Tag Archives: Retro Television Reviews

Late Night Retro Television Review: Monsters 1.22 “Satan In The Suburbs”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire show is streaming on Tubi.

Odd episode, this week.

Episode 1.22 “Satan In The Suburbs”

(Dir by Warner Shook, originally aired on May 13th, 1989)

Despite having graduated from Yale (and having the sweatshirt to prove it), Xantipe Finch (Deborah Strang) is struggling.  Unable to interest any publishers in any of her books and raising her son, Marty (Danny Gerard), alone, Xantipe is forced to make extra money through baking and selling cookies.  The bill collectors keep calling and threatening to turn off her electricity and to kick her and Marty out onto the streets.

Then a mysterious man (played by a young Chris Noth) materializes in her kitchen.  The man says that he’s come from Hell.  Because he won a football bet with Satan, the man has been allowed to come to Earth and to recruit Xantipe to write his autobiography.  If the book is published, the man will continue to be a happy demon.  If the book fails, he’ll be either demoted or turned into a low-level angel.  Huh?  What?  I don’t know.  It didn’t make any sense while the man was explaining it and it doesn’t make any sense now that I’m typing it up.

Reluctantly, Xantipe helps the man.  The man, for his part, deals with the bill collectors and also starts to corrupt both Xantipe and her son.  The book gets written and published but Xantipe rejects the devil’s influence, even though it means returning to a life of struggling to pay the bills.  The episode ends with Xantipe back in her kitchen, baking cookies.  The man is also there but he now has tiny angel wings on his back.

Yeah, I don’t know what any of it means either.  It makes even less sense when you watch it.

This was not a great episode.  It was never really explained why the book has to be written, why Xantipe had to be the one to help write it, or why the man turned into an angel.  The episode ended with a suggestion that Xantipe and the man were now in love but there was nothing in the 20 minutes that preceded it that would have set the audience up for that ending.  Chris Noth was adequate as the demon and Deborah Strang was likable as Xantipe but otherwise, this episode felt like filler.

Retro Television Review: The Love Boat 4.5 and 4.6 “The Mallory Quest/Julie, the Vamp/The Offer”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, it’s a special two-hour episode of The Love Boat!

Episodes 4.5 and 4.6 “The Mallory Quest/Julie, The Vamp/The Offer”

(Dir by Richard Kinon, originally aired on November 15th, 1980)

This week, The Love Boat heads off on a two-week cruise that will take the ship, its crew, and its passengers through the Panama Canal.  There will also be stops at all the various islands on the way.  This is important because this is one of the episodes that was actually filmed on location.  Instead of the usual sets, we get to watch the action play out on an actual cruise ship.

Unfortunately, the actual cruise ship is kind of …. well, tacky.  Seriously, it’s hard not to notice that the hallways and the front lobby all look considerably more cramped and weathered than they have in other episodes of The Love Boat.  It’s also hard not to notice that the extras (who were apparently actual passengers) are all considerably older than the usual Love Boat background actors.

In fact, with the ship in such disrepair, it is any shocked that Captain Stubing is thinking of leaving?  When his old friend, Charlie (Dick Van Patten), boards the ship, he brings him a job offer.  If Stubing accepts the offer, he’ll be living in New York, he’ll be making three times the money, and Vicki will get to have a normal life.  Stubing loves the sea but he also wants Vicki to have a good future.  Vicki — in a scene that was well-acted by both Jill Whelan and Gavin MacLeod — tells him not to worry about her and that he needs to do what makes him happy.  And so, the Captain stays with the boat and I presume Vicki will continue to be taught by the tutor that we occasionally hear about but never actually see.

Meanwhile, Julie McCoy has been accused of being a vamp!  Maude Victor (Lani O’Grady) is convinced that Julie is trying to steal her fiancé, Roger (Bart Braverman).  Eventually, Roger himself become confused and Julie pretends to be interested in Roger just to get Roger and Maude back together again.  This was a dumb story and I don’t want to waste any more time on it.

Indeed, for all the Stubing drama and Julie silliness, this two-hour episode was dominated by one story.  Arrogant novelist Brian Mallory (Pernell Roberts) boards the boat with his long-suffering wife, Janet (Gayle Hunnicutt).  Brian has secretly bought tickets for three other passengers.  Peter (Skip Stephenson) is an insurance agent who is due to donate a kidney to his brother.  Marvin (Jimmie Walker) owns a bookstore.  Marcia Rand (Connie Stevens) brings along her fitness-obsessed boyfriend, Dave Porter (Peter Lupus).  Mallory reveals that Peter, Marvin, Marcia, and Gopher were the last four people to see his nephew, Tom.  Mallory has never met his nephew but he wants to track him down and apparently, Tom is living on one of the islands that the cruise is scheduled to visit.  Brian wants the four of them to help him look for Tom and he offers a $10,000 reward to make things interesting.  Why does Brian want to find his nephew?  Eventually, it is revealed that Tom is in possession of a family heirloom that Brian feels is rightfully his.  Sinister Lucius Kergo (Sorrell Brooke) is also on the cruise and he is determined to get the heirloom for himself.

Janet grows so tired of Brian’s arrogance and his obsession with finding his nephew that she declares that she’s leaving him.  Since the cruise is booked up, she ends up staying with Doc Bricker.  Doc falls for Janet but he realizes that she truly loves Brian and, when Brian starts to show some humility and some remorse for the way that he’s treated her, Doc encourages her to go back to him …. which she does because this is The Love Boat, not The Divorce Boat.

Anyway, Tom Mallory is eventually tracked down to a monastery in Puerto Rico.  Tom gives Brian the heirloom but the newly kind Brian gives it back to him so that he can sell it and use the money to build a free clinic.  Good for Brian!

Disheveled cruise ship aside and ignoring that terrible Julie plot, this was a fun episode.  The island scenery was gorgeous and the mystery of Tom’s location actually turned out to be a lot more intriguing than I was expecting it would.  Watching this episode made me want to take a cruise, even if it is a tacky one.

Late Night Retro Television Review: Baywatch Nights 1.16 “The Curator”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on Youtube!

Yep, it’s another late review.  Sorry, I was exhausted last night.

Episode 1.16 “The Curator”

(Dir by Georg Fenady, originally aired on March 9th, 1996)

When Garth Youngblood (Steven Culp) threatens to shoot himself in her lifeguard tower, Caroline Holdren (Yasmine Bleeth) begs him not to and tells him that he not only has a lot to live but his name isn’t half as stupid as he thinks that it is.  Deciding that Caroline is in love with him, Garth turns into a full-on psycho, the type of guy who chases Caroline across the beach, puts Lifeguard Newman (Michael Newman) in the hospital, flirts with Donna, and ultimately ends up locking Caroline in a cage made to resemble an apartment, much as what happened to Billy Pilgrim in Slaughter-House Five.

Caroline turns to Mitch and his detective agency for protection. Of course, as head lifeguard, Mitch is already Caroline’s boss so he already should be looking out for her.  Unfortunately, even after Garth is arrested, he’s released after he explains that he forgot to take his Prozac.  (That’s the actual excuse that they give!  Never mind that everyone’s favorite lifeguard, Newmie!, is in the hospital because Garth smashed his head through a window.)  Garth is given a restraining but, because Caroline works on the beach, it’s easy for Garth to watch her while standing 100 feet away.

Now, on the plus side, Steven Culp was believably creepy as Garth and this episode had no fear of embracing the storyline for all of the macabre melodrama that it could.  Yasmine Bleeth also does a good job portraying Caroline’s growing fear as Garth grows more and more unstable.  As an actress on Baywatch, I’m sure she had to deal with a lot of real-life Garths and, speaking as someone who has been stalked, I appreciated that both Bleeth and the show itself took her fears seriously.  The scene in which Caroline runs across the beach with Garth in pursuit was far more effective and scary than you would ever expect to find on an episode of Baywatch Nights.

That said, this episode highlighted one of the big problems with the second half of Baywatch Night‘s debut season.  This was essentially just an episode of Baywatch, with the extra addition of Angie Harmon flirting with Mitch and Eddie Cibrian’s Griff standing the background.  (I guess Griff is a part of the detective agency now.)  Baywatch Nights originally started as a show about Mitch spending his nights as a private investigator but this episode took place largely during the day and featured Mitch as a lifeguard.  Baywatch Nights without the nights is just Baywatch.

Fear not, though!  We’re just a few episodes away from one of the most radical reboots in television history!

Retro Television: Fantasy Island 4.15 “Loving Strangers/Something Borrowed, Something Blue”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Almost the entire show is currently streaming on Daily Motion.

Sorry for running late with the review today.  Are you prepared for some romance?

Episode 4.15 “Loving Strangers/Something Borrowed, Something Blue”

(Dir by Cliff Bole, originally aired on February 14th, 1981)

It’s a special Valentine’s Day episode of Fantasy Island!

Now, I have to admit that my first reaction to this was to think that I would be pretty depressed if I spent a Valentine’s Day at home, watching Fantasy Island.  But then I realized that’s pretty much what happened to me this year.  I had the excuse of a sprained ankle, though.  Add to that, I was watching The Love Boat instead of Fantasy Island and Jeff and I still had a romantic time, even if I was stuck on the couch for most of the day.

(For the record, my ankle is doing much better.  It only hurts with every 20th step now.)

Anyway, both of this episode’s fantasies are about falling in love.

Tom (Peter Marshall) and Margaret Wilkerson (Jane Powell) have been married for 25 years.  It’s been a happy marriage but they’re both curious whether they would still fall in love if they met each other as the way they are now.  Their fantasy is to meet again for the very first time.  Mr. Roarke warns them that this might not be a good idea but Tom and Margaret still choose to walk through the Door of Forgetfulness and immediately forget that they know each other or that they’re married.  Uh-oh — Tom’s flirting with a younger woman!  And Margaret just met international man of mystery, Cesar Romero.  Well, that marriage is doomed.  Or is it?

No, of course, it’s not doomed.  This is Fantasy Island and it’s Valentine’s Day.  Still, you do have to wonder why Roarke grants fantasies that could so easily go terribly wrong.  What if Tom and Margaret hadn’t eventually found each other again?  How would that be explained to the members of their family in Indiana?  Does Mr. Roarke ever worry about getting sued?

As for the other fantasy, Jack Foster (John Gavin) wants to marry Pamela Archer (Shelley Smith) on the Island.  The wedding is being planned.  Tattoo is calling people to order the cake and the plates and the silverware and it’s actually kind of neat to see Tattoo do something other than glare at Mr. Roarke.  However, Pamela has not told Jack the truth about her trampy past and she fears that, if the truth comes out, it will destroy Jack’s campaign to be governor of Illinois.  (I don’t know what she’s worried about.  It’s not like Illinois has a reputation for being run by ruthless political machine or anything.)  Pamela wants to marry Jack but …. OH NO, IT’S MARJOE GORTNER!

Marjoe plays Nick Corbin, who was apparently Pamela’s pimp in her previous life.  He’s come to Fantasy Island to drag Pamela away from Jack and Pamela feels that she has to go with him in order to protect Jack.  Jack reveals that he knows about her past and he doesn’t care.  He then confronts Nick, who pulls a knife on him.  OH NO!  Fortunately, Mr. Roarke appears and literally tosses Nick 20 feet into the air.  I’m not kidding, either.  MARJOE GORTNER GOES FLYING!

With Nick taken care of, Jack and Pamela have an incredibly tacky wedding.  Mr. Roarke walks Pamela down the aisle because apparently, Pamela has no family.  That’s kind of sad.

But the important thing is that everything worked out.  To be honest, neither fantasy was that interesting but I’m always happy to see Marjoe Gortner.  No one glowered quite like Marjoe!

Late Night Retro Television Reviews: CHiPs 1.16 “Vintage ’54”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, the key words on the highway of California are “team work!”

Episode 1.16 “Vintage ’54”

(Dir by Barry Crane, originally aired on January 26th, 1978)

It’s a three-day weekend and that means the California Highway Patrol even more mayhem to deal with than usual!

For instance, two car thieves are driving up and down the highway, searching for classic cars.  One stolen car belongs to 85 year-old Margaret Downey (Marjorie Bennett), who proceeds to go down to the station and personally demand that Sgt. Getraer find her car.  The thieves are eventually caught, thanks to the entire Highway Patrol working as a team and keeping an eye out for stolen cars.  The emphasis here was on teamwork, which Ponch and Baker just doing their part as opposed to be singled out.

It’s also teamwork that reunites a baby with the family that accidentally left her behind at a rest stop.  Ponch and Baker are the ones who take the baby to the station and they’re the ones who nickname the baby “Princess” and buy her toys but, in the end, it’s the entire Highway Patrol working together that eventually brings the baby back to her grateful parents.

Baker and Ponch do get a moment in the spotlight when a skydiver ends up getting tangled up and hanging from a highway overpass.  Baker is the one who grabs hold of her legs to keep her from falling while Ponch is the one who recruits a crane to help rescue her.  But again, Baker and Ponch are not working alone.  Instead, there are other motorists who help out, some by holding onto Baker and another by allowing Ponch to use his crane.

My point is that this episode was all about people working together to make the world a better and a safer place.  That’s not a bad message and the show delivers it with a good deal of sincerity.  With the exception of the scenery-chewing Marjorie Bennett, everyone is on their best behavior with this episode, with even Erik Estrada toning down his usual overacting.  And, of course, there’s two exciting motorcycle chases, both of which are very well-filmed.  There was nothing particularly amazing about this episode.  It was pretty much a typical hour of CHiPs but it was still very well-done.

Next week, Ponch and Baker have an important lesson to teach about hitchhiking!

Retro Television Review: Miami Vice 2.4 “Out Where The Buses Don’t Run”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi!

This week, we learn the cost of working Vice.

Episode 2.4 “Out Where The Buses Don’t Run”

(Dir by Jim Johnston, originally aired on October 18th, 1985)

This is it.  This is the episode that is regularly cited as being one of the best, if not the best, episodes that Miami Vice ever aired.  Out Where The Buses Don’t Run takes a look at the psychological costs of spending one’s life obsessing on crime and justice.  What starts out as a comedy turns into the bleakest episode of the show so far.

Things get off to a great start, with Crockett and Tubbs pursuing a drug dealer on the beach.  While The Who’s Baba O’Riley plays on the soundtrack, the dealer roller skates down a sidewalk and a preacher (played by Little Richard) sends his young congregation out to collect money.  As Crockett and Tubbs wait for their chance to arrest the dealer, someone watches them from a nearby window and takes pictures.  Crockett asks Tubbs if he ever gets the feeling that he’s being watched.

The man taking the pictures turns out to be Hank Weldon (Bruce McGill), a former Vice cop who quit the force six years prior when a case that he had spent three years making fell apart and a drug lord was set free on a technicality.  The drug lord vanished after the case against him was thrown out and it’s assumed that he was murdered by his associates.  Hank, however, insists that the drug lord is still alive and he’s returned to Miami.  He wants Crockett and Tubbs to help him finally catch the criminal that evaded him all those years before.

A quick check with Weldon’s former partner, Marty Lang (David Strathairn), reveals that Weldon left the force after he had a nervous breakdown and he’s spent the past few years in a mental facility.  The loud and flamboyant Weldon is obviously still unstable but Crockett and Tubbs cannot shake the feeling that he might know what he’s talking about.

And, as is revealed at this end of this episode, they’re right …. kind of.  Weldon does know where the missing drug lord is.  The drug lord is walled up in an abandoned building.  He’s been there since 1979.  At the end of episode, with Tubbs, Crockett, Castillo, and Lang watching, Weldon tears down the wall and reveals the decayed skeleton of the drug lord.  Weldon announces that he murdered him and walled him up.  Lang then reveals that he helped.

“He was my partner,” Lang says, “Understand?”

Crockett understands and the audience understands as well.  When Weldon’s obsession drove him crazy, Lang was the only one to whom he could turn.  And Lang, being his partner, was the only one who understood how he felt.  Lang may have been a cop but his number one loyalty was to his partner, just as Crockett’s number one loyalty will always be to Tubbs.

As played by Bruce McGill, Hank Weldon goes from being a cheerful eccentric to a bitter and paranoid lunatic to, finally, a man who can no longer stand to hide what he’s done.  It’s an excellent performance that keeps the audience guessing.  He may be a murderer and he’s obviously still unstable but your heart can’t help but break for him.  The combination of Jim Johnston’s moody direction, a perfect collection of songs on the soundtrack, and the performances of Bruce McGill and David Strathairn really do come together to make this an excellent episode.  In the end, it’s hard not to feel that Crockett and Tubbs are both one step away from becoming Weldon and Lang themselves.

Late Night Retro Television Reviews: Degrassi Junior High 2.8 “Sealed With A Kiss”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989!  The series can be streamed on YouTube!

Sorry, I fell asleep last night before I could write up this week’s episode of Degrassi Junior High!  Belatedly, here’s some thoughts on the episode to focus on the Farrell Twins.

Episode 2.8 “Sealed With A Kiss”

(Dir by Kit Hood, originally aired on February 22nd, 1988)

After spending much of the first two seasons of Degrassi Junior High in the background, the Farrell Twins — Heather and Erica — are at the center of this episode.

Heather (Maureen Deiseach) is the responsible twin who has never had a date and thinks that French kissing sounds gross.  Erica (Angela Deiseach) is the twin who is older by about six minutes and who wants to date and have fun.  Heather and Erica have always been close but, as this episode begins, they’re both a little annoyed with the other.  That’s not just a twin thing, it’s a sibling thing and, as the youngest of four sisters, I could relate.  My sisters and I have always been very close but, growing up, I think all of us always fought to establish our own individual identities outside of just being one of four Bowman girls.  I specifically refused to try out for cheerleading in high school because two of my sisters had been cheerleaders and I wanted to find my own thing to do.  Considering my long history of klutziness, that was probably for the best.  Anyway….

When Degrassi holds a dance with another school, Erica meets Aaron (David Stratton).  Aaron is kind of a dork (i.e., he’s in high school but he comes to a junior high dance) but he wears a leather jacket and drives his dad’s car.  Heather is scandalized when she and Alexa comes across Erica making out with Aaron on a stairwell.  Erica’s happiness over having a boyfriend is short-lived, as she soon comes down with a fever and a sore throat and fears that Aaron has given her mono.

(“At least he didn’t give you AIDS,” Alexa cheerfully says.)

While a miserable Erica rests in bed, Aaron stops by the Farrell house to see her.  When Heather explains that Erica is sick, Aaron decides that one twin is as good as another and invites Heather to take a ride in his Dad’s car.  Heather agrees and she ends up making out with Aaron as well.  Oh no!  MONO!

Well, don’t worry.  It turns out that Erica just needs to have her tonsils taken out.  No one has mono.  She and Heather both agree that Aaron was a dork.  Heather says that at least there’s a difference between them now.  One has tonsils and the other doesn’t.  Uhmm …. okay, Heather.

The Farrell Twins have never been my favorite characters on Degrassi Junior High.  Erica is shallow and Heather is judgmental.  That said, their showcase episode was not a bad one.  Along with being able to relate to the sibling dynamic, I could also relate to Erica and Heather competing for the attention of a guy who, quite frankly, wasn’t worthy of either of them.  And I had to laugh at Alexa’s cheerful vapidness as she managed to see the positive in everything that the twins were getting upset about.  Even the show’s final twist was kind of a nice relief from Degrassi’s usually bleak view of teenage life.  For once, no one was seriously ill.  No one had an STD.  No one was left sobbing as the end credits rolled.  Instead, the show ended with a dumb joke about tonsils.  It was a nice change-of-pace.

Next week …. Stephanie is suicidal!

Retro Television Review: The Judge and Jake Wyler (dir by David Lowell Rich)

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1972’s The Judge and Jake Wyler!  It  can be viewed on YouTube.

Judge Meredith (Bette Davis) is a retired criminal court judge who has developed a severe case of hypochondria.  She lives in a mansion that she never leaves.  Anyone who comes to see her must be personally vacuumed by her butler before they can be allowed to stand in her presence.  She hates people who take too long to get to the point and she also has little use for people who are rude on the phone.  She especially dislikes cigarettes and refuses to have even an unlit one in her presence.

Jake Wyler (Doug McClure) is an ex-con who is currently on supervised probation.  Despite his criminal past, he’s a likable and amiable guy and, every morning, he wakes up with a new woman in his bed.  Jake enjoys tweaking authority and he always has a pack of cigarettes on him somewhere.

Together, they solve crimes!

They actually do!  The judge is dealing with retirement by running her own detective agency, one that is exclusively staffed by people that she previously sentenced to prison.  Jake does most of the leg work as far as the agency is concerned.  The Judge calls him every morning and demands to know why he’s not working harder.  Jake would rather just sleep-in but working for the judge is a part of his parole.  She could easily send him and everyone else working for her back to prison.  This sounds like a pretty unfair situation to me and the Judge is so demanding that I think it could be argued that she’s an abusive boss.  But, because this is a pilot for a TV show and the Judge is played by Bette Davis, everyone is very loyal to her.

At the start of the film, Jake reveals to Robert Dodd (Kent Smith) that his wife, Caroline (Lisabeth Hush), has been cheating on him with Frank Morrison (Gary Conway).  When Robert is later found dead in a hospital room, the official verdict is that he committed suicide.  However, his daughter, Alicia (Joan Van Ark), claims that her father was murdered.  At first, both Jake and the Judge suspect that Alicia just wants to collect a bigger life insurance settlement but it turns out that Dodd’s beneficiary wasn’t even Alicia.  The money is going to his second wife, the one who was cheating on him.  While the Judge yells at people on the phone, Jake investigates the death of Robert Dodd.

The Judge and Jake Wyler is a mix of comedy and mystery.  Jake has a way with a quip and the majority of the suspects, including John Randolph and Eric Braeden, all have their own eccentricities.  Director David Lowell Rich does a good job of keeping the action moving and the mystery itself is actually pretty interesting.  Surprisingly, the show’s only real flaw is Bette Davis, who seems to be rather bored in the role of Judge Meredith.  Even though the character seems to have been specifically written for her trademark caustic line delivery, Davis delivers her lines with little enthusiasm.  One gets the feeling that she wasn’t particularly happy about the idea of having to do a television pilot.

Davis need not have worried.  The Judge and Jake Wyler did not turn into a series.  That said, the movie is an entertaining and diverting murder mystery.

Late Night Retro Television Review: Check it Out! 1.19 “My Darling Serpentine”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

This week, Cobb’s descends into chaos!

Episode 1.19 “My Darling Serpentine”

(Dir by John Bell, originally aired on February 19th, 1986)

Last week, Edna left Howard after an argument and Howard had an affair with her replacement.  It was implied that Edna leaving Howard was a frequent occurrence and that Howard was the least romantic man alive.

This episode, Edna and Howard are once again totally in love and Howard is so romantic that Edna can even brag about all of the presents that he’s given her over the years.

Continuity, what is it?

This year, Howard is busy at the store so he makes the mistake of sending Alf the security guard out to pick up a piece of jewelry for Edna.  Alf, however, gets distracted while walking by a pet store and instead, he returns to the store with a hamster.  Edna freaks out about the idea of owning a rodent and instead, she gives it to Murray.  The hamster then escapes into the store, which isn’t good since there’s a health inspector in the neighborhood.

Meanwhile, it’s prom night for Murray and he needs a date.  Not surprisingly, he asks supercool Marlene to be his date.  Also not surprisingly, Marlene laughs in his face.  However, after thinking about how she never got to go to her prom because she dropped out of school, Marlene changes her mind.  Murray is super-excited until Christian and Alf suggest that Marlene is going to take his virginity.  When Marlene shows up in the break room in her prom dress and a blue wig, Murray freaks out.

Murray runs away and disappears into the store.  Now, everyone not only has to look for the hamster but also for Murray.

This episode is a bit frantic but it made me laugh.  A lot of that was because Gordon Clapp made his third appearance on the show, playing the cheerfully dumb Viker.  Previously, Viker was the store’s electrician.  In this episode, he’s suddenly a pest control expert.  In order to track down the hamster, he released a snake into the store.  In order to track down the snake, he releases a mongoose.  “I’m glad I don’t shop here,” Viker says.  Gordon Clapp delivers all of Viker’s lines with such sincerity that his brief appearance elevates the entire episode.

In the end, thinks work out.  The snake is caught when it attacks Howard.  Marlene forgives Murray and they head off to prom.  The hamster runs off with Marlene’s blue wig.  And Edna is surprisingly forgiving about Howard telling the security guard to buy her an anniversary present.  As for the mongoose …. well, I’m sure it found a good place to live.  The important thing is that this episode made me laugh more than the typical episode of Check It Out!  I enjoyed it.

Retro Television Review: Welcome Back Kotter 3.11 “Barbarino In Love: Part Two”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, Barbarino must decide between the Sweathogs and his new girlfriend!

Episode 3.10 “Barbarino In Love: Part Two”

(Dir by Bob Claver, originally aired on November 10th, 1977)

This week’s episode of Welcome Back, Kotter picks up where last week’s left off.

Because he is now dating Cassy, Barbarino has left Three Do’s and a Don’t.  The Three Do’s are now trying to figure out how to turn their quartet act into a trio triumph and needless to say, they are happy with neither Barbarino nor Cassy.  They’re angry at Barbarino for leaving them and they blame Cassy for distracting him from the talent show.  For her part, Cassy is not happy to learn that the Sweathogs now hate her and she tells Barbarino that, just because they’re dating, that doesn’t mean that they can’t compete against each other in the talent show.

Gabe takes Barbarino down to the local diner where he attempts to explain why everyone’s mad.  He places three empty glasses on the table in front of them and tells Barbarino to imagine that the glasses are the Sweathogs.

“Which one’s Horshack?” Barbarino asks.

“This one,” Gabe replies, pointing at the third glass.

“That don’t look like Horshack,” Barbarino says, “That looks like Epstein….”

And so it goes.

The important thing is that Barbarino eventually decides that it’s his duty to be the Don’t in Three Do’s and a Don’t.  The majority of the episode is taken up with the group performing at the talent show and, just as last week, it’s hard not to notice that their act seems a bit old-fashioned.  How many juvenile delinquents start a barber shop quartet?  That said, with the return of Barbarino’s winning smile, they’re a hit with everyone but Mr.  Woodman.

And that’s the end of that.  It’s a bit of a silly episode and I’m not really sure why it needed to be split into two parts.  The Sweathogs getting angry at Barbarino and Gabe helping Barbarino realize that he’s not the center of the universe is one of those plots that this show used a lot.  You would think that, at some point, Barbarino would finally learn his lesson and stop doing stuff like this but you would be wrong.  Of course, Barbarino’s whole thing is that he’s cute but dumb.

And he’s lucky that he’s being played by a young John Travolta, who had the hair and the smile and the attitude and the charisma to make Barbarino far more likable than he really had any right to be.  Some people just have that star quality and one need only look at the scenes where Travolta acts opposite Gabe Kaplan, Marcia Strassman, and Ron Pallilo to understand why John Travolta was the one who ultimately walked away from this show as a star.

Next week, Gabe is tempted to sell out and become vice principal!