The National Board of Review Honors One Battle After Another


The National Board of Review has spoken.  *Yawn*

Best Film: One Battle After Another
Best Director: Paul Thomas Anderson – One Battle After Another
Best Actor: Leonardo DiCaprio – One Battle After Another
Best Actress: Rose Byrne – If I Had Legs I’d Kick You
Best Supporting Actor: Benicio Del Toro – One Battle After Another
Best Supporting Actress: Inga Ibsdotter Lilleaas – Sentimental Value
Best Directorial Debut: Eva Victor – Sorry, Baby
Breakthrough Performance: Chase Infiniti – One Battle After Another
Best Original Screenplay: Ryan Coogler – Sinners
Best Adapted Screenplay: Clint Bentley and Greg Kwedar – Train Dreams
Best Animated Feature: Arco
Best International Film: It Was Just an Accident
Best Documentary: Cover-Up
Outstanding Achievement in Cinematography: Autumn Durald Arkapaw – Sinners
Outstanding Achievement in Stunt Artistry: Mission: Impossible – The Final Reckoning
NBR Freedom of Expression Award: Put Your Soul on Your Hand and Walk

TOP FILMS (in alphabetical order)
Avatar: Fire and Ash
F1
Frankenstein
Jay Kelly
Marty Supreme
Rental Family
Sinners
Train Dreams
Wake Up Dead Man: A Knives Out Mystery
Wicked: For Good

TOP 5 INTERNATIONAL FILMS (in alphabetical order)
Left-Handed Girl
The Love That Remains
The Secret Agent
Sentimental Value
Sirāt

TOP 5 DOCUMENTARIES (in alphabetical order)
2000 Meters to Andriivka
Come See Me in the Good Light
My Mom Jayne
Natchez
Orwell: 2+2=5

TOP 10 INDEPENDENT FILMS (in alphabetical order)
The Baltimorons
Bring Her Back
Father Mother Sister Brother
Friendship
Good Boy
If I Had Legs I’d Kick You
The Mastermind
Rebuilding
Sorry, Baby
Urchin

Here Are The 2025 Spirit Nominations


The Independent Spirit Nominations were announced earlier today.  As always, one should take the Spirit Awards with a grain of salt as a lot of the current Oscar contenders — like One Battle After Another and Hamnet — are not eligible for the Spirit Awards.  That said, Train Dreams is an Oscar contender that is eligible for the Spirit Awards and it had a fairly nice showing today.  I should also note that Peter Hujar’s Day received the most film nominations, with five.

Film Categories

BEST FEATURE (Award given to the producer)

Peter Hujar’s Day
Producers: Jonah Disend, Jordan Drake

The Plague
Producers: Derek Dauchy, Joel Edgerton, Roy Lee, Lucy McKendrick, Steven Schneider, Lizzie Shapiro

Sorry, Baby
Producers: Mark Ceryak, Barry Jenkins, Adele Romanski

Train Dreams
Producers: Michael Heimler, Will Janowitz, Marissa McMahon, Ashley Schlaifer, Teddy Schwarzman

Twinless
Producers: David Permut, James Sweeney

BEST FIRST FEATURE (Award given to director and producer)

Blue Sun Palace
Director: Constance Tsang
Producers: Sally Sujin Oh, Eli Raskin, Tony Yang

Dust Bunny
Director/Producer: Bryan Fuller
Producers: Basil Iwanyk, Erica Lee

East of Wall
Director/Producer: Kate Beecroft
Producers: Shannon Moss, Melanie Ramsayer, Lila Yacoub

Lurker
Director: Alex Russell
Producers: Galen Core, Archie Madekwe, Marc Marrie, Charlie McDowell, Francesco Melzi D’Eril, Duncan Montgomery, Alex Orlovsky, Olmo Schnabel, Jack Selby

One of Them Days
Director: Lawrence Lamont
Producers: Deniese Davis, Poppy Hanks, James Lopez, Issa Rae, Sara Rastogi

JOHN CASSAVETES AWARD – Given to the best feature made for under $1,000,000 (Award given to the writer, director and producer)

The Baltimorons
Director/Writer/Producer: Jay Duplass
Writer/Producer: Michael Strassner
Producers: David Bonnett Jr., Drew Langer

Boys Go to Jupiter
Director/Writer: Julian Glander

Eephus
Director/Writer/Producer: Carson Lund
Writer/Producer: Michael Basta
Writer: Nate Fisher
Producers: David Entin, Tyler Taormina

Esta Isla (This Island)
Directors/Writers/Producers: Cristian Carretero, Lorraine Jones Molina
Writer: Kisha Tikina Burgos

Familiar Touch
Director/Writer/Producer: Sarah Friedland
Producers: Alexandra Byer, Matthew Thurm

BEST DIRECTOR

Clint Bentley
Train Dreams

Mary Bronstein
If I Had Legs I’d Kick You

Lloyd Lee Choi
Lucky Lu

Ira Sachs
Peter Hujar’s Day

Eva Victor
Sorry, Baby

BEST SCREENPLAY

Michael Angelo Covino, Kyle Marvin
Splitsville

Angus MacLachlan
A Little Prayer

James Sweeney
Twinless

Christian Swegal
Sovereign

Eva Victor
Sorry, Baby

BEST FIRST SCREENPLAY

Andrew DeYoung
Friendship

Elena Oxman
Outerlands

Alex Russell
Lurker

Syreeta Singleton
One of Them Days

Constance Tsang
Blue Sun Palace

BEST LEAD PERFORMANCE

Everett Blunck
The Plague

Rose Byrne
If I Had Legs I’d Kick You

Kathleen Chalfant
Familiar Touch

Chang Chen
Lucky Lu

Joel Edgerton
Train Dreams

Dylan O’Brien
Twinless

Keke Palmer
One of Them Days

Théodore Pellerin
Lurker

Tessa Thompson
Hedda

Ben Whishaw
Peter Hujar’s Day

BEST SUPPORTING PERFORMANCE

Naomi Ackie
Sorry, Baby

Zoey Deutch
Nouvelle Vague

Kirsten Dunst
Roofman

Rebecca Hall
Peter Hujar’s Day

Nina Hoss
Hedda

Jane Levy
A Little Prayer

Archie Madekwe
Lurker

Kali Reis
Rebuilding

Jacob Tremblay
Sovereign

Haipeng Xu
Blue Sun Palace

BEST BREAKTHROUGH PERFORMANCE

Liz Larsen
The Baltimorons

Misha Osherovich
She’s the He

Kayo Martin
The Plague

SZA
One of Them Days

Tabatha Zimiga
East of Wall

BEST CINEMATOGRAPHY

Alex Ashe
Peter Hujar’s Day

Norm Li
Blue Sun Palace

David J. Thompson
Warfare

Adolpho Veloso
Train Dreams

Nicole Hirsch Whitaker
Dust Bunny

BEST EDITING

Ben Leonberg
Good Boy

Carson Lund
Eephus

Fin Oates
Warfare

Sara Shaw
Splitsville

Sofía Subercaseaux
The Testament of Ann Lee

ROBERT ALTMAN AWARD – Given to one film’s director, casting director and ensemble cast

The Long Walk
Director: Francis Lawrence
Casting Director: Rich Delia
Ensemble Cast: Judy Greer, Mark Hamill, Cooper Hoffman, David Jonsson, Tut Nyuot, Joshua Odjick, Charlie Plummer, Ben Wang, Garrett Wareing

BEST DOCUMENTARY (Award given to the director and producer)

Come See Me in the Good Light
Director/Producer: Ryan White
Producers: Jessica Hargrave, Tig Notaro, Stef Willen

Endless Cookie
Director: Peter Scriver
Director/Producer: Seth Scriver
Producers: Dan Bekerman, Alex Ordanis, Jason Ryle, Chris Yurkovich

My Undesirable Friends: Part I – Last Air in Moscow
Director/Producer: Julia Loktev

The Perfect Neighbor
Director/Producer: Geeta Gandbhir
Producers: Sam Bisbee, Nikon Kwantu, Alisa Payne

The Tale of Silyan
Director/Producer: Tamara Kotevska
Producers: Jean Dakar, Anna Hashmi, Jordanco Petkovski

BEST INTERNATIONAL FILM (Award given to the director)

All That’s Left of You
Palestine, Jordan, Germany, Cyprus
Director: Cherien Dabis

On Becoming a Guinea Fowl
Zambia, UK, Ireland
Director: Rungano Nyoni

A Poet
Colombia
Director: Simón Mesa Soto

The Secret Agent
Brazil
Director: Kleber Mendonça Filho

Sirāt
Spain
Director: Oliver Laxe

Emerging Filmmaker Awards

PRODUCERS AWARD – The Producers Award, now in its 29th year, honors an emerging producer who, despite highly limited resources, demonstrates the creativity, tenacity and vision required to produce quality independent films. This award includes a $25,000 unrestricted grant.

Emma Hannaway

Luca Intili

Tony Yang

SOMEONE TO WATCH AWARD – The Someone to Watch Award, now in its 32nd year, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition. This award includes a $25,000 unrestricted grant.

Tatti Ribeiro
Director of Valentina

Neo Sora
Director of Happyend

Annapurna Sriram
Director of Fucktoys

TRUER THAN FICTION AWARD – The Truer Than Fiction Award, now in its 31st year, is presented to an emerging director of non-fiction features who has not yet received significant recognition. This award includes a $25,000 unrestricted grant.

Tony Benna
Director of André is an Idiot

Rajee Samarasinghe
Director of Your Touch Makes Others Invisible

Brittany Shyne
Director of Seeds

One Battle After Another Wins In Atlanta


I’m getting the feeling this is going to be a boring awards season.  The Atlanta Film Critics Circle has announced its picks for the best of 2025 and One Battle After Another won …. again.  And that’s fine!  It’s just that, from a blogging point of view, I always prefer an unpredictable season to a predictable one.

Anyway, here are the winners in Atlanta!

BEST FILM: One Battle After Another

TOP 10 FILMS (ranked):

  1. One Battle After Another
  2. Sinners
  3. Weapons
  4. Hamnet
  5. Marty Supreme
  6. It Was Just an Accident
  7. No Other Choice
  8. Sentimental Value
  9. Train Dreams
  10. The Secret Agent

BEST LEAD ACTOR: Leonardo DiCaprio, One Battle After Another
Runner-up: Michael B. Jordan, Sinners

BEST LEAD ACTRESS: Jessie Buckley, Hamnet
Runner-up: Rose Byrne, If I Had Legs I’d Kick You

BEST SUPPORTING ACTOR: Benicio del Toro, One Battle After Another
Runner-up: Sean Penn, One Battle After Another

BEST SUPPORTING ACTRESS: Amy Madigan, Weapons
Runner-up: Teyana Taylor, One Battle After Another

BEST ENSEMBLE CAST: One Battle After Another
Runner-up: Sinners

BEST DIRECTOR: Paul Thomas Anderson, One Battle After Another
Runner-up: Ryan Coogler, Sinners

BEST ORIGINAL SCREENPLAY: Sinners
Runner-up: Weapons

BEST ADAPTED SCREENPLAY: One Battle After Another
Runner-up: Hamnet

BEST DOCUMENTARY: The Perfect Neighbor
Runner-up: The Alabama Solution

BEST INTERNATIONAL FEATURE: It Was Just an Accident
Runner-up: No Other Choice

BEST ANIMATED FILM: KPop Demon Hunters
Runner-up: Arco

BEST CINEMATOGRAPHY: One Battle After Another
Runner-up: Sinners

BEST ORIGINAL SCORE: Sinners
Runner-up: One Battle After Another

BEST STUNT WORK: Mission: Impossible – The Final Reckoning
Runner-up: F1

BEST VOICE PERFORMANCE: Arden Cho, KPop Demon Hunters
Runner-up: Jason Bateman, Zootopia 2

BEST BREAKTHROUGH PERFORMANCE: Chase Infiniti, One Battle After Another

BEST FIRST FEATURE: Eva Victor, Sorry, Baby

The New York Film Critics Circle Honors One Battle After Another


The New York Film Critics Circle has announced its picks for the best of 2025.  And here they are:

Best Film: One Battle After Another

Best Actress: Rose Byrne, If I Had Legs I’d Kick You

Best Director: Jafar Panahi, It Was Just An Accident

Best Screenplay: Marty Supreme

Best Actor: Wagner Moura, The Secret Agent

Cinematography: Sinners

Supporting Actress: Amy Madigan, Weapons

Best Non-Fiction Film: My Undesirable Friends: Part I – Last Air in Moscow

Best Animated Film: KPop Demon Hunters

Best First Film: Eephus

Best Supporting Actor: Benicio Del Toro, One Battle After Another

Best International Film: The Secret Agent

The Gothams Honor One Battle After Another


Last night, Awards Season began with the Gotham Awards!  One Battle After Another, which I really don’t want to have to sit through but I guess now I have no choice, won Best Feature.  (Oddly enough, that was the only award that One Battle After Another won, suggesting that the award had more to do with the film’s politics than its quality.)  Far more interesting is the fact that Iranian dissident (who is facing prison if he even returns to his native country) Jafar Panahi won Best Director and Best Screenplay for It Was Just An Accident.  Will the Academy have the courage to also honor him?

The winners are listed in bold below.

Best Feature
Bugonia
East of Wall
Hamnet
If I Had Legs I’d Kick You
Lurker
One Battle After Another
Sorry, Baby
The Testament of Ann Lee
Train Dreams

Best Director
Mary Bronstein – If I Had Legs I’d Kick You
Jafar Panahi – It Was Just an Accident
Kelly Reichardt – The Mastermind
Paul Thomas Anderson – One Battle After Another
Oliver Laxe – Sirât

Outstanding Lead Performance
Jessie Buckley – Hamnet
Lee Byung-hun – No Other Choice
Rose Byrne – If I Had Legs I’d Kick You
Sopé Dìrísù – My Father’s Shadow
Ethan Hawke – Blue Moon
Jennifer Lawrence – Die My Love
Wagner Moura – The Secret Agent
Josh O’Connor – The Mastermind
Amanda Seyfried – The Testament of Ann Lee
Tessa Thompson – Hedda

Outstanding Supporting Performance
Benicio Del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Inga Ibsdotter Lilleaas – Sentimental Value
Indya Moore – Father Mother Sister Brother
Wunmi Mosaku – Sinners
Adam Sandler – Jay Kelly
Andrew Scott – Blue Moon
Alexander Skarsgård – Pillion
Stellan Skarsgård – Sentimental Value
Teyana Taylor – One Battle After Another

Best Original Screenplay
If I Had Legs I’d Kick You
It Was Just an Accident
The Secret Agent
Sorry, Baby
Sound of Falling

Best Adapted Screenplay
No Other Choice
One Battle After Another
Pillion
Preparation for the Next Life
Train Dreams

Best International Feature
It Was Just an Accident

No Other Choice
Nouvelle Vague
Resurrection
Sound of Falling

Best Documentary Feature
2000 Meters to Andriivka
BLKNWS: Terms & Conditions
My Undesirable Friends: Part I – Last Air in Moscow
The Perfect Neighbor
Put Your Soul on Your Hand and Walk

Breakthrough Director
Constance Tsang – Blue Sun Palace
Carson Lund – Eephus
Sarah Friedland – Familiar Touch
Akinola Davies Jr. – My Father’s Shadow
Harris Dickinson – Urchin

Breakthrough Performer
A$AP Rocky – Highest 2 Lowest
Sebiye Behtiyar – Preparation for the Next Life
Chase Infiniti – One Battle After Another
Abou Sangaré – Souleymane’s Story
Tonatiuh – Kiss of the Spider Woman

One Battle After Another Leads The Gotham Nominations


For better or worse, Awards Season started today with the announcement of the Gotham nominations.  The Gothams are supposed to honor independent films, though the line between studio and independent is now so thin that it’s sometimes difficult to tell which is which.

In the past, the Gothams honored obscure films and also low-budget films that captured the public’s imagination.  This year, they gave the majority of their nominations to One Battle After Another, a big-budget film that starred a slew of Hollywood heavyweights.  Meanwhile, Sinners, a genuinely independent feature, received one nomination.

It’s debatable how much of a precursor the Gothams are.  They’re a critic-selected award and it’s always the guild awards that serve as the best precursors.  Still, it always helps to be mentioned somewhere.

Here are the 2025 Gotham nominations!

Best Feature
Bugonia
East of Wall
Hamnet
If I Had Legs I’d Kick You
Lurker
One Battle After Another
Sorry, Baby
The Testament of Ann Lee
Train Dreams

Best Director
Mary Bronstein – If I Had Legs I’d Kick You
Jafar Panahi – It Was Just an Accident
Kelly Reichardt – The Mastermind
Paul Thomas Anderson – One Battle After Another
Oliver Laxe – Sirât

Outstanding Lead Performance
Jessie Buckley – Hamnet
Lee Byung-hun – No Other Choice
Rose Byrne – If I Had Legs I’d Kick You
Sopé Dìrísù – My Father’s Shadow
Ethan Hawke – Blue Moon
Jennifer Lawrence – Die My Love
Wagner Moura – The Secret Agent
Josh O’Connor – The Mastermind
Amanda Seyfried – The Testament of Ann Lee
Tessa Thompson – Hedda

Outstanding Supporting Performance
Benicio Del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Inga Ibsdotter Lilleaas – Sentimental Value
Indya Moore – Father Mother Sister Brother
Wunmi Mosaku – Sinners
Adam Sandler – Jay Kelly
Andrew Scott – Blue Moon
Alexander Skarsgård – Pillion
Stellan Skarsgård – Sentimental Value
Teyana Taylor – One Battle After Another

Best Original Screenplay
If I Had Legs I’d Kick You
It Was Just an Accident
The Secret Agent
Sorry, Baby
Sound of Falling

Best Adapted Screenplay
No Other Choice
One Battle After Another
Pillion
Preparation for the Next Life
Train Dreams

Best International Feature
It Was Just an Accident
No Other Choice
Nouvelle Vague
Resurrection
Sound of Falling

Best Documentary Feature
2000 Meters to Andriivka
BLKNWS: Terms & Conditions
My Undesirable Friends: Part I – Last Air in Moscow
The Perfect Neighbor
Put Your Soul on Your Hand and Walk

Breakthrough Director
Constance Tsang – Blue Sun Palace
Carson Lund – Eephus
Sarah Friedland – Familiar Touch
Akinola Davies Jr. – My Father’s Shadow
Harris Dickinson – Urchin

Breakthrough Performer
A$AP Rocky – Highest 2 Lowest
Sebiye Behtiyar – Preparation for the Next Life
Chase Infiniti – One Battle After Another
Abou Sangaré – Souleymane’s Story
Tonatiuh – Kiss of the Spider Woman

The Alliance of Women Film Journalists Honor Nomadland


The Alliance of Women Film Journalists have announced that their pick for the best of 2020 is Nomadland.  Just as the AWFJ did with their nominations, they announced the winners in an exclusive for Variety.  Fear not, though — my picks for the best of 2020 will be released exclusively to this site.  Two can play at this game.

(I joke, of course.  Ever since Clayton Davis took over, Variety’s Oscar coverage has been wonderful and the AWFJ deserves a lot of credit for having categories that are a bit more interesting than the usual stuff.)

Anyway, here’s the winners!

AWFJ BEST OF AWARDS

(These awards are presented to women and/or men without gender consideration)

Best Film

  • “Minari” (A24)
  • “Never Rarely Sometimes Always” (Focus Features)
  • “Nomadland” (Searchlight Pictures) – WINNER
  • “One Night in Miami” (Amazon Studios)
  • “Promising Young Woman” (Focus Features)
  • “The Trial of the Chicago 7” (Netflix)

Best Director 

  • Emerald Fennell, “Promising Young Woman” (Focus Features)
  • Regina King, “One Night in Miami” (Amazon Studios)
  • Kelly Reichardt, “First Cow” (A24)
  • Aaron Sorkin, “The Trial of the Chicago 7” (Netflix)
  • Chloé Zhao, “Nomadland” (Searchlight Pictures) – WINNER

Best Actor

  • Riz Ahmed, “Sound of Metal” (Amazon Studios)
  • Chadwick Boseman, “Ma Rainey’s Black Bottom” (Netflix) – WINNER
  • Delroy Lindo, “Da 5 Bloods” (Netflix)

Best Actress 

  • Viola Davis, “Ma Rainey’s Black Bottom” (Netflix)
  • Vanessa Kirby, “Pieces of a Woman” (Netflix)
  • Frances McDormand, “Nomadland” (Searchlight Pictures) – WINNER
  • Carey Mulligan, “Promising Young Woman” (Focus Features)

Best Actor in a Supporting Role 

  • Sacha Baron Cohen, “The Trial of the Chicago 7” (Netflix)
  • Bill Murray, “On the Rocks” (A24/Apple TV Plus)
  • Leslie Odom Jr, “One Night in Miami” (Amazon Studios) – WINNER

Best Actress in a Supporting Role

  • Maria Bakalova, “Borat Subsequent Moviefilm” (Amazon Studios)
  • Ellen Burstyn, “Pieces of a Woman” (Netflix)
  • Amanda Seyfried, “Mank” (Netflix)
  • Yuh-Jung Youn, “Minari” (A24) – WINNER

Best Screenplay, Original 

  • “Mank” (Netflix) – Jack Fincher
  • “Promising Young Woman” (Focus Features) – Emerald Fennell – WINNER
  • “The Trial of the Chicago 7” (Netflix) – Aaron Sorkin

Best Screenplay, Adapted

  • “First Cow” (A24) – Kelly Reichardt and Jonathan Raymond
  • “Nomadland” (Searchlight Pictures) – Chloé Zhao – WINNER
  • “One Night in Miami” (Amazon Studios) – Kemp Powers

Best Animated Film

  • “Over the Moon” (Netflix)
  • “Soul” (Pixar) – WINNER
  • “Wolfwalkers” (Apple TV Plus/GKIDS)

Best Cinematography 

  • “Mank” (Netflix) – Erik Messerschmidt
  • “Nomadland” (Searchlight Pictures) – Joshua James Richards – WINNER
  • “One Night in Miami” (Amazon Studios) – Tami Reiker

Best Editing 

  • “One Night in Miami” (Amazon Studios) – Tariq Anwar
  • “Nomadland” (Searchlight Pictures) – Chloé Zhao – WINNER
  • “The Trial of the Chicago 7” (Netflix) – Alan Baumgarten

Best Documentary 

  • “All In: The Fight for Democracy” (Amazon Studios) – WINNER (tie)
  • “Athlete A” (Netflix)
  • “Crip Camp” (Netflix)
  • “The Painter and the Thief” (Neon) – WINNER (tie)
  • “Time” (Amazon Studios)

Best Non-English-Language Film

  • “Another Round” – Denmark – WINNER
  • “Beanpole” – Russia
  • “The Mole Agent” – Chile
  • “The Painted Bird” – Czech Republic

Best Ensemble Cast – Casting Director

  • “Da 5 Bloods” (Netflix) – Kim Coleman
  • “One Night in Miami” (Amazon Studios) – Kimberly Hardin – WINNER (tie)
  • “The Trial of the Chicago 7” (Netflix) – Francine Maisler – WINNER (tie)

EDA FEMALE FOCUS AWARDS

(These awards honor WOMEN only, excluding women who’ve won the category in the Best Of Awards.

Best Woman Director 

  • Emerald Fennell, “Promising Young Woman” (Focus Features) – WINNER
  • Eliza Hittman, “Never Rarely Sometimes Always” (Focus Features)
  • Regina King, “One Night in Miami” (Amazon Studios)
  • Channing Godfrey Peoples, “Miss Juneteenth” (Vertical Entertainment)
  • Kelly Reichardt, “First Cow” (A24)
  • Chloé Zhao, “Nomadland” (Searchlight Pictures)

Best Woman Screenwriter 

  • Radha Blank, “The Forty-Year-Old Version” (Netflix) – WINNER
  • Emerald Fennell, “Promising Young Woman” (Focus Features)
  • Eliza Hittman, “Never Rarely Sometimes Always” (Focus Features)
  • Chloé Zhao, “Nomadland” (Searchlight Pictures)

Best Animated Female 

  • “22” in “Soul” (Pixar) – portrayed by Tina Fey – WINNER
  • “Mebh Óg MacTíre” in “Wolfwalkers” (Apple TV Plus/GKIDS) – portrayed by Eva Whittaker
  • “Robyn Goodfellowe” in “Wolfwalkers” (Apple TV Plus/GKIDS) – portrayed by Honor Kneafsey

Best Woman’s Breakthrough Performance 

  • Radha Blank, “The Forty-Year-Old Version” (Netflix)
  • Sidney Flanigan, “Never Rarely Sometimes Always” (Focus Features) – WINNER
  • Helena Zengel, “News of the World” (Universal Pictures)

Outstanding Achievement by a Woman in the Film Industry 

  • All female heads of film festivals who successfully transitioned from live to online events to sustain festival culture through the pandemic.
  • All indie female writers and directors who normalized abortion as a vital element in the cultural conversation in films such as “Saint Frances,” “Never Rarely Sometimes Always,” “Sister of the Groom,” “Once Upon a River,” The Glorias” and others. – WINNER
  • Emerald Fennell for creating a film that forces empathy to put an end to the toxic sexist rape culture pervasive through modern history.
  • Sophia Loren for a brilliant comeback at age 86 in “The Life Ahead,” the latest in her record-setting career. Loren won a Best Actress Oscar in 1962 for “Two Women” and was the first actor to win for a foreign language movie. She was also nominated in 1965 for “Marriage Italian Style.” If she’s nominated in 2021, it will be a 56-year span between her two most recent nominations – the current record is held by Henry Fonda, who had a 41-year gap between nominations.

EDA SPECIAL MENTION AWARDS

Grand Dame Award for defying ageism.

  • Ellen Burstyn, “Pieces of a Woman” (Netflix)
  • Tsai Chin, “Lucky Grandma” (Good Deed Entertainment)
  • Sophia Loren, “The Life Ahead” (Netflix) – WINNER
  • Frances McDormand, “Nomadland” (Searchlight Pictures)

Most Egregious Lovers’ Age Difference Award 

  • “The Burnt Orange Heresy” (Sony Pictures Classics) – Elizabeth Debicki and Claes Bang (23 years)
  • “Devil All the Time” (Netflix) – Riley Keough and Jason Clarke (20 years)
  • “Mank” – Amanda Seyfried and Charles Dance (39 years), Gary Oldman (27 years)
  • “Tenet” – Elizabeth Debicki and Kenneth Branagh (30 years) – WINNER

She Deserves A New Agent Award 

  • Rose Byrne, “Like a Boss” (Paramount Pictures)
  • Tiffany Haddish, “Like a Boss” (Paramount Pictures)
  • Katie Holmes, “Dare to Dream” (Gravitas Ventures)
  • Uma Thurman, “The War with Grandpa” (101 Studios) – WINNER

Most Daring Performance Award 

  • Maria Bakalova, “Borat Subsequent Moviefilm’ (Amazon Studios) – WINNER
  • Haley Bennett, “Swallow” (IFC Films)
  • Vanessa Kirby, “Pieces of a Woman” (Netflix)
  • Elisabeth Moss, “The Invisible Man” (Universal Pictures)
  • Carey Mulligan, “Promising Young Woman” (Focus Features)

Time Waster Remake or Sequel Award 

  • “The Croods: A New Age” (DreamWorks Animation)
  • “Doolittle” (Universal Pictures) – WINNER
  • “Rebecca” (Netflix)

Here Are The 2020 Nominations of the Alliance of Women Film Journalists!


Earlier on Wednesday, the Alliance of Women Film Journalists announced their nominations for the best and the worst of 2020.  The nominations were announced in the pages of Variety and you can read more about them by clicking here.

Nomadland led with the most nominations which seems to be the way that the awards season is going to go.  Personally, when it comes to the AWFJ, I’m always more interested in the snarky nominations than in the serious ones.  For instance, the nominees for the She Deserves A New Agent award always leave me thinking.

The nominations are below.  The winners will be announced on January 4th.

AWFJ BEST OF AWARDS
(These awards are presented to women and/or men without gender consideration)

Best Film
“Minari” (A24)
“Never Rarely Sometimes Always” (Focus Features)
“Nomadland” (Searchlight Pictures)
“One Night in Miami” (Amazon Studios)
“Promising Young Woman” (Focus Features)
“The Trial of the Chicago 7” (Netflix)

Best Director
Emerald Fennell, “Promising Young Woman” (Focus Features)
Regina King, “One Night in Miami” (Amazon Studios)
Kelly Reichardt, “First Cow” (A24)
Aaron Sorkin, “The Trial of the Chicago 7” (Netflix)
Chloé Zhao, “Nomadland” (Searchlight Pictures)

Best Actor
Riz Ahmed, “Sound of Metal” (Amazon Studios)
Chadwick Boseman, “Ma Rainey’s Black Bottom” (Netflix)
Delroy Lindo, “Da 5 Bloods” (Netflix)

Best Actress
Viola Davis, “Ma Rainey’s Black Bottom” (Netflix)
Vanessa Kirby, “Pieces of a Woman” (Netflix)
Frances McDormand, “Nomadland” (Searchlight Pictures)
Carey Mulligan, “Promising Young Woman” (Focus Features)

Best Actor in a Supporting Role
Sacha Baron Cohen, “The Trial of the Chicago 7” (Netflix)
Bill Murray, “On the Rocks” (A24/Apple TV Plus)
Leslie Odom Jr, “One Night in Miami” (Amazon Studios)

Best Actress in a Supporting Role
Maria Bakalova, “Borat Subsequent Moviefilm” (Amazon Studios)
Ellen Burstyn, “Pieces of a Woman” (Netflix)
Amanda Seyfried, “Mank” (Netflix)
Yuh-Jung Youn, “Minari” (A24)

Best Screenplay, Original
“Mank” (Netflix) – Jack Fincher
“Promising Young Woman” (Focus Features) – Emerald Fennell
“The Trial of the Chicago 7” (Netflix) – Aaron Sorkin

Best Screenplay, Adapted
“First Cow” (A24) – Kelly Reichardt and Jonathan Raymond
“Nomadland” (Searchlight Pictures) – Chloé Zhao
“One Night in Miami” (Amazon Studios) – Kemp Powers

Best Animated Film
“Over the Moon” (Netflix)
“Soul” (Pixar)
“Wolfwalkers” (Apple TV Plus/GKIDS)

Best Cinematography
“Mank” (Netflix) – Erik Messerschmidt
“Nomadland” (Searchlight Pictures) – Joshua James Richards
“One Night in Miami” (Amazon Studios) – Tami Reiker

Best Editing
“One Night in Miami” (Amazon Studios) – Tariq Anwar
“Nomadland” (Searchlight Pictures) – Chloé Zhao
“The Trial of the Chicago 7” (Netflix) – Alan Baumgarten

Best Documentary
“All In: The Fight for Democracy” (Amazon Studios)
“Athlete A” (Netflix)
“Crip Camp” (Netflix)
“The Painter and the Thief” (Neon)
“Time” (Amazon Studios)

Best Non-English-Language Film
“Another Round” – Denmark
“Beanpole” – Russia
“The Mole Agent” – Chile
“The Painted Bird” – Czech Republic

Best Ensemble Cast – Casting Director
“Da 5 Bloods” (Netflix) – Kim Coleman
“One Night in Miami” (Amazon Studios) – Kimberly Hardin
“The Trial of the Chicago 7” (Netflix) – Francine Maisler

EDA FEMALE FOCUS AWARDS
(These awards honor WOMEN only)

Best Woman Director
Emerald Fennell, “Promising Young Woman” (Focus Features)
Eliza Hittman, “Never Rarely Sometimes Always” (Focus Features)
Regina King, “One Night in Miami” (Amazon Studios)
Channing Godfrey Peoples, “Miss Juneteenth” (Vertical Entertainment)
Kelly Reichardt, “First Cow” (A24)
Chloé Zhao, “Nomadland” (Searchlight Pictures)

Best Woman Screenwriter
Radha Blank, “The Forty-Year-Old Version” (Netflix)
Emerald Fennell, “Promising Young Woman” (Focus Features)
Eliza Hittman, “Never Rarely Sometimes Always” (Focus Features)
Chloé Zhao, “Nomadland” (Searchlight Pictures)

Best Animated Female
“22” in “Soul” (Pixar) – portrayed by Tina Fey
“Mebh Óg MacTíre” in “Wolfwalkers” (Apple TV Plus/GKIDS) – portrayed by Eva Whittaker
“Robyn Goodfellowe” in “Wolfwalkers” (Apple TV Plus/GKIDS) – portrayed by Honor Kneafsey

Best Woman’s Breakthrough Performance
Radha Blank, “The Forty-Year-Old Version” (Netflix)
Sidney Flanigan, “Never Rarely Sometimes Always” (Focus Features)
Helena Zengel, “News of the World” (Universal Pictures)

Outstanding Achievement by a Woman in the Film Industry
All female heads of film festivals who successfully transitioned from live to online events to sustain festival culture through the pandemic.
All indie female writers and directors who normalized abortion as a vital element in the cultural conversation in films such as “Saint Frances,” “Never Rarely Sometimes Always,” “Sister of the Groom,” “Once Upon a River,” “The Glorias” and others.
Emerald Fennell for creating a film that forces empathy to put an end to the toxic sexist rape culture pervasive through modern history.
Sophia Loren for a brilliant comeback at age 86 in “The Life Ahead,” the latest in her record-setting career. Loren won a Best Actress Oscar in 1962 for “Two Women” and was the first actor to win for a foreign language movie. She was also nominated in 1965 for “Marriage Italian Style.” If she’s nominated in 2021, it will be a 56-year span between her two most recent nominations – the current record is held by Henry Fonda, who had a 41-year gap between nominations.

EDA SPECIAL MENTION AWARDS

Grand Dame Award for defying ageism.
Ellen Burstyn, “Pieces of a Woman” (Netflix)
Tsai Chin, “Lucky Grandma” (Good Deed Entertainment)
Sophia Loren, “The Life Ahead” (Netflix)
Frances McDormand, “Nomadland” (Searchlight Pictures)

Most Egregious Lovers’ Age Difference Award
“The Burnt Orange Heresy” (Sony Pictures Classics) – Elizabeth Debicki and Claes Bang (23 years)
“The Devil All the Time” (Netflix) – Riley Keough and Jason Clarke (20 years)
“Mank” – Amanda Seyfried and Charles Dance (39 years), Gary Oldman (27 years)
“Tenet” – Elizabeth Debicki and Kenneth Branagh (30 years)

She Deserves A New Agent Award
Rose Byrne, “Like a Boss” (Paramount Pictures)
Tiffany Haddish, “Like a Boss” (Paramount Pictures)
Katie Holmes, “Dare to Dream” (Gravitas Ventures)
Uma Thurman, “The War with Grandpa” (101 Studios)

Most Daring Performance Award
Maria Bakalova, “Borat Subsequent Moviefilm” (Amazon Studios)
Haley Bennett, “Swallow” (IFC Films)
Vanessa Kirby, “Pieces of a Woman” (Netflix)
Elisabeth Moss, “The Invisible Man” (Universal Pictures)
Carey Mulligan, “Promising Young Woman” (Focus Features)

Time Waster Remake or Sequel Award
“The Croods: A New Age” (DreamWorks Animation)
“Dolittle” (Universal Pictures)
“Rebecca” (Netflix)

AWFJ Hall of Shame Award
Shia LeBoeuf for his ongoing abusive behavior
Christopher Nolan for insisting that “Tenet” be screened exclusively in theaters during a pandemic.
Dallas Sonnier and Adam Donaghey at Cinestate for sexual harassment, abuse and cover-up.

Weekly Trailer Round-Up: Beautiful Boy, Mile 22, Juliet Naked, The Equalizer 2, The House With A Clock In Its Walls, King of Thieves, Assassination Nation, Mandy


Lisa already wrote about the new trailers for The Predator and Zoe.  Here are some of the other trailers that were released last week.

First up, there’s Beautiful Boy.  Based on the memoirs of both David Sheff and his son, Nic, this movie is based on the true story of David’s struggle to understand and deal with his son’s drug addiction.  It stars Oscar nominees Steve Carell, Timothee Chalamet, and Amy Ryan.  It will be released on October 12th by Amazon Studios, who are hoping that they’ll have the same success with this film that they had with Manchester By The Sea.

And now, to quote the poet Python, for something completely different.  Mile 22 is the latest action film from star Mark Wahlberg and director Peter Berg.  Mile 22 is due to be released on August 17th.

Also due to be released on August 17th is Juliet, Naked.  This Nick Hornby adaptation is about a rock star (Ethan Hawke) and the couple (Rose Byrne and Chris O’Dowd) who are obsessed with his music.  We can expect this one to inspire many comparisons to High Fidelity.

On July 20th, Denzel Washington returns as retired CIA assassin Robert McCall in The Equalizer 2.  In the sequel, he’s investigating the death of a friend from the first film.

The House With A Clock In Its Walls is the latest fantasy film to be based on a children’s book.  It looks like a change of pace for director Eli Roth, if not star Jack Black, and is set to be released on September 21st.

Also based on a young adult novel is The Hate U Give.  Amanda Stenberg plays Starr, a young African-American woman who finds herself at the center of protest and controversy after she witnesses the fatal police shooting of her best friend.  The Hate U Give will be released on October 19th.

King of Thieves is the latest film from The Theory of Everything‘s director, James Marsh.  Michael Caine, Tom Courtenay, Jim Broadbent, Michael Gambon, and Ray Winstone are over-the-hill thieves.  (Didn’t Caine already do this in Going In Style?)  This British film does not yet have an American release date.

In Assassination Nation, the citizens of suburbia become outraged and violent when a data hack leads to all of their darkest secrets being exposed.  (This would never have happened if they had just taken part in the Annual Purge like they were supposed to.)  Assassination Nation will be released on September 21st.

Finally, in Mandy, Nicolas Cage plays a man who seeks revenge on the cultists and demons that killed the woman he loved.  Mandy will be released on September 14th.

Film Review: Insidious: The Last Key (dir by Adam Robitel)


Traditionally, good films are not released in January.

With most filmgoers more interested in catching up with the probable Oscar nominees and no one wanting to spend too much money after Christmas, January has become the month when the studios release all of the low-budget films that they’re hoping they can make a few bucks off before everyone forgets about them.  January is the month that sees sequels to the franchises that have a small but loyal fan base.  Just as last January saw the release of a new Underworld and a new Resident Evil, this January sees the release of Insidious: The Last Key.

Though it would subsequently be overshadowed by The Conjuring and its sequel, the Insidious franchise got off to a good start with the first film in the series.  Released in 2010, the first Insidious was a genuinely scary movie, one that can still give your nightmares if you watch it on a stormy night.  There are so many moments from that film that have stuck with me: the dancing ghost, the red demon suddenly appearing over Patrick Wilson’s shoulder, and the franchise’s first trip to the Further.  Of course, the thing that really elevated Insidious was the performance of Lin Shaye, in the role of demonologist Elise Rainier.  Lin Shaye played Elise with a combination of eccentricity and quiet authority and, from the minute she first showed up, you wanted to know more about Elise’s paranormal career.  Elise was the most popular character in the movie, which made it unfortunate that she was dead by the end of it.

Despite Elise’s death, she’s continued to be at the center of the Insidious franchise.  The first sequel dealt with her death by having her appear as a spirit, leading the hero through the Further.  The third film in the franchise was actually a prequel, dealing with one of Elise’s earlier investigations and showing how she first met her two comedy relief assistants, Tucker (Angus Sampson) and Specs (Leigh Whannell).  The Last Key is another prequel, revealing the details of Elise’s childhood and following her all the way through 2010.  The Last Key ends with a call back to the first Insidious movie, suggesting that the franchise has now come full circle.

The Last Key is another haunted house movie.  This time, the house in question is the one where Elise and her brother (played, as an adult, by Bruce Davison) grew up with their horribly abusive (and possibly demon-possessed) father.  In 2010, the house has been purchased by Ted (Kirk Acevedo).  No sooner has Ted bought the place then it becomes obvious that it’s haunted.  However, Ted can’t just abandon the place because he’s sunk all of his money into this house, which he was hoping to be able to then sell to someone else.  Apparently, you can’t get much money for a haunted house.

(Well, whatever.  I’d pay good money to buy a haunted house and then I would open it to the paying public every October.  I would make a fortune, assuming everyone didn’t get killed.)

Anyway, it all pretty much leads to everything you would expect to happen in an Insidious movie.  Doors open and close.  Malevolent beings appear in the shadows.  Everyone goes to the Further.  Lin Shaye gives another entertaining and fully committed performance, obviously enjoying the chance to be the star of the film.  Nothing about the film is particularly surprising but that doesn’t mean that it isn’t often effective.  Watching this film is a lot like listening to a skilled storyteller tell the story about the girl, her boyfriend, and the escaped mental patient who has a hook for a hand.  You know exactly what’s going to happen.  You know that it none of it really happened.  You know the story is borderline ludicrous.  But you still find yourself jumping at every unexpected sound.  You still find yourself staring into the shadows, wondering if you really saw something moving or if it was just your imagination.

Needless to say, The Last Key is never as effective or as scary as the first Insidious or either of The Conjuring films.  There were a few moments — mostly dealing with Elise’s childhood — where The Last Key showed the potential to be something a little deeper than what I was expecting but those moments were rarely followed up on.  In the end The Last Key is a rather modest and workmanlike horror film, the type that makes you jump while you’re watching it but which you will also probably end up forgetting about a day or two after seeing it. However, for a January horror film, it’s good enough.