“The Crescent Moon Clown” : Nigel Bach Never Says “Enough Is Enough”


Ryan C. (fourcolorapocalypse)'s avatarTrash Film Guru

Just when we thought we were out — he pulls us back in!

The third (and, to date, best) installment of writer/director/actor Nigel Bach’s filmed-on-his-iPhone-in-his-own-goddamn-house Bad Ben series was supposed to be “The Final Chapter,” but here we are, one year and two more films later, and it still shows no sign of being anywhere near over. I can’t say I blame Bach — Amazon Prime keeps picking these things up, they cost nothing (or next to it) to produce, they can be cranked out fairly quickly, and they presumably turn at least a modest little profit. Just because you can keep doing something, though, doesn’t mean you should.

Let’s just call it like it is right outta the gate here : this is a remarkably unlikely indie “franchise,” and Bach deserves a lot of credit for his tenacity and belief in himself — but it’s also a franchise…

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Trash Literature : “Satan Goes To The Mind Control Convention” By Joseph L. Flatley


Ryan C. (fourcolorapocalypse)'s avatarTrash Film Guru

Damn, but it’s been awhile since I did one of these “Trash Literature” columns — a good few years, in fact. A brief skim through this site’s contents shows the last one to be a review of Peter Sotos’ “Tool.,” so I’m not sure whether or not freelance investigative journalist Joseph L. Flatley is going to consider himself to be in distinguished company now that he’s “next up” in the queue, but — things are what they are, right? And since Flatley was amenable to my “outreach” efforts after I heard his interview with Pearse Redmond on Porkins Policy Radio (a show that, full disclosure, I’ve also been a guest on a couple of times), once I got my copy of his latest book, Stan Goes To The Mind Control Convention — subtitled Manchurian Candidates, Recovered Memories, And The Dark Side Of Conspiracy Culture (And Other Stories) — I got right down…

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In Memoriam 2018: Film & Television – Behind the Cameras


gary loggins's avatarcracked rear viewer

Just a few hours after finishing the first part of this annual tribute, I learned Penny Marshall had passed away at age 75. Penny became a semi-regular on her producer-brother Garry’s sitcom THE ODD COUPLE, then shot to stardom in the HAPPY DAYS spinoff LAVERNE & SHIRLEY, costarring with Cindy Williams as a pair of working class Milwaukee girls who frequently found themselves in slapstick situations. After a successful seven year run, Penny turned to directing with the feature JUMPIN’ JACK FLASH, an action-comedy vehicle for Whoopi Goldberg. Her next film, 1988’s BIG, was a smash, with a 12-year-old kid wishing he was “big” – and, thanks to the fortune telling machine Zoltar, gets his wish, turning into Tom Hanks! BIG was the highest-grossing film directed by a woman at the time, and Penny went on to make AWAKENINGS with Robert DeNiro and Robin Williams, A LEAGUE OF THEIR OWN…

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In Memoriam 2018: Film & Television – Performers


gary loggins's avatarcracked rear viewer

(The Grim Reaper was pretty busy this year, so busy this remembrance of film and television personalities will be broken into two parts)

At the end of every year, Cracked Rear Viewer salutes those both in front of and behind the cameras who are no longer with us. The biggest name was undoubtedly Burt Reynolds, who passed away at age 82. Burt was one of 70’s cinema’s hottest stars, from his breakthrough role in DELIVERANCE to rough’n’tumble films WHITE LIGHTNING and THE LONGEST YARD to his ‘yahoo’ classics SMOKEY AND THE BANDIT and THE CANNONBALL RUN. Reynolds hit a career slump during the 80’s, but came back strong as a character actor in such 90’s films as BOOGIE NIGHTS (receiving a Best Supporting Actor nomination) and MYSTERY, ALASKA. He was no stranger to the small screen, either; early in his career, he was a regular on RIVERBOAT, GUNSMOKE, and DAN…

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Music Video of the Day: hey you got drugs? by Tove Lo (2018, dir by Brewer)


Well, do you?

Anyway, there are two things that I particularly like about this video.  One of them is the long tracking shot that follows Tove Lo as she walks back to her dressing room.  It reminded me a bit of the opening to Orson Welles’s Touch of Evil.  I also liked the long close-up of Tove Lo sitting in her dressing room.  It takes courage on the part of both the director and the performer to hold a shot for that long.

Enjoy!

Catching Up With The Films of 2018: The Last Movie Star (dir by Adam Rifkin)


Vic Edwards (Burt Reynolds) was once the biggest movie star in the world.

At times, that’s hard to believe.  Vic may have started out as a stunt man before moving on to star in westerns and action movies but Vic is now 80 and he moves slowly and with a permanent slouch.  At times, he appears to be so frail that you wonder how he even manages to get out of bed in the morning.  Though he still possesses the acerbic wit for which was once famous, the words now come out a lot slower and his voice is tinged with pain that is both physical and emotional.  It’s been a while since Vic appeared on a movie set.  After years of being a self-described asshole, Vic now spends most of his time alone.  His only friend appears to be his aging agent, Sonny (Chevy Chase).

When Vic receives an invitation to attend a film festival in Nashville and accept a career achievement award, Vic goes in hopes of not only getting his ego stroked but also visiting some of the places where he grew up.  It’s only once Vic has arrived that he discovers that the film festival is basically a group of wannabe hipsters hanging out in the back of a bar.  Under the direction of Doug (Clark Duke), the film festival has previously given lifetime achievement awards to everyone from Al Pacino to Robert De Niro.  Vic’s the first recipient to actually show up.

After a night of watching a younger version of himself and answering inane questions about his career and his turbulent personal life, Vic comforts himself by getting drunk and yelling at Doug and his friends.  The next day, while the film festival continues, Vic get Doug’s sister, Lil (Ariel Winter), to drive him around Tennessee.  Vic wants to visit the places of his youth.  As for Lil, she just wants to get rid of her cranky passenger so that she can deal with her emotionally abusive boyfriend.

As you probably already guessed, in The Last Movie Star, Burt Reynolds may have been cast as a character named Vic Edwards but he was basically playing himself.  (Director Adam Rifkin has said that he would have abandoned the film if Reynolds had turned down the role)  When Vic watches himself onscreen, the clips are from Burt Reynolds’s old movies.  When Vic falls asleep and has a dream in which he confronts his younger self, the film uses footage from Deliverance and Smoky and the Bandit.  (“Slow down!” Vic yells as the cocky, younger version of him speeds down a country road.)  When Vic considers his own mortality, it’s obvious that the aging and frail Reynolds was doing the same thing.

At the start of the film, both Vic and Reynolds seem so infirm that you wonder how he’ll ever make it through the weekend.  But, as the film progresses, an interesting thing happens.  Before our eyes, both Vic and the actor playing him become stronger.  His confidence returns and, as Vic confronts the past, we finally start to see some hints of the old charisma that once made him the world’s biggest film star.  As we watch the film, we realize that his body may be weak but his mind is still sharp.  We come to realize that Vic now understands that he will die someday but he’s still not going to give up.  He may accept his own mortality but he’s not going to surrender to it.

That Burt Reynolds passed away just a few month after The Last Movie Star was released adds an extra poignance to his performance in the film.  The Last Movie Star has its flaws.  The pacing is inconsistent and, when it comes to Vic relationship with Lil, the film too often falls back on anti-millennial clichés.  In the end, the film works best as a tribute to its star.  The film argues, quite convincingly, that if anyone deserved to be known as the last movie star, it was him.

Here’s The Trailer For Greta!


So, the trailer below is a pretty good example of why people like me sometimes complain that some trailers give away way too much information.

The trailer starts out with Chloe Grace Moretz finding a bag on the subway and taking it back to its owner, who turns out to be Isabelle Huppert.  So far, so good.  Isabelle Huppert is a brilliant actress and Chloe Grace Moretz can be great when she has the right material to work with.

In the trailer, it appears that Moretz and Huppert quickly become friends.  However, a minute into the trailer, there’s a big twist.  And really, that’s where the trailer should have ended.  Instead, it goes on for another minute and a half and it reveals way too much.  To be honest, I felt as if I had pretty much seen the whole film by the time the trailer ended.

Oh well.  I’ll still see the movie.

Here’s the trailer!  You might want to stop at the one minute mark.

Here’s The New Captain Marvel TV Spot!


What could inspire the entire world to obsess over 30 seconds of video?

Why, it must be the latest installment in the MCU!

A new 30-second TV spot for Captain Marvel was released earlier today.  It’s …. well, to be honest, it’s pretty much more of the same.  Hopefully, Captain Marvel will be as powerful as everyone says she is because 50% of the universe was wiped out at the end of the last two MCU films.  Seriously, someone needs to do something about that.

Anyway, here’s the new Captain Marvel TV spot, Born Free!

Lisa Marie’s Oscar Predictions for December


Well, it’s that time of the month!

It’s time for me to post my Oscar predictions.  With precursor season in full swing, the Oscar picture has become a lot clearer.

If you want to see how my thinking has evolved over the year, be sure to check out my predictions of January, February, March, April, May, June, July, August, September, October, and November!

Also, keep in mind — these are not necessarily my picks for the best of the year.  I’ll be posting those during the second week of January.  Instead, these predictions are based on the precursor awards and just my own guesses based on the Academy’s past picks.

Best Picture

BlackKklansman

Black Panther

The Favourite

Green Book

If Beale Street Could Talk

Roma

A Star is Born

Vice

Best Director

Ryan Coogler for Black Panther

Bradley Cooper for A Star is Born

Alfonso Cuaron for Roma

Yorgos Lanthimos for The Favourite

Adam McKay for Vice

Best Actor

Christian Bale in Vice

Bradley Cooper in A Star is Born

Ethan Hawke in First Reformed

Rami Malek in Bohemian Rhapsody

Viggo Mortensen in Green Book

Best Actress

Yalitza Aparicio in Roma

Glenn Close in The Wife

Olivia Colman in The Favourite

Lady Gaga in A Star is Born

Melissa McCarthy in Can You Ever Forgive Me?

Best Supporting Actor

Mahershala Ali in Green Book

Timothee Chalamet in Beautiful Boy

Sam Elliott in A Star is Born

Richard E. Grant in Can You Ever Forgive Me?

Michael B. Jordan in Black Panther

Best Supporting Actress

Amy Adams in Vice

Regina King in If Beale Street Could Talk

Thomasin McKenzie in Leave No Trace

Emma Stone in The Favourite

Rachel Weisz in The Favourite