Late Night Retro Television Review: Freddy’s Nightmares 2.1 “Dream Come True”

Posted on February 6, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, we begin the second season! Welcome back to Springwood!

Season 2.1 “Dream Come True”

(Dir by George Kaczender, originally aired on October 8th, 1989)

The second season of Freddy’s Nightmares features Freddy getting involved in the action.

The first story features Freddy haunting the nightmares of teenager Randy Jennings (David Kaufman), who has only recently moved to Springwood with his mother, Cathy (Linda Miller). Randy is having nightmares about Freddy so his mother buys tickets to attend a talk show hosted by Stan Brooks (Jay Thomas). Stan’s guest is therapist Dr. Brandon Kefler (Scott Marlowe), who has written a book about nightmares. Cathy begs Brandon to see Randy and, after being pressured by Stan, Brandon agrees. Stan arranges for cameraman Garry Heath (Gerard Prendergrast) to film the session.

At the Jennings home, Brandon talks to Randy about his nightmares. Brandon’s therapy seems to work as, afterwards, Randy is able to sleep peacefully and without having any nightmares. However, it turns out that Freddy just jumped from Randy’s mind to Brandon’s! (Hey, didn’t almost the same thing happen in a movie, something about an exorcism….) Soon, Brandon is the one who is having nightmares and being driven mad by visions….

As for the second story, it deals with Garry the cameraman and his belief that Freddy Kruger is real. One reason why Garry believes that Freddy is real is because Freddy keeps showing up in footage that he’s filmed. Unfortunately, no one else can see Freddy, certainly not Garry’s boss (Charles Cyphers). Even more unfortunately, the body of Garry’s girlfriend is found in a dumpster and the police aren’t buying Garry’s story that Freddy did it….

This episode actually wasn’t that bad, especially compared to some of the episodes that aired during the show’s first season. Perhaps it’s because this episode was the first of the season and the production budget hadn’t gone dry yet but Dream Come True actually features some adequate production values. The house looks like a real house. The television studio looks like a place where something would actually be filmed. The abandoned warehouse with Garry tries to confront Freddy is actually an atmospheric location and the episode even manages to generate a little suspense, even if neither plot is particularly original. Both Scott Marlowe and Gerard Pendergrast give decent performances in their stories and, as always, Robert Englund is a properly evil Freddy.

(That said, the show did manage to misspell Charles Cyphers’s name in the opening credits, despite the fact that he was this episode’s big guest star. I did a double take when I saw “Charles Syphers,” on my screen. Seriously, the man was Sherriff Brackett!)

Despite getting Charles Cypher’s name wrong, this was still a good start to the final season. It’ll be interesting to see if the remaining episodes live up to it.

Retro Television Review: St. Elsewhere 3.8 “Sweet Dreams”

Posted on February 6, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.

I miss when this show on Hulu and available to rent on Prime. The Daily Motion uploads are not the best (especially where sound quality is concerned) but, for now at least, that’s what I’m having to go with.

Episode 3.8 “Sweet Dreams”

(Dir by Mark Tinker, originally aired on November 14th, 1984)

This week’s episode was all about sleep and the dreams that might come with sleep.

Westphall, as usual, gets the most depressing storyline. He can’t sleep. He has insomnia. Of course, he does. Anything depressing that doesn’t happen to Dr. Morrison will inevitably happen to Dr. Westphall instead.

Dr. Craig tries to figure out why one of his patients died in his sleep with a terrified look on his face. Can a nightmare cause someone to have a heart attack?

Dr. Cavanero diagnoses a man with sleep apnea.

Meanwhile, we get a peek at the dreams of three members of the St. Elsewhere staff.

Luther dreams of being kicked out of the hospital by two security guards. Fortunately, ZZ Top is standing outside of the hospital and they order three women to kidnap Luther in a big red car and turn him into a sharp-dressed man. Luther and his new friends invade the hospital, toss out the security guards, and invite Warren Coolidge to come hang out with them. ZZ Top performs Legs, which seems odd since the song is about a woman who has legs and knows how to use them but Luther is the one getting the makeover. Well, whatever. It’s a cute dream and a nice break from Dr. Westphall looking depressed.

Both Victor and Jack agree to take part in a sleep study. Victor is yanked out of the study by Dr. Craig but, before that happens, we do get to see Victor’s dream of washing up on an island that is ruled by Amazons.

As for Jack Morrison’s recurring dream, it’s just about as dark as you would expect when it comes to the only character who has suffered more heartache than Dr. Westphall. In Morrison’s dream, he finds himself wandering around the deserted hospital. He hears someone playing Led Zeppelin in the morgue. He goes down there and discovers Peter White waiting for him.

Morrison and White speak. Even in death, White is whiny and defensive. Morrison repeatedly asks whether or not White was the ski mask rapist and, every time, White refuses to give a direct answer. However, when Morrison is about to leave the morgue, White is suddenly wearing a blue ski mask. Morrison wakes up from each dream with a jolt, terrified to face the truth about the man who he defended against his better judgment.

(I have to admit that, if I was a nurse or a doctor at St. Eligius, I would have mixed feelings about Morrison. Yes, he seems to be well-meaning and he’s suffered his share of tragedy. But the fact that he continued to be a friend — albeit with a certain ambivalence — to Dr. White would make me very uncomfortable. I know that Morrison would probably point out that Dr. White was acquitted but everyone at the hospital knew he was guilty. Everyone but Morrison, apparently.)

This was a good episode and a bit of a reset after all the drama of the Peter White storyline. Well-directed, well-acted, and very atmospheric, this was St. Elsewhere at its best.

Late Night Retro Television Review: Highway to Heaven 5.6 “The Source”

Posted on February 5, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

This week, Jonathan and Mark are once again teaching high school.

Episode 5.6 “The Source”

(Dir by Michael Landon, originally aired on June 9th, 1989)

This week, Jonathan and Mark are back in high school …. again!

This time, Mark is teaching sex ed. (Ha ha, the Boss sure does love embarrassing Mark!) Meanwhile, Jonathan is the faculty advisor to the school newspaper. When a school bus crashes, two enterprising student journalists — Doug (Scott Fults) and Colin (Andy Lauer) — decide that they’re going to get to the bottom of what happened. All the evidence shows that it was just a freak accident and that bus driver Larry Nichols (Dack Rambo) is not to blame. However, a student on the bus named Ellen (Kim Walker) tells Doug and Colin that, before the crash, Larry was flirting with her and not watching the road. After Doug and Colin agree to protect Ellen’s identity, they write a story about Larry, the adult bus driver who was too busy flirting with an underage girl to take that curve.

Doug and Colin think that they’re going to win a Pulitzer but Jonathan says, “Hold on, we can’t publish this!” However, the school’s principal (Alan Fudge) disagrees because Colin just happens to be his son. The story is published and Larry loses his job. Doug and Colin are feeling pretty proud of themselves but then they just happen to come across Ellen’s notebook in the school’s copy room. (Jonathan, using “the Stuff,” switched out his notebook for Ellen’s.) Doug and Colin read the notebook and discover that Ellen has a crush on Larry and that Ellen lied about him flirting with her.

Doug and Colin retract the story and learn a lesson about journalistic responsibility. Ellen, even though Colin and Doug continue to protect her identity, leaves with Jonathan so that she can apologize to Larry face-to-face. (We don’t actually see the apology. I have a feeling that it probably didn’t go well.) As the episode ends, two women look at the newspaper and agree that, retraction or no retraction, Larry was definitely guilty. We then hear Jonathan’s voice telling us that the first amendment is too important to be abused.

That’s an important message and a timely one. Watching this episode, it was hard not to consider that, for the past few weeks, people in this country have been arguing about whether or not the first amendment applies more to a self-employed YouTuber who stormed a church service or the people in the church who were worshipping at the time. There’s a lot of earnest sincerity to be found in this episode of Highway to Heaven but, that said, the execution is pretty heavy-handed. Even by the standards of this show, there’s not much subtlety to be found here.

An even bigger problem is that this episode can’t seem to decide whether Ellen is meant to be a shy teenager who made a mistake or a full-blown sociopath. I think this episode would have worked better if Colin and Doug heard rumors that they reported as fact as opposed to Ellen just flat-out lying to them. Once Ellen lies, it’s hard not to feel that the focus should be less on Colin and Doug learning a lesson and more on Ellen getting some sort of psychiatric help.

This episode was typical of season 5. It was sincere but just a bit too on-the-nose.

Retro Television Review: Decoy 1.19 “The Challenger”

Posted on February 5, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!

This week, Casey gets involved in dark and dirty world of professional boxing!

Episode 1.19 “The Challenger”

(Dir by Stuart Rosenberg, originally aired on February 17th, 1958)

Up-and-c0ming boxer Lenny Capper (Bob Carraway) has a chance to become the middle weight champion of the world but a local mobster known as The Bull (Vincent Gardenia) wants Lenny to throw the fight. First, the Bull has his goons beat up Lenny’s manager, Hecky (Frank Sutton). Then the Bull attempts to spike Lenny’s orange juice. Luckily, Casey is there to switch out the spiked orange juice with a glass of freshly squeezed orange juice. With the power of citrus goodness backing him up, Lenny is able to win the fight and the Bull and his goons are arrested.

This episode was kind of boring. Until it was time for her to switch out the orange juice, Casey spent most of this episode as an observer. The majority of the episode was taken up with scenes of Carraway, Sutton, and Gardenia playing out the very familiar story of the honest lunk-headed boxer with a streetwise manager and a gangster demanding that he throw the big fight. The only thing that was messing was someone to say, “I coulda been somebody, Charlie! I coulda been a contender!”

Casey didn’t even really get to go undercover in this episode. She attended a boxing match and then she just kind of hung around in the locker room. If I was working a case that involved the world of boxing, I would at least want to get dressed up for one of the matches. I would demand to wear the dress that Amy Adams wore whenever she went to Mark Wahlberg’s fights in The Fighter. I would also insist that How You Like Me Now be played while The Bull and his men were being marched out to the paddy wagon.

In the end, the main problem with this episode is that it wasn’t really a Casey Jones story. Instead, it was just a standard boxing tale with Casey rather awkwardly inserted into the action. That said, as the episode ends, Casey looks at the camera and tells us that it takes a lot of work to be the middleweight champion of the world. And then she smokes a cigarette because, even in an episode like this one, Casey was the coolest person in New York.

Late Night Retro Television Review: 1st & 10 3.2 “A Second Chance Once Removed”)

Posted on February 4, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, OJ Simpson makes things awkward.

Episode 3.2 “A Second Chance Once Removed”

(Dir by Stan Lathan, originally aired on August 12th, 1987)

With Coach Denardo no longer around, Diana has kept her promise and promoted Fred Grier to head coach. However, Diana’s boyfriend and the new co-owner of the Bulls, Teddy, wants to hire T.D.’s old college coach, Red Macklin (John Robinson). Though T.D. isn’t comfortable with the idea of betraying Fred or doing anything behind Diana’s back, he does agree that Macklin would be a better coach. After an argument with his wife, T.D. flies out to his old college.

T.D. doesn’t do a very good job of selling the team to Macklin. Macklin finally says, “You don’t want to be the head coach of the Bulls, do you?” T.D. says that he does but the position has already been given to Fred and T.D. doesn’t believe in doing things without being upfront with everyone because …. well, I’ll let T.D. explain it….

This episode is a good example of what happens when one of a show’s main characters is played by someone who is now best-known for somehow getting acquitted of stabbing his ex-wife and a waiter to death. Even the most innocuous of lines seem to take on an entirely different meaning. I have to admit that I cringed every time T.D.’s wife called and said that he was working too hard and spending too much time with the team. No, I wanted to yell, don’t make him mad….

As for the rest of the episode, it largely dealt with training camp. Veteran defensive player John Manzak (John Matuszak) fears that he won’t make the team. There’s a young rookie who seems to have more energy and strength than him. However, Manzak has a secret weapon …. steroids! I cannot imagine that this is going to end well.

Meanwhile, the government wants to deport the Bulgarian kicker, Zagreb (John Kassir). Zagreb applies for political asylum but it turns out that his father is some sort of official in the Bulgarian government and, as such, Zagreb would not be in any danger if he was sent back home. (I don’t really follow that logic, to be honest. Communist dictators, like Zagreb’s father, are notoriously unsentimental when it comes to their children. Fidel Castro had children all over the world and he didn’t leave Cuba to a single one of them. Instead, Justin had to settle for Canada.) Diana has a solution, though. They have to find Zagreb a wife. Again, I cannot imagine that this is going to end well.

Meanwhile, Yinessa is still holding out for money, Bubba is still arguing with his wife, and I’m still not sure what Jethro does on the team.

This episode of 1st & Ten …. actually, it wasn’t that bad. I could actually follow the story for once and it didn’t feel like it had been cut to ribbons for syndication. John Matuszak actually gave a very touching performance as a player who might be past his prime. Hopefully, things will work out for him. We’ll find out next week!

Retro Television Review: The Love Boat 7.6 “Friend of the Family/Affair on Demand/Just Another Pretty Face”

Posted on February 4, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week, the cruise is not especially pleasant.

Episode 7.6 “Friend of the Family/Affair on Demand/Just Another Pretty Face”

(Dir by Ted Lange, originally aired on October 29th, 1983)

This week, Herbert (Gordon Jump) and Anita (Florence Henderson) are setting sail. Herbert and Anita have been married for 25 years and Herbert has never cheated on Anita. However, as he tells his old friend Isaac, he’s decided that it’s finally time for him to have his first affair. He’s even decided to trick Anita into giving her approval. Herbert is an insurance agent and he shows Anita an article that suggests that men who don’t cheat are more likely to succumb to a heart attack. Anita is so concerned that she not only gives Herbert permission to cheat but she decides that maybe she should have an affair as well….

Needless to say, Anita knows exactly what Herbert was trying to do with the article and, once she’s played her practical joke, she is surprisingly forgiving. I probably would not have been. Then again, Herbert does promise to buy her a sable coat to make up for attempting to cheat on her.

Meanwhile, Jack (Robert Reed) is dating Leslie (Deborah Shelton), the much younger daughter of his best friend, Bill (Clint Walker). Bill is not happy when he learns about this and orders Jack to stay away from his daughter. Fortunately, Bill’s wife (Cathryn Damon) is able to show Bill the error of his ways. Leslie gets to fulfil everyone’s fantasy of dating a tall, thin, neat, single 60 year-old with a mustache.

(Yes, Robert Reed and Florence Henderson do both appear in this episode but they only share one scene. While getting breakfast out by the pool, they see each other and give each other a questioning look before shaking their heads. Personally, I think this episode would have been a classic if it had featured Robert Reed as the husband trying to trick Florence Henderson into giving him permission to cheat.)

Finally, Deanna (Kim Lankford), the spoiled niece of one of the cruise line’s executives, boarded the boat and immediately developed a crush on Gopher. I don’t blame her. Gopher can be adorable when he wants to be. But, as with the other two storylines, something just felt off here. Gopher being such a passive character didn’t quite feel right for who the character has become by season 7. This felt like a season 1 Gopher plot.

This episode didn’t do much for me, which is a surprise considering that it was directed by the usually dependable Ted Lange. It was hard to sympathize with any of the passengers and the crew just seemed to be going through the motions. Usually, I love The Love Boat but this episode didn’t work for me.

Late Night Retro Television Review: Pacific Blue 3.13 “Avenging Angel”

Posted on February 3, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, two vigilantes disturb the peace, Cory meets a special guest star, and everyone continues to look stupid on their little bicycles.

Episode 3.13 “Avenging Angel”

(Dir by Terence H. Winkless, originally aired on December 14th, 1997)

This episode was dumb.

Cory is haunted by nightmares involving her mother, who died when Cory was 10. In her latest nightmare, she runs into her mother at a crime scene and her mom shoots her! Chris thinks that’s an odd dream and she’s right. Cory explains that her mom is just trying to get her attention. Cory believes that her mom is her guardian angel. Chris doesn’t know how to react to this because Cory is expressing an emotion that doesn’t involve being snarky or self-righteous.

When Cory is injured while chasing two Korean brothers (we’ll get to them in a minute), she has to go to rehab. Luckily, Olympic track medalist Florence Griffith Joyner is a patient at the same rehab clinic. Joyner takes Cory under her wing and encourages her to work hard and get her knee back into shape. When Cory says she’s thinking of leaving the force, Joyner tells her not to. “Thanks, FloJo,” Cory replies.

(Yes, Florence Griffith Joyner played herself. As an actress, she was a good athlete.)

As for the two Korean brothers, they are vigilantes who are beating up criminals on the boardwalk and becoming celebrities in their own right. Palermo views them as being a threat to the peace and he’s determined to catch them. Meanwhile, the Mob is determined to kill them and a very annoying talent agent is determined to sign them.

Ugh, what a stupid episode. Usually, I’m a sucker for episodes that deal with people coming to terms with the death of a parent. That’s something to which I can relate. I have no doubt that my mom is also looking over me. But, as much as I wanted to fully embrace Cory’s story, I couldn’t get past the fact that she went to rehab and just happened to meet an Olympic athlete. Maybe if Joyner has been a better actress, this storyline would have worked but, as it was, it just felt forced. There was really no reason why Joyner should have been so wrapped up in whether or not Cory decided to remain with the force.

As for the stuff with the brothers, the entire plotline felt like filler. The brothers couldn’t act. The actors playing the gangsters who wanted to kill the brothers couldn’t act. The talent agents who kept popping up and talking about how much they wanted to sign the brother, they also couldn’t act.

This episode was just painful and all the rehab in the world isn’t going to change that.

Retro Television Review: Saved By The Bell: The New Class 1.3 “A Kicking Weasel”

Posted on February 3, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00. The show is currently on Prime.

This week, Scott and Tommy D attempt to exploit Weasel’s happiness for their own monetary gain. Ah, that’s classic Bayside!

Episode 1.3 “A Kicking Weasel”

(Dir by Don Barnhart, originally aired on September 25th, 1993)

It’s been ten years since Bayside had a good football team!

That’s what Scott tell us at the start of this episode. Scott explains that the Bayside student body has no enthusiasm for football. No one cares because the team always loses and, as such, even Mr. Belding is more concerned with the school’s ping pong team.

To which I say, “What?”

Seriously, every Saved By The Bell fan knows that A.C. Slater led the Bayside Tigers to victory after victory. With the help of Ox and all the other players, Slater made Bayside into a football powerhouse.

This can only mean one of two things. Saved By The Bell: The New Class is either taking place ten years after Saved By The Bell (possible but I doubt it due to the fact that Screech is coming back next season) or that the writers just didn’t care about continuity. I’ll go with the latter.

Things are looking up for the football team, though. It turns out that Weasel can actually kick the ball! He goes from being the waterboy to the cornerstone of the team’s offense. But Weasel can only kick well when he’s angry. When he’s not angry, he’s too mellow. When he become a football star, he’s happy. He mellows out.

That’s bad news for Scott and Tommy D, who are looking to make a fortune by selling Weasel t-shirts! Tommy D agreed to embezzle the seed money from the print shop fund. (Hey, that’s a crime!) In return, Scott fixed the varsity cheerleader tryouts so that Lindsay beat out both Megan and Vicki. When Linsday finds out that the tryouts were fixed, she refuses to cheer. That makes Weasel mad and he ends up winning the game with 11 field goals. Lindsay, meanwhile. gets her revenge by telling Belding that Scott and Tommy D will be donating all of the t-shirt profits to the ping pong team.

This episode …. actually, I’m going to surprise myself by saying that it wasn’t that bad. Yes, the plot was way too busy for its own good and Scott’s constant scheming feels like what it was, a bad imitation of Zack Morris. But, in the role of Weasel, Isaac Lidsky actually gave a pretty good sympathetic performance. (Weasel was never as annoying as Screech, largely due to Lidsky.) Jonathan Angel delivered his dialogue with the right amount of dumb earnestness and it was nice to see the Bayside nerds end up winning for once. All in all, this one really wasn’t bad.

Late Night Retro Television Review: CHiPs 5.7 “Bomb Run”

Posted on February 2, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

Who will be Jon’s partner this week? Read on to find out!

Episode 5.7 “Bomb Run”

(Dir by Phil Bondelli, originally aired on November 15th, 1981)

I was really hoping that this would be another episode with Caitlyn Jenner playing Steve but no, Ponch was back. (Erik Estrada is the better actor of the two but Jenner’s performance is often so bizarre in its utter blandness that it becomes fascinating to watch.) This episode opened with Baker observing as Ponch piloted a small airplane. CHiPs was all about the California lifestyle and apparently, a big part of that lifestyle was being able to take off in a small private plane whenever you felt like it. Ponch thinks that he’s ready for a solo flight but Baker tells him that he still needs to work on his landing skills. Sorry, Ponch, you’re not a Kennedy.

The highway patrol is preparing for the big air show. Officer Baricza (Brodie Greer) is surprised when he sees his ex-girlfriend, Terri (Kristin Griffith), hanging out around an airplane and preparing to take part in the show despite the fact that she has always been scared of flying. What Baricza does not know is that Terri and her father (Ed King) have planned a big robbery to take place during the air show. While Terri drops bombs from the airplane, the explosions will cover the sound of two safecrackers (played by Brion James and Taylor Lacher) blowing open a safe and stealing a bunch of bearer bonds. However, things get complicated when the safecrackers illegally park their car (which leads to a helicopter towing it off, carrying it through the sky). Things get even more complicated when Terri’s father has a heart attack when they’re in the air and Baker and Ponch have to perform a mid-air rescue.

So, how does Baricza react to his ex-girlfriend being a criminal? We never find out. Ponch roughly lands Terri’s plane and then show pretty much ends. As a result, we don’t know what happens to Terri and her father. We don’t know if the police succeeded in catching the safecrackers. We don’t even know if Terri’s father merely passed out or if he actually died up there. Instead, Getraer makes a joke about Ponch’s terrible landing skills and we get the familiar CHiPs freeze frame.

This episode featured a lot of airshow stock footage and it was pretty obvious that the plot was secondary to showing off all of the planes doing fancy maneuvers in the sky. It felt a bit lazy on the part of the show’s producers but I also imagine that this episode was also fairly cheap to produce. There’s more stock footage than plot. As a result, the ending is a bit unsatisfying. Is Baricza upset about Terri being a criminal? Who knows? He certainly does seem to be amused by Ponch’s landing though!

Retro Television Review: Miami Vice 5.13 “The Cell Within”

Posted on February 2, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

This week, Tubbs gets kidnapped and the entire episode is oddly dull. Presumably because it’s the final season and no one was paying attention, the show took a risk and it did not pay off.

Episode 5.13 “The Cell Within”

(Dir by Michael B. Hoggan, originally aired on March 10th, 1989)

Former criminal Jake Manning (John P. Ryan) has apparently reformed himself. As getting busted by Tubbs, Manning spent years in a tiny cell where he read Shakespeare and Dostoevsky. Sponsored by renegade film director Robert Phelps (L.M. Kit Carson), Jake is now a free man and a published author. Tubbs is convinced that Jake has changed his ways and when Jake invites him to a dinner party, Tubbs accepts.

(Crockett is on vacation, spending time with his son. During his brief appearance on the episode, Crockett jokes about what a great book he and Tubbs could write if they were ever arrested. Uhmm …. you were arrested, Crockett. Remember when you were a drug lord? The show appears to have forgotten but I haven’t.)

Anyway, it turns out that Jake has built a prison under his house where he keeps undesirables locked up and every few days, he electrocutes them. He kidnaps Tubbs so that Tubbs can see and hear about Jake’s view of how justice should be meted out. Jake likes to talk and talk and talk and talk.

Ugh, this episode.

I’m honestly surprised that I got through this episode because it was just so mind-numbingly dull. The show attempted to do something different with its format and that’s fine. But Jake was so long-winded and his cartoonish prisoners were such thinly drawn stereotypes that it didn’t take me long to lose interest. I’ve never liked episodes of cop shows that center around hostage situations or kidnappings. It’s hard to build much narrative momentum when no one can really move around. It gets boring to watch and that was certainly the case here. That John P. Ryan spent most of the episode wearing a flowing robe did not help matters. It made him look like a Saruman cosplayer at a Lord of the Rings convention. I probably would have laughed if it all hadn’t been so dull.

As always, it’s interesting to see Tubbs at the center of a story but even the normally smooth Philip Michael Thomas didn’t seem to know what to make of all these nonsense. As I watched Tubbs rather easily fall victim to Jake’s trap, I wondered why Tubbs has suddenly become such a stupid character. I mean, seriously, anyone should have been able to see through Manning’s invitation. For Tubbs, this episode was the equivalent of that time Trudy got kidnapped by the alien who looked like James Brown.

All in all, this was not a good episode. It’s the final season so it makes sense that you’re going to get a few clunkers. Hopefully, next week will be better.