Lisa Marie’s Week In Television: 2/27/22 — 3/5/22

Posted on March 5, 2022 by Lisa Marie Bowman

Yes, I watched a lot this week. Here’s some thoughts:

Allo Allo (Monday Morning, PBS)

Rene attempted to abandon his wife and his café so that he could elope with Yvette but Michelle had one “last” mission for him. It involved smuggling the Enigma machine to the British via the sewer system and, needless to say, it involved a lot of digging. It made me laugh, that’s what is important.

The Amazing Race (Wednesday Night, CBS)

You can read my thoughts on the finale here! I wasn’t particularly happy about who won but that’s the way it goes sometimes.

American Idol (Sunday Night, ABC)

I am as stunned as anyone by the fact that American Idol still exists. I stopped caring about the show a lifetime ago but I still watched the premiere of the latest season on Sunday because I was cleaning around the house and I thought it would make for acceptable background nose. I love Katy Perry but the rest of the judges are pretty dull. No one’s willing to be as mean as Simon Cowell was back in the day. The whole thing is just too damn positive.

The Bachelor (Monday Night, ABC)

I haven’t really been keeping up with this season but I did watch Monday’s episode, just to see if the Claytonbot had developed any sort of individual personality over the past few weeks. He has not but apparently, everyone can still see themselves falling in love with him and spending the rest of their life with him.

Bar Rescue (Friday Morning, Paramount)

It had been a while since I watched Bar Rescue so I watched the Friday morning bloc of reruns. I guess, due to the fact that I don’t drink, I always find it amusing how worked up everyone on the show gets over the mismanaged bars. Whenever Taffer starts to yell about a bartender not knowing how to make a certain cocktail, I’m always like, “Well, can’t you just order something else?”

Couples Court With The Cutlers (Sunday Afternoon, OWN TV)

I had forgotten this show existed but when I stumbled across it on Sunday, I have to admit that I immediately got sucked into the case of Bacon vs. Bacon and the question of whether or not Mrs. Bacon was cheating on Mr. Bacon. They even brought in a cybersecurity expert to go through Mrs. Bacon’s phone and it was discovered that she was using an app to send out secret text messages! Mrs. Bacon claimed she was talking to other men but not actually cheating with them. However, “licensed polygraph examiner Kendall Shull,” (as he’s called in every single episode) determined that she was cheating. Mr. Bacon walked out on her husband while the audience gasped. Poor Mr. Bacon! I later looked this episode up on the imdb and I discovered that it was 5 years old so I can only imagine how the Bacons feel whenever they come across it playing on TV.

Court Cam (Wednesday, A&E)

To be honest, I thought this show had been canceled but, on Wednesday, I discovered that it still exists and it’s going strong. Featuring actual court footage and breathlessly narrated by Dan Abrams, Court Cam is the equivalent of true crime junk food. I watched about four episodes. Judges yelled. Defendants yelled. The bailiffs were ready to spring into action. The lawyers were usually smart enough to stay out of the way.

The Dropout (Hulu)

I wrote about the latest Hulu miniseries here!

Full House (Sunday Afternoon, MeTV)

Uncle Jesse was upset that he wasn’t getting to spend as much time with his cool friends as he wanted to because he was always spending all of his time taking care of Danny’s children. So, Jesse went skiing with his old friends but they all turned out to be just as dorky as Joey and Danny so I kind of think Jesse was fooling himself as far as the old gang was concerned. Jesse’s life didn’t get any better in the episode that followed, as he was forced to take a job as an Elvis impersonator to pay the bills. Poor Jesse! At least he had adequate hair.

Inventing Anna (Netflix)

I watched episodes 3, 4, and 5 of Inventing Anna early Monday morning. They didn’t do too much for me, largely because Vivian isn’t a very interesting character and every minute that we have to spend listening to her whine about her career is a minute that we’d rather be spending with Anna and her wealthy friends. This show makes a lot more sense once you know that the journalist upon whom Vivian Kent is based is also one of the producers. She made the mistake of thinking she was the star of the story.

King of the Hill (Hulu and FXX)

On Sunday morning, I watched three episodes of King of the Hill on Hulu. The first featured the possibility of Bobby being a reincarnated holy man. The second found Peggy getting involved with a pyramid scheme. (“No, it’s a triangle.”) And the third featured Hank getting a haircut from Bill and then demanding that the Army charge him for it. It turns out that it costs $900 for the army to give a man a haircut.

I watched two episodes of FXX on Wednesday. One episode featured Hank becoming the substitute shop teacher and teaching the kids how to fix things. Unfortunately, he had the kids bring tools from home and that got him fired. I love this episode, largely because of the wonderful voice over work of the late Dennis Burkley, who played Principal Moss. This was followed by Aisle 8A, in which Connie spent a memorable few days with the Hills and Hank had to find the courage to take a trip down Aisle 8A.

Law & Order (Thursday Night, NBC)

I watched the latest episode of Law & Order to see if McCoy had gotten around to firing his ludicrously idealistic Executive D.A. yet. He had not.

This week’s episode was based on the relationship of Elizabeth Holmes and Sunny Balwani so it was interesting to watch it after having binged the first three episodes of The Dropout. It was an okay episode, even if it still sometimes seemed to be trying a bit too hard. The Law & Order revival needs to calm down a little and give the new characters (and the actors playing them) a chance to define who they are.

I kept hoping the ghost of Adam Schiff would materialize and rasp, “Take the deal….”

Law & Order: SVU (Thursday Night, NBC)

What if Joe Rogan confessed to a decades-old murder!? Well, I guess you’d have to send someone in undercover to catch him. This was not one of SVU‘s better episodes.

The Love Boat (Sunday Evening, MeTV)

On Sunday’s cruise, Kim Richards played a 13 year-old who, after putting on a good deal of makeup and taking off her glasses, could pass for a 22 year-old. Fortunately, Gopher found out the truth about her age before committing a crime. Meanwhile, Eve Plumb learned to forgive the man who she thought was her father for walking out on the family 20 years earlier. Yay! Quite a cruise.

Open All Hours (Monday Morning, PBS)

A woman wished Granville a happy birthday so Arkwright pushed Granville off of a step ladder. This is something that appeared to happen fairly frequently with Granville. He was always getting shoved off something. Poor guy.

Pam and Tommy (Hulu)

I reviewed the latest episode of Pam & Tommy here. Unfortunately, the character of Rand Gauthier has returned. I’m glad this show is almost over.

The SAG Awards (Sunday Night, TNT)

I caught the second airing of the awards. It was nice to see CODA win the award for Best Ensemble. I loved Marlee Matlin’s speech.

Secrets of Playboy (Monday Night, A&E)

This A&E docuseries is all about exposing Hugh Hefner as being kind of a creep. The episodes that I saw on Monday certainly accomplished that goal. It’s kind of amazing that, for years, Hefner was able to get away with presenting himself as being some sort of benevolent father figure when basically, he was just a jerk with a mansion and smoking jacket.

Silk Stalkings (IMDB TV)

On Wednesday, I returned to binging Silk Stalkings. I started with the 35th episode of the series, which was called Dead Weight and featured Chris and Rita investigating the murder of a businessman who was played by John O’Hurley. I was pretty sure that I had seen this episode before but no matter. It was fun and trashy and O’Hurley played his brief role like a soap opera villain come to life. The 36th episode was called Kid Stuff and it told the story of a 17 year-old prostitute who shot her older lover’s wife. The older man was a doctor who was played by the great Andrew Stevens. Even by the standards of Silk Stalkings, this was a sordid episode but that’s one of the fun things about Silk Stalkings. It may have been shameless but it also clearly wasn’t meant to be taken seriously. Later, that night, I watched the 37th episode, in which Chris and Rita investigated a shooting that was connected to a couple’s kinky sex game. That said, Chris was more concerned that Rita might accept a job offer and move to San Diego. Awwwww! No need to worry, Chris! Rita would never leave you!

Thursday, I watched Episode #38. After a murder turned out to be connected to a shady modeling company (which was actually a front for a trafficking scheme), Chris and Rita went undercover! Chris pretended to be a mobster! Rita pretended to be a model! Any episode in which Chris and Rita go undercover is guaranteed to be a gem, especially if it requires Chris to wear a red suit and talk tough. This was followed by an episode in which Chris and Rita investigated a death at a birthday party and Rita dealt with some issues from her traumatic childhood. It was actually a pretty effective episode. As silly as the mysteries on the show were, both Mitzi Kapture and Rob Estes were good actors who managed to find a sort of emotional reality amongst all the neon and lingerie.

Finally, on Friday, I watched Episode #40, “Soul Kiss.” Chris and Rita investigated what appeared to be a suicide but what was actually a murder that was connected to a tantric sex seminar. Rita was intrigued but Chris thought it was silly to suggest that he needed a seminar to learn anything new. Rob Estes and Mitzi Kapture both kind of laughed their way through this episode.

Snowpiercer (Sunday Night, TNT)

I watched Snowpiercer while waiting for the second showing of the SAG Awards to begin. Visually, it’s an impressive show and there’s a lot of actors in the cast who I like. And I also liked the movie upon which the show is based. That said, I don’t have the slightest idea what was going on in the majority of the episode.

South Park (Wednesday Night, Comedy Central)

This week, South Park not only took on Russian aggression but it also took a look at the way adults specialize in scaring and emotionally traumatizing children “for their own good.” As usually happens in a time of crisis, South Park was the only show to come across as being the least bit sensible. The new episode was followed by the “Zipline” episode from 2012. That episode was only ten years old but seemed to come from a totally different universe.

The State of the Union (Hulu)

I skipped the State of the Union address on Tuesday and I wasn’t planning on watching it at all but then I heard from several people about how weird it was so I decided to give it a watch. And yes, it was very, very weird. All of our leaders are very, very weird and there’s no point in pretending otherwise. What’s the deal with Biden’s creepy whispering thing? Can no one tell him not to do that? For that matter, most of the members of Congress appear to be deeply weird as well. As much as we Americans love watching British and Canadian lawmakers heckle their prime ministers, we’re still not used to the idea of people in Congress doing it to the president. At times, I felt like I was watching a sci-fi film in which society had moved underground.

My main impression is that this country is led by a group of very old people. Maybe we should try electing some younger people the next time we have the opportunity. Just a thought.

Talking Dead (Sunday Night, AMC)

Just like last week, Talking Dead did not feature a studio audience and, as a result, it fell somewhat flat.

The Walking Dead (Sunday Night, AMC)

I like the Commonwealth. Their Halloween looked fun and I don’t really care about the income inequality. The world’s ending. Let people enjoy themselves, Carol. I reviewed the latest episode of The Walking Dead here.

Worst Roommate Ever (Netflix)

Netflx’s latest true crime series tells the story of four terrible roommates. Three of them turned out to be murderers. The other one attempted to kill two people that we know about and the fact that both of them survived is something of a miracle. I binged this frequently fascinating but often disturbing series on Tuesday morning, before Erin and I left to the vote in the Texas primaries. The fact that this series is only five episodes long and doesn’t resort to dragging out any of the stories that it tells should really serve as a lesson for some other showrunners out there. That said, I also have to say that the final two episodes, which dealt with the nightmarish crimes of Jamison Branch, left me feeling deeply unsettled and there’s a part of me that wishes that I hadn’t watched them.

TV Review: The Dropout Episodes 1, 2, and 3 (dir by Michael Showalter)

Posted on March 5, 2022 by Lisa Marie Bowman

On Thursday, I binged the first three episodes of Hulu’s The Dropout.

The Dropout is Hulu’s miniseries about the rise and fall of Elizabeth Holmes (played by Amanda Seyfried), the enigmatic Stanford dropout who founded Theranos and became a billionaire before she turned 30. She promised that Theranos would revolutionize both the way that blood was tested and the world of health care in general. She was known for black turtlenecks, her deep (and possibly fake) voice, and her habit of not blinking. Of course, as common sense should have made obvious to just about anyone, it turned out that Elizabeth Holmes was lying about the blood testing machinery that her company was marketing. She and her business partner and former lover, Sunny Balwani (played, in The Dropout, by Lost‘s Naveen Andrews) were eventually charged with defrauding their investors. At trial, Holmes argues that her intentions were good and that she was trapped in an abusive relationship with Balwani. While Balwani’s trial is scheduled to being later this month, Elizabeth had already been convicted and currently await sentencing. Theranos, of course, no longer exists.

After the first three episodes, I would say that I’m cautiously optimistic. Seyfried and Andrews seem to be perfectly cast as Elizabeth and Sunny and the story itself is an interesting one. The miniseries format seems like a good one for director Michael Showalter’s trademark mix of dark comedy and drama. Much as with Showalter’s The Eyes of Tammy Faye, there were a few moments that felt a bit too cartoonish, most of which involved William H. Macy as Elizabeth’s former neighbor and eventual business rival but, for the most part, the first three episodes managed to establish and maintain a consistent tone. Before she lowers her voice and dons her black turtleneck, Elizabeth comes across as being socially awkward but likable. It’s only towards the end of the 3rd episode that we really start to see her as being the villainous figure that she eventually began. The first 3 episodes are like an origin story.

Of course, the fact that it took 3 hours to tell her origin story is one reason why I’m cautious in my optimism. Streaming services are currently full of miniseries that all take stories that should be interesting but then drag them out to such a length that it’s hard not to eventually lose interest. (If you need an example of what I’m talking about, go check out Netflix’s Inventing Anna.) The Dropout‘s first three episodes were well-done but it’s still hard not to feel that the story told in those three hours could have just as easily been told in 20 minutes, without denying the viewer anything that they needed to know to understand Elizabeth and Sunny. There are five more episodes to go. Can the story of Elizabeth Holmes and Theranos remain interesting for 8 hours? I’m hopeful but I’m not totally sure.

With all that in mind, I’m recommending The Dropout, on the basis of the first three episodes. But remember …. I was originally pretty enthusiastic about Pam & Tommy as well.

The Batman (dir. by Matt Reeves)

Posted on March 5, 2022 by Leonard Wilson

I slept on it before writing this, to let the euphoria pass.

Matt Reeves’ The Batman surprised me in a number of ways, some of which can’t be mentioned without throwing spoilers. I’ll perhaps write a second piece on this, but for now, understand that this film has effectively pushed The Dark Knight to the side as my favorite live-action Batman film (The Lego Batman Movie stands on a pedestal all it’s own above all the rest). My favorite Batman stories are the detective tales. Gotham by Gaslight. The Long Halloween. Hush.

On film, the Caped Crusader has moments of investigation, but they often took a backseat either to the action or the resolution came as quickly as a Batcomputer search. For me, The Batman had closer ties to films like David Fincher’s Seven, Alan J. Pakula’s Klute, Bruce Malmuth’s Nighthawks, and even Shane Black’s The Nice Guys to some degree. It does all this legwork while finding a way to avoid giving us the same clip of the Monarch Shooting of the Waynes. That alone is worth it for me. This is Batman. After more than 9 films, you’d be hard pressed to find anyone on the planet younger than maybe six who doesn’t know how he got that way.

Living in NYC, I can relate to Gotham City. On the surface, it’s beautiful. For those who can afford it, there are tons of amenities available to its citizens. Peel back that layer, though, and you’ll always have Crime in a city holding 9 million people. It’s a constant as rain. Gotham City is on the verge of breakdown. Looking at the torn poster filled streets and I was reminded of a cross between Walter Hill’s Streets of Fire and Alex Proyas’ The Crow .and the way most of Manhattan looks now with it’s closed down stores. The city almost serves as a character itself in The Batman. It’s a throwback to some of the classic black and white detective movies my parents grew up on like 1947’s Kiss of Death. For all his gadgets and resources, there’s an argument suggesting the Batman can never really save his beloved city, though we love his efforts.

“Forget it, Bruce. It’s Gotham.” one might as well say.

Visually, the movie is a little dark, but that makes sense given the tone of the film. Cinematographer Greig Fraser (Dune, Zero Dark Thirty) is somewhat new to me, but I’m liking his work, which felt a little like Janusz Kaminski’s Lost Souls. It wasn’t dark to the point where I couldn’t make out elements (and I was sitting in the front row, far left side in my theatre), I’ll say that much. I’ll keep an eye on him in the future.

The Batman takes place in our hero’s second to third year, according to an early narration (much like Blade Runner). Batman has a good rapport with Lt. James Gordon (Jeffrey Wright, No Time to Die) and his butler, Alfred (Andy Serkis, reuniting with Reeves since Dawn of the Planet of the Apes), for the most part, there are some results. Criminals flee when the bat symbol shines in the night sky, because no one really knows where The Dark Knight will strike. A new murder brings both Gordon and the Batman into play, as his opponent leaves various riddles for them to solve. The mystery brings Batman into various circles, including those of Selina Kyle (Zoe Kravitz, Kimi), crime boss Carmine Falcone (John Turturro, The Big Lebowski) and Oz (Colin Farrell, The Gentlemen). They all bring in great performances, including Peter Sarsgaard (Green Lantern), but it’s Paul Dano (Ruby Sparks, There Will Be Blood) who really runs away with things as The Riddler. I’ve never considered The Riddler to be a creepy villain, but this was quite dark, even for DC’s standards. I can’t imagine how it would have turned out if this was a Rated R film. I’m really curious to know.

Lt. James Gordon (Jeffrey Wright) and The Batman (Robert Pattinson) do some Detective work in Matt Reeves’ The Batman

Bruce Wayne has never been an easy character to handle on screen.

There are whole books written on the Psychology of the Batman. Here you have an individual who witnessed his parents being murdered as a kid and grows up in a near empty mansion with butlers and maids. The individual decides to dedicate his life (and vast resources) to studying criminal investigation techniques, martial arts and even Ninjitsu for a singular focus: To rid Gotham City of Crime. Add to this the concept of instilling fear in one’s enemies, and dressing up like a Bat to pummel thugs with fists and gadgets just adds to Wayne’s madness. Pattinson honed in on this and turns Bruce Wayne into a pretty isolated and brooding individual. For someone with nearly unlimited resources, he doesn’t seem happy with any of it at all. At least Keaton pretended to party and Clooney’s Wayne truly did party. Bale’s Wayne let Fox focus on research and development. Hell, even Affleck’s Wayne recognized he was rich and flaunted it like a superpower all its own. Pattinson’s Batman is lean and really looks like the kind of guy you might find stepping out of the shadows just past Wall Street late at night. No offense to Affleck’s Batman, who for some is the pinnacle of what the character should be, but I’ve always associated that look with the older, fresh out of retirement Batman of Frank Miller’s The Dark Knight Returns.

Together, Pattinson and Kravitz’ chemistry was really nice on screen. I’ll admit, I enjoyed the romance between the two. Both characters accept tha they’re Creatures of the Night, and there’s this sweet give and take between the two as they nudge each other. Selina doesn’t have to do crime, and Batman doesn’t have to be the spirit of Vengeance, but they’re caught up in what works best for them. I enjoyed that aspect.

At first listen (about a week ago), I thought Michael Giacchino’s theme needed something outside of the four note motif it had. Hearing the music with the movie is a different beast, and I have to say, it works really well here. In some places, it’s as minimalistic as Hans Zimmer’s Nolan scores.

Now, a little Devil’s Advocate. The main problem I had with The Batman was the same I had with Spider-Man: No Way Home. I understand DC & Warner Bros. want to draw people into the theatre, but in this age where every element of a trailer is scanned and studied, I’d argue that 40% of the action you watched on screen were already somewhat spoiled by the trailer (or trailers, if you watched every one the Warners released). I’m not saying one should refrain from watching trailers – I only watched the teaser and the main trailer – but I would have liked if they held some scenes back. One might also argue The Batman was lighter on action than the other films, but it’s the detective work and the character performances that make up for it.

There’s also a lot of rain. Almost too much. Remember the sequence in Jurassic Park with the first appearance of the T-Rex? I would say that most of The Batman is set under somewhat similar conditions. It felt like it either just rained, was about to, or you were in the middle of a downpour. Then again, so did The Crow. Perhaps that’s just a nitpick on my part.

Also, clocking in at 2 hours and 56 minutes, it’s a long film. You might not really notice it, but I’d go so far to say that the time didn’t feel wasted. I noticed 3 or 4 people who left for the restroom in my showing, if that’s any indication.

Overall, The Batman was a wonderful surprise from the DC side of things, and I’m liking the direction it’s going. It might not be a completely connected universe like Marvel’s lineup, but they’re proving they can still weave some amazing stories with the characters they have.