Well, do you?
Anyway, there are two things that I particularly like about this video. One of them is the long tracking shot that follows Tove Lo as she walks back to her dressing room. It reminded me a bit of the opening to Orson Welles’s Touch of Evil. I also liked the long close-up of Tove Lo sitting in her dressing room. It takes courage on the part of both the director and the performer to hold a shot for that long.