What a Lovely Day! The National Board of Review Honors Mad Max: Fury Road!


MadMaxFuryRoad

OH MY GOD!

So, like a lot of people, I was expecting the National Board of Review to name Spotlight as best picture of the year.  I haven’t seen Spotlight yet but I have to admit that I’m already kind of bored of hearing about how it’s the Oscar front-runner.  I mean, for all I know, Spotlight could be the best film ever made but I like it when my awards season is interesting.  It’s boring when one film — like The Social Network a few years ago — keeps winning every single award.

So, with all that in mind, I was really happy to hear that the National Board of Review picked Mad Max: Fury Road for best picture.  I was happy because not only is Fury Road a really great movie that deserves the love but also because it was just so unexpected!  Way to go, NBR!

(The only thing that would have made things better would have been if the Guitar Guy had won Best Supporting Actor.)

Now, I’d caution anyone about getting too excited.  Just because a film wins one of the precursor awards, that does not mean that it’s going to be nominated come Oscar time.  Last year, for instance, the NBR picked A Most Violent Year for best picture.  However, at the same time, it can be argued that the momentum that led to Her being nominated in 2014 began with its victory at the NBR.

So, who knows?

Anyway, here are the NBR winners!

Best Film:  Mad Max: Fury Road

Best Director:  Ridley Scott – The Martian

Best Actor:  Matt Damon – The Martian

Best Actress: Brie Larson – Room

Best Supporting Actor:  Sylvester Stallone – Creed

Best Supporting Actress:  Jennifer Jason Leigh – The Hateful Eight

Best Original Screenplay:  Quentin Tarantino – The Hateful Eight

Best Adapted Screenplay:  Drew Goddard – The Martian

Best Animated Feature:  Inside Out
Breakthrough Performance:  Abraham Attah – Beasts of No Nation & Jacob Tremblay – Room

Best Directorial Debut:  Jonas Carpignano – Mediterranea

Best Foreign Language Film:  Son of Saul

Best Documentary:  Amy

William K. Everson Film History Award:  Cecilia De Mille Presley

Best Ensemble:  The Big Short

Spotlight Award: Sicario for Outstanding Collaborative Vision

NBR Freedom of Expression Award:  Beasts of No Nation & Mustang

Top Films

Top 5 Foreign Language Films

  • Goodnight Mommy
  • Mediterranea
  • Phoenix
  • The Second Mother
  • The Tribe

Top 5 Documentaries

  • Best of Enemies
  • The Black Panthers: Vanguard of the Revolution
  • The Diplomat
  • Listen to Me Marlon
  • The Look of Silence

Top 10 Independent Films

A Most Violent Year Is A Most Unexpected National Board Of Review Winner!


A Most Violent Year

The National Board of Review has spoken!  They named their picks for the best of 2014 earlier today and — to the shock of many (especially me) — they picked JC Chandor’s crime drama A Most Violent Year as the best film of the year!

I love surprises!

Now, a lot of us were expecting A Most Violent Year to be an Oscar contender, with practically everyone expecting Jessica Chastain to either be nominated for best actress or supporting actress.  (The NBR named her best supporting actress.)  But I think a lot of us were expecting to see the NBR select Boyhood, Birdman, or maybe Selma.

Also of note is that Clint Eastwood won best director for American Sniper, which appears to be coming on strong as a potential Oscar nominee as well.

(Also of note: Foxcatcher was totally ignored by the NBR.)

Here are the NBR winners!

BEST PICTURE
“A Most Violent Year”

BEST DIRECTOR
Clint Eastwood, “American Sniper”

BEST ACTOR (TIE)
Oscar Isaac, “A Most Violent Year”
Michael Keaton, “Birdman”

BEST ACTRESS
Julianne Moore, “Still Alice”

BEST SUPPORTING ACTOR
Edward Norton, “Birdman”

BEST SUPPORTING ACTRESS
Jessica Chastain, “A Most Violent Year”

BEST ORIGINAL SCREENPLAY
Phil Lord and Christopher Miller, “The Lego Movie”

BEST ADAPTED SCREENPLAY
Paul Thomas Anderson, “Inherent Vice”

BEST ENSEMBLE
“Fury”

BEST ANIMATED FEATURE
“How to Train Your Dragon 2”

BEST FOREIGN LANGUAGE FILM 
“Wild Tales”

BEST DOCUMENTARY
“Life Itself”

SPOTLIGHT AWARD
Chris Rock for writing, directing, and starring in “Top Five”

BREAKTHROUGH PERFORMANCES
Jack O’Connell, “Starred Up” and “Unbroken”

DEBUT DIRECTOR
Gillian Robespierre, “Obvious Child”

WILLIAM K. EVERSON FILM HISTORY AWARD
Scott Eyman

FREEDOM OF EXPRESSION
“Rosewater”
“Selma”

BEST PICTURE NOMINEES (alphabetical)
“American Sniper”
“Birdman”
“Boyhood”
“Fury”
“Gone Girl”
“The Imitation Game”
“Inherent Vice”
“The Lego Movie”
“Nightcrawler”
“Unbroken”

BEST FOREIGN LANGUAGE NOMINEES (alphabetical)
“Force Majeure”
“Gett: The Trial of Vivian Amsalem”
“Leviathan”
“Two Days One Night”
“We Are the Best!”

BEST DOCUMENTARY NOMINEES (alphabetical)
“Art and Craft”
“Jodorowsky’s Dune”
“Keep On Keepin’ On”
“The Kill Team”
“Last Days in Vietnam”

BEST INDEPENDENT FILMS (alphabetical)
“Blue Ruin”
“Locke”
“A Most Wanted Man”
“Mr. Turner”
“Obvious Child”
“The Skeleton Twins”,
“Snowpiercer”,
“Stand Clear of the Closing Doors”
“Starred Up”
“Still Alice”

The National Board of Review Falls For Her


The National Board of Review announced their picks for the best films and performance of 2013 earlier today and the results are a bit … unexpected.

For best picture, they picked Spike Jonze’s Her, a film that has not exactly been seen as being an Oscar front-runner.  Meanwhile, the two presumptive frontrunners — 12 Years A Slave and Gravity — had to make due with just being mentioned in the NBR’s Top Ten list.  Also, it’s interesting to note that the NBR totally snubbed American Hustle which, just yesterday, was named best film of the year by the NYCC.

Despite the impression that one might get from a lot of breathless film bloggers (like me, to cite just one example), winning a critic’s prize does not automatically translate into Academy recognition.  It’ll be interesting to see if the acclaimed but reportedly offbeat Her manages to turn the NBR prize into Oscar momentum.

BEST PICTURE
“Her”

BEST DIRECTOR
Spike Jonze, “Her”

BEST ACTOR
Bruce Dern, “Nebraska”

BEST ACTRESS
Emma Thompson, “Saving Mr. Banks”

BEST SUPPORTING ACTOR
Will Forte, “Nebraska”

BEST SUPPORTING ACTRESS
Octavia Spencer, “Fruitvale Station”

BEST ORIGINAL SCREENPLAY
Joel and Ethan Coen, “Inside Llewyn Davis”

BEST ADAPTED SCREENPLAY
Terence Winter, “The Wolf of Wall Street”

BEST ENSEMBLE
“Prisoners”

BEST ANIMATED FEATURE
“The Wind Rises”

BEST FOREIGN LANGUAGE FILM 
“The Past”

BEST DOCUMENTARY
“Stories We Tell”

SPOTLIGHT AWARD
Career collaboration of Martin Scorsese and Leonardo DiCaprio

BREAKTHROUGH PERFORMANCES
Adele Exarchopoulos, “#Blue is the Warmest Colo#r”
Michael B. Jordan, “Fruitvale Station”

DEBUT DIRECTOR
Ryan Coogler, “Fruitvale Station”

CREATIVE INNOVATION IN FILMMAKING 
“Gravity”

FREEDOM OF EXPRESSION
“Wadjda”

BEST PICTURE NOMINEES (alphabetical)
“12 Years a Slave”
“Fruitvale Station”
“Gravity”
“Inside Llewyn Davis”
“Lone Survivor”
“Nebraska”
“Prisoners”
“Saving Mr. Banks”
“The Secret Life of Walter Mitty”
“The Wolf of Wall Street”

BEST FOREIGN LANGUAGE NOMINEES (alphabetical)
“Beyond the Hills”
“Gloria”
“The Grandmaster”
“A Hijacking”
“The Hunt”

BEST DOCUMENTARY NOMINEES (alphabetical)
“20 Feet from Stardom”
“The Act of Killing”
“After Tiller”
“Casting By”
“The Square”

BEST INDEPENDENT FILMS (alphabetical)
“Ain’t Them Bodies Saints”
“Dallas Buyers Club”
“In a World…”
“Mother of George”
“Much Ado About Nothing”
“Mud”
“The Place Beyond the Pines”
“Short Term 12”
“Sightseers”
“The Spectacular Now”

The National Board of Review Honors Zero Dark Thirty


Oscar season continues!  Just a few hours ago, the National Board of Review announced their picks for the best of 2012.  Like the New York Film Critics Circle, the NBR named Zero Dark Thirty the best film of 2012 and Kathryn Bigelow best director.

I haven’t seen Zero Dark Thirty so I can’t judge whether it’s truly a great film or not.  However, to be perfectly honest, I sincerely hope that it doesn’t win every single critics’ award out there because, seriously, that would be sooooooooooo boring!  I mean, I know that all of you establishment film critics love to jump on the bandwagon but seriously, variety is the spice of life!

As much as I wish that the NBR had kept things interesting by choosing some out-of-nowhere pick for best picture, I am happy to see that they honored Bradley Cooper for his excellent work in Silver Linings Playbook.

Along with naming Zero Dark Thirty as best picture, the NBR also listed the 9 runner-ups.  It’s interesting to note that The Dark Knight Rises does not appear anywhere on that list.

On a personal note, I’ll be posting my own picks for the best of 2012 during the first week of January and, trust me, my picks are going to be a lot more interesting than anything you’re going to get from the National Board of Review.

BEST PICTURE
“Zero Dark Thirty”

BEST DIRECTOR
Kathryn Bigelow (“”Zero Dark Thirty””)

BEST ACTOR
Bradley Cooper (“Silver Linings Playbook”)

BEST ACTRESS
Jessica Chastain (“Zero Dark Thirty”)

BEST SUPPORTING ACTOR
Leonardo DiCaprio (“Django Unchained”)

BEST SUPPORTING ACTRESS
Ann Dowd (“Compliance”)

BEST ORIGINAL SCREENPLAY
Rian Johnson (“Looper”)

BEST ADAPTED SCREENPLAY
David O. Russell (“Silver Linings Playbook”)

BEST ENSEMBLE
“Les Miserables”

BEST ANIMATED FEATURE
“Wreck-It-Ralph”

BEST FOREIGN LANGUAGE FILM 
“Amour”

BEST DOCUMENTARY
“Searching for Sugar Man”

SPOTLIGHT AWARD
John Goodman

BREAKTHROUGH PERFORMANCES
Tom Holland (“The Impossible”)
Quvenzhane Wallis (“Beasts of the Southern Wild”)

DEBUT DIRECTOR
Benh Zeitlin (“Beasts of the Southern Wild”)

SPECIAL ACHIEVEMENT 
Ben Affleck (“Argo”)

FREEDOM OF EXPRESSION
“Central Park Five”
“Promised Land”

 

 

BEST PICTURE NOMINEES (alphabetical)
“Argo”
“Beasts of the Southern Wild”
“Django Unchained”
“Les Miserables”
“Lincoln”
“Looper”
“The Perks of Being a Wallflower”
“Promised Land”
“Silver Linings Playbook”

BEST FOREIGN LANGUAGE NOMINEES (alphabetical)
“Barbara”
“The Intouchables”
“The Kid with a Bike”
“No”
“War Witch”

BEST DOCUMENTARY NOMINEES (alphabetical)
“Al Weiwei”
“Detropia”
“The Gatekeepers”
“The Invisible War”
“Only the Young”

BEST INDEPENDENT FILMS (alphabetical)
“Arbitrage”
“Bernie”
“Compliance”
“End of Watch”
“Hello, I Must Be Going”
“Little Birds”
“Moonrise Kingdom”
“On the Road”
“Quartet”
“Sleepwalk with Me”