Retro Television Review: The Decoy 1.5 “Dream Fix”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

This week, Casey goes after a drug dealer.

Episode 1.5 “Dream Fix”

(Dir by Teddy Sills, originally aired on November 11th, 1957)

This week’s episode opens with Casey walking down a city street.  She tells us that she’s working Juvenile undercover, which apparently means that she just walks around the city and waits for a teenager to do something strange.  When she sees a teenage girl collapse on the sidewalk, Casey runs over to her and looks at the powder in her hand.  Casey tastes it.

“Heroin!” Casey snaps.

(How are cops always able to dip their fingers in random powers and then taste it without anything bad happening?  What if the cocaine turned out to be strychnine?  It just seems like a poor training and an unnecessary risk.)

Joanne Kittridge (Phyllis Newman) is indeed hooked on cocaine and heroin.  However, neither her rich father (Les Damon) or her attorney (Frank Bandimer) want her to work with the police to track down her dealer.  Her attorney arranges for Joanne to be sent to a rehab.  Casey’s lieutenant (played, in this episode, by Simon Oakland) assigns Casey to undercover as a nurse.

In the end, Joanne not only gets straight but she reveals that her drug dealer is her lawyer!  When the attorney pulls a gun on Joanne, Casey pulls her gun and shouts, “Freeze, police!”

This was a good episode, one that was well-acted by the entire cast and which featured Beverly Garland at her best.  (Garland even gets to show off some karate moves when she disarms the attorney.)  That said, it’s starting to bother me how almost all of Casey’s assignments seem to involve her pretending to be someone’s friend.  I get that she’s working undercover but it’s sometimes hard not to wonder what’s going to happen to people like Joanne after they realize that the only reason Casey talked to her in the first place was because someone ordered her to.

Song of the Day: One Headlight by The Wallflowers


We can drive it home with one headlight….

Some songs just get stuck in your head and I think this is definitely one of them.  This is also a song that always used to play in the background at one of my favorite used bookstores.  I associate One Headlight with searching through old books and learning about history.

Scenes That I Love: “Greed is Good” from Wall Street


Today, the Shattered Lens wishes a happy 81st birthday to actor and producer Michael Douglas!

For today’s scene that I love, we have a scene from Oliver Stone’s 1987 film, Wall Street.  In this scene, Michael Douglas plays Gordon Gekko.  Gekko is supposed to be the film’s villain but he’s actually a lot more compelling and, at times, sympathetic than the film’s heroes.  He’s not a judgmental jerk like the union leader played by Martin Sheen.  Nor is he a snitch like his protegee, played by Charlie Sheen.  Instead, Gordon Gekko is honest about who he is.

This is the scene that won Michael Douglas an Oscar.  Watching him in this scene, it’s easy to see why Douglas’s performance supposedly inspired a lot of people to get a job working on Wall Street.  Douglas is so charismatic in this scene that he makes this movie, directed by a future supporter of Bernie Sanders, into one of the best advertisements for capitalism ever filmed.

Late Night Retro Television Review: 1st & Ten 1.11 “Rona’s Fling”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, the Bulls try to keep their season alive.

Episode 1.11 “Rona’s Fling”

(Dir by Bruce Seth Green, originally aired on February 3rd, 1985)

Rona (Ruta Lee) has been Diane’s best friend and biggest supporter since she first appeared during 1st & Ten’s pilot.  And yet I don’t think I’ve ever mentioned her in any of my review because her character just wasn’t that interesting.  She was a sarcastic society maven who was always drinking.  She was a bit of a sitcom cliche and I didn’t really see any need to waste a lot time on her character.

This episode, however, opens with Rona getting out of rehab.  She’s stopped drinking!  And she’s also met a guy, a fellow alcoholic.  Tim (Will Bledsoe) is a young and handsome and he and Rona have great sex.  Tim is also the Bulls’s new punter!  With Tim on the team, the Bulls are guaranteed to make it to the playoffs!  (I never knew punters were so important.)

Meanwhile, the Arcola Brothers are also determined to make sure the Bulls make it to the playoffs.  They bribe a referee.

The referee, however, is knocked out early in the game when two plays collide with him.  However, the Bulls win the game on their own, no doubt thanks to Tim and his amazing punting abilities!  Rona would be happy except she’s recently learned that Tim is married.  Tim was separated when he went into rehab but, once he got out, his wife fell in love with him all over again.

And that’s pretty much the episode.  It wasn’t a bad episode, even if the whole thing with the referee felt a bit anti-climatic.  Ruta Lee gave a good performance as Rona and I appreciated the fact that she was still sober at the end of the episode.  And, hey ….. The Bulls are going to the playoffs!

Thank God for the kicking team, I guess.

Retro Television Review: The Love Boat 6.18 and 6.19 “Isaac’s Aegean Affair/The Captain and The Kid/Poor Rich Man/ The Dean and the Flunkee”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, we have a special two-hour episode!

Episodes 6.18 and 6.19 “Isaac’s Aegean Affair/The Captain and The Kid/Poor Rich Man/ The Dean and the Flunkee”

(Dir by Alan Rafkin, originally aired on February 5th, 1983)

The Love Boat is going to Greece!

This is another one of those two-hour Love Boat episodes.  The crew is assigned to work a Greek cruise.  Love and sight-seeing follow.  Isaac, for instance, falls in love with a passenger named Reesa (Debbie Allen) and even resigns from the crew so that he can spend the rest of his life in Greece with her.  Unfortunately, Isaac forgets to ask Reesa ahead of time and, when Isaac returns to Reesa’s Greek flat, he discovers that she had reconciled with her husband (James A. Watson, Jr.).  It’s back to the Love Boat for Isaac!

Meanwhile, the graduating class of Captain Stubing’s old college is holding their graduation ceremony at the ruins of a Greek temple.  The class  valedictorian (Jameson Parker) give a speech in which he shows appreciation to his Greek aunt (Eva Marie Saint), even though he’s discovered that she’s not as a wealthy as he originally assumed she was.  The Dean (Eddie Albert) is finally convinced to give a makeup exam to a student (Leigh McCloskey) who missed his history final.  A teacher (Shirley Jones) finally agrees to marry the dean.  And Vicki briefly falls in love with a 16 year-old prodigy (Jimmy McNichol) and she gets engaged to him for about an hour or two.  Captain Stubing wonders how Vicki would be able to continue her education if she got married.  I’m wondering how she’s continuing her education while living and working on a cruise ship.

There was a lot going on in this episode but the true star of the show was the Greek scenery.  This episode was filmed on location and, as such, it’s basically a travelogue.  Fortunately, Greece looks beautiful!  Seriously, the 2-hour, on-location episodes of The Love Boat must have been a blast to shoot.

This week?  This week was probably a 10 out of 10 on the How Coked Up Was Julie Scale but hey, she was in Greece.  She had every right to live a little.

Now, I want to take a cruise!

Retro Television Review: Fantasy Island 7.11 “Games People Play/The Sweet Life”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

“Smiles, everyone …. SMILES, DAMMIT!”

Episode 7.11 “Games People Play/The Sweet Life”

(Dir by Cliff Bole and Don Weiss, originally aired on January 14th, 1984)

Three women who all work for a toy company come to Fantasy Island.  Nora Leonard (Lynda Day George) has closed off her heart after getting hurt in too many past relationships.  Barbara Jessup (Jenilee Harrison) wants her boss to look past her appearance and realize that she really does have a brain to go with her beauty.  Sandy Hoffman (Berlinda Tolbert) wants to have the courage to present her ideas….

Oh hey, it’s a Wizard of Oz thing!  Except it’s not.  There’s no Dorothy and there’s no Toto.  There’s a corporate spy named Steven Curry (John McCook), who wants the details of the company’s new video game and who also falls for Nora.  And there’s Dick York as Mr. Sutton, who wears a bowtie as all toy company execs do.

What there is not is an interesting fantasy.  Even with three separate fantasies in one, this storyline was pretty blah.  Everyone seemed a bit bored, even the usually dependable Lynda Day George.

The other fantasy was slightly more interesting, but only because it featured the great character actor Kevin McCarthy as Daniel Koster.  Daniel wanted to give his wife and his children the lifestyle they could have had if Daniel had been rich.  In fact, Daniel sent his family to Fantasy Island ahead of him so that they could enjoy being rich without him around.  (What?)  I was always under the impression that guests at the Island only stayed for a weekend.  Daniel comes to the Island and discovers that his family appears to be very happy, even if his son is still writing bad poetry.  (There’s no money in poetry, Daniel gruffly explains and, as a poet, I can say that’s very true.)  Along with his son’s rhyming habits, Daniel has other things to deal with, like his bad heart.

In fact, Daniel dies of a heart attack while on the Island but not before realizing that his family always loved him, even if they weren’t rich.  Having Daniel die was depressing.  What made it even worse is that Roarke apparently knew Daniel was probably going to die on the Island but he didn’t really seem to do anything to try to prevent it from happening.  Instead, he just made a bunch of cryptic comments to Lawrence about how Daniel’s weekend on Fantasy Island could be his last.  Lawrence looked concerned but didn’t do anything to help.  Why is Lawrence even there?

Eh, this episode.  I always enjoy watching Kevin McCarthy and he gives a typically solid performance but otherwise, this was a disappointing trip to the Island.

Song of the Day: Sweetly, Oh Sweetly by Riz Ortolani and Diana Corsini


Today’s song of the day comes from the soundtrack of Ruggeo Deodato’s The House On The Edge of the Park.  Composed by Riz Ortolani and sung by Diana Corsini, Sweetly Oh Sweetly may sound like an innocent song but its use in Deodato’s controversial film is anything but that.

Late Night Retro Television Review: CHiPs 4.14 “Ponch’s Angels: Part 1”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch protests having to do his job.

Episode 4.14 “Ponch’s Angels: Part 1”

(Dir by John Florea, originally aired on February 28th, 1981)

It’s a busy week for the Highway Patrol!  The marina is full of tourists and carnival-goers.  A group of escaped convicts are trying to get out of town.  A man and his partner are stealing purses.  But all of that pales in comparison to what Jon and Ponch are having to do.

Jon and Ponch are having to train rookies!

Even worse, from their perspective …. the rookies are women!

Ponch protests when he’s given the assignment to train enthusiastic and blonde Melanie Mitchell (Trisha Townsend).  He tells Getraer that Melanie is attractive and that Getraer knows what happens when Ponch gets around attractive women.  Getraer replies that he wants Ponch to train Melanie precisely because Ponch has so many girlfriends.  A man with many girlfriends will be less likely to be tempted.  Okay, Getraer, that’s interesting logic….

And it turns out that Getraer doesn’t know what he’s talking about because this episode ends with Ponch and Melania passionately locking lips.  “TO BE CONTINUED” flashes on the screen so I guess we’ll get to the disciplinary hearing and the subsequent lawsuit next week.

As for Jon, he trains Paula Woods (Barbara Stock), who is as cool and reasonable as Melanie is enthusiastic and impulsive.  Paula tries to flirt with Jon but Jon keeps it all business because Jon is capable of actually doing his job in a professional manner.

What’s odd about this episode is that it’s called Ponch’s Angels, even though Ponch is only training one of the new motorcycle cops.  This season, even the episode titles were all about erasing Jon Baker!

Anyway, as I mentioned, this is the first part of a two-parter.  Apparently, this episode was actually a backdoor pilot for a series that would have focused on Melanie and Paula and it’s easy to see that Melanie was created to be another Ponch while Paula was created to be a female Jon.  Next week, we’ll see if Paula and Melanie can make use of the lessons they were taught by Jon and Ponch.

Retro Television Review: Miami Vice 4.21 “Deliver Us From Evil”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Caitlin makes a fateful return to Miami, an old enemy emerges from the shadows, and Crockett crosses a line that he never thought he would cross.  Will he ever be able to come back?

Episode 4.21 “Deliver Us From Evil”

(Dir by George Mendeluk, originally aired on April 29th, 1989)

At the end of this week’s episode, Crockett executes a man in cold blood!

Whoa!

Now, I should note that the guy that Crockett killed was really, really bad.  Frank Hackman (Guy Boyd) was a hitman who was previously on Death Row for killing one of Crockett’s former partners.  Hackman, who was pretending to be born again and seeking redemption, tricked Crockett into “proving” his innocence and getting his conviction overturned.  Only as Frank left the prison did he smirk at Crockett and reveal that all of the “new” evidence was faked.  It was one of Miami Vice’s darkest episodes.

Frank went back to his old ways, committing crimes and killing families.  Crockett made it his mission to take down Frank but, during a shootout with Frank’s gang, Frank’s wife was caught in the crossfire.  Crockett blamed himself, even though the bullet that killed her came from Frank’s gun.  Frank also blamed Crockett and, while Crockett was struggling with whether or not he wanted to remain a member of the Vice Squd, Frank plotted his revenge.

Caitlin Davies, Crockett’s wife, returned from her European tour.  Unfortunately, her homecoming concert was abruptly ended when she was shot by a sniper.  She died in Crockett’s arms, bringing to an end a marriage that never really made much sense to begin with.

Crockett spent a few days drinking on his boat and then rejoined the Vice Squad, determined to track down Frank.  Castillo did that thing where he narrowed his eyes and looked vaguely concerned but he still allowed Crockett to work the case.  After Crockett and Tubbs learned that Frank was living on a nearby island, Crockett confronted him alone.

“You wouldn’t shoot an unarmed man,” Frank said, smiling while lounging by the pool.

BANG!

Frank was wrong.

It was a powerful moment but one that was diminished by one final shot that showed Frank had been holding a gun in his hand when he was shot.  From what I’ve been able to uncover online, this was apparently added at the insistence of the network, who did not want Crockett to become a cold-blooded killer.  I doubt that would be an issue for the networks today.

Season 4 has been pretty uneven but this was a powerful episode.  As it ended, it definitely seemed as if Crockett had crossed  a line and that he would never again be the same.  Who knows what that might mean for next week’s season finale?

We’ll find out!