A Christmas Film Review: Scrooge (dir by Ronald Neame)


There have been many good film versions of the Charles Dickens novella, A Christmas Carol.  Several of them could even be called classics.  Everyone from Bill Murray to James Earl Jones to Tori Spelling to Fredric March has taken a turn at playing a version of the famous miser who, after being visited by three ghosts on Christmas Eve, changes his ways and becomes the most generous man in London.  This holiday season, I watched quite a few old TV shows and I was somewhat surprised to discover just how many sitcoms have featured an episode where one of the characters has A Christmas Carol-like experience.

Though actually, I shouldn’t have been surprised.  A Christmas Carol is a universal tale and it’s one that continues to be appealing 174 years after it was originally written.  You don’t have to be rich, British, greedy, or even a man to relate to what Ebenezer Scrooge goes through.  We’ve all be haunted by the past.  We’ve all wondered what we’re missing out on in the present.  And we all fear how we’ll be remembered in the future.  In fact, I would say that A Christmas Carol is probably as close to perfect you can get.  The only problem is that Bob Cratchit’s son is named Tiny Tim and any work of fiction that features a character named Tiny has to be docked a few points.

With all that said, my favorite film version of A Christmas Carol is the 1970 musical, Scrooge.

http://www.youtube.com/watch?v=g7xb1uSDxZ4

Scrooge sticks to the original details of the story.  Ebenezer Scrooge is played by Albert Finney.  (Finney was only 34 when he made Scrooge but was made up so that he looked closer to 120.)  The men, women, and spirits in Scrooge’s life are all played by a collection of distinguished British thespians.  Edith Evans is the stately Ghost of Christmas Past.  Kenneth More is the Ghost of Christmas Present, a decadent figure who drinks wine and travels around with two frightening-looking children.  Alec Guinness is a heavily chained Jacob Marley and he plays the role with just the right combination of sarcasm and concern.  (“No one else wanted to come,” Marley says when he greets Scrooge at the entrance of Hell.)  An actor named Paddy Stone is credited as playing the silent and shrouded Ghost of Christmas Future.  Let me just say that the Ghost of Christmas Future always scares me to death whenever I watch Scrooge.  I imagine little children in the 70s were traumatized by his skeletal visage.

What sets Scrooge apart is that it has singing and dancing!  That’s right, this is a musical version of A Christmas Carol, featuring songs composed by Leslie Bricusse.  Now, the overall quality of the songs is open to debate.  There’s 11 of them and really, only three of the songs are particularly memorable.  (Those songs are: I Like Life, I Hate People, and the Oscar-nominated Thank You Very Much.)  But, honestly, who cares?  The cast performs them with so much energy and enthusiasm that it’s impossible not to get swept up in it all.

(Admittedly, Albert Finney doesn’t really sing.  He just kinda growls the lyrics.  But that’s appropriate for the character of Scrooge.)

Scrooge is an outstanding production of a timeless tale.  It came on TV at least four different times this holiday season and I watched each time.  And I’ll do the same next year!

And as Tiny Tim, who did not die, said, “A Merry Christmas to all!  God Bless us, everyone!”

Cleaning Out The DVR: A Very Merry Toy Store (dir by Paula Hart)


(Hi there!  So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR.  Seriously, I currently have 193 things recorded!  I’ve decided that, on January 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not.  So, that means that I’ve now have only have a month to clean out the DVR!  Will I make it?  Keep checking this site to find out!  I recorded A Very Merry Toy Store off of Lifetime on November 26th!)

As I watched A Very Merry Toy Store, I found myself wondering, “Could any couple possibly be more adorable than Melissa Joan Hart and Mario Lopez?”

Hart and Lopez play rival toy store owners in this movie and they are the main reason to watch.  Hart is Connie Forrester.  Lopez is Will DiNova.  At one time, their fathers owned one toy story but when a conflict led to the end of their partnership, it also led to Connie and Will growing up to be rivals.  Connie’s toy store is struggling.  Will’s toy store is thriving but he’s struggling personally as he tries to deal with a divorce.  However, Will and Connie will have to set their differences aside because Roy Barnes (Billy Gardell) has just arrived in town and he brings with him the promise of the type of big chain store that puts independent toy stores out of business!

So, obviously, the main appeal here is that Mario Lopez was A.C. Slater and Melissa Joan Hart was Sabrina, the Teenage Witch.  The film even highlights the Sabrina connection by casting Beth Broderick as Connie’s mother.  (Broderick gets a subplot of her own, a sweet love story with old pro Brian Dennehy.)  Lopez and Hart are so overwhelming likable that it’s easy to overlook the fact that nothing surprising at all happens in A Very Merry Toy Store.  Whenever they get together and smile, the blinding likability on display keeps you from worrying about things like plot holes or the fact that Roy is a bit of a cartoonish villain.  Lopez and Hart are fun to watch and you hope that their characters end up together.  If nothing else, you know they’re going to have amazingly likable children.

Speaking of Mario Lopez, does he have a picture of Dorian Gray in his attic or what?  The same day that I watched A Very Merry Toy Store, I also watched an old episode of Saved By The Bell and I was once again shocked by the fact that Lopez has apparently not aged in twenty years.  As for Melissa Joan Hart, she’s all always be Sabrina to me.  She’s also a pretty good actress with a very genuine screen presence.  This is the second time that Lopez and Hart have played a couple and hopefully, they’ll do so again next Christmas.

A Very Merry Toy Store may be a predictable holiday film but it is more than saved the charisma of its two leads.

 

Cleaning Out The DVR: Wrapped Up In Christmas (dir by Peter Sullivan)


(Hi there!  So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR.  Seriously, I currently have 193 things recorded!  I’ve decided that, on January 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not.  So, that means that I’ve now have only have a month to clean out the DVR!  Will I make it?  Keep checking this site to find out!  I recorded Wrapped Up In Christmas off of Lifetime on November 25th!)

It’s not easy being a single mother during the Christmas season, especially when you’re a young and ambitious professional who works as the general manager of a struggling mall.  You want everyone to have a good Christmas but your boss is demanding that you evict all of the locally owned stores.  You want to find a good man and a good stepfather for your daughter but every man you meet has nothing in common with you.  You’re sophisticated.  You have dreams.  You have ambition.  You have an education.  You don’t want just any slacker.

And then one day, you meet a man who seems like he’s perfect.  He’s a lawyer, even though he’s currently helping his mom run her toy store (a store that just happens to be on the list of businesses that you’re supposed to evict).  He seems to be interested in everything that you’re interested in!  It seems like he’s perfect but what you don’t know is that he’s putting on an act.  See, he not only works in his mom’s toy store.  He’s also been voluntarily serving as the mall’s Santa Claus and when your daughter told him that she wanted you to find a man for Christmas, she also told him everything that you’re looking for.

Meanwhile, all the lovable people who work in the mall are giving your new man advice on how to impress you and your boss is still demanding that you evict everyone the week before Christmas and suddenly, you realize that everything that could happen in a Lifetime holiday movie has happened…

Seriously, if there’s anything that distinguishes Wrapped Up In Christmas from other holiday Lifetime films, it’s just how complete it is.  There’s literally nothing that doesn’t happen.  It’s all here.  A workaholic protagonist who needs to learn the true meaning of Christmas.  A nearly saintly man who happens to have one secret that could possibly derail his otherwise perfect relationship.  A cute child.  Santa-involved intervention.  A family of matchmakers.  (Actually, this one has two families of matchmakers.)  It’s all here!

Anyway, I liked Wrapped Up In Christmas.  There was nothing really special about it but it had a sweet soul and Tatyana Ali and Brendan Fehr was likable in the leads.  It’s an enjoyable little holiday movie.

 

Cleaning Out The DVR: Four Christmases And A Wedding (dir by Marita Grabiak)


(Hi there!  So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR.  Seriously, I currently have 193 things recorded!  I’ve decided that, on January 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not.  So, that means that I’ve now have only have a month to clean out the DVR!  Will I make it?  Keep checking this site to find out!  I recorded Four Christmases and a Wedding off of Lifetime on December 2nd!)

It’s all pretty much right there in the title.

Four Christmases and A Wedding was one of the handful of original Christmas films to premiere on Lifetime this holiday season.  As you can guess from looking at the title, it takes place over the course of four Christmases and it also involves a wedding.  Can you guess who ends up getting married and when?  If you’ve ever seen a Lifetime or Hallmark holiday film, you can.

It’s actually a sweet film, even if it is rather predictable.  But, as I’ve said before, predictability is one reason why people love movies like this.  There’s something very reassuring about knowing exactly what is going to happen in a movie like this before you watch it.  Many of us spend an entire year hoping for a pleasant holiday.  If you’re not lucky enough to get one in real life, you can always get one in the movies.

Or, in this case, you can get four.

Chloe (Arielle Kebbel) is an event planner who is lucky in Christmas but unlucky in love.  When a small town hires her to plan their Christmas festival, Chloe is overjoyed.  As she tells her mom (Markie Post), she’s given up on ever finding love.  At least she can find professional success!  But then, at the first festival, she meets Evan (Corey Sevier) and it’s love at first sight!  There’s only one problem.  Evan is about to go overseas.

The years pass.  Evan returns each Christmas.  Sometimes, he has a girlfriend.  Sometimes, Chloe has a boyfriend.  Every time, there is something to keep Chloe and Evan apart.  Everyone knows that Chloe and Evan are meant to be together, especially Chloe’s mom.  Will Evan and Chloe ever get together or will the wedding be for someone else?

Four Christmases and a Wedding is a sweet movie.  There’s nothing surprising about it but Arielle Kebbel and Corey Sevier make for a cute couple, even when they’re not together.  The idea of spreading the film out over several years is an interesting one and director Marta Grabiak does a good job of subtly suggesting the passage of time.  This is a predictable movie but it’s a lot of fun and I look forward to watching it next Christmas as well.

Playing Catch-Up With The Films of 2017: The Book of Henry (dir by Colin Trevorrow)


In the movies, child geniuses inevitably turn out to be little creeps at that’s certainly the case with The Book of Henry.

Henry (Jaeden Lieberher) is an 11 year-old with an exceptional IQ, which essentially means that it’s supposed to be cute when he talks down to people and treats them like shit.  In fact, Henry is such a genius that he’s managed to make a lot of money on the stock market and he also invents stuff.  He practically raises his younger brother, Peter (Jacob Tremblay, who is as authentic as Lieberher is overbaked).  He also takes care of his mom, Susan (Naomi Watts).  Susan’s a waitress because it’s a rule of movies like this that the single parent of a child genius will always either be a waitress or a physicist.  There’s really no middle ground.  Anyway, Susan appears to be destined to be forever single but she says that’s okay because Henry is the only man she needs in her life.

(Cringe)

Anyway, Henry lives next door to the Sickleman family.  You know that’s going to be a problem because, in the movies, good people never have names like Sickleman.  Glenn Sickleman (Dean Norris) is not only the police commissioner but he’s also not a very good neighbor.  He’s the type of neighbor who complains if the leaves from your tree gets in his yard.  He’s also not really comfortable living next door to a child genius.  It’s probably because Henry is kind of a condescending jerk.

Henry suspects that Glenn is abusing his stepdaughter, Christina (Maddie Ziegler, who is best known for Dance Moms).  However, before Henry can do anything about it, he has a seizure dies.  Uh-oh, turns out that Henry had a brain tumor!  A genius killed by his own brain.  So.  Much.  Irony.

However, before he died, he left behind a book and recorded instructions for Susan.  It turns out that Henry knew he was going to die because Henry was a super genius who could see the future.  (At least, I assume that’s what happened.)  So, he decided that his mother should murder Glenn and he even came up with some helpful instructions for how she could do it and not get caught.

Now, let me ask you a question.  If you discovered that your recently deceased son spent the last few days of his life plotting how to murder his neighbor would you…

a) Destroy all the evidence and pretend you never saw it

b) Shrug and decide to grant his last wish by following his instructions and killing the neighbor?

I mean, let’s think about this.  By all evidence, it would appear that Henry was a sociopath.  Even if you accept the idea that he had to kill Glenn to save Christina, you still also have to accept the idea that he coldly and methodically plotted out the perfect way to commit a murder and then, realizing he was going to die, he decided that his mom should commit the murder instead.

This is the type of material that a director like David Fincher, Michael Haneke or Lars Von Trier could have a lot of fun with.  However, The Book of Henry was directed by Colin Trevorrow and he takes this weird sentimental approach to the material.  Instead of freaking out over having raised a sociopath, Susan immediately starts to follow all of his instructions.  What’s amazing is that, even in the recording he made for his mom to listen to after his death, Henry is still a condescending little jerk.  At one point, from beyond the grave, Henry directs his mom to take a right turn.  Then he adds, “No, your other right.”

But what really gets me about this movie is that, after all the build up, Henry’s big genius plan is for Susan to get a rifle and shoot Glenn.  That’s it.  I mean, anyone could have thought of that!  If you’re going to make a movie like this, at least have Henry come up with some big complicated scheme!  At least give us that!  I mean, honestly, Susan could have come up with Henry’s plan on her own.

Does Susan follow through with the plan?  I’m not going to tell you.  But I will tell you that the film’s climax features a school talent show.  Maddie Ziegler gets to dance.  Jacob Tremblay gets to perform a magic trick.  They’re both really talented.  Sparkle Motion does not perform and that’s a shame.  Sometimes, I doubt Colin Trevorrow’s commitment to Sparkle Motion.

Anyway, to say that The Book of Henry is a bad film doesn’t quite do justice to just how ill-conceived this film really is.  Someone decided to make a heartwarming and rather humorless film about a child ordering his mother to commit a murder.  You may think it’s a parody at first but no, it’s a real movie.  It’s The Book of Henry.

 

Playing Catch-Up With The Films of 2017: Power Rangers (dir by Dean Israelite)


So far, on this Christmas Day, I have posted three reviews for films that featured plots that made little to no sense to me.  Well, here’s a fourth one.

Power Rangers is a cinematic reboot of the old Mighty Morphin Power Rangers television show from the 90s.  It deals with five teenagers who meet in detention and, though a series of events that I really don’t feel like wasting my time recounting, end up in an old gold mine where they find five coins, which allow them to turn into … well, I guess they’re Power Rangers.

There’s Jason (Dacre Montgomery), who was a star football player until he stole a car as part of a prank and ended up crashing it.  (The initial car crash is entirely filmed inside the automobile, which adds some deceptive excitement to the film.)  And then there’s Kimberly (Naomi Scott), who is the mean girl who actually has a good heart.  She’s in detention because she’s a cyber bully.  Billy (RJ Cyler) is the genius, which means that he’s the type of socially awkward student who accidentally blows up his locker.  And then there’s Trini (Becky G) and Zack (Ludi Lin), who are both just kind of there.  Every good group of three has to have two extra people to get in the way and that’s pretty much the function of Trini and Zack.

Anyway, after they discover the Power Coins and share a few moments that feel as if they were lifted from Chronicle, the new Power Rangers are trained by a robot named Alpha 5 (Bill Hader) and a former Power Ranger named Zordon (Bryan Cranston) who died at around the same time as the dinosaurs.  Apparently, finding the power coins has allowed the ancient evil of Rita Repulsa (Elizabeth Banks) to be reborn and now she’s threatening to destroy either Earth or the universe.  Actually, I was never quite sure what Rita was trying to do.  But the Power Rangers have to set aside their differences, learn to work as a team, and come together to defeat her.

Or something like that.  Honestly, this film featured a lot of exposition about people with names like Zordon and Rita Repulsa and Goldar and my eyes pretty much glazed over while I was trying to listen to it all.  Listen, I am a fidget spinner-carrying member of the Severe ADHD Club.  The minute they started explaining the lengthy history of the Power Rangers, my mind pretty much started looking for anything else to focus on.  It would have been different if the film has some sort of epic scope or if it made it look like it would actually be fun to be a Power Ranger.  Instead, it just turned into another franchise-opening action film.  Basically, it felt like The Fantastic Four movie, with one extra member of the team.

I should admit that I’ve never seen an episode of Mighty Morphin Power Rangers.  Perhaps if I had, I would have gotten more out of this movie.  The five actors playing the Power Rangers are all talented and charismatic and I look forward to seeing what they do in the future.  But this confusing mess of a movie just left me with a headache.

Playing Catch-Up With The Films of 2017: Ingrid Goes West (dir by Matt Spicer)


We start with a wedding.  The bride is beautiful.  The groom is handsome.  Everything looks so perfect that you’re almost relieved when Aubrey Plaza suddenly shows up.

Seriously, why wouldn’t you be?  We all know Aubrey Plaza from her role as the apathetic and sarcastic April Ludgate on Parks and Recreation.  If anyone’s going to bring this potentially bland wedding to life, it’s going to be Aubrey Plaza!

Aubrey Plaza walks up to the bride and starts screaming at her … wait a minute, that’s not typical Aubrey Plaza behavior … where’s the deadpan snarker that we were all expecting…

Suddenly, Aubrey is pulling out mace and spraying the bride in the face.  The bride is writing in pain while Aubrey screams at her…

So begins Ingrid Goes West.

Aubrey Plaza, of course, plays the title character.  Ingrid spends some time in a mental hospital after crashing that wedding.  She explains to both her doctors and the bride that she was just acting out because she was upset over her mother’s recent death.  Ingrid seems to feel that she and the bride were good friends but, as we quickly learn, they actually barely knew each other.  The bride just made the mistake of commenting on one of Ingrid’s social media posts, leading to Ingrid deciding that they were actually best friends.

Using the money that she inherited from her mother, Ingrid heads out to Los Angeles.  She has a new obsession, Taylor Sloane (Elizabeth Olsen).  Taylor is a paid social media influencer, famous for being famous.  Ingrid left a comment on one of Taylor’s pictures and Taylor left an innocuous reply.  It’s the type of thing that happens every day on social media but to Ingrid, it means that she and Taylor are destined to be BFFs.

And, amazingly, it all seems to work at first.  Online, Taylor shares just enough about her life to allow Ingrid to come up with a plan to meet her.  Ingrid not only gets to know Taylor and her husband, a painter named Ezra (Wyatt Russell), but she is briefly allowed to enter into Taylor’s world.  Of course, Ingrid fails to notice that no one in that world seems to be very interested in her.  To Ingrid, everything is perfect.  Or, at least it is until Taylor’s obnoxious, junkie brother (Billy Magnussen) shows up and starts to call Ingrid out…

Ingrid Goes West really didn’t get as much attention as it deserved when it was released earlier this year.  Unfortunately, it was advertised as being some sort of wacky comedy when, in fact, it’s a deeply unsettling and, at times, rather disturbing movie.  Yes, there is humor but very little of it is of the “laugh out loud” kind.  Instead, it’s the type of humor that makes you pause the movie so you can make sure all of the doors and windows are locked.  Ingrid Goes West eventually goes to a very dark place.  In some ways, it’s a Taxi Driver for the social media age.

Holding the film together is Aubrey Plaza, giving a performance that is both bracingly vulnerable and frighteningly angry.  Plaza makes Ingrid both sympathetic and annoying at the same time.  Your heart cries for her but you still wouldn’t necessarily want her to live next door.  Ingrid Goes West is not a perfect film.  At times, it’s hard to believe that Taylor wouldn’t know better than to invite a complete stranger into her life and some of the scenes with her brother are a bit too over the top.  But Aubrey Plaza’s brilliant lead performance makes up for all of those flaws.

Definitely see Ingrid Goes West.  Just expect to be paranoid for a week afterward.

Playing Catch Up With The Films of 2017: Valerian and the City Of A Thousand Planets (dir by Luc Besson)


Valerian and the City Of A Thousand Planets is another film, much like The Dark Tower and this year’s Transformers movie, that I watched in a state of total and thorough confusion.

More than once, I asked myself, “What the Hell’s going on?  Who are those people?  Why are they blowing stuff up?  Why are they shooting at each other?  Who’s fighting who?  Wait, is he a good guy or a bad guy?  Is Valerian human or alien?  WHAT’S GOING ON!?”

But I have to admit that it really didn’t bother me that Valerian and the City of A Thousand Planets is an almost totally incoherent movie.  After all, Valerian is a Luc Besson film and Besson has always been a supreme stylist above all else.  That’s not to say that there’s nothing going on underneath the glossy visuals of a Besson film.  It’s just to say that Besson is one of the rare directors where the subtext is usually less interesting than what’s happening on the surface.

Take Valerian and the City of a Thousand Planets.  It takes place in the far future, on Alpha.  Alpha used to be the International Space Station but now it’s become a floating city where the inhabitants of a thousand different planets mix and socialize.  It’s a very cosmopolitan city, one where the only disturbance comes from obnoxious human tourists who are all either extremely British or extremely American.  Now, you could argue that Besson is making the argument that Alpha is meant to represent France but, if you spend too much time doing that, you’re going to miss just how amazingly Alpha has been visualized.  It’s not just that everyone in the movie says that Alpha is home to a million different creatures.  It’s that when the film travels to Alpha, you take one look at the screen and you believe it.

The film’s plot … well, this is where it gets difficult. It gets off to a truly brilliant beginning, with an intergalactic summit that takes place while David Bowie’s Space Oddity plays in the background.  After that, the film’s visuals were so amazing that I have to admit that I was usually too busy taking it all in to pay much attention to what was actually going on.  Valerian (Dane DeHaan) and Laureline (Cara Delevigne) are members of the special police force that has been created to protect Alpha and apparently the rest of the universe as well.  Valerian has strange dreams about a primitive race of people who live on a beach.  Laureline frets about Valerian’s recent proposal of marriage.  They’ve both been assigned to track down a creature, the last of its species, that is currently being sold in a black market.  It all links back to some secrets concerning their superior (Clive Owen) and a plot involving intergalactic refugees.

And, obviously, if you’re someone who insists on finding political subtext in every movie that you watch, there’s a lot to be found in Valerian‘s story about space refugees and government cover-ups.  But, honestly, none of that is as interesting as the effort that Besson has put into making his flamboyant universe come to life.  Valerian may be narratively incoherent but visually, it come close to proving Lucio Fulci’s theory of “absolute film.”  The plot is less important than the film’s visuals and how you, as the viewer, reacts to those visuals.  Even Dane DeHaan and Cara Delevingne seem to have been cast less for any acting ability they may have and more because the boyishly rugged DeHaan and the achingly pretty Delevingne both compliment the film’s visual scheme.  Valerian and the City of a Thousand Planets is cinematic pop art.

The First (Animated TV) Noel: MR. MAGOO’S CHRISTMAS CAROL (UPA 1962)


gary loggins's avatarcracked rear viewer

Before Rudolph, Charlie Brown, and The Grinch, nearsighted cartoon star Mr. Magoo (voiced by Jim Backus ) headlined the first animated Christmas special, MR. MAGOO’S CHRISTMAS CAROL. First broadcast on NBC-TV in 1962, the special is presented as a Broadway musical, with Magoo as Ebeneezer Scrooge. Directed by Chuck Jones acolyte Abe Levitow , it features songs by Jule Styne and Bob Merrill (FUNNY GIRL), and a voice cast that includes Morey Amsterdam , Jack Cassidy , Royal Dano, Paul Frees (of course!) , Jane Kean, and Les Tremayne. And yes, that is Magoo’s fellow UPA cartoon stablemate Gerald McBoing-Boing as Tiny Tim! Besides 1938’s Reginald Owen version , this may very well be my favorite adaptation of Dickens’ Christmas classic! So here’s my Christmas gift to you all, MR. MAGOO’S CHRISTMAS CAROL in its entirety!:

   Merry Christmas from Cracked Rear Viewer!

View original post

Playing Catch-Up With The Films of 2017: The Hero (dir by Brett Haley)


It’s too bad that The Hero didn’t get that much attention when it originally released because, towards the end of the film, Sam Elliott has a scene that features some of the best cinematic acting that I’ve ever seen.

I’m not going to spoil the scene, because I think you should experience it for yourself.  I’ll just say that it’s a scene that will take you totally by surprise and force you to reconsider everything that you had previously assumed about both the film and the lead character.  I’m not ashamed to say that the scene brought tears to my mismatched eyes.  When you hear Elliott say, “I’ve wasted your time,” it will bring tears to your eyes too.

And that’s all I’m going to say about that scene.

As for the rest of the film, it’s a character study of an actor.  Sam Elliott plays Lee Hayden, who we’re told was one of the top actors in the world in the 70s.  He specialized in westerns, films and TV shows in which he always played the hero.  Of course, that was a while ago.  Lee is 70 years old now and both westerns and heroes are out of date.  At this point, Lee’s only steady work comes from doing the voice over for a series of steak commercials.  He spends most of his time smoking weed with his best friend, Jeremy (Nick Offerman).

It’s not a bad life though Lee certainly has his regrets.  For instance, he hasn’t always been the best father.  His daughter (Krysten Ritter) doesn’t seem to want much to do with him.  He misses acting.  As is made clear in the film’s opening scene, doing 6 different takes for a commercial voice over isn’t exactly the most challenging or rewarding way for a former star to spend his semi-retirement.  But he has his one friend and he has marijuana and what else does he need?

But then one day, Lee is told that he might have cancer.  He might be dying.  Lee starts to think about his life and his legacy.  He tries to reconnect with his daughter.  He accepts a lifetime achievement award from the Western Hall of Fame and, just when you think both the film and Lee are about to get snarky, they surprise you by treating the award and Lee’s aging fans with a poignant respect.  Lee also pursues a relationship with a much younger stand-up comedienne (Laura Prepon) and while I did arch an eyebrow at the huge age difference between them, the film itself actually addresses the issue in an unexpected way.

It’s not the most tightly constructed film.  Darren Aronofsky’s The Wrestler was an obvious influence but The Hero never quite matches that film’s fatalistic glory.  But no matter!  The Hero is mostly about celebrating Sam Elliott, an underrated actor who shows that, much like Lee, he’s capable of much more than most viewers assume.  Elliott gives a poignant, wonderfully human performance as a flawed man who still deserves to be known as The Hero.

http://www.youtube.com/watch?v=PEYSM714Vv0