An October Film Review: Ed Wood (dir by Tim Burton)


From start to end, the 1994 film Ed Wood is a nearly perfect film.

Consider the opening sequence.  In glorious black-and-white, we are presented with a house sitting in the middle of a storm.  As Howard Shore’s melodramatic and spooky score plays in the background, the camera zooms towards the house.  A window flies open to reveal a coffin sitting in the middle of a dark room.  A man dressed in a tuxedo (played to snarky and eccentric perfection by Jeffrey Jones) sits up in the coffin.  Later, we learn that the man is an infamously inaccurate psychic named Criswell.  Criswell greets us and says that we are interested in the unknown.  “Can your heart handle the shocking facts of the true story of Edward D. Wood, Jr!?”

As streaks of lightning flash across the sky, the opening credits appear and disappear on the screen.  The camera zooms by tombstones featuring the names of the cast.  Cheap-looking flying saucers, dangling on string, fly through the night sky.  The camera even goes underwater, revealing a giant octopus…

It’s a brilliant opening, especially if you’re already a fan of Ed Wood’s.  If you’re familiar with Wood’sfilms, you know that Criswell’s appearance in the coffin is a reference to Orgy of the Dead and that his opening monologue was a tribute to his opening lines from Plan 9 From Outer Space.  If you’re already a fan of Ed Wood then you’ll immediately recognize the flying saucers.  You’ll look at that octopus and you’ll say, “Bride of the Monster!”

And if you’re not an Ed Wood fan, fear not.  The opening credits will pull you in, even if you don’t know the difference between Plan 9 and Plan 10.  Between the music and the gorgeous black-and-white, Ed Wood is irresistible from the start.

Those opening credits also announce that we’re about to see an extremely stylized biopic.  In the real world, Ed Wood was a screenwriter and director who spent most of his life on the fringes of Hollywood, occasionally working with reputable or, at the very least, well-known actors like Lyle Talbot and Bela Lugosi.  He directed a few TV shows.  He wrote several scripts and directed a handful of low-budget exploitation films.  He also wrote a lot of paperbacks, some of which were semi-pornographic.  Most famously, he was a cross-dresser, who served in the army in World War II and was wearing a bra under his uniform when he charged the beaches of Normandy.  Apparently, the stories of his love for angora were not exaggerated.  Sadly, Wood was also an alcoholic who drank himself to death at the age of 54.

Every fan of Ed Wood has seen this picture of him, taken when he first arrived in Hollywood and looked like he had the potential to be a dashing leading man:

What people are less familiar with is how Ed looked after spending two decades on the fringes of the film business:

My point is that the true story of Ed Wood was not necessarily a happy one.  However, one wouldn’t know that from watching the film based on his life.  As directed by Tim Burton, Johnny Depp plays Ed Wood as being endlessly positive and enthusiastic.  When it comes to determination, nothing can stop the film’s Ed Wood.  It doesn’t matter what problems may arise during the shooting of any of his films, Wood finds a way to make it work.

A major star dies and leaves behind only a few minutes of usable footage?  Just bring in a stand-in.  The stand-in looks nothing like the star?  Just hide the guy’s face.

Wrestler Tor Johnson (played by wrestler George “The Animal” Steele), accidentally walks into a wall while trying to squeeze through a door?  Shrug it off by saying that it adds to the scene.  Point out that the character that Tor is playing would probably run into that wall on a regular basis.

Your fake octopus doesn’t work?  Just have the actors roll around in the water.

The establishment won’t take you seriously?  Then work outside the establishment, with a cast and crew of fellow outcasts.

You’re struggling to raise money for your film?  Ask the local Baptist church.  Ask a rich poultry rancher.  Promise a big star.  Promise to include a nuclear explosion.  Promise anything just to get the film made.

You’re struggling to maintain your artistic vision?  Just go down to a nearby bar and wait for Orson Welles (Vincent D’Onofrio) to show up.

Personally, I’m of the opinion that Ed Wood is Tim Burton’s best film.  It’s certainly one of the few Burton films that actually holds up after repeat viewings.  Watching the film, it’s obvious that Wood and Burton shared a passionate love for the movies and that Burton related to Wood and his crew of misfits.  It’s an unabashedly affectionate film, with none of the condescension that can sometimes be found in Burton’s other film.  Burton celebrates not just the hopes and dreams of Ed Wood, Bela Lugosi, Tor Johnson and Criswell but also of all the other members of the Wood stock company, from Vampira (Lisa Marie) to Bunny Breckenridge (Bill Murray), all the way down to Paul Marco (Max Casella) and Loretta King (Juliet Landau).  Though Ed Wood may center around the character of Wood and the actor who plays him, it’s a true ensemble piece.  Landau won the Oscar but really, the entire cast is brilliant.  Along with those already mentioned, Ed Wood features memorable performances from Sarah Jessica Parker and Patricia Arquette (one playing Wood’s girlfriend and the other playing his future wife), G. D. Spradlin (as a minister who ends up producing one of Wood’s films), and Mike Starr (playing a producer who is definitely not a minister).

For me, Ed Wood is defined by a moment very early on in the film.  Wood watches some stock footage and talks about how he could make an entire movie out of it.  It would start with aliens arriving and “upsetting the buffaloes.”  The army is called in.  Deep delivers the line with such enthusiasm and with so much positive energy that it’s impossible not get caught up in Wood’s vision.  For a few seconds, you think to yourself, “Maybe that could be a good movie…”  Of course, you know it wouldn’t be.  But you want it to be because Ed wants it to be and Ed is just do damn likable.

As I said before, Ed Wood is a highly stylized film.  It focuses on the good parts of the Ed Wood story, like his friendship with Bela Lugosi and his refusal to hide the fact that he’s a cross-dresser who loves angora.  The bad parts of his story are left out and I’m glad that they were.  Ed Wood is a film that celebrates dreamers and it gives Wood the happy ending that he deserved.   The scenes of Plan 9 From Outer Space getting a raptorous reception may not have happened but can you prove that they didn’t?

I suppose now would be the time that most reviewers would reflect on the irony of one of the worst directors of all time being the subject of one of the best films ever made about the movies.  However, I’ll save that angle for whenever I get a chance to review The Disaster Artist.  Of course, I personally don’t think that Ed Wood was the worst director of all time.  He made low-budget movies but he did what he could with what he had available.  If anything, Ed Wood the film is quite correct to celebrate Ed Wood the director’s determination.  Glen or Glenda has moments of audacious surrealism.  Lugosi is surprisingly good in Bride of the Monster.  As for Plan 9 From Outer Space, what other film has a plot as unapologetically bizarre as the plot of Plan 9?  For a few thousand dollars, Wood made a sci-fi epic that it still watched today.  Does that sound like something the worst director of all time could do?

Needless to say, Ed Wood is not a horror film but it’s definitely an October film.  Much as how Christmas is the perfect time for It’s A Wonderful Life, Halloween is the perfect time for Ed Wood.

Horror on TV: She-Wolf of London Season 1 Episode 1 (dir by Dennis Abey)


Did you know that there used to be a TV show called She-Wolf of London?

Apparently, there was. I came across it on YouTube while I was looking for old episodes of The Twilight Zone.  She-Wolf of London was a TV show about an American grad student named Randi (Kate Hodge) who comes to the UK, investigates the supernatural with Dr. Ian Matheson (Neil Dickson), and who turn into a wolf whenever the moon is full!  This British show ran from 1990 to 1991.

Interested in seeing the first episode, which acts largely as an origin story?  Check it out below!

 

A Movie A Day #276: Bad Dreams (1988, directed by Andrew Fleming)


When she was a young girl, Cynthia (Jennifer Rubin) was a member of Unity Fields, a group of hippies led by the insane Franklin Harris (Richard Lynch).  When Harris ordered the cult to join him in a fiery suicide pact, Cynthia was the only one to refuse.  While all of the cult members when up in flames, Cynthia ended up spending 13 years in a coma.  When she wakes up, she has no memory of the incident and finds herself as a patient in a psych ward.  She has a support group to provide therapy.  She has two doctors (Bruce Abbott and Harris Yulin) watching her every move.  And she still has nightmares and visions of the long-dead Harris, appearing around the hospital, sometimes burned and sometimes not.  When the members of her therapy group start to die, Cynthia is convinced that Harris has returned to claim her.

A year before starring in Bad Dreams, Jennifer Rubin made her film debut in A Nightmare on Elm Street 3: Dream Warriors.  That seems appropriate because Bad Dreams would never have existed if not for A Nightmare on Elm Street.  Franklin Harris is only a few bad jokes and a razor blade glove away from being Freddy Krueger’s older brother.  However, if you can see past the movie’s derivative nature, Bad Dreams is not bad.  Some of the deaths are inventive and Jennifer Rubin shows why she should have become a bigger star than she did.  Though Franklin Harris may have been developed as stand-in for Freddy, Richard Lynch is memorably menacing and makes the role his own.  Bad Dreams may have been a clone of another film but not all clones are bad.

Halloween Havoc!: RETURN OF THE FLY (20th Century-Fox 1959)


cracked rear viewer

Last year’s “Halloween Havoc” took a bug-eyed look at THE FLY , so this year we’ll buzz in on it’s sequel. RETURN OF THE FLY was done on a much lower budget and trades in the original’s Technicolor for black and white, but it’s got a lot going for it. A creepy atmosphere and a strong performance from Vincent Price help lift the movie above it’s admittedly ‘B’ status, and while not wholly successful, it is fun for “Bug-Eyed Monster” fans.

The film opens at the rain-soaked graveyard burial of Helene Delambre, widow of Andre and mother to young Philippe, who’s now all grown up. Uncle Francois (Price) finally relates the truth about Andre’s mad experiments with matter disintegration/reintegration to Philippe, and the brooding youngster now wants to resume his father’s work and vindicate his legacy. Together with his fellow scientist Alan Hines, Philippe begins to reassemble his father’s machinery, moving…

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Horror Scenes I Love: John Carradine in House of Dracula


Today’s horror scene that I love comes from the 1945 film, House of Dracula!

House of Dracula may not be a classic but John Carradine definitely made for an intriguing Dracula.  Far more than Bela Lugosi or even Christopher Lee, Carradine matched the physical description that Bram Stoker offered up of Dracula in his famous novel — tall, aristocratic, sophisticated, and disdainful of the world around him.  Of course, Carradine’s American accent is all wrong for the role but no matter.  He’s Carradine!

This scene features Carradine as Dracula, casting his hypnotic spell.

4 Shots From 4 Films: Special Amando de Ossorio Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director is one of the great Spanish horror directors, Amando de Ossorio!

4 Shots From 4 Films

Malenka, the Vampire’s Niece (1969, dir by Amando de Ossorio)

Tombs of the Blind Dead (1971, dir by Amando de Ossorio)

The Ghost Galleon (1974, dir by Amando de Ossorio)

Night of the Seagulls (1976, dir by Amando de Ossorio)

Horror on the Lens: Bride of the Monster (dir by Ed Wood, Jr.)


Today’s horror film on the lens is Edward D. Wood’s 1955 epic, Bride of the Monster.

(Much like Plan 9 From Outer Space, around here, it is a tradition to watch Bride of the Monster in October.)

The film itself doesn’t feature a bride but it does feature a monster, a giant octopus who guards the mansion of the mysterious Dr. Vornoff (Bela Lugosi).  Vornoff and his hulking henchman Lobo (Tor Johnson) have been kidnapping men and using nuclear power to try to create a race of super soldiers.  Or something like that.  The plot has a make-it-up-as-you-go-along feel to it.  That’s actually a huge part of the film’s appeal.

Bride of the Monster is regularly described as being one of the worst films ever made but I think that’s rather unfair.   Appearing in his last speaking role, Lugosi actually gives a pretty good performance, bringing a wounded dignity to the role of Vornoff.  If judged solely against other movies directed by Ed Wood, this is actually one of the best films ever made.

(For a longer review, click here!)