Back to School Part II #43: Degrassi Goes Hollywood (dir by Stefan Brogren)

Posted on September 17, 2016 by Lisa Marie Bowman

Before I get around to actually reviewing the 2009 made-for-Canadian-TV Degrassi Goes Hollywood, I should start out by admitting that if you’re not a Degrassi fanatic like I am, this review probably won’t make any sense. Then again, if you’re not a Degrassi fan, you probably wouldn’t be reading this review in the first place.

I should also address a rumor that is currently circulating around the TSL offices. Some of my fellow contributors seem to be under the impression that the only reason I announced that I would be reviewing 56 back to school films was so I would have an excuse to review the four Degrassi films. Nothing could be further from the truth! The reason I started this series of reviews was so that I’d have an excuse to review Andy Warhol’s Vinyl. The Degrassi films are just a nice side benefit.

Got it? Okay, let’s talk about Degrassi Goes Hollywood!

Degrassi Goes Hollywood premiered on August 14th, 2009 and it served as the finale of Degrassi‘s 8th season. As such, it also served as the conclusion for several long-running Degrassi plot lines, which I’ll get to in a minute. For the non-Degrassi fan, Degrassi Goes Hollywood is probably most interesting because it features Jason Mewes playing himself and coming across like a surprisingly normal human being.

To really understand Degrassi Goes Hollywood, you have to understand that Kevin Smith is a long-time and very outspoken fan of Degrassi. In fact, he even appeared, as himself, in seasons 4 and 5 of the show. In the world of Degrassi, Kevin Smith and Jason Mewes came to Canada so that they could film their latest film, Jay and Silent Bob Go Canadian, Eh? They filmed the majority of the film at Degrassi Community School and used several Degrassi students as extras. Kevin also served as the catalyst for the Joey/Caitlin break-up, which a lot of people have never forgiven him for. Myself, I would just point out that when Craig Manning stopped taking his medication and ended up living on the streets of Toronto, Kevin was the one who went on television and asked Craig to come home. So, Kevin wasn’t all bad!

(As I said, this review won’t make a damn bit of sense if you’ve never watched Degrassi.)

As Degrassi Goes Hollywood opens, we learn that Jason Mewes is about to make his directorial debut. His film, Mewesical High, is an autobiographical film about his youth in New Jersey and his love for a girl named Trixie. Jason wants to cast former Degrassi student Manny Santos (Cassie Steele) as his Trixie. However, the studio demands that Jason cast Paige Michalchuck (Lauren Collins) in the role. Believe it or not, Paige also went to Degrassi! She was in charge of the Spirit Squad and she and Manny once got into a memorable fight.

(Actually, Manny got into a lot of fights when she was a student at Degrassi. That was kind of her trademark.)

When she hears that Paige might be replaced in the film, Manny decides to go to California and fight for the role. Fortunately, her ex-boyfriend, Jay (Mike Lobel), just happens to have a school bus. So, he agrees to drive Manny to Hollywood. Accompanying them on the bus are the members of the Studz, one of Degrassi’s many bands. They want to convince Jason Mewes to use their music in the film.

Now, here’s where it is helpful to know your Degrassi history. The lead singer of Studz is Peter Stone (Jamie Johnston). When Peter first appeared on Degrassi, he was portrayed as being almost a sociopath. He even got Manny drunk and sent a topless video of her to everyone at the school. Manny spent two seasons hating on him but, oddly, in Degrassi Goes Hollywood, she has absolutely no trouble traveling from Canada to California with him. Degrassi is all about forgiveness.

Speaking of forgiveness, what about Jay!? In Degrassi Goes Hollywood, Jay is pretty much the hero of the film, the guy who convinces Manny to never give up on her dreams. That’s quite a change from how Jay was portrayed when he was first introduced in season 3. When Jay was first introduced, he was the local hoodlum who was always breaking into candy machines and who ordered his friends to steal everything from the school’s DVR to Mr. Simpson’s new laptop. Jay was subsequently kicked out of school after he pulled a prank that led to a school shooting. (If you’re wondering why Drake was in a wheelchair during his final few seasons on Degrassi, Jay was indirectly responsible.) Jay was then at the center of an outbreak of gonorrhea and subsequently helped to turn another character into a drug dealer. And, let’s not forget the time that he and Spinner nearly burned down the school…

Fortunately, Jay was played by Mike Lobel and he always played the role with an appealing sense of humor. You never got the feeling that Jay was truly evil. Instead, he was just a little hyperactive. Somehow, it seems appropriate that he would go from being the most evil character on the series to being one of its most memorable anti-heroes. He gets a lot of good scenes in Degrassi Goes Hollywood. He and Cassie Steele made for a fun couple.

Speaking of couples, the best thing about Degrassi Goes Hollywood is that, after four long seasons of heartbreak, it finally gives some closure to the Craig/Ellie storyline. Craig Manning (Jake Epstein) was the bipolar musical genius who left school to become a big star and who subsequently returned for two episodes, in which we discovered that he had developed a cocaine addiction. (The scene where he gets a nosebleed while performing is pure Degrassi nightmare fuel.) Ellie (Stacey Farber) was one of my favorite characters on Degrassi, mostly because we both have red hair and like to dress in black. Sadly, Ellie spent four seasons crushing on Craig, just to watch as he dated Manny, Ashley, and then Manny again.

In Degrassi Goes Hollywood, Ellie and Marco (Adamo Ruggero) are invited to Hollywood to hang out with Paige. And while Ellie tries to pretend that everything’s okay at home (despite the fact that her father is in the hospital, suffering from PTSD as a result of serving in Afghanistan), she just happens to go for a walk and randomly runs into Craig! And though they have their usual issues, the movie ends with Craig and Ellie finally kissing as something more than just friends.

AWWWWWWWWWWW!

Of course, it wouldn’t be Degrassi without drama. Paige and Marco fight over Paige’s diva attitude. Ellie gets drunk and walks out into the ocean. The school bus gets stolen while Jay, Manny, and Studz are visiting a redneck bar. It’s dangerous for Canadians in California!

But what’s important is that it all works out in the end and, even if it’s never specifically stated, I imagine that Mewesical High won all sorts of Oscars. Listen, if you’re a Degrassi fan, you’ll enjoy Degrassi Goes Hollywood. And, if you’re not into Degrassi, you probably stopped reading this review a while ago.

Cleaning Out The DVR, Again #40: The Wrong Child (dir by David DeCoteau)

Posted on July 11, 2016 by Lisa Marie Bowman

(Lisa is currently in the process of trying to clean out her DVR by watching and reviewing all 40 of the movies that she recorded from the start of March to the end of June. She’s trying to get it all done by the end of July 11th! Will she make it!? Well, I guess she did since this is the 40th review!!! YAY!)

Finally, we have reached the end. Two and a half weeks ago, I started the process of reviewing all forty of the films that I recorded between the start of March and the end of June. It hasn’t always been easy, within the two and a half week time frame that I set for myself, to watch and review all of these films but I’ve managed to do it. As soon as I publish the review that you’re reading right now, I will be able to say that I have officially cleaned out my DVR.

So, what was the final film waiting to be watched on my DVR? It was The Wrong Child, which originally aired on June 26th on the Lifetime channel.

In The Wrong Child, Vivica A. Fox plays Renee. Like many Lifetime heroines, Renee would appear to have it all. She has money, glamour, a teenage daughter, and a tragic backstory. (Her first husband was killed several years ago in a traffic accident.) She also has a wonderful house, which regular Lifetime viewers might recognize as being the same house from The Wrong Roommate. She has recently remarried. Her new husband is Charles (Gary Daniels), an architect who may or may not have a few secrets of his own lurking in the past.

One day, Andrew (Robbie Davidson) shows up at the house. Andrew is a handsome and apparently normal teenager. He explains that his mother has recently died of stomach cancer but, before she passed, she informed him that Charles is his father. Charles is skeptical but Renee and her daughter welcome Andrew into the family.

Of course, it turns out that Charles was correct to be suspicious. Andrew is a sociopath, the type of guy who takes pictures of strangers while they’re out jogging and who also is totally willing to murder anyone who might have any evidence that his name is not actually Andrew. Andrew may be crazy but he has a very specific reason for tracking down Charles and his new family.

The Wrong Child is a pretty standard Lifetime B-movie but director David DeCoteau always brings a certain flair to even the most predictable of thrillers. You know that Andrew is crazy as soon as you see him but Robbie Davidson still gives a really good and rather chilling performance.

Add to that, there’s the house! I loved the house when it appeared in The Wrong Roommate and I loved it even more in The Wrong Child. Here’s hoping that the house appears in another wrong film soon!

Well, that’s it! Two and a half week and 40 movies later, I have now officially cleaned out my DVR! Now, I can get to work on filling it up again!

A Quickie With Lisa Marie: Independence Day: Resurgence (dir by Roland Emmerich)

Posted on July 4, 2016 by Lisa Marie Bowman

Oh, who cares?

Sorry, I know that’s like an ultra unprofessional way to open a review but Independence Day: Resurgence is one of the least inspiring films that I’ve ever seen. Jeff and I saw it the day that it opened and, at the time, I was planning on reviewing it the next day. But when I sat down to actually write about the movie … well, I discovered that I could hardly care less. This is one of those films that I could have easily waited until December to review. However, seeing as today is Independence Day, this seemed to be the right time to say something about it.

Memorable movies inspire. Good movies inspire love. Bad movies inspire hate. A movie like Independence Day: Resurgence inspires apathy.

Actually, what’s really frustrating about Independence Day: Resurgence is that it starts out with such promise. The first few scenes suggest that maybe the film is trying to be something more than just another “let’s blow shit up while stars get quippy” action film. Independence Day: Resurgence imagines an alternative history for post-alien invasion Earth and it’s actually pretty clever. Earthlings have taken advantage of the alien technology but society has also become heavily militaristic. The main characters of the first film are all revered as heroes but, when we first meet former President Whitmore (Bill Pullman, with a wise old man beard), he’s having nightmares about the invasion.

And seriously, for the first 30 minutes or so, I really thought that Independence Day: Resurgence might turn out to be surprisingly clever, that maybe it would satirize the excesses of the original while subtly critiquing everything that’s fucked up about our real world.

Well, that was a mistake on my part. There is no satire. There is no critique. Instead, it’s just another alien invasion film and it’s all terribly predictable. It may be a sequel to the first Independence Day but it feels more like a rip-off of Battle: Los Angeles. Considering what the film could have been, it’s impossible not to be disappointed by how familiar and uninspired it all is.

What I failed to take into account is that this film was directed by Roland Emmerich. Emmerich is a director who is best distinguished by his total lack of self-awareness. After all, this is the director who, in Anonymous, seriously suggested that William Shakespeare personally murdered Christopher Marlowe. Watching Independence Day: Resurgence and listening to the generic dialogue and witnessing the generic mayhem, I started to get the sinking feeling that the film was a joke and that Emmerich was the only person on the planet who was not in on it. He doesn’t realize how predictable his movies are or that his characters are cardboard cut-outs or that the film’s inspiring moments are so overdone that they instead become groan-inducing. One of the stars of the first film sacrifices himself in Resurgence and you know who it’s going to be from the minute he shows up onscreen. Emmerich is not a good enough director to make his sacrifice touching. The fact that the film ends with the promise of a sequel is not surprising and yet, it still somehow manages to be annoyingly presumptive. The film’s ending seems to be taunting us. “Of course, you’re going to want to sit through this shit for a third time…what other choice do you have?”

In the film’s defense, the cast is big and it includes a lot of good actors. Unfortunately, the characters are so undeveloped that you again find yourself regretting what a waste it all is. Jeff Goldblum and Judd Hirsch are both likable but Bill Pullman seems to be incredibly bored with the whole thing. Liam Hemsworth, Jessie Usher, and Maika Monroe are all stuck playing typical Emmerich ciphers.

I should mention that, despite how negative this review may sound, I did not hate Independence Day: Resurgence, at least not in the way that I’ve hated other films, like Anonymous or the remake of Straw Dogs. My problem with Resurgence isn’t that I hated it or even that I disliked it. It’s that I didn’t feel much about it, one way or the other. It’s one of those film that is best described as “just kinda being there.” Apathy is the worst thing that a film can inspire.

Perhaps the best thing about Independence Day: Resurgence is that Roland Emmerich has protected the holiday from being co-opted by Garry Marshall.

Film Review: The Wrong Roommate (dir by David DeCoteau)

Posted on February 21, 2016 by Lisa Marie Bowman

It’s always interesting to me when my favorite exploitation and grindhouse filmmakers end up making a movie for Lifetime. It happens a lot more that you might expect and it’s always undeniably fun to see how they adapt their own sensibilities to the requirements of the network. For instance, last year, Fred Olen Ray gave Lifetime both River Raft Nightmare and The Christmas Gift.

And then, in January of this year, David DeCoteau gave us The Wrong Roommate. As far as Lifetime films are concerned, The Wrong Roommate is pure perfection. It gives the viewer everything that she could possibly want from a Lifetime film. There’s melodrama. There’s romance. There’s an untrustworthy ex-fiance. There’s a mysterious artist who is both hot and dangerous and who has got like the most incredible abs. There’s a big fancy house and lots of pretty clothes and there’s even a sex-positive best friend who is eager to help her BFF rebuild her life. I enjoyed The Wrong Roommate when I first watched it and I enjoyed it when I rewatched it earlier today. But as I watched The Wrong Roommate, I wondered how members of the typical Lifetime viewing audience would have reacted to seeing some of DeCoteau’s other 122 films, like Sorority Babes in the Slimeball Bowl-O-Rama or Bigfoot vs. D.B. Cooper.

It’s DeCoteau’s background in B-movies that made him the perfect director for The Wrong Roommate. Like many filmmakers, DeCoteau began his career working with Roger Corman and then later worked with Charles Band. These are filmmakers who understood how to tell a story. Above all else, Roger Corman and his best students all understood the importance of storytelling. They understood the importance of keeping the audience entertained.

And, whatever else one may say about it, The Wrong Roommate is a terrifically entertaining film.

The film opens with a man getting run over by a car. That man is Prof. Floyd and he’s played by Eric Roberts. From the minute that I saw that Eric Roberts was going to be in The Wrong Roommate, I assumed that he would be playing another one of his trademark crazy stalker roles but instead, Roberts is one of the good guys here. He’s actually playing a sympathetic character. It’s clever casting because, even once it starts to become clear that he’s not going to kill anyone, you’re still uncertain about him because he’s played by Eric Roberts. Eric Roberts as a good guy keeps the audience off-balance and tells them not to take anything for granted.

That said, Roberts only has a supporting role here. The film is about Laurie Valentine (Jessica Morris). Laurie has just broken up with her controlling jerk of a fiancee, Mark (William McNamara). And now, she’s rebuilding her life. Her best friend (Dominique Swain) has gotten her a job teaching at the local college. And her older sister has invited Laurie to spend the summer at her mansion. The only catch is that Laurie has to look after her rebellious 17 year-old niece, Ricki (Brianna Joy Chomer).

After moving in, Laurie discovers that there’s someone else living on the estate. Alan (Jason-Shane Scott) is staying in the guest house. Ricki has a huge crush on him and soon, so does Laurie. And why not? Alan has amazing abs, spends all of his time shirtless, and he’s an artist! He specializes in wood work and there’s nothing sexier than a man who is good with his hands and his wood…

But, wait a minute!

If Alan’s so great, why does he stage a break-in at the house?

Why doesn’t he ever seem to be surprised when Mark drops by the mansion?

And, of course, we have to consider the fact that Alan has installed a secret webcam in Laurie’s bedroom so that he can watch her undress on his laptop.

Hmmmm…something might not be quite right….

You’ll probably be able to guess what’s going on within the first 30 minutes of the film but who cares? This is a fun movie and David DeCoteau’s direction strikes a perfect balance between melodrama and parody. The film looks great, the cast looks great, and I was jealous of that big house. The Wrong Roommate is wonderful entertainment, in the best tradition of Corman, Band, and DeCoteau.

Here’s the Trailer for Robotec…I mean Independence Day: Resurgence

Posted on December 13, 2015 by Arleigh

For decades fans of Robotech (Macross everywhere else in the world) have been hoping for a live-action film adaptation of this very iconic anime series from Japan. Many Westerners had their first introduction to anime after watching the localized version of the original Japanese series Macross. There have been some traction to get the live-action film up and running but rarely past pre-production stage.

With special effects advancing to the point that we can almost recreate dead people back to life via digital trickery, entire worlds astronomers could only dream of and fantastical lands and creatures it’s high time we got a live-action Robotech film. We fans deserve such a gift.

For now, let’s settle for Independence Day: Resurgence which seems to lift certain elements from the anime series spoken of above to make up the plot of the sequel to 1996’s blockbuster hit, Independence Day.

Independence Day: Resurgence is set for a June 24, 2016 release date.

10 Reasons Why Sharknado 2 Was Sharktastic!

Posted on July 31, 2014 by Lisa Marie Bowman

Unless you’ve been living in total and complete isolation, you know that Sharknado 2 premiered on SyFy last night. And of course, I watched and live tweeted it. Now, when it comes Sharknado 2, it seems like everyone has one question: Was it better than Sharknado?

The answer?

Yes. Yes, it was.

Here are 10 reasons why Sharknado 2 was sharktastic!

1) Action! Action! Action!

Sharknado 2 didn’t waste any time getting to the point. From the minute the film started with Ian Ziering and Tara Reid sitting in an airplane that’s hit some sharknado-related turbulence, Sharknado 2 was all about sharks falling from the sky. The film didn’t waste any time revisiting the events of the previous film or trying to explain, for a second time, how a bunch of sharks ended up in a tornado. And you know what? If you were worry about the logic of the situation then you really weren’t the right audience for this film. Sharknado 2 was a movie for those of us seeking nonstop shark mayhem and it delivered!

2) Plenty of New York Attitude

When the first sharknado hit Los Angeles, we were presented with a portrait of a town that deserved to be destroyed. I mean — really, Los Angeles? A little bad weather and a few sharks and your entire population is screaming and fleeing? New York, however, knows how to handle a sharknado. It didn’t matter how many sharks fell from the sky — the citizens of New York refused to allow it to stop them from enjoying baseball games, visiting the Statue of Liberty, and seeking out a good slice of pizza. New York, you’re the tops!

3) Tara Reid Showed Us How To Handle Losing A Hand

I don’t know about you but if a shark fell out of the sky and bit off my hand, I would probably freak out. Having watched Sharknado 2, I can say that I am definitely not as strong as Tara Reid. Though she may have lost her hand early on in this movie, she never let it slow her down. Not only did she defiantly walk out of the hospital but she also managed to drive a fire truck with only one hand! I’ve got two hands and I don’t think I could do that. Finally, as a perfect example of how to make lemonade out of lemons, she even replaced her missing hand with a radial saw that, as it turns out, was perfect for fighting sharks. You go, girl!

4) Ian Ziering Gave It All He Could

In the first Sharknado, Ian seemed almost annoyed to be there. You got the feeling that he felt that somehow, by appearing in a movie about flying sharks, he was somehow damaging his career. In Sharknado 2, however, Ian brought a lot of conviction to his role. Though it may be hard to understand if you haven’t seen the actual film, I’ll just say that you looked at and listened to Ian and you believed that this man had indeed been inside of a shark.

5) The Statue Of Liberty Lost Her Head

And you better believe that head went rolling down the streets of New York. I am a little bit disappointed that Ian never found a moment to stare up at headless Lady Liberty and shout, “You blew it up! Damn you to Hell!” but oh well.

6) Cameos Galore!

Seeing as how the first Sharknado became a bit of a pop cultural phenomena, we should probably not be surprised that a lot of celebrities agreed to do cameos in the sequel. What should surprise, however, is just how well the cameos were integrated into the film. Whether it was Kelly Osbourne getting eaten by a shark or Matt Lauer and Al Roker arguing over the proper name for the storm (eventually, Matt did call it a sharknado and you can see just how happy Al was; it was a touching moment), all of the cameos worked brilliantly and, even more importantly, they didn’t distract from all of the shark mayhem.

7) The Live Tweeters Were On Fire Last Night!

Especially me! Seriously, Sharknado 2 brought out the best in me.

8) Ian Wasn’t The Only Actor Giving It His All

To be honest, the entire cast brought their A game to Sharknado 2. Everyone from Vivica A. Fox to Mark McGrath to Kari Wuhrer to Tara Reid to Judd Hirsch to well, everyone seemed to understand that for this material to work, they had to be willing to say some of the most ludicrous lines imaginable with a straight face. If a single member of the cast had tried to wink at the audience or play up the film’s inherent campiness, the entire film would have fallen apart. Instead, everyone brought a lot of conviction to their roles. Instead of mocking the film and their dialogue, you could tell that they were instead having fun with it and, as a result, the audience had a lot of fun as well.

9) Kelly Ripa Stamped On The Head Of A Hammerhead Shark

Proof positive that high heels can be a girl’s best friend.

10) Everyone Watched it!

And you know what that means: SHARKNADO 3!