that Helen doesn’t realize that her fantasy could be a “a very dangerous fantasy.”

Well, Mr. Roarke, if it’s so dangerous, why did you agree to allow her to come to the Island?  In the past, Mr. Roarke has mentioned turning down many requests for fantasies.  He is apparently the final judge on whether or not someone will get their fantasy.  (Even when Tattoo granted a fantasy to someone who Roarke previously turned down, it was suggested that it was all a part of Roarke’s master plan.)  If the fantasy is so dangerous, why give it to Helen?  What is Mr. Roarke’s legal liability if someone gets killed while experiencing their fantasy?

Anyway, Mr. Roarke gives Helen a blue potion and when she drinks it, she becomes a blonde, starts wearing makeup, and gets a dress that’s far more flattering and low-cut than the borderline Amish outfit she was wearing when she first arrived at the Island.  She is now an internationally famous sex goddess, which unfortunately leads to her being kidnapped by three men (Michael Callan, Edd Byrnes, and Don Stroud) and held hostage on a neighboring island.  Eventually, Helen realizes that she’s going to have flirt her way out of captivity, which leads to a smitten Don Stroud helping her to escape.  Or, at least, he does until the potion wears off and Helen goes back being a brunette.  Stroud is shocked but, before he can strangle her, Roarke shows up and whisks Helen back to the Island.

Seriously, what a thoroughly unpleasant fantasy.  Helen comes to the island because she wants to know what it’s like to be famous and sexy and Roarke essentially allows her to be kidnapped by three men who apparently are planning on trafficking her.  Indeed, Roarke seems to suggest that this is Helen’s fault for wanting to be attractive in the first place.  Personally, I think Helen should sue Fantasy Island for all its worth.

As for the other fantasy, Paul Williams plays an eccentric Texas banker named Donald Quick.  His fantasy is to be Don Quixote.  (That’s a weird fantasy but whatever.)  Soon, Donald and his lawyer (David Doyle) are riding their donkeys across Fantasy Island while dressed up like conquistadors.  Donald saves a woman from a motorcycle gang and you have to wonder just what exactly a motorcycle gang is doing on Fantasy Island.  He saves another woman (Mary Louis Weller) from her louse of a boyfriend (Robert F. Lyons) and then he jousts with a Cadillac.  It’s silly but at least Donald finds love and David Doyle gets a few funny lines over how much he wants to sue Fantasy Island.

Honestly, this episode could have been saved if the two fantasies had intersected.  If Donald and his lawyer had turned up to battle the kidnappers and save Helen, this actually would have been an okay episode and the lawyer could have helped Helen file a lawsuit against Roarke.  But instead, the fantasies stay separate and the whole thing just feels icky.  Seriously, Mr. Roarke was not on top of his game of this week.  It might be time to give Tattoo more responsibility.

Here’s The Latest Trailer For Dune: Part Two


Dune: Part Two was originally supposed to be out already.  It was scheduled for an October 20th release but the date was pushed back several times, first to November and then, as a result of the SAG-AFTRA strike, to March of 2024.  Despite all the online angst over it being moved back, it’s perhaps the best thing that could have happened to this film as it now seems to be the 2024 film that everyone is anticipating the most.

(Certainly, it’s the most anticipated March release that I can ever remember.)

Here’s the just-released third trailer for Dune: Part Two!

Film Review: Rustin (dir by George C. Wolfe)


In Netflix’s Rustin, Colman Domingo plays Bayard Rustin.

A Quaker, a pacifist, a leader of the civil rights movement, and a former communist, Bayard Rustin was an early advisor to Martin Luther King, Jr.  Rustin commitment to non-violent protest was a huge influence on King’s own activism and Rustin helped King to organize the Southern Christian Leadership Council.  Rustin was one of King’s closest advisors but he was distrusted by other leaders of the movement because of both his independent nature and the fact that he was a gay man at a time when homophobia was the law of the land.  In fact, Rustin opens with Rustin’s rivals, the NAACP’s Roy Wilkins (Chris Rock) and U.S. Rep. Adam Clayton Powell, Jr. (Jeffrey Wright), letting King know that it would be in his best interest not to be associated with someone like Bayard Rustin.  Rustin, thinking that King will stand with him, offers to resign from the SCLC and is stunned when King (Aml Ameen) accepts his resignation.

After spending three years in relative obscurity and watching as younger civil rights activists start to reject the non-violence that is at the core of his philosophy, Rustin comes up with the idea that will become the 1963 March on Washington.  Putting aside his hurt feelings, Rustin works with King and several other civil rights leaders to organize the March and, at the same time, he once again finds himself being attacked for being both gay and a former member of the Communist Party.  Even while organizing the march, Rustin pursues a doomed relationship with a deeply closeted clergyman (Johnny Ramey).

It’s an important story but the film itself is sabotaged by both its script and its direction.  The script, which was co-written by Dustin Lance Black, is heavy on exposition and monologues but there’s few moments in which the characters really get to come alive.  Meanwhile, George C. Wolfe’s direction is stagey and stodgy.  Visually, the film has the aesthetic of a well-produced made-for-TV movie.  For all the time that is spent on the planning of the March of Washington, the event itself is recreated in a rushed and rather flat matter.  One could argue that the filmmakers felt that the real event is so iconic that there would no way to really do it justice and perhaps the filmmakers were correct in that.  Still, one can’t help but feel that Wolfe should have at least tried to capture some of the event’s electricity.  The film, to its credit, captures the hard work that went on behind-the-scenes of the civil rights movement but there are very few moments that feel spontaneous or as if they have a spark of life actually being lived in front of the camera.

Fortunately, the film is blessed to feature Colman Domingo in the title role.  Playing a larger-than-life figure, Domingo gives a performance that is big, charismatic, flamboyant, and sensitive.  As played by Domingo, Rustin is a collection of seemingly conflicting traits.  At times, he’s confident to the point of being arrogant but, when he finds himself shunned by the other leaders of the civil rights movement, he reveals the insecurity hiding underneath the surface.  Rustin is hyperactive yet focused, angry yet forgiving, and self-absorbed yet compassionate.  One of the film’s best moments comes when Rustin responds to an innuendo-filled attack on him by throwing himself into planning every detail of the March.  Rustin is surrounded by people telling him that, as a black man and a gay man, he will always be a second-class citizen and an outsider.  Rustin refuses to accept that and Domingo captures the intelligence, wit, and determination that allowed Rustin to continue to fight, against amazing odds, for equality.

The film doesn’t tell us much about Rustin’s life after the March on Washington.  In later years, Rustin, while remaining a socialist, became a strong anti-Communist and was also an outspoken supporter of Israel.  Today’s Left would probably not have much use for the moderate Bayard Rustin and, with his commitment to non-violence, it’s doubtful that Rustin would have much use for many of them.  Despite his prominence in the Civil Rights movement and the importance of his work, Rustin is still not as well-known as he should be.  Perhaps this movie, despite its flaws, will change that.

Music Video of the Day: Eras of Us by Fletcher (2023, dir by Alexandre Moors)


Wandering around a city at night while singing is probably not the safest thing you can do but I applaud Fletcher for taking the rest and being smart enough to bring a film crew with her.

Enjoy!