This week, my plan was to get caught up on all of the MCU shows and Mare of Easttown and all the rest. As you’ll soon discover from looking at the list below, that didn’t happen. But that’s okay. By the time next week, I will be caught up on everything, just in time for the Emmy nominations.
Here’s what little I watched this week!
Allo Allo (Sunday Night, PBS)
Rene’s got a new radio but he’s got no way to power it! He’s also got a huge amount of sausages, some of which are real and some of which hide a forged painting. To be honest, I struggled a bit to follow the plot of this week’s episode but all of those sausages being tossed around made me laugh.
The Bachelorette (ABC, Monday Evening)
I’m just going to admit it. I don’t like Katie Thurston. I wanted to like Katie. I tried really hard to like Katie. I agree with Katie on so many things. But this week’s Rose Ceremony-dismissal of Thomas was just too …. bleh! Basically, Katie felt that Thomas was there for “the wrong reasons.” She was right, as far as any of that can really be determined. (Is anyone ever on a show like this for the right reason?) And she felt Thomas was creating drama and being a toxic influence and again, she’s right. But the way she sent him home was so self-righteous and overdramatic and specifically designed to be a big viral moment that it’s hard not to feel that Katie really wasn’t that much better than Thomas. Katie’s complaint was that Thomas was treating the show like a “Bachelor audition” but Katie came across like she was auditioning for BachelorinParadise.
To be honest, it’s been a while since I really liked any of the bachelors or bachelorettes on this show. I guess that’s why I never mind when things don’t work out for them after the final rose.
Couples Court With The Culters (Channel 33, weekday morning)
I watched the case of Stoltz vs. Winning on Friday morning. From the start, it was pretty obvious (to me, if not the judges) that Mr. Stoltz was cheating but at least Ms. Winning got to wear a really pretty green dress on TV. After watching the show, I bought a new green dress for myself! Anyway, Mr. Stoltz and Ms. Winning were actually a really cute couple so I hope things worked out for them.
Dragnet (MeTV, Weekday Mornings)
Dragnet was one of the first cop shows. Premiering in the 50s and featuring Jack Webb as no-nonsense Sgt. Joe Friday, Dragnet’s episodes were based on actual cases that were investigated by the LAPD. The 1950s Dragnet, with its semi-documentary style, is considered to be a forerunner of shows like Law&Order.
Of course, I’ve never actually seen the 50s Dragnet. That’s because that version of Dragnet is rarely repeated, even on the retro stations. Instead, the version of Dragnet that currently shows up on MeTV is the second version of the show, which ran from 1967 to 1970 and which featured Jack Webb stiffly lecturing hippies on why the law had to be obeyed regardless of whether or not they agreed with it. While this version of the show wasn’t always as campy as it has since been made out to be, the show’s best-known episodes do tend to feature Friday sighing in disappointment while someone with long hair tells him that “smoking a little grass is no big deal, baby.”
I set the DVR to record Monday morning’s episode, largely to see if I might be interested in watching and reviewing Dragnet for this site. (I’ve seen a few episodes over the years but I’ve never sat down and watched the whole series from beginning to end.) The episode I recorded was from 1970 and it was one of the last episodes of the second version of the show. Friday was taking a night class, one in which the idea was for the students to just talk about their differing views of the world. When Friday noticed that one of his fellow students had a baggie of weed in his notebook, Friday arrested him. The scandalized class then voted to kick Friday out. Friday gave a speech about why the law had to be obeyed and he refused to apologize for arresting his classmate. In fact, he declared, he would do it again if he had to! Friday won over some members of the class but not enough to overturn the vote. However, another classmate revealed that he was an attorney and that he was prepared to sue the professor on Friday’s behalf. “Cops have constitutional rights, too!” the lawyer said. Friday nodded in agreement as the show ended. It was a bit of a silly episode, as any episode featuring Friday interacting with the counter culture tended to be. (Until he made his arrest, no one suspected Friday of being a cop despite the fact that everything about him literally screamed, “Cop!”) I especially liked the fact that the liberal professor had a Van Dyke beard and was made up to resemble a Satanic high priest. At the same time, this episode can today be viewed as an early example of cancel culture and, in the end, it did make a good point. Everyone has a right to an education. That said, it really didn’t look like the student had that much weed on him and I personally probably would have been uncomfortable being in a class with Sgt. Friday.
On Wednesday, I DVR’d the first ever episode of the 60s Dragnet. From 1967, “The LSD Story” was just what the title implied. Friday and his partner, Bill Gannon (Harry Morgan), investigated a bunch of swinging hippie drug parties and they met a teenage dealer called Blue Boy. Blue Boy’s wealthy parents refused to get upset over his druggie ways and, somewhat inevitably, Blue Boy ended up dead of an overdose. On the one hand, it was definitely heavy-handed and over-the-top and the show’s insistence that marijuana would automatically lead to LSD was undeniably cringey. But, at the same time, there was a sincerity at the heart of the episode. My first thought was to call it the epitome of a Boomer show but Dragnet was really a Silent Generation show. The boomers, after all, were the ones dancing in front of the lava lamp.
The first of Thursday’s episodes featured Friday and Gannon investigating a burglary of several pounds of explosives. It turned out that it was stolen by a blonde man who wore a brown shirt and had a big Nazi flag hanging in his apartment. The man argued that he wasn’t a Neo Nazi terrorist but seriously — this flag was right there! The second episode featured Friday and Gannon investigating a kidnapping and who would guess that an episode about a kidnapping would be so talky? Compared to the cop shows of today, Dragnet was very much obsessed with showing that everything iwas being doing exactly by the book and the kidnapping episode was more interested in examining how a fake ransom payment is set up than on the payment itself. It was a bit dry but also a change of pace from what I’m used to.
The first of Friday’s episodes featured Joe Friday and Gannon interrogating a cop who was suspected of holding up a liquor store. The cop turned out to be innocent but what was interesting about the episode was that the emphasis was put on Friday and Gannon being just as tough and suspiciously-minded with a colleague as they were with everyone else. There was none of that “one of their own” stuff that you tend to find in more recent cop shows. The second episode featured the hunt for a group of red-masked bandits. It was fairly dry but it got the point across, that everyone was a professional doing the best they could to keep Los Angeles safe.
My main thought on Dragnet so far — the first season feels a bit arid, though there were a few campy moments, especially in the LSD episode. Still, it’s interesting to see what Los Angeles looked like in the 60s and the show was definitely well-intentioned. Jack Webb may not have been a particularly expressive actor but he brought enough sincerity to the role to keep things moving.
Hell In The Heatland: Where are Ashley and Lauria? (HBOMax)
I watched this four episode, 2019 docudrama on Sunday. It was about the 1999 murders of Ashley Freeman and Lauria Bible, two Oklahoma teenagers. It was also about how meth is destroying certain parts of rural America. It was disturbing stuff and made all the more tragic by the fact that, though we now know what happened to Ashley and Lauria, we still don’t know the location of their remains. The Bibles and Freemans are still waiting for their chance to give Lauria and Ashley a proper burial.
Hell’s Kitchen (Monday Night, Fox)
The Red Team finally had to face an elimination. Morganna was sent home. I have to admit that I didn’t realize Morganna was on the show until she was kicked off, which probably explains a lot as to why she was eliminated.
I watched two episodes on Friday morning because I was too lazy to change the channel. My favorite thing about this show is how, at the start of each episode, Judge Lake snaps, “Good day, everyone!” at the courtroom and the courtroom replies with the most desultory “good day,” imaginable.
The Love Boat (Sunday Evening, MeTV)
This week’s episode was the second part of the story that was started last week. The Love Boat crew was in Australia, for their cruise director, Julie’s, wedding. Meanwhile, the missing link was being held prisoner in a cage by Jose Ferrer. Yes, it was weird. Anyway, it turned out that the missing link was a fake who had been hired to swindle the gullible and Julie did not get married because the groom fled the church. Later, he sent Julie a letter that explain that he was …. wait for it …. DYING! Julie broke down into tears and the episode came to an end.
I mean, my God — who knew TheLoveBoat was so traumatic!?
Moone Boy (Sunday Night, PBS)
Everyone was totally caught up in football (or soccer or whatever you want to call it)! Even though the show was shot in 2013 and set in the 90s, it still felt incredibly relevant to today.
The Office (Sunday, Comedy Central)
Sunday morning, I watched as Michael Scott quit his job, started his own paper company, and then successfully sold it, largely due to David Wallace really not being a very good CEO. In retrospect, I think The Michael Scott Paper Company was probably the highpoint of TheOffice’s post-season 3 run. The scene of Michael calling Prince Family Paper just to discover that he had helped to drive them out of business is horrifying, funny, and depressing, all at the same time!
Open All Hours (Sunday Night, PBS)
Granville is getting closer and closer to snapping. Arkwright has no idea.
Upstart Crow (Sunday Night, PBS)
Finally! Will finished RomeoandJuliet and Kate achieved her dream of appearing on stage, despite the fact that it was illegal for her to do so. It was a sweet ending to the 2nd series of UpstartCrow and it almost makes up for the lack of Yes, PrimeMinister on PBS’s current schedule.
“Girl, you watch too much television.” Someone said that to me once right before they cut me out of their lives and, I hate to admit it, but they may have been right. I probably do watch too much television. This upcoming week, my goal is to watch a bit less.
Anyway, now that I’ve acknowledged my television addiction, here’s what I watched this week:
Allo Allo (Sunday Night, PBS)
“That stupid Englishman who thinks he can speak French is here!”
“Good moaning. I was pissing by and I have a massage from the Resistance.”
Allo Allo is a British sitcom from the 80s, which I just recently started watching on PBS. It takes place during World War II, in occupied France and, despite being made by the same people who did Are You Being Served?, it’s actually very funny. Essentially, it’s about Rene who owns a cafe and who keep getting dragged into the plans of the Resistance, the Germans, and the British airmen who are always hiding somewhere in the building. There’s also a running joke about the search for a valuable painting and the various forgeries of it that are floating around town. Last Sunday’s episode featured the Resistance holding a forgery of the painting for ransom. The humor was frequently crude and pretty much dependent upon the viewer knowing all of the pre-existing jokes but it was performed by a lively cast and it was hard not to laugh at the “stupid Englishman who thinks he can speak French.”
American Idol (ABC, Sunday and Monday Night)
As I said the last time that I wrote about this show, I’m not really that much into American Idol anymore. I do watch it on occasion but I wouldn’t necessarily say that I really pay that much attention. The whole show is rather bland and the refusal of the judges to risk their popularity by actually being brutally honest with the singers is a bit of drawback. I often just have the show on a background noise, barely aware of what’s actually happening while it’s on.
That said, I was as shocked as anyone when it was announced, on Monday, that Wyatt Pike had left the show. Why did Wyatt Pike leave? No one knows. In typical American Idol fashion, a vague statement was released that revealed next to nothing. It’s at times like this that I miss Vote For The Worst because that message board would have been on fire with speculation as to why Pike had left the competition. Of course, a lot of the speculation would have been a bit mean-spirited but that’s the internet for ya.
(I was devoted reader of Vote For The Worst but I never commented on the site because I knew, deep down, I was probably too nice to be a part of the community. I always agreed with the site when they trashed production for forcing the singers to sing out-of-date songs and for trying to manipulate the viewers by getting the judges to only praise production’s favorites. But I was also one of those “Can’t we all be happy for the singers?” types and I knew no one wanted to hear that. Still, as biting as some of the comments on the message boards could be, the site was always a valuable reminder not to take American Idol or any “reality” show too seriously.)
Anyway, I’d like to say that Wyatt Pike left because he didn’t want to have to sing whatever song Kara DioGuardi wrote for the finale but then I remembered that it’s been like 12 years since Kara was involved with American Idol and that tells you just how closely I follow the show.
America’s Most Wanted (Monday Night, FOX)
This week was the first season finale of the America’s Most Wanted reboot. It almost might be the finale of the show itself as it has apparently been struggling in the ratings. To be honest, the show’s mix of modern technology (like the CGI versions of the fugitives) and old school recreations of the crimes that the most wanted are accused of having committed has always felt a bit awkward.
Anyway, last night’s episode featured a murderous rapper named Maurice Nesbitt and an environmental terrorist, among others. As I watched the show, I was mostly hoping to hear that Raymond McLeod, the grotesque body builder who was profiled last week, has been captured. No such luck.
Baywatch (Weeknights, H&I)
Baywatch was consistently silly this week. Sunday featured an episode in which Mitch fell in love with a literal princess and it pretty much just got sillier from there. I guess these episodes are from the third season of the show and it appears that it was during this season that Baywatch went from being semi-serious to being so unserious that it occasionally bordered on the surreal. It’s hard not to feel that David Lynch could have worked wonders with Baywatch.
On Monday, things got even stranger as Mitch put on a fake mustache and Stephanie wore a blonde wig so that they could go undercover to capture a master criminal played by John O’Hurley of Seinfeld, Dancing With The Stars, and Family Feud fame. This was followed by an episode that opened with a murder but which was mostly made up of footage of David Hasselhoff playing basketball and Pamela Anderson being stalked by a nerdy newlywed.
Tuesday’s episodes, I didn’t pay much attention to. I was busy cleaning the house so they were mostly on as background noise. The first episode was something about criminals wanting to blow up a pier. Under normal circumstances, blowing up a pier would be a bad idea but these criminals wanted to blow up the pier while the governor was standing on it! The second episode was about Mitch’s father wanting him to take over the architectural firm. Apparently, Mitch’s parents thought that he was wasting his life on the beach. Of course, Mitch is in his early 40s and lives in a pretty big house so it’s kind of hard not to feel that maybe his parents should have had this conversation with him two decades earlier.
On Wednesday, the first episode featured Mitch hiring a sexy housekeeper named Elke. Hijinks ensued! The second episode featured Mitch having to deal with hundreds of UFO enthusiasts flooding the beach. During this episode, Mitch insisted that he didn’t believe in aliens or anything supernatural so I can only imagine that this was before Baywatch Nights. It’s always struck me as a bit odd that Mitch would battle vampires and demons at night and then, during the day, go back to being a laid back lifeguard. But I guess you do what you have to do. Maybe it’s a California thing.
Thursday’s episodes produced a good deal of tonal whiplash. The first episode was a rather grim story about two lifeguard being held hostage in their tower by a sociopathic criminal. I’ve noticed, on Baywatch, that the beaches were always attracting sociopaths and the lifeguards often seemed to end up getting held hostage. I guess it goes with the job but still, I would probably get freaked out after the third time it happened. I would probably look for another job, one that didn’t involve trying to enforce the law while wearing a tight bathing suit. The second episode of the night featured a non-lifeguard pretending to be a lifeguard in order to impress his mother and it was absolutely nothing like the first episode. The two episodes were so different that it was hard to believe that they both took place in the same television universe. Again, it’s hard not to feel that the show missed an opportunity by not asking David Lynch to direct an episode or two.
Friday’s episodes saw Mitch getting paralyzed during a rescue but he didn’t let that stop him from thwarting a hitman. By the end of the second episode, Mitch could walk again and the mafia had been defeated so yay!
Finally, Saturday’s episode featured a surprising amount of kickboxing, which apparently all of the lifeguards were totally into despite no one having mentioned anything about it in any of the previous episodes. There was also this plot about a sleazy French photographer trying to take Pamela Anderson away from the beach. He would have succeeded if not for a fact that a child conveniently had to be rescued from drowning. Having been reminded of why being a lifeguard is so important, Pamela was able to say, “Au revoir, creep.”
Couples Court With The Cutlers (Weekday mornings, Channel 33)
If you think you’re significant other is cheating on you, you can take them to Couples Court where Judges Keith and Dana Cutler will determine whether or not it’s true while a national audience watches and makes fun of you. This show is actually more enjoyable than most other court shows, just because the Cutlers are generally likable and their advice usually makes a little bit of sense. Still, it’s hard not to laugh whenever their grim-faced lie detector guy announces the results of the test as if he’s just returned from interrogating the Boston Strangler or something. In the past, the Cutlers have also used “voice analysis” to determine whether or not someone’s lying. I guess that’s what you do when you can’t afford to hire the polygraph guy for the entire week. “Voice analysis revealed that …. SHE IS NOT CHEATING!” Everyone can be happy with that.
Friends (Weeknights, Channel 33 and many other stations, not to mention HBOMAX)
On Thursday night, I watched the episode where Chandler was dating Rachel’s boss and, even though he couldn’t stand her, Chandler still couldn’t bring himself to break up with her because he was Chandler and he had issues with that sort of thing. It was a funny-enough episode but I guess it was filmed at a time when Matthew Perry was still doing drug because he looked distressingly thin and I actually found myself getting a little freaked out over how sickly he looked. I’m glad that he apparently got all of that worked out. As for the rest of the episode, I actually preferred the subplot, which featured Monica and Phoebe competing over who had the best dollhouse. Phoebe’s dollhouse was the most popular but it was also the most dangerous because it ended up bursting into flames towards the end of the episode.
Gangs of London (Sunday Night, AMC)
Gangs of London is a show that originally aired in the UK in 2020 and which is now airing here in the States on AMC. On Friday, I finally got to watch the first two episodes and it’s really not bad. In fact, it’s actually pretty good. It’s stylish and it’s violent and it does, at times, test how much patience one has for scenes of men glaring at each other but it’s also very well-acted and it makes great use of its gritty London locations. So far, the show has dealt with the aftereffects of the assassination of the man (played by the great Colm Meany) who, for 20 years, ruled over London’s underground. Now, his family is trying to maintain their power while everyone else is looking to move in on their territory. One of the most interesting themes of the show is that the majority of London’s crime families are international in nature. Just as the world has changed, so has the nature of organized crime. These aren’t just a bunch of London hoodlums fighting over an alley or a block. Instead, these are mobsters from all over the world, all fighting for control of a major city. It’s a complicated but definitely compelling show. I will continue to set the DVR for it.
Hell’s Kitchen (Thursday Night, FOX)
On Thursday night, the final two chefs were revealed. Next week, Mary Lou will be going up against Kori in the finale. Mary Lou better win, especially since Declan deserved Kori’s spot. Go, Mary Lou, go!
Hill Street Blues (Weekday Mornings, H&I)
Jeff introduced me to this show last year and I’ve been setting the DVR for it ever since. Hill Street Blues originally aired in the early 80s. It was the first of the big ensemble dramas, following a bunch of cops and detectives as they patrol a really depressing and unnamed city. It’s very much a show of its time but it’s mix of humor and tragedy is surprisingly effective even if it is sometimes dated and the show was really well-written. The characters are especially interesting. Alcoholic detective JD La Rue is my favorite! This week, I noticed that the story editor was Mark Frost, who later collaborated with David Lynch on Twin Peaks. As odd as it may seem, it’s easy to see how the gritty toughness of Hill Street Blues led to the surreal and dream-like drama of Twin Peaks. They’re both ensemble show that require viewers to actually pay attention and think for themselves.
Kung Fu (Wednesday Night, The CW)
I kind of watched the second episode of Kung Fu. I have to admit that I occasionally found myself struggling to remain interested in it. It’s just such a CW show and, as a result, it’s a bit predictable at times. That said, Olivia Liang is doing a great job in the role of the lead character and it still feels like the show has the potential to become something special. Personally, I find the family drama to be way more interested than all of the mystery surrounding the death of Nicky’s shifu. I especially like the relationship between Nicky and her sister. It feels real. Olivia Liang and Shannon Dang are basically the two main reason to give Kung Fu a chance.
The Last Drive In (Friday Night, Shudder)
Joe Bob and Darcy and the iguana are back! The third season of The Last Drive-In started on Friday. The first film that they showed was Mother’s Day and I missed it because I was busy hosting the Friday Night Flix live tweet. However, I did catch the second film that they showed, Lucio Fulci’s The House By The Cemetery. Needless to say, I had a great time watching one of Fulci’s best films. Joe Bob was as likable as ever. His special guest was Eli Roth. On the one hand, I felt the Eli tended to ramble a bit too much (I wanted to get back to the movie!) but, at the same time, his love of the horror genre always came through. It was fun, that was the important thing. I have to say thank you to my friend Jason for correctly guessing and letting me know that Joe Bob was about to show a Fulci film.
No one can needlessly drag out the reading of paternity results quite like Lauren Lake. It’s almost like a very sadistic style of performance art, the way she tortures the people in her court by getting them at their most vulnerable and then slowly opening the envelope and very precisely and slowly reading every single word of the results. “These results were prepared by DNA Diagnostics, a subsidy of the Rand Company of New Haven, Connecticut, a division of Petrolli Incorporated of Newark, New Jersey and they read as follows. In the case of….” GET ON WITH IT, JUDGE!
The Masked Singer (Wednesday, FOX)
On the one hand, The Masked Singer is an entertainingly strange show and it’s usually fun to try to guess who the celebs under the masks are. On the other hand, it’s hosted by an anti-Semite and one of the judges is an anti-Vaxxer. As I watched the show on Wednesday, I found myself wondering how Jenny McCarthy has managed to more or less get a free pass despite the undoubtedly large role she played in popularizing the anti-vaccine movement. And then you’ve got Nick Cannon, who was ranting about the Rothschilds just a few months ago, serving as the show’s host. My advice would be to replace Jenny McCarthy with …. well, someone who doesn’t have a history of putting people’s lives at risk. And then replace Nick Cannon with Joel McHale and Robin Thicke with Mark McGrath. (Ken Leong, of course, is more than welcome to stay.) Seriously, this is an entertaining show so it would be nice to be able to watch it without feeling guilty about it later.
Speaking of Mark McGrath, he was eliminated this week. He was the Orca.
The Office (All The Time, Comedy Central)
Monday evening, I watched Basketball and Hot Girl from Season 1 and The Dundies from season 2. I rarely drink but when I do, I’m a lot like Pam at the Dundies.
The Old Guys (Sunday Night, PBS)
On Sunday’s episode, one of the old guys finally moved out and got his own flat. Unfortunately, it turned out that he was miserable living without his best friend and housemate so, eventually, he moved back in and everything got back to normal. It was a bit predictable but it was still a cute episode. The flat had an alarm system that was so sensitive that anyone who visited basically had to crawl across the floor to prevent it from going off. That was fun to watch.
Open All Hours (Sunday Night, PBS)
Arkwright and Granville made it through another episode without killing each other, though both clearly wanted to. It’s a bit of a depressing show but I guess we should be happy no one died.
Protection Court (Weekday mornings, Channel 33)
Protection Court is a reality court show where we watch as people request that the judge grant a restraining order against abusers and stalkers. It’s a disturbing show. Speaking as someone who knows firsthand what it’s like to be stalked, watching this show on Monday morning brought back all of that fear and dread. I’m not really sure why I was watching in the first place.
Rebel (Thursday nights, ABC)
Rebel is a show about a paralegal who gets results not through any real knowledge of the law but instead by yelling at people until they give her whatever she wants just so she’ll go away. We’re supposed to like her but the show is so heavy-handed and the character is such a scold that you actually end up feeling sorry for the heartless corporations. You’re like, “Really? You polluted that river? Well, at least you’re not yelling at me right now.” The main problem with the show is that the main character is actually nicknamed “Rebel,” which …. I mean, yeah whatever. What a waste of Katey Sagal’s talents.
The Rookies (Sunday Morning, H&I)
This Sunday, the first episode of The Rookies featured Michael Ontkean shooting and killing a suspect who he thought was shooting at him. It later turned out that the suspect was unarmed and was instead carrying a camera that apparently sounded like a gun. I don’t know, it was weird. On the one hand, the episode did a good job of showing how a tragedy like this could happen and Michael Ontkean gave a good performance as someone haunted by a terrible mistake. On the other hand, this episode was from 1972 and was so firmly on the side of the cops that it’s hard to watch it today without cringing a little. It’s not so much that the episode justified the shooting as much as it didn’t even seem to entertain the thought that any rational person could possibly believe that Ontkean had been too quick to fire his weapon.
The second episode was incredibly silly, largely because it featured Roddy McDowall as a professional hitman trying to take out an informant in the most unnecessarily complicated way possible. If you were trying to assassinate someone before they went into the witness protection agency, would you kidnap a cop, hold him hostage at a public airport, and demand that the informant be turned over to you so that you can kill him? That’s what McDowall does! Like seriously, this guy is supposedly the best assassin in the world and that’s the best plan that he can come up with! Needless to say, it doesn’t work out for the bad guys but still, anything from the 70s that features Roddy McDowall as a villain is going to be entertaining.
Seinfeld (Weeknights, Channel 33 and a host of other channels, as well was Hulu)
The episodes that I watched on Thursday was a Christmas episode. Elaine was dating a creepy communist named Ned. Kramer was working as a department store Santa, or at least he was until he got too political. “Hey,” a little kid yelled, “This guy’s a commie! Commie! Commie! Traitor to our country!” That made me laugh. Finally, Jerry raced an old acquaintance from middle school and he beat him by cheating. That made me laugh too.
The second season of Tough as Nails, the bizarre reality show about blue collar people competing to see who can be the first to complete various blue collar tasks, came to an end this week. I guess Scott won and good for him. He got $200,000 and a truck.
Upstart Crow (Sunday Night, PBS)
Upstart Crow is a British sitcom, one that imagines the life of William Shakespeare, his friends, his family, and his co-workers. Shakespeare is a pompous social climber with a neurotic side. His co-workers are constantly trying to take advantage of him. His family can’t understand why he won’t ever just write normal and simple dialogue. His friends are, for the most part, idiots. His wife doesn’t respect him and his landlady’s daughter, Kate, is determined to use him to become an actress despite the fact that women are not allowed to appear on stage. Each week, Shakespeare struggles with a new play (or, occasionally a sonnet) and his struggles are usually used as a way to satirically comment on modern events.
PBS just started airing Upstart Crow at the start of this month. Right now, they’re on the first series, which originally aired in 2016. Personally, I’m growing to really like it. It’s a fun show, one that’s rewarding for students of Shakespeare and for those who love a mix of high satire and lowbrow comedy. Like a good Shakespeare play, it appeals to both the nobility and the plebeians. I especially enjoy the performances of David Mitchell as Shakespeare and Gemma Whelan as Kate.
My favorite joke so far has been the portrayal of Christopher Marlowe as a vapid self-promoter who frequently steals Shakespeare’s plays and tries to pass them off as his own. Take that, Marlovians!
The Voice (Monday Night, NBC)
I’m always a little bit surprised by the fact that I always set the DVR for this show because it’s not like a really pay that much attention to it while I’m watching. I think I just like the fact that it’s so ludicrously overcomplicated, what with the battles and the judges stealing people and the judges saving people and it’s always kind of fun to see how silly the judges get when its time to play up all the drama.
Add to that, I like Blake Shelton. I like Nick Jonas. It’s nice that Carson Daly has a job.
Yes Minister (Monday Morning, PBS)
I got a bit of a scare last week when it appeared that PBS was going to stop showing Yes, Minister and instead start showing — ugh — Are You Being Served in its place. Fortunately, it turned out that it was just an error in the guide and Yes, Minister did indeed air Monday at midnight.
(Actually, it started about six minutes late, due to ‘Allo ‘Allo and Open All Hours running late.)
This week’s episode was …. well, it was okay. It was about Jim Hacker’s attempts to bring more women into the civil service and Sir Humphrey’s old school panic regarding the prospect. On the one hand, the episode did a good job of showing the extent that an “old boys club” will go to keep women from advancing. There was a great scene in which all of the heads of the various departments said that they fully supported equal opportunities for all people before then giving increasingly flimsy excuses for why they personally wouldn’t be promoting any women. But then the show itself ended with a woman turning down a promotion because she didn’t want to be viewed as just being a diversity hire and that felt a bit like a cop out. Still, the episode had many funny lines and three great performances from Paul Eddington, Nigel Hawthorne, and Derek Fowlds.
I’ve recently discovered that Yes, Minister eventually became Yes, Prime Minister and I’m certainly hoping that PBS will show those episodes as well. It would certainly be preferable to Are You Being Served.