Dune Part II Wins in St. Louis


Yesterday, the St. Louis Film Critics Association announced their picks for the best of 2024!  It was another victory for Dune Part II!

BEST FILM
Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Nickel Boys
The Seed of the Sacred Fig
September 5
Sing Sing
Wicked

BEST DIRECTOR
Edward Berger – “Conclave
Brady Corbet – “The Brutalist”
Mohammad Rasoulof – “The Seed of the Sacred Fig”
RaMell Ross – “Nickel Boys”
Denis Villeneuve – “Dune: Part Two

BEST ACTRESS
Pamela Anderson – “The Last Showgirl”
Cynthia Erivo – “Wicked
Marianne Jean-Baptiste – “Hard Truths”
Mikey Madison – “Anora”
Demi Moore – “The Substance”
Saoirse Ronan – “The Outrun”

BEST ACTOR
Adrien Brody – “The Brutalist”
Timothee Chalamet – “A Complete Unknown
Daniel Craig – “Queer”
Colman Domingo – “Sing Sing
Ralph Fiennes – “Conclave
Hugh Grant – “Heretic”

BEST SUPPORTING ACTRESS
Monica Barbaro – “A Complete Unknown
Danielle Deadwyler – “The Piano Lesson”
Aunjanue Ellis-Taylor – “Nickel Boys”
Ariana Grande – “Wicked
Zoe Saldana – “Emilia Perez”

BEST SUPPORTING ACTOR
Kieran Culkin – “A Real Pain”
Clarence Maclin “Sing Sing
Guy Pearce – “The Brutalist”
Stanley Tucci – “Conclave
Denzel Washington – “Gladiator II”

BEST ADAPTED SCREENPLAY
Conclave
Dune: Part Two
Nickel Boys
Sing Sing
Wicked

BEST ORIGINAL SCREENPLAY
Anora
The Brutalist
Hard Truths
A Real Pain
Saturday Night
The Seed of the Sacred Fig

BEST CINEMATOGRAPHY
The Brutalist
Dune: Part Two
Maria
Nosferatu
Nickel Boy

BEST COSTUME DESIGN
Dune: Part Two
Hundreds of Beavers
Maria
Nosferatu
Wicked

BEST EDITING
The Brutalist
Dune: Part Two
Nickel Boys
Saturday Night
September 5

BEST PRODUCTION DESIGN
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

BEST ORIGINAL SCORE
The Brutalist
Challengers
Conclave
Dune: Part Two
The Wild Robot

BEST VISUAL EFFECTS
Alien: Romulus
Dune: Part Two
Furiosa: A Mad Max Saga
Kingdom of the Planet of the Apes
Nosferatu

BEST SOUNDTRACK
A Complete Unknown

Deadpool & Wolverine
I Saw the TV Glow
Maria
Wicked

BEST VOCAL PERFORMANCE

Maya Hawke – “Inside Out 2”
Lupita Nyong’o – “The Wild Robot”
Pedro Pascal – “The Wild Robot”
Amy Poehler – “Inside Out 2”
Sarah Snook – “Memoir of a Snail”

BEST ANIMATED FILM
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

BEST ENSEMBLE

Conclave
Dune: Part Two
Saturday Night
Sing Sing
Wicked

BEST HORROR FILM
Heretic
I Saw the TV Glow
Late Night with the Devil
Longlegs
Nosferatu
The Substance

BEST STUNTS
Deadpool & Wolverine
The Fall Guy
Furiosa: A Mad Max Saga
Gladiator II
Monkey Man

BEST COMEDY FILM
Deadpool & Wolverine
The Fall Guy
Hundreds of Beavers
A Real Pain
Saturday Night

BEST ACTION FILM
Deadpool & Wolverine
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Monkey Man

BEST DOCUMENTARY FEATURE
Daughters
Music by John Williams
No Other Land
Sugarcane
Super/Man: The Christopher Reeve Story
Will & Harper

BEST INTERNATIONAL FEATURE FILM
All We Imagine As Light
Dahomey
Do Not Expect Too Much from the End of the World
Emilia Perez
The Seed of the Sacred Fig

BEST FIRST FEATURE FILM
Annie Baker – “Janet Planet”
Anna Kendrick – “Woman of the Hour”
Josh Margolin – “Thelma”
Dev Patel – “Monkey Man”
RaMell Ross – “Nickel Boys”
Malcolm Washington – “The Piano Lesson”

BEST SCENE
Civil War – “What kind of an American are you?”
Dune: Part Two – Riding the Sandworm
The Substance – New Year’s Eve performance
Furiosa: A Mad Max Saga – War Rig battle
His Three Daughters – Dad’s Chair

THE FAMILY MAN (2000) – Nicolas Cage gets a “glimpse” into a different life!


Nicolas Cage stars as Jack Campbell, a Wall Street hot shot, who puts his success in the business world above everything else in his life. We meet him on Christmas Eve as he’s trying to close a multi-billion dollar merger. He’s making everyone work late and even calls for a work session on Christmas Day. Jack’s administrative assistant gives him a phone message from his former girlfriend Kate (Tea Leoni), who he almost married about 15 years earlier. He’s surprised to hear from her, especially since he essentially chose his career over her all those years ago. That night as he stops at a grocery store on his way home, events transpire so that a desperate man named Cash (Dan Cheadle) pulls a gun on the clerk. Jack is able to use a calm demeanor and business sense to talk to Cash in a way that diffuses the situation and the two leave the store together. As they walk down the street, Jack tries to talk to Cash and help him. When Cash starts asking Jack about his life, Jack indicates that his life is great and he has everything he needs. Interestingly, this is where Cash mysteriously tells Jack that he’s going to do something for him, something he really needs…

The next morning, Christmas morning, Jack wakes up in a different home, he’s married to Kate, and they have two kids and a dog. He’s no longer an investment banker; now he’s a tire salesman. He no longer drives a Ferrari; now he’s drives a mini-van. In panic-mode, Jack runs out of the house as his in-laws arrive, fires up the mini-van, and drives to his office on Wall Street where nobody knows him, and they kick him out of the building. About that time, Cash pulls up in Jack’s Ferrari and tells him that he’s giving him the gift of a “glimpse” into what his life could have been if he had married Kate instead of focusing on himself and his career. So Jack heads back to try life in Jersey, wondering when the glimpse will come to an end. 

My wife and I are continuing to watch Christmas movies throughout the month of December to stay in the holiday spirit. THE FAMILY MAN is not necessarily a movie we watch every year, but I’m a fan of Nicolas Cage. I enjoy these types of films where a person sees what their lives could have been like if they had made different decisions at certain key points along the way. An easy comparison can be made to Frank Capra’s IT’S A WONDERFUL LIFE, which is my personal favorite Christmas movie, and it’s in my top 10 movies of all time. It’s not really an appropriate comparison though. These stories encounter their subjects in two very different places. In IT’S A WONDERFUL LIFE, George Bailey is at the end of his rope and thinking his family would have been better off if he had never been born. It takes Clarence to reveal just how important George has been to those he loves. In THE FAMILY MAN on the other hand, Jack Campbell is at the top of the world and standing at the precipice of his crowning achievement in his career. He believes his life is wonderful. Cash decides to teach him a lesson by offering a “glimpse” into a life that he could have had if he had chosen Kate and a family over his career. Would life with her be more fulfilling than all the money in the world? I think the sale is a lot easier for Clarence than Cash, and I also think that’s why I found the film to be less compelling. George Bailey’s decision was literally life with a family who dearly loves him, or death. Jack Campbell’s decision is if he wants a middle class life with a loving wife and two precious kids that he only just met, or if he wants to continue his prior life as the multi-millionaire mover and shaker with his pick of beautiful women.  It doesn’t help the film’s case either that Jack’s never really presented as being completely empty on the inside or unhappy, say, the way Bill Murray is in SCROOGED. While I personally enjoy the type of life that Jack is able to glimpse, his character’s specific choice is not as obvious, or earned, the way George Bailey’s is. 

Overall, as a man who wouldn’t trade my family for all the money in the world, I do appreciate what THE FAMILY MAN is going for. The execution doesn’t quite pull it off in a way that is completely satisfying, and ultimately explains why I don’t watch it every year as a holiday staple. 

#MondayMuggers – Why DIRTY MARY CRAZY LARRY?


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday December 16th, we’re watching DIRTY MARY CRAZY LARRY starring Peter Fonda, Susan George, Adam Roarke, and Vic Morrow.

So why did I pick DIRTY MARY CRAZY LARRY, you might ask?

  1. I love car chase stunt movies from the 1970’s! We featured WHITE LIGHTNING with Burt Reynolds on here a couple of years ago. This should be another good 70’s car chase movie for the group. I’ve never actually watched the film before today so I’m really looking forward to it.   
  2. I like the cast, especially Susan George. What’s strange is that Susan is in my least favorite Charles Bronson movie of all time, LOLA, but I don’t hold that against her at all. She’s just so beautiful, and with a filmography that includes STRAW DOGS, SONNY AND JED, MANDINGO, and ENTER THE NINJA, what’s not to love?!!
  3. I think it’s cool that Peter Fonda did most of his own driving in the film, often driving over 100 miles per hour. I respect actors who are capable of doing their own stunt work…Jackie Chan, Tom Cruise, and now Peter Fonda!
  4. Quentin Tarantino loves DIRTY MARY CRAZY LARRY! He selected the film for the first “Quentin Tarantino Film Fest” in Austin back in 1996. He also featured a clip from this movie in JACKIE BROWN. It makes it even cooler that the scene in JACKIE BROWN featured Bridget Fonda, Peter’s daughter! If Tarantino loves it, that’s enough for me!

So join us tonight to for #MondayMuggers and watch DIRTY MARY CRAZY LARRY! It’s on Amazon Prime.

CHRISTMAS LIST (2016) – One of our favorite Hallmark Christmas movies!


My wife Sierra loves Hallmark Christmas movies. She has Hallmark Christmas movie sweatshirts and coffee mugs. The TV at our house is filled with recordings of her very favorites. So many days when I get home from work, she’ll be watching one of them. They just make her feel better, and I understand that. I would go so far as to say that their shared love of Hallmark movies was a major bonding agent for my wife and mom. It’s fun when they get together and discuss them. Oftentimes they can’t remember the movies’ names, but one will start describing the plot, and the other will immediately say “I love that one!!” It’s amazing. In the spirit of Christmas, and a feeling of kinship with my wife, we watched the 2016 Hallmark movie CHRISTMAS LIST. 

CHRISTMAS LIST opens with a redheaded girl and her puppy making a list of the things she wants to do for Christmas. It’s simple stuff like decorating a real Christmas tree, making a gingerbread house, caroling, and taking a picture with Santa. Her mom walks in and tells her that real Christmas trees and gingerbread houses are way too messy, and she just cleaned the house. Cut to 25 years later and there’s mom straightening up the home of Isobel Gray (Alicia Witt), who’s now a successful fashion designer in San Diego, and whose boyfriend, Brett Bishop, is the owner of the company where she’s employed. Her mom surprises her by bringing her childhood “treasure box” that she had found while cleaning out the attic. Isobel sees her old Christmas list and decides right then and there that she wants to make this the year she fulfills her idea of a perfect Christmas. 

Isobel searches the internet and finds Fall River, Oregon, which advertises itself as “the perfect Christmas town.” She books a couple of flights and a cabin in Fall River for her and Brett to spend their Christmas holiday. He’d rather go to the beach and drink margaritas, but he does reluctantly agree. The day before the trip, a problem arises in the South American portion of the business operation, so Brett tells Isobel that he will fly down there for a few days and then meet her in Fall River before Christmas. She’s disappointed but heads out anyway. The first night she’s in Fall River, Isobel heads out to buy a real Christmas tree. She grabs the perfect tree at the exact same time as Jamie Houghton (Gabriel Hogan), a local guy who’s helping his sister and nephew find a tree. Through a variety of circumstances, Jamie ends up taking Isobel and the tree back to the cabin and even helping her put up the tree. The next day she’s trying to make a gingerbread house for a local contest and ends up smoking up the cabin. The fire department shows up and Jamie is a volunteer fireman. With Brett still in South America taking care of business, Jamie takes it upon himself to show Isobel more of the town. Will Brett ever make it to Fall River? Will Isobel and Jamie continue to spend time with each other? Will Brett ever put Isobel over himself and his work? Will Jamie and Isobel fall in love? If you’ve seen a few Hallmark Christmas movies, you already know the answers. 

In full disclosure, after many years of watching Hallmark movies with my wife, I’ve developed some favorites of my own. They usually involve Alicia Witt, but not always. We chose CHRISTMAS LIST because it is one we both like. I enjoy the traditional Hallmark formula at work here. Isobel is heavily involved with her work, but she longs for something more simple. Her boyfriend cares about her, but he cares more about himself and his career. She meets a man who is kind, thoughtful, hardworking and very content with his simple life. This is all set in a beautiful Christmas town where the hot chocolate is warm, the diner serves huge portions of good looking food, the carolers are in the town square, and the snow is gorgeous. One of the reasons that Hallmark movies work on me is that I too long for simpler times. As I’ve gotten older, my life has gotten more and more complicated, and I’m often too “busy” to really focus on the things that bring me the most joy. The Christmas season is a time when I really try to focus on my family and our blessings. It helps when we leave behind our stresses and our troubles and meet up at our family cabin (pictured below) for a couple of days. My favorite Hallmark movies are always about the main character getting his or her priorities in order. It may be oversimplified, but it’s something I have to work on constantly. The fact that the main character will also fall in love with someone who shares those values is secondary for me. That’s just the real whipping cream on the hot chocolate! 

Here Are The 2024 Critics Choice Award Nominations


I have one last awards season precursor to share with everyone and then we’ll be up to date!

Earlier this week, the Critics Choice Nominations were announced.  The Critics Choice is kind of a low-rent version of the Golden Globes.  They’ll be handing out their awards on January 12th.  Here are their nominees:

BEST PICTURE
A Complete Unknown
Anora
The Brutalist
Conclave
Dune: Part Two
Emilia Pérez
Nickel Boys
Sing Sing
The Substance
Wicked

BEST ACTOR
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Daniel Craig – Queer
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Hugh Grant – Heretic

BEST ACTRESS
Cynthia Erivo – Wicked
Karla Sofía Gascón – Emilia Pérez
Marianne Jean-Baptiste – Hard Truths
Angelina Jolie – Maria
Mikey Madison – Anora
Demi Moore – The Substance

BEST SUPPORTING ACTOR
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Edward Norton – A Complete Unknown
Guy Pearce – The Brutalist
Denzel Washington – Gladiator II

BEST SUPPORTING ACTRESS
Danielle Deadwyler – The Piano Lesson
Aunjanue Ellis-Taylor – Nickel Boys
Ariana Grande – Wicked
Margaret Qualley – The Substance
Isabella Rossellini – Conclave
Zoe Saldaña – Emilia Pérez

BEST YOUNG ACTOR / ACTRESS
Alyla Browne – Furiosa: A Mad Max Saga
Elliott Heffernan – Blitz
Maisy Stella – My Old Ass
Izaac Wang – Didi
Alisha Weir – Abigail
Zoe Ziegler – Janet Planet

BEST ACTING ENSEMBLE
Anora
Conclave
Emilia Pérez
Saturday Night
Sing Sing
Wicked

BEST DIRECTOR
Jacques Audiard – Emilia Pérez
Sean Baker – Anora
Edward Berger – Conclave
Brady Corbet – The Brutalist
Jon M. Chu – Wicked
Coralie Fargeat – The Substance
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two

BEST ORIGINAL SCREENPLAY
Sean Baker – Anora
Moritz Binder, Tim Fehlbaum & Alex David – September 5
Brady Corbet & Mona Fastvold – The Brutalist
Jesse Eisenberg – A Real Pain
Coralie Fargeat – The Substance
Justin Kuritzkes – Challengers

BEST ADAPTED SCREENPLAY
Jacques Audiard – Emilia Pérez
Winnie Holzman & Dana Fox – Wicked
Greg Kwedar & Clint Bentley – Sing Sing
RaMell Ross & Joslyn Barnes – Nickel Boys
Peter Straughan – Conclave
Denis Villeneuve, Jon Spaihts – Dune: Part Two

BEST CINEMATOGRAPHY
Jarin Blaschke – Nosferatu
Alice Brooks – Wicked
Lol Crawley – The Brutalist
Stéphane Fontaine – Conclave
Greig Fraser – Dune: Part Two
Jomo Fray – Nickel Boys

BEST PRODUCTION DESIGN
Judy Becker & Patricia Cuccia – The Brutalist
Nathan Crowley & Lee Sandales – Wicked
Suzie Davies – Conclave
Craig Lathrop – Nosferatu
Arthur Max, Jille Azis & Elli Griff – Gladiator II
Patrice Vermette & Shane Vieau – Dune: Part Two

BEST EDITING
Sean Baker – Anora
Marco Costa – Challengers
Nick Emerson – Conclave
David Jancso – The Brutalist
Joe Walker – Dune: Part Two
Hansjörg Weißbrich – September 5

BEST COSTUME DESIGN
Lisy Christl – Conclave
Linda Muir – Nosferatu
Massimo Cantini Parrini – Maria
Paul Tazewell – Wicked
Jacqueline West – Dune: Part Two
Janty Yates & Dave Crossman – Gladiator II

BEST HAIR AND MAKEUP
Christine Blundell, Lesa Warrener & Neal Scanlan – Beetlejuice Beetlejuice
Hair and Makeup Team – Dune: Part Two
Hair and Makeup Team – The Substance
Frances Hannon, Sarah Nuth & Laura Blount – Wicked
Traci Loader, Suzanne Stokes-Munton & David White – Nosferatu
Mike Marino, Sarah Graalman & Aaron Saucier – A Different Man

BEST VISUAL EFFECTS
Mark Bakowski, Pietro Ponti, Nikki Penny & Neil Corbould – Gladiator II
Pablo Helman, Jonathan Fawkner, Paul Corbould & David Shirk – Wicked
Paul Lambert, Stephen James, Rhys Salcombe & Gerd Nefzer – Dune: Part Two
Luke Millar, David Clayton, Keith Herft & Peter Stubbs – Better Man
Visual Effects Team – The Substance
Erik Winquist, Stephen Unterfranz, Paul Story & Rodney Burke – Kingdom Of The Planet Of The Apes

BEST ANIMATED FEATURE
Flow
Inside Out 2
Memoir Of A Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

BEST COMEDY
A Real Pain
Deadpool & Wolverine
Hit Man
My Old Ass
Saturday Night
Thelma

BEST FOREIGN LANGUAGE FILM
All We Imagine As Light
Emilia Pérez
Flow
Kneecap
I’m Still Here
The Seed Of The Sacred Fig

BEST SONG
“Beautiful That Way” – The Last Showgirl – Miley Cyrus
“Compress / Repress” – Challengers – Trent Reznor & Atticus Ross
“El Mal” – Emilia Pérez – Zoe Saldaña, Karla Sofía Gascón & Camille
“Harper and Will Go West” – Will & Harper – Kristen Wiig
“Kiss the Sky” – The Wild Robot – Maren Morris
“Mi Camino” – Emilia Pérez – Selena Gomez

BEST SCORE
Volker Bertelmann – Conclave
Daniel Blumberg – The Brutalist
Kris Bowers – The Wild Robot
Clément Ducol & Camille – Emilia Pérez
Trent Reznor & Atticus Ross – Challengers
Hans Zimmer – Dune: Part Two

Here Are The 2024 Nominations of The Makeup Artists & Hair Stylists Guild


These nominations were actually announced way back on December 10th but I’ve only now gotten a chance to share them on the Shattered Lens.  As I’ve started elsewhere, guild nominations are generally pretty good precursors as to what is going to be nominated by the Academy.

The winners will be announced on February 15th.

Best Contemporary Make-Up
“The Deliverance” (Netflix) – Beverly Jo Pryor, Eric Pagdin, Chloe Sens, Doug Fairall
“Emilia Pérez” (Netflix) – Julia Floch Carbonel, Simon Livet
“It Ends With Us” (Sony Pictures and Wayfarer Studios) – Sarah Graalman, Vivian Baker, Melanie Licata
“Smile 2” (Paramount) – Sasha Grossman, Valerie Carney
“The Substance” (MUBI) – Stéphanie Guillon

Best Period and/or Character Make-Up
“Beetlejuice Beetlejuice” (Warner Bros. Pictures) – Christine Blundell, Lesa Warrener, Charmaine Fuller, Mona Turnbull, Chloe Meddings
“Deadpool & Wolverine” (Marvel Studios) – Bill Corso, Whitney James, Paula Price, Monica Huppert, Cyndi Reece-Thorne
“Gladiator II” (Paramount Pictures) – Jana Carboni, Charlie Hounslow, Maria Solberg Lepre, Lauren Baldwin, Chantal Busuttil
“MaXXXine” (A24) – Sarah Rubano, Mandy Artusato, Akiko Matsumoto
“Wicked” (Universal Pictures) – Frances Hannon, Alice Jones, Nuria Mbornio, Johanna Nielsen, Branka Vorkapic

Best Special Make-Up Effects
“A Different Man” (A24) – Mike Marino, David Presto, Crystal Junado
“Beetlejuice Beetlejuice” (Warner Bros. Pictures) – Jennifer Kewley, Megan Thomas, Martin Rezard
“Deadpool & Wolverine” (Marvel Studios) – Bill Corso, Andrew Clement, Monica Huppert, Geoff Redknap, Robb Crafer
“The Deliverance” (Netflix) – Jason Collins, Chloe Sens, Michael McCarty
“The Substance” (MUBI) – Pierre-Olivier Persin

Best Contemporary Hair Styling
“The Deliverance” (Netflix) – Melissa Forney, Linda Flowers, Tommie Ammons, Jackie Noel, Eric Matthews
“It Ends With Us” (Sony) – Robert Lugo, Vita Viscuso, Anne Carroll
“The Last Showgirl” (Roadside Attractions) – Katy McClintock, Marc Boyle, Stephanie Hobgood
“Megalopolis” (Lionsgate/Zoetrope) – Terrie Velazquez Owen, April Schuller, Tracy Moss, Victor Paz, Alexis Continenente
“The Substance” (MUBI) – Frédérique Arguello

Best Period and/or Character Hair Styling
“Beetlejuice Beetlejuice” (Warner Bros. Pictures) – Christine Blundell, Lesa Warrener, Susan Cole, Charmaine Fuller, Chloe Meddings
“Bob Marley: One Love” (Paramount Pictures)       – Carla Farmer, Nadia Stacey, Morris Roots
“Gladiator II” (Paramount Pictures) – Giuliano Mariano, Kerstin Weller, Romina Ronzani, Nicola Mariano, Marcelle Genovese
“Shirley” (Netflix) – Nakoya Yancey, Wayne Jolla Jr., Gayette Williams, Lisa Thomas
“Wicked” (Universal Pictures) – Frances Hannon, Sarah Nuth, Sim Camps, Gabor Kerekes

Here Are The 2024 Nominations of the American Cinema Editors!


Earlier this week, the American Cinema Editors announced their nominations for the best edited films of 2024!  This is an important precursor because many ACE members are also members of the Academy.

The winners will be revealed on January 18th.

BEST EDITED FEATURE FILM (Drama, Theatrical)
Civil War – Jake Roberts, ACE
Conclave – Nick Emerson
Dune: Part Two – Joe Walker, ACE
Emilia Pérez – Juliette Welfling
Furiosa: A Mad Max Saga – Eliot Knapman & Margaret Sixel, ACE

BEST EDITED FEATURE FILM (Comedy, Theatrical)
Anora – Sean Baker
Challengers – Marco Costa
A Real Pain – Robert Nassau
The Substance – Coralie Fargeat, Jérôme Eltabet & Valentin Féron
Wicked – Myron Kerstein, ACE

BEST EDITED ANIMATED FEATURE FILM
Flow – Gints Zilbalodis
Inside Out 2 – Maurissa Horwitz
Moana 2 – Jeremy Milton, ACE & Michael Louis Hill
Wallace & Gromit: Vengeance Most Fowl – Dan Hembery
The Wild Robot – Mary Blee

BEST EDITED DOCUMENTARY FEATURE
Beatles ’64 – Mariah Rehmet, ACE
Jim Henson: Idea Man – Sierra Neal & Paul Crowder, ACE
Her Name was Moviola – Howard Berry
Super/Man: The Christopher Reeve Story – Otto Burnham
Will & Harper – Monique Zavistovski, ACE

The Brutalist Takes Down The Competition In Chicago!


On December 12th, the Chicago Film Critics Association announced their picks for the best of 2024!

BEST PICTURE
Anora
The Brutalist
Furiosa: A Mad Max Saga
I Saw the TV Glow
Nickel Boys
The Substance

BEST DIRECTOR
Sean Baker – Anora
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
RaMell Ross – Nickel Boys
Jane Schoenbrun – I Saw the TV Glow

BEST ACTOR
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Keith Kupferer – Ghostlight

BEST ACTRESS
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Léa Seydoux – The Beast

BEST SUPPORTING ACTOR
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Guy Pearce – The Brutalist
Adam Pearson – A Different Man

BEST SUPPORTING ACTRESS
Danielle Deadwyler – The Piano Lesson
Ariana Grande-Butera – Wicked
Natasha Lyonne – His Three Daughters
Margaret Qualley – The Substance
Zoe Saldaña – Emilia Pérez

BEST ORIGINAL SCREENPLAY
Anora by Sean Baker
The Brutalist by Brady Corbet & Mona Fastvold
Challengers by Justin Kurtizkes
A Real Pain by Jesse Eisenberg
The Substance by Coralie Fargeat

BEST ADAPTED SCREENPLAY
The Beast by Bertrand Bonello, Guillaume Bréaud, & Benjamin Charbit
Conclave by Peter Straughan
Nickel Boys by RaMell Ross & Joslyn Barnes
Nosferatu by Robert Eggers
Sing Sing by Clint Bentley & Greg Kwedar

BEST ANIMATED FEATURE
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

BEST DOCUMENTARY
Dahomey
Daughters
No Other Land
Soundtrack to a Coup d’Etat
Sugarcane

BEST FOREIGN LANGUAGE FILM
All We Imagine as Light
Emilia Pérez
Evil Does Not Exist
Red Rooms
The Seed of the Sacred Fig

BEST ART DIRECTION/PRODUCTION DESIGN
The Brutalist
Dune: Part Two
Nosferatu
The Substance
Wicked

BEST CINEMATOGRAPHY
The Brutalist – Lol Crawley
Challengers – Sayombhu Mukdeeprom
Dune: Part Two – Greig Fraser
Nickel Boys – Jomo Fray
Nosferatu – Jarin Blaschke

BEST COSTUME DESIGN
Dune: Part Two – Jacqueline West
Furiosa: A Mad Max Saga – Jenny Beavan
Maria – Massimo Cantini Parrini
Nosferatu – Linda Muir
Wicked – Paul Tazewell

BEST EDITING
Anora – Sean Baker
The Brutalist – Dávid Jancsó
Challengers – Marco Costa
Furiosa: A Mad Max Saga – Eliot Knapman & Margaret Sixel
Nickel Boys – Nicolas Monsour

BEST ORIGINAL SCORE
The Brutalist – Daniel Blumberg
Challengers – Trent Reznor & Atticus Ross
Dune: Part Two – Hans Zimmer
Nosferatu – Robin Carolan
Wicked – John Powell & Stephen Schwartz
The Wild Robot – Kris Bowers

BEST USE OF VISUAL EFFECTS
Dune: Part Two
Furiosa: A Mad Max Saga
Hundreds of Beavers
The Substance
Wicked

MILOS STEHLIK AWARD FOR BREAKTHROUGH FILMMAKER
Mike Cheslik – Hundreds of Beavers
Vera Drew – The People’s Joker
Payal Kapadia – All We Imagine as Light
Greg Kwedar – Sing Sing
RaMell Ross – Nickel Boys

MOST PROMISING PERFORMER
Lily Collias – Good One
Karla Sofía Gascón – Emilia Pérez
Brigette Lundy-Paine – I Saw the TV Glow
Clarence Maclin – Sing Sing
Adam Pearson – A Different Man

Here Are The 2024 Nominations of the Alliance of Women Film Journalists!


The Alliance of Women Film Journalists have announced their nominations for the best of 2024!  And here they are:

BEST FILM 
ANORA
CONCLAVE
EMILIA PÉREZ
NICKEL BOYS
SING SING
THE BRUTALIST
THE SUBSTANCE
WICKED

BEST DIRECTOR
JACQUES AUDIARD – EMILIA PÉREZ
SEAN BAKER – ANORA
EDWARD BERGER – CONCLAVE
BRADY CORBET – THE BRUTALIST
CORALIE FARGEAT – THE SUBSTANCE
PAYAL KAPADIA – ALL WE IMAGINE AS LIGHT

BEST SCREENPLAY, ORIGINAL
ALL WE IMAGINE AS LIGHT – PAYAL KAPADIA
ANORA – SEAN BAKER
A REAL PAIN – JESSE EISENBERG
HARD TRUTHS – MIKE LEIGH
THE SUBSTANCE – CORALIE FARGEAT
THE BRUTALIST – BRADY CORBET AND MONA FASTVOLD

BEST SCREENPLAY, ADAPTED
CONCLAVE – PETER STRAUGHAN, ROBERT HARRIS
EMILIA PÉREZ – JACQUES AUDIARD, THOMAS BIDEGAIN, LEA MYSIUS
NICKEL BOYS – RaMell ROSS, JOSLYN BARNES, COLSON WHITEHEAD
NOSFERATU – ROBERT EGGERS
SING SING – JOHN H. RICHARDSON, BRENT BUELL, CLINT BENTLEY
THE WILD ROBOT – CHRIS SANDERS, PETER BROWN

BEST DOCUMENTARY
BLACK BOX DIARIES – SHIDORI ITO
DAHOMEY – MATI DIOP
DAUGHTERS – ANGELA PATTON, NATALIE RAE
THE LAST OF THE SEA WOMEN – SUE KIM
SUGARCANE – EMILY KASSIE, JASON BRAVE NOISECAT
WILL & HARPER – JOSH GREENBAUM

BEST ANIMATED FILM
FLOW
HUNDREDS OF BEAVERS
INSIDE OUT 2
MEMOIR OF A SNAIL
THE WILD ROBOT
WALLACE & GROMIT: VENGEANCE MOST FOWL

BEST ACTRESS
CYNTHIA ERIVO – WICKED
KARLA SOFIA GASCON – EMILIA PÉREZ
MARIANNE JEAN-BAPTISTE – HARD TRUTHS
MIKEY MADISON – ANORA
DEMI MOORE – THE SUBSTANCE
JUNE SQUIBB – THELMA

BEST ACTRESS, SUPPORTING
JOAN CHEN – DIDI
DANIELLE DEADWYLER – THE PIANO LESSON
AUNJANUE ELLIS-TAYLOR – NICKEL BOYS
MARGARET QUALLEY – THE SUBSTANCE
ISABELLA ROSSELLINI – CONCLAVE
ZOE SALDANA – EMILIA PÉREZ

BEST ACTOR
ADRIEN BRODY – THE BRUTALIST
DANIEL CRAIG – QUEER
COLMAN DOMINGO – SING SING
RALPH FIENNES – CONCLAVE
HUGH GRANT – HERETIC
SEBASTIAN STAN – THE APPRENTICE

BEST ACTOR, SUPPORTING
YURA BORISOV – ANORA
KIERAN CULKIN – A REAL PAIN
CLARENCE MACLIN – SING SING
GUY PEARCE – THE BRUTALIST
STANLEY TUCCI – CONCLAVE
DENZEL WASHNGTON – GLADIATOR II

BEST ENSEMBLE CAST AND CASTING DIRECTOR
ANORA
CHALLENGERS
CONCLAVE
EMILIA PÉREZ
SATURDAY NIGHT
WICKED

BEST CINEMATOGRAPHY
CONCLAVE
DUNE: PART TWO
NICKEL BOYS
NOSFERATU
THE BRUTALIST
WICKED

BEST EDITING
ANORA
CONCLAVE
EMILIA PÉREZ
FURIOSA: A MAD MAX SAGA
THE BRUTALIST
THE SUBSTANCE

BEST INTERNATIONAL FILM
ALL WE IMAGINE AS LIGHT
DAHOMEY
EMILIA PÉREZ
FLOW
LA CHIMERA
THE SEED OF THE SACRED FIG

EDA FEMALE FOCUS AWARDS

EDA FEMALE FOCUS: BEST WOMAN DIRECTOR
ANDREA ARNOLD – BIRD
GIA COPPOLA – THE LAST SHOWGIRL
CORALIE FARGEAT – THE SUBSTANCE
PAYAL KAPADIA – ALL WE IMAGINE AS LIGHT
MEGAN PARK – MY OLD ASS
ALICE ROHRWACHER – LA CHIMERA

EDA FEMALE FOCUS: BEST FEMALE SCREENWRITER
ANDREA ARNOLD – BIRD
CORALIE FARGEAT – THE SUBSTANCE
PAYAL KAPADIA – ALL WE IMAGINE AS LIGHT
MEGAN PARK – MY OLD ASS
ALICE ROHRWACHER – LA CHIMERA
ERICA TREMBLAY, MICIANA ALISE – FANCY DANCE

EDA FEMALE FOCUS: BEST ANIMATED/VOICED PERFORMANCE
AYO EDEBIRI – INSIDE OUT 2
MAYA HAWKE – INSIDE OUT 2
LUPITA NYONG’O – THE WILD ROBOT
AMY POEHLER – INSIDE OUT 2
SARAH SNOOK – MEMOIR OF A SNAIL
JACKI WEAVER – MEMOIR OF A SNAIL

EDA FEMALE FOCUS: BEST WOMEN’S BREAKTHROUGH PERFORMANCE
NYKIYA ADAMS – BIRD
KARLA SOFIA GASCON – EMILIA PÉREZ
MIKEY MADISON – ANORA
KATY O’BRIAN – LOVE LIES BLEEDING
JUNE SQUIBB – THELMA
MAISY STELLA – MY OLD ASS

EDA FEMALE FOCUS: BEST STUNT PERFORMANCE
NIKKI BERWICK – STUNT COORDINATOR ON GLADIATOR II
ALEX JAY (for ZENDAYA) – DUNE: PART TWO
HAYLEY WRIGHT (for ANYA TAYLOR-JOY) – FURIOSA: A MAD MAX SAGA
KATY O’BRIAN – LOVE LIES BLEEDING
CAILEE SPAENY – ALIEN: ROMULUS
JUNE SQUIBB – THELMA

The Brutalist Rises From The Ashes In Phoenix


On December 12th, the Phoenix Critics Circle announced its picks for the best of the year!

BEST PICTURE
ANORA
THE BRUTALIST
NICKEL BOYS
SING SING
THE SUBSTANCE

BEST COMEDY FILM
ANORA
BABES
THE FALL GUY
HIT MAN
THELMA

BEST SCIENCE FICTION FILM
ALIEN: ROMULUS
DUNE: PART TWO
FURIOSA: A MAD MAX SAGA
I SAW THE TV GLOW
THE WILD ROBOT

BEST HORROR FILM
ALIEN: ROMULUS
HERETIC
LATE NIGHT WITH THE DEVIL
NOSFERATU
THE SUBSTANCE

BEST ANIMATED FILM
FLOW
INSIDE OUT 2
MEMOIR OF A SNAIL
TRANSFORMERS ONE
THE WILD ROBOT

BEST DOCUMENTARY
COPA ’71
DAUGHTERS
NO OTHER LAND
SUPER/MAN: THE CHRISTOPHER REEVE STORY
WILL AND HARPER

BEST FOREIGN LANGUAGE FILM
ALL WE IMAGINE AS LIGHT
EMILIA PEREZ
EVIL DOES NOT EXIST
THE GIRL WITH THE NEEDLE
THE SEED OF THE SACRED FIG

BEST ACTOR
ADRIEN BRODY – THE BRUTALIST
TIMOTHÉE CHALAMET – A COMPLETE UNKNOWN
DANIEL CRAIG – QUEER
COLMAN DOMINGO – SING SING
RALPH FIENNES – CONCLAVE

BEST ACTRESS
LILY-ROSE DEPP – NOSFERATU
CYNTHIA ERIVO – WICKED
NICOLE KIDMAN – BABYGIRL
MIKEY MADISON – ANORA
DEMI MOORE – THE SUBSTANCE

BEST SUPPORTING ACTOR
YURA BORISOV – ANORA
KIERAN CULKIN – A REAL PAIN
CLARENCE MACLIN – SING SING
GUY PEARCE – THE BRUTALIST
JEREMY STRONG – THE APPRENTICE

BEST SUPPORTING ACTRESS
MONICA BARBARO – A COMPLETE UNKNOWN
ARIANA GRANDE – WICKED
FELICITY JONES – THE BRUTALIST
MARGARET QUALLEY – THE SUBSTANCE
ISABELLA ROSSELLINI – CONCLAVE

BEST DIRECTOR
SEAN BAKER – ANORA
BRADY CORBET – THE BRUTALIST
ROBERT EGGERS – NOSFERATU
CORALIE FARGEAT – THE SUBSTANCE
RAMELL ROSS – NICKEL BOYS

BEST SCREENPLAY
JESSE EISENBERG – A REAL PAIN
BRADY CORBET AND MONA FASTVOLD – THE BRUTALIST
SEAN BAKER – ANORA
PETER STRAUGHAN AND ROBERT HARRIS – CONCLAVE
CORALIE FARGEAT – THE SUBSTANCE

BEST SCORE
VOLKER BERTELMANN – CONCLAVE
DANIEL BLUMBERG – THE BRUTALIST
ROBIN CAROLAN – NOSFERATU
TRENT REZNOR AND ATTICUS ROSS – QUEER
HANS ZIMMER – DUNE: PART TWO

BEST CINEMATOGRAPHY
JARIN BLASCHKE – NOSFERATU
LOL CRAWLEY – THE BRUTALIST
GREIG FRASER – DUNE: PART TWO
JOMO FRAY – NICKEL BOYS
ALICE BROOKS – WICKED