Captain Kirk vs. Sheriff Taylor: Pray For The Wildcats (1974, directed by Robert Michael Lewis)


The year is 1974 and there’s nothing more dangerous than being a hippie in Baja California.  That’s because psychotic business Sam Farragutt (played by Andy Griffith!) is on the loose.  Sam likes to describe himself as being a hippie himself.  “A hippie with money,” Sam puts it as he waves a hundred dollar bill in the face of a hippie without money,

Actually, there is one thing more dangerous than being a hippie in Baja California and that’s being an ad executive.  Once again, Sam Farragutt is to blame.  He’s willing to give his business to three ad execs but first they have to agree to go down to Baja and ride around with him on their motorcycles.  The three ad execs are Terry Maxon (former child evangelist Marjoe Gortner!), Paul McIllvain (former Brady Bunch star Robert Reed!), and suicidal burn-out Warren Summerfield (William Shatner!).  Warren is having an affair with Paul’s wife (Angie Dickinson!) but he’s still planning on committing suicide in Mexico.

However, going to Mexico gives Warren a new lease on life.  After Warren discovers that Farragutt is responsible for the death of two hippies, he becomes determined to make sure that justice is served.  Soon, Andy Griffith (!) is chasing William Shatner (!) across the Mexican desert.  Someone’s going to die.  Is it going to be Sheriff Taylor or Captain Kirk?

Pray For The Wildcats was a made-for-TV movie that aired the same year as Savages.  Both movies were a part of Andy Griffith’s attempt to change his image after playing the folksy Sheriff Taylor on The Andy Griffith Show.  Griffith is a good villain but the main appeal of Pray for the Wildcats is the chance to see William Shatner doing his thing.  Shatner has a juicy role here, playing a man who is at first suicidal and then righteously indignant.  He overemotes with the self-serious intensity that was Shatner’s trademark in the years before he finally developed a sense of humor about himself.  The movie itself gets bogged down with unnecessary flashbacks and dated dialogue but the spectacle of Griffith vs. Shatner makes it all worth it.

Confessions of a TV Addict #7: TJ HOOKER and His Amazing Hair Helmet!


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TV Cop Shows ran rampant during the 1980’s. There were gritty street cops, female cops, Dirty Harry-inspired cops, MTV cops, debonair cops, teenage cops, and every other permutation you could think of, short of outer space cops. But for Cops With The Best Hair, it has to be… no, not CHARLIE’S ANGELS, but TJ HOOKER!

TJ HOOKER starred William Shatner (which kind of makes this a semi-outer space cop show, no?) as Hooker, a veteran on the LCPD (standing in for Los Angeles) who serves as mentor to the younger cops. Shatner, who by this time was, shall we say, follically challenged, wore a perm-coiffed toupee which never got mussed no matter how many times he ran down bad guys, got in hellacious fights, or got it tousled by his latest love interest:

As Warren Zevon would say, “His hair was perfect”!

Also with perfect hair was costar Adrian Zmed…

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Horror on TV: Thriller 1.37 “The Grim Reaper” (dir by Herschel Daugherty)


For tonight’s episode of the Boris Karloff-hosted anthology series Thriller, we have “The Grim Reaper!”

The Grim Reaper tells the story of a mystery writer (Natalie Schaefer) who purchases a painting of the grim reaper.  She claims that she’s just bought the painting as a bit of an ironic joke but her nephew (William Shatner!) claims that the painting has a violent history.  Everyone who has owned it has died.  At first, Schaefer is dismissive of Shatner’s story.  But then, blood appears on the reaper’s scythe.

This enjoyable and fun little episode was written by Robert Bloch of Psycho fame.  It was originally broadcast on June 13th, 1961.

Enjoy!

A Movie A Day #218: White Comanche (1967, directed by Jose Briz)


Johnny Moon (William Shatner) is a half-breed.  His father was white and his mother was a Comanche.  Johnny was raised Comanche but he now lives as a white man.  He is a good and law-abiding citizen but he has a problem.  Johnny has a twin brother named Notah (played, of course, by William Shatner) and, hooked on peyote, Notah keeps holding up stagecoaches, killing white men, and raping white women.  Sick and tired of people constantly trying to lynch him, Johnny contacts Notah and demands a final showdown.  At the same time, Johnny refuses to tell anyone about Notah’s existence so everyone still wants to kill Johnny.  The only person who realizes that Johnny and Notah are not the same is one of Notah’s victims, a showgirl named Kelly (Rosanna Yanni).  She sees that good Johnny has blue eyes while bad Notah has black eyes.

William Shatner has described White Comanche as being his worst film, which is saying something when you consider some of the movies that Shatner made between the cancellation of Star Trek and the release of Star Trek: The Motion Picture.  Still: William Shatner as twins, one of whom spends the entire movie tripping on peyote.  That sounds like it should be fun and it would be except that, for the first and only time in his career, Shatner actually gives a low-key performance.  When Shatner is playing Notah, he is the Shatner that we all know and love.  But when Shatner plays Johnny Moon, he tries to give a subtle and restrained performance and, unfortunately, the movie is about 75% Johnny.  That’s not what we pay money to see when we watch a William Shatner movie!

This one is for Shatner completists only.

 

“Where No Man Has Gone Before”: Fifty Years of STAR TREK


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Gene Roddenberry’s space odyssey first sailed onto the small screen on September 8, 1966. I can remember being allowed to stay up late (I was only 8 at the time!) to watch it with my dad, who was a big science-fiction buff. As a career Navy man, I think he related to the idea of a ship’s travels (he was also a fan of VOYAGE TO THE BOTTOM OF THE SEA). Being a young’un at the time, I was more into the weird creatures the Starship Enterprise crew encountered on their “five-year mission”.

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Unless you’ve been living in another galaxy the past half century, you know all the characters. There’s William Shatner as the headstrong Capt. James Tiberius Kirk, emoting as only Shatner can. Leonard Nimoy became something of a teen idol as the logical Vulcan Mr. Spock (something about those pointed ears, maybe?). DeForrest Kelly played the ornery Dr. “Bones” McCoy, forever…

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Horror on TV: The Twilight Zone 5.3 “Nightmare at 20,000 Feet”


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Wow. It’s hard to believe that is going to be my final televised horror of the year. (Though I imagine this feature will return in October of 2016 — just in time for election season!) Well, let’s get right to it!


For our final televised horror, I have selected a classic episode of The Twilight Zone. In Nightmare at 20,000 Feet, William Shatner is a man who, though being scared of flying, finds himself on an airplane. And guess what he sees out on the wing?


This episode was written by one of Arleigh’s favorite writers, the great Richard Matheson. It was directed by Richard Donner and originally aired on October 11th, 1963.


Enjoy Nightmare at 20,000 Feet! And here’s hoping that all of our readers have had a wonderful, safe, and happy Halloween!


Horror On the Lens: Incubus (dir by Leslie Stevens)


For today’s Horror on the Lens, we present Incubus, an odd little film from 1966.  William Shatner plays a soldier who, along with his sister, visits a mysterious village that has magical, healing water.  (Shatner has been wounded in battle and wants to be healed.)  However, the village is also home to a succubus who wants to seduce Shatner and lead him to Hell.

Incubus is memorable for three reasons.  First off, you’ve got William Shatner giving a very Shatnerish performance.  Secondly, legendary cinematographer Conrad Hall gave this film a very dream-like feel.  And third, this is one of the four movies to have been filmed in Esperanto, a so-called international language that has never really caught on.

That’s right!  This movie has subtitles!  But, so what?  Who hasn’t wanted to see William Shatner act in Esperanto?

Film Review: Big Bad Mama (1974, directed by Steve Carver)


Big_bad_mama_movie_posterToday is Angie Dickinson’s 84th birthday.  One of Angie’s best remembered films is Big Bad Mama, an entertaining and fast-paced gangster film that was produced by Roger Corman.

The year is 1932 and the setting is Texas.  Wilma McClatchie (Angie Dickinson) is a poor single mother with two teenage daughters (Susan Sennett and Robbie Lee) to support.  When Wilma’s bootlegger lover, Barney (Noble Willingham), is killed by the FBI, Wilma takes over his route.  Wilma wants her daughters to be rich like “Rockefeller and Capone” and soon, they graduate from bootlegging to bank robbery.  During one robbery, they meet and team up with Fred (Tom Skerritt).  Wilma and Fred are lovers until Wilma meets alcoholic con man, Baxter (William Shatner).  With Fred and Baxter competing for her affections and her youngest daughter pregnant, Wilma plans one final job, the kidnapping of a spoiled heiress (Joan Prather).

Big Bad Mama is one of the many Bonnie and Clyde rip-offs that Roger Corman produced in the 70s.  (Corman also gave us Bloody Mama and Crazy Mama.)  Big Bad Mama is a typical Corman gangster film, with fast cars, blazing tommy guns, Dick Miller, and plenty of nudity.  Angie was in her 40s at the time and, justifiably proud of her body, her full frontal nude scenes created a lot of publicity for the film.  William Shatner also strips down for the film and his sex scene with Angie is just as weird to watch as you would expect it to be.

The whole film changes as soon as William Shatner makes his first appearance.  He may be speaking with a Southern accent and he may be playing a sniveling coward but he is still William Shatner, with all that implies.  Watching Shatner, it is hard not to imagine that Big Bad Mama is actually a lost Star Trek episode where Kirk goes back in the past and meets special guest star Angie Dickinson.  Far more effective is Tom Skerritt, who is thoroughly believable as a Dillinger-style bank robber.

In the style of Bonnie and Clyde, Big Bad Mama presents its outlaws as being counter-culture rebels.  Every authority figure that Wilma meets — from a preacher played by Royal Dano to a corrupt sheriff to Dick Miller’s incompetent FBI agent — is presented as being hypocritical and arrogant.  Angie plays Wilma as a strong-willed and sexually liberated woman who refuses to allow anyone to tell her how to live her life or raise her daughters.  In the gang, both Fred and Baxter are subservient to her.  Big Bad Mama’s tag line was “Hot lead!  Hot legs!  Hot damn!” and that is a perfect description of Angie Dickinson’s performance.

Happy birthday, Angie Dickinson!

Angie and Shatner

Embracing the Melodrama Part II #55: The Tenth Level (dir by Charles S. Dubin)


10thlevelI first found out about the 1976 made-for-tv movie The Tenth Level while I was doing some research on the Milgram experiment.  The Milgram experiment was a psychological experiment that was conducted, under the direction of Prof. Stanley Milgram, in 1961.  Two test subjects were placed in two separate room.  One test subject was known as the “Learner” and he was hooked up to a machine that could deliver electric shocks.  The other subject was the “Teacher.”  His job was to ask the Lerner questions and, whenever the Learner gave an incorrect answer, the Teacher was supposed to correct the error by pushing a button and delivering the electric shock.  With each incorrect answer, the shock would get worse.

Of course, what the Teacher did not know was that the Lerner was an associate of Prof. Milgram’s and that pushing the button did not actually deliver a shock.  The Lerner would intentionally give wrong answers and, after the Teacher pushed each subsequent button, the Lerner would groan in pain and eventually beg the Teacher to stop.  The test was to see how long the Teacher would continue to push the buttons.

The study found that 65% of the Teachers, even when the Lerner stopped responding, continued to push the buttons until delivering the experiment’s final 450-volt shock.  It was a surprising result, one that is often cited as proof that ordinary people will do terrible things if they’re ordered to do so by an authority figure.

The Tenth Level is loosely based on the Milgram experiment.  Prof. Stephen Turner (William Shatner) is a psychology professor who conducts a similar experiment.  Turner claims that he’s looking for insight into the nature of blind obedience but some of his colleagues are skeptical.  His best friend (Ossie Davis) thinks that Turner is mostly trying to deal with the guilt of being a WASP who has never had to deal with discrimination.  His ex-wife, Barbara (Lynn Carlin), thinks that the experiment is cruel and could potentially traumatize anyone who takes part in it.  Turner, meanwhile, is fascinated by how random people react to being ordered to essentially murder someone.

Eventually, a good-natured carpenter/grad student, Dahlquist (Stephen Macht), volunteers.  At first, Turner refuses to allow Dahlquist to take part because he’s previously met Dahlquist and Dahlquist is a friend of one of Tuner’s assistants.  However, Dahlquist literally begs to be allowed to take part in the experiment and Turner relents.

Unfortunately, the pressure of administering shocks proves to be too much for Dahlquist and he has a 70s style freak-out, which essentially means that the screen changes colors and everything moves in slow motion as he smashes up the room.  As a result of Dalquist’s violent reaction, Turner is called before a disciplinary committee and basically put on trial.

The Tenth Level is an interesting film.  On the one hand, the subject matter is fascinating and, if nothing else, the film deserves some credit for trying to seriously explore the ethics of psychological experimentation.  On the other hand, this is a film from 1976 that features William Shatner giving numerous monologues about the nature of man.  And, let us not forget, this is William Shatner before he apparently developed a sense of humor about himself.  That means that, in this film, we get the Shatner that inspired a thousand impersonations.  We get the Shatner who speaks precisely and who enunciates every single syllable.  And let’s not forget that Shatner is paired up with Ossie Davis, an actor who was never exactly subtle himself.

The end result is a film that is both thought-provoking and undeniably silly.  This is a film that will make you think even while it inspires you to be totally snarky.

(Also of note, John Travolta supposedly makes his film debut in the Tenth Level.  Apparently, he plays a student.  I have yet to spot him.)

You can watch it below!

Shattered Politics #48: The Kidnapping of the President (dir by George Mendeluk)


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Agency was not the only Canadian film to be made about American politics in 1980.  There was also The Kidnapping of the President, a low-budget political thriller that, because it has since slipped into the public domain, can currently be found in a few dozen DVD box sets.  In fact, you may very well own a copy of The Kidnapping of the President without even realizing it!

Don’t worry if you do.  The Kidnapping of the President is a fairly harmless little film.

U.S. President Adam Scott (Hal Holbrook) is visiting Toronto when he gets handcuffed to a South American revolutionary named Roberto Assanti (Miguel Fernandes).  Assanti locks President Scott in an armored car that is wired with explosives and then demands a hundred million in diamonds and two planes.  (Though the film never explicitly states it, I imagine that Assanti was primarily motivated by jealousy over the fact that Che is on a million t-shirts while Assanti remains fairly unknown.)  It’s up to secret service agent Jerry O’Connor (William Shatner) to negotiate with Assanti and rescue the President!  Meanwhile, the ethically compromised Vice President (Van Johnson) is left as acting President in Washington and struggles to keep things calm while his ambitious wife (Ava Gardner) plots for a brighter future.

Overall, the Kidnapping of the President is okay for what it is.  It’s neither exceptionally good nor memorably bad.  It just sort of is.  Hal Holbrook is always well-cast as a President and William Shatner gives a typical Shatner performance, which is either a good or a bad thing depending on how you feel about William Shatner.  And, for that matter, Miguel Fernandes is a properly unlikable villain though he never really seems to have the charisma necessary to make him believable as the dynamic leader that he’s supposed to be.

Probably the most interesting thing about The Kidnapping of the President is that it doesn’t try to pass Montreal off for being a location in the United States.  Instead, the film was not only filmed in but is actually set in Toronto as well.  When Jerry attempts to deal with the local authorities, that means that he ends up talking to a bunch of very polite men in red uniforms.

But what’s strange about this is that the people of Toronto are so excited about the arrival of the President.  You half expect to hear one extra say, “I never thought I’d live long enough to see the day that a leader that I can’t vote for and who has next to nothing to do with my everyday life would come to visit Toronto.”

Don’t get me wrong.  If you follow me on twitter, then you know that I am unashamed to declare my love for all things Canadian.  And obviously, as neighbors, Canada and the United States do have a close relationship.  But would people in Toronto really be that excited to see the President?

If so, I think we really owe the people of Canada an apology for not knowing more about their government.  At the very least, we should definitely invite Stephen Harper over for lunch.