Song of the Day: Superman March by John Williams

Posted on April 28, 2025 by Lisa Marie Bowman

Since today is National Superhero Day, it only makes sense that today’s song of the day should John Williams’s rousing Superman March from 1978’s Superman. In this video from 2023, John Williams conducts the Saito Kinen Orchestra.

The TSL Grindhouse: Rebel Rousers (dir by Martin B. Cohen)

Posted on April 28, 2025 by Lisa Marie Bowman

1970’s Rebel Rousers tell the story of what happens when Paul Collier (Cameron Mitchell) arrives in a small desert town, searching for his girlfriend, Karen (Diane Ladd). Karen ran away when she discovered she was pregnant because she was scared that Paul would attempt to force her to get an abortion. While Paul talks to Karen in a cheap motel, a motorcycle gang rides into town. The members of the gang include Randolph (Harry Dean Stanton) and Bunny (Jack Nicholson), who wears striped prison pants and a stocking hat. The leader of the gang is J.J. Weston (Bruce Dern), who went to high school with Paul. They even played on the same football team but their lives have since followed differing paths. (How exactly 30ish Bruce Dern and 50ish Cameron Mitchell could have been in the same high school class is not an issue that the film chooses to explore.)

Paul reunites with Karen and swears his love for her. However, when Paul and Karen run into the motorcycle gang, Karen is kidnapped. Bunny wants to force himself on Karen but J.J. wants to set her free. J.J. challenges Bunny to a series of motorcycle games on the beach. The winner decides what happens to Karen. Meanwhile, Paul heads back to the town in search of help but discovers that almost everyone is too much of a coward to help him out. Only Miguel (Robert Dix), the leader of a rival gang is willing to step up and save the community from the Rebels!

Rebel Rousers was filmed in 1967 but was considered to be so bad that it was put on a shelf and forgotten about until Jack Nicholson suddenly became a star in Easy Rider. Rebel Rousers was released on the drive-in circuit as a Jack Nicholson movie, even though Nicholson is barely in the film and he gives a pretty one-note performance as Bunny. The movie’s star is Cameron Mitchell, who usually played villains and doesn’t seem to be too invested in this film. (Mitchell has such a naturally sinister screen presence that I was actually worried about Paul finding Karen. Bruce Dern and Diane Ladd are the sole members of the cast who really stand out, with Dern taking on the type of cool rebel role that was usually played by Peter Fonda while Ladd (pregnant at the time with Laura Dern) actually manages to bring some real emotional depth to her character. The movie itself was obviously made for next to nothing and it seems like it was shot in a hurry. Everything feels like a first take or, even worse, like a rehearsal that was deemed “good enough.” The competition between Bunny and J.J. ultimately feels mostly like filler than anything else.

Rebel Rousers is one of the more obscure entries in Jack Nicholson’s filmography. If not for the success of Easy Rider, it never would have been released at all. By the time Rebel Rousers did come out, Jack Nicholson was too busy establishing himself as one of the best leading men of the 70s to spend too much time looking back. Today, watching this film can make it easier to understand why Nicholson was considering dropping out of Hollywood all together before he was cast in Easy Rider. That said, the film today serves as a reminder that everyone started somewhere and sometimes, the somewhere is the second feature at the grindhouse.

Music Video of the Day: Innocent Money by Primal Scream (2025, dir by Douglas Hart)

Posted on April 28, 2025 by Lisa Marie Bowman

Today’s music video of the day is the latest from Primal Scream.

Personally, I like money.

Enjoy!

Late Night Retro Television Review: Degrassi High 2.2 “Bad Blood: Part Two”

Posted on April 27, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991! The series can be streamed on YouTube and Tubi

This week, Dwayne gets some life-changing news.

Episode 2.2 “Bad Blood: Part Two”

(Dir by Kit Hood, originally aired on November 12th, 1990)

After his summer girlfriend informs him that she’s tested positive for HIV, Dwayne goes to the local clinic to get tested. He’s understandably nervous as the doctor draws his blood. The doctor mentions that Dwayne is in a high-risk group because he had sex without a condom. Dwayne gives about twenty different excuses for why he didn’t use a condom. The doctor looks on, disappointed. Two weeks later, Dwayne returns to the clinic and is informed that he has tested positive for HIV. The doctor informs Dwayne that he’s going to have to start living life differently. He’s going to have to take care of himself. He’s going to have to give up any plans he ever had of being a father. He’s going to have to be careful when it comes to his blood.

At school, Dwayne takes out his anger on one of the condom machines in the bathroom. Wheels witnesses this and quickly runs off to tell Joey. Joey still needs a little over $300 to get his car. He also needs some money to pay everyone who took a bet on the previous episode’s attempt to walk through the cafeteria naked. Joey decides to blackmail Dwayne to get the money. (Joey has figured out that Dwayne is the one who snitched to Raditch about the walk through the cafeteria so Joey feels that Dwayne owes him the money regardless.) When Joey confronts Dwayne in the boys bathroom, it leads to another fight. Joey cuts his head. Dwayne ends up with a bloody nose. As soon as Dwayne sees that he’s bleeding, he backs off and tries to end the fight. Joey taunts Dwayne for being scared of a little blood.

“What if I have AIDS!?” Dwayne yells back.

Joey laughs off Dwayne’s comment, which leads to Dwayne throwing a fit and shouting that he didn’t do anything wrong. Joey figures out that Dwayne actually is HIV+. Later, Dwayne gives Joey the three hundred dollars in return for Joey not telling anyone. “We’re getting a car!” Snake and Wheels celebrate but the look on Joey’s face indicates that Joey is not happy about the way he got the money. In other words, Joey has a conscience! Yay, Joey!

And so does Dwayne. One of the things that Degrassi did very well was that it took characters who conformed to certain stereotypes and then dug underneath the surface and revealed that everyone — even the school bully — had their own individual fears and dreams. This episode finds Dwayne’s bravado crumbling as he’s forced to face his future as someone who is HIV positive. Darrin Brown, who is now a director, did a great job as Dwayne as did Pat Mastroianni as Joey. Both of them really grew as actors over the course of Degrassi Junior High and Degrassi High.

While that was going, BLT finally broke up with Michelle. Michelle was not happy. Eh, who cares? This was a good episode but BLT and Michelle were a boring couple and it’s hard to get overly worked up about them splitting up. Dwayne had a real isssue to deal with. Michelle will eventually find someone else willing to deal with her nonstop drama. Such is the way of the world.

One final note: in this episode, Lucy is shooting a video for L.D. Spike appears with her baby, Emma. Emma says, “Hi, L.D.” These were the first of many words to be spoken by Emma Nelson on Degrassi. (Emma, of course, will grow up to be one of the leads on Degrassi: The Next Generation. We’ve got a while to go before we reach that point, though.)

Song of the Day: Alla luce del giorna by Ennio Morricone

Posted on April 27, 2025 by Lisa Marie Bowman

How about a little Morricone for today’s song of the day? This comes from the score of 1969’s Metti Una Sera A Cena.

Retro Television Review: Homicide: Life On The Street 3.9 “Nothing Personal”

Posted on April 27, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week, Felton again proves himself to be the most incompetent cop in Baltimore.

Episode 3.9 “Nothing Personal”

(Dir by Timothy Van Patten, originally aired on April 21st, 1995)

Woe be anyone whose murder is investigating by Detective Beau Felton.

Felton (played by Daniel Baldwin) shambles his way through this episode, his hair a greasy mess and his eyes bloodshot. The episode takes place over the course of several days and Felton doesn’t change his clothes once. Just looking at him, one can smell the pungent mix of sweat, cigarettes, and booze. Felton is searching for his wife and his son. In this episode, his mother-in-law tells him that his wife is planning on coming home, just for her to change her mind at the last moment. On the one hand, I do feel a bit bad for Felton, even if he was an absolutely terrible husband. On the other hand, he’s got an important job and, right now, he sucks at it. His decision to go back to Megan Russert’s place after he talks to his mother-in-law definitely does not make him in any way extra sympathetic.

Poor Kay! She has been just been assigned the Chilton murder, which was one of Crosetti’s unsolved cases and now her 100% clearance rate is threatened. The case is considered to be unsolvable. Someone strangled Erica Chilton. Her husband (Dean Winters) gives Kay and Felton a stack of letters that were sent by Erica’s secret lover. Alcoholic Felton loses the letters. The episode ends with Kay reluctantly accepting that she might never solve the case. Personally, I think Kay should consider that the victim’s husband is played by Dean Winters. With the exception of Law & Order: SVU, I have never seen Dean Winters appear on a show like this without eventually turning out to be the murderer and the fact that he had a huge stack of letters from Erica’s boyfriend would give him a motive. See, Kay? I solved your case for you!

Meanwhile, Giardello goes out to lunch with Megan Russert and one of her friends. Russert wants to set them up. Giardello is interested but Russert’s friend isn’t. Giardello, in a wonderfully performed moment (all hail Yaphet Kotto), tells Russert that he feels that light-skinned black women always reject him because he’s “too black.” Russert says that’s ridiculous, just for Giardello to reply that, as a “white woman,” she wouldn’t understand. Giardello spends the rest of the episode depressed. It’s always interesting whenever Giardello, who is usually so imposing, let’s down his guard a bit and reveals his emotions. Kotto always did a great job playing Giardello, regardless of whether Giardello was ordering Pembleton to work with Bayliss or just trying to avoid doing his laundry with Munch.

Speaking of Munch, the Waterfront Bar continues to be a headache. Lewis, Bayliss, and Munch have finally purchased their bar but it turns out that the former owner is not allowed to leave behind any of the liquor that she previously had at the bar. So, the three partners are going to have to pay for all their liquor themselves. The Waterfront Bar storyline has been dragged out a bit but it is a storyline that shows just how difficult it is to start a business in an overregulated state. So, it appeals to be my libertarian side.

There were a lot of good moments in this episode, even if I am getting a bit tired of Felton and his incompetence. One thing that I’ve really enjoyed about this season is how much Kay and Russert seem to sincerely dislike each other. This episode featured Russet calling Kay out for obsessing over her perfect clearance rate and Kay’s barely pent up irritation was entertaining to watch. Still, I do find myself wondering why Russet is always at the station, even though her shift is over. Seriously, Russert, spend some time with your child and tell Felton to get off your damn couch! There’s murders that need to be solved.

Music Video of the Day: 77 by Billy Idol, featuring Avril Lavigne (2025, dir by Spencer Ramsey)

Posted on April 27, 2025 by Lisa Marie Bowman

In this song, Billy Idol remembers the year 1977, fighting in the streets and upsetting the establishment. A time traveling Avril Lavigne helps out.

Enjoy!

Late Night Retro Television Review: Check It Out 3.14 “Marlene For Hire”

Posted on April 26, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi and Peacock!

It’s Christmas in Canada!

Episode 3.14 “Marlene For Hire”

(Dir by Alan Erlich, originally aired on December 12th, 1987)

A married couple who shops at C0bb’s — Cindy (Lynne Cormack) and Ron (Hal Eisen) — ask Marlene is she’ll be a surrogate mother for them. Once Marlene figures out that they’re not asking her to become a swinger, she agrees. But then, during a doctor’s visit, Marlene is told that she’s “not a good candidate” to be a surrogate mother. It’s a bit of an odd storyline because the biggest part of the story — the visit with the doctor — occurs totally off-screen. We only hear about it when Marlene talks to Edna about it.

Still, Marlene does confess that she is somewhat relieved because she doesn’t think she would have been able to actually give the baby up. Edna, who has been in a loveless relationship with Howard for what seems like a decade, starts to cry. Awwww! It’s a sad scene, really. It’s also the type of scene that would not have worked during the first or second seasons of the show, when all of the characters were a bit too cartoonish to really touch the viewer’s heart. The third season has been a marked improvement. Kathleen Laskey and Dinah Christie both gave good performances in their scene together, making it far more poignant than I would ever expect an episode of Check It Out! to be.

As for the other storyline, there’s a contest to see which store can build the best Holiday display. (It’s a Christmas episode.) Howard goes with a manger scene, which would probably get the store sued nowadays. Leslie wants to make a manger out of bread but Howard says that’s a foolish idea. In the end, the judge says that he loves Howard’s display but the winner is another Cobb’s that made their manger out of …. wait for it! …. bread!

As I said, it’s a bit of an odd episode but it actually worked because of the — and I can’t believe I’m saying this — strength of the ensemble. After two seasons of everyone acting as if they were all appearing in different shows, the third season has found the cast really clicking. Kathleen Laskey and Dinah Christie handled the em0tional part of the show while Jeff Pustil, Aaron Schwartz, and Don Adams handled the comedy as they bickered over the best way to build a manger.

In other words, this was a good epioode. It’s a Christmas miracle!

The Eric Roberts Collection: Dawn (dir by Nicholas Ryan)

Posted on April 26, 2025 by Lisa Marie Bowman

2022’s Dawn has a running time of 78 minutes. Eric Roberts is in the film but unfortunately, his nameless character is killed off at the four minute mark. It’s a bit of a pointless cameo, even by Eric Roberts’s standards. If you’re going to get Eric Roberts in your film, do something more than just have him pathetically beg for his life. Is it worth watching a 78-minute Eric Roberts film if you already know that Roberts is going to be in at least 74 of those minutes?

Eric Roberts’s character is killed by Dawn (Jackie Moore), a serial killer who drives around and pretends to be an Uber driver and who makes her victim play various games before killing them. Dawn is a celebrity on the Dark Web. It’s always funny to me how movies like this pretty much use the Dark Web as their go-to plot device. If someone needs a motivation …. hey, Dark Web! If a plot twist doesn’t make any sense, just say it’s somehow connected to the Dark Web or a Russian troll farm. It’s not difficult. Since the entire film is pretty much just Dawn tormenting a couple (played by Sarah French and Jared Cohn), it’s important that Dawn be such a charismatic and witty killer that we’re willing to put up with antisocial actions. Unfortunately, as played by Moore, she’s just annoying.

Roberts is not the only celebrity to make an appearance as Dawn. In one of the film’s few effective moments, Nicholas Brendon shows up as a man at a gas station who is a huge fan of Dawn’s and who wants her to murder him. Later, Michael Pare shows up as a cop who pulls over the car. How many times has Pare played a cop in movies like this? He always seems to be pulling someone over.

Anyway, it didn’t take me long to get bored with this, despite the fact that both French and Cohn gave better performances than the film deserved. There’s only so much that can be explained away by saying, “Dark Web.”

Previous Eric Roberts Films That We Have Reviewed: