On December 13th, the African American Film Critics Association announced its picks for the best of 2024.
And here they are:
10. Dahomey
Best Actor: Colman Domingo (Sing Sing)
On December 13th, the African American Film Critics Association announced its picks for the best of 2024.
And here they are:
10. Dahomey
On December 13th, the Costume Designers Guild announced their nominees for the best costuming achievements of 2024. For the most part, the guilds are actually a better precursor than any of the critic groups, if just because the guilds include people who actually vote on the Oscar nominees.
Here are the film nominees. The winners will be announced on February 2nd.
Excellence in Contemporary Film
“Challengers” – Jonathan Anderson
“Conclave” – Lisy Christl, CDG
“Emilia Pérez” – Virginie Montel
“The Fall Guy” – Sarah Evelyn, CDG
“The Substance” – Emmanuelle Youchnovski
Excellence in Period Film
“The Book of Clarence” – Antoinette Messam, CDG
“Gladiator II” – Janty Yates, CDG & Dave Crossman
“Maria” – Massimo Cantini Parrini
“Nosferatu” – Linda Muir
“Saturday Night” – Danny Glicker, CDG
Excellence in Sci-Fi/Fantasy Film
“Beetlejuice Beetlejuice” – Colleen Atwood, CDG
“Borderlands” – Daniel Orlandi, CDG
“Dune: Part Two” – Jacqueline West, CDG
“Furiosa: A Mad Max Saga” – Jenny Beavan, CDG
“Wicked” – Paul Tazewell, CDG
On December 14th, The Las Vegas Film Critics Society announced its picks for the best of 2024! Dune: Part Two, after being an also-ran with several of the precursor groups, finally picked up the award for Best Picture and a lot of other awards as well!
Best Picture
The Brutalist
Dune: Part Two
A Complete Unknown
Conclave
Wicked
Best Actor
Adrien Brody – The Brutalist
Timothee Chalamet – A Complete Unknown
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Hugh Grant – Heretic
Best Actress
Cynthia Erivo – Wicked
Karla Sofia Gascon – Emilia Perez
Angelina Jolie – Maria
Mikey Madison – Anora
Demi Moore – The Substance
Best Supporting Actor
Kieran Culkin – A Real Pain
Clarence ‘Divine Eye’ Maclin – Sing Sing
Edward Norton – A Complete Unknown
Guy Pearce – The Brutalist
Denzel Washington – Gladiator II
Best Supporting Actress
Aunjanue Ellis-Taylor – Nickel Boys
Elle Fanning – A Complete Unknown
Ariana Grande – Wicked
Margaret Qualley – The Substance
Zoe Saldana – Emilia Perez
Best Director
Edward Berger – Conclave
Jon M. Chu – Wicked
Brady Corbet – The Brutalist
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two
Best Screenplay Original
Anora
The Brutalist
His Three Daughters
A Real Pain
Saturday Night
Best Screenplay – Adapted
Conclave
Dune: Part Two
Nickel Boys
Nosferatu
Sing Sing
Best Cinematography
The Brutalist
Conclave
Dune: Part Two
Nickel Boys
Nosferatu
Film Editing
The Brutalist
Challengers
Conclave
Dune: Part Two
Nickel Boys
Best Score
The Brutalist
Challengers
Conclave
Dune: Part Two
The Wild Robot
Best Song
El Mal – Emilia Perez
Mi Camino – Emilia Perez
Beautiful That Way – The Last Showgirl
Like a Bird – Sing Sing
Kiss the Sky – The Wild Robot
Best Documentary
Daughters
Music by John Williams
The Remarkable Life of Ibelin
Super/Man: The Christopher Reeve Story
Will & Harper
Best Animated Film
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot
Best International
Emilia Perez
Flow
I’m Still Here
Kneecap
The Seed of the Sacred Fig
Best Costume Design
Dune: Part Two
Furiosa: A Mad Max Saga
Gladiator II
Nosferatu
Wicked
Best Art Direction
Conclave
Dune: Part Two
Gladiator II
Nosferatu
Wicked
Best Visual Effects
Alien: Romulus
Dune: Part Two
Furiosa: A Mad Max Saga
Kingdom of the Planet of the Apes
Wicked
Best Action Movie
Deadpool & Wolverine
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Gladiator II
Best Comedy
Deadpool & Wolverine
The Fall Guy
Hit Man
My Old Ass
Saturday Night
Best Horror/Sci-Fi
Late Night with the Devil
Heretic
Nosferatu
Strange Darling
The Substance
Best Family Film
Inside Out 2
My Penguin Friend
Wallace & Gromit: Vengeance Most Fowl
Wicked
The Wild Robot
Best Animal Performance
Ukai – Arthur the King
Peggy – Deadpool & Wolverine
Dindim – My Penguin Friend
Rat Cast – Nosferatu
Frodo the Cat – A Quiet Place: Day One
Best Ensemble
Anora
Conclave
Dune: Part Two
Emilia Perez
Wicked
Best Action Stunts
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Gladiator II
Monkey Man
Breakout Performance (Director)
Jesse Eisenberg – A Real Pain
Anna Kendrick – Woman of the Hour
J.T. Mollner – Strange Darling
Dev Patel – Monkey Man
Sean Wang – Didi
Best Youth Performance – Male (under 21)
Kit Connor – The Wild Robot
Ian Foreman – I Saw the TV Glow
Elliott Heffernan – Blitz
Cooper Hoffman – Saturday Night
Izaac Wang – Didi
Best Youth Performance – Female (under 21)
Cailey Fleming – If
Maisy Stella – My Old Ass
Ingrid Torelli – Late Night with the Devil
Alisha Weir – Abigail
Zoe Ziegler – Janet Planet
William Holden Lifetime Achievement Award
Steve Martin
Demi Moore
Claire Simpson
Isabella Rossellini
Hans Zimmer
On the 13th, the San Francisco Bay Area Film Critics Circle announced their nominations for the best of 2024! The winners will be announced tomorrow.
Best Film
Anora
The Brutalist
Hard Truths
Nickel Boys
Sing Sing
Best Director
Anora – Sean Baker
The Brutalist – Brady Corbet
Hard Truths – Mike Leigh
Nickel Boys – RaMell Ross
The Substance – Coralie Fargeat
Best Actress
Marianne Jean-Baptiste – Hard Truths
Karla Sofía Gascón – Emilia Pérez
Angelina Jolie – Maria
Mikey Madison – Anora
Demi Moore – The Substance
Best Actor
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Daniel Craig – Queer
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Best Supporting Actress
Joan Chen – Dìdi (弟弟)
Carol Kane – Between the Temples
Isabella Rossellini – Conclave
Ariana Grande – Wicked
Zoe Saldana – Emilia Pérez
Best Supporting Actor
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Guy Pearce – The Brutalist
Jeremy Strong – The Apprentice
Best International Feature Film
All We Imagine as Light
Emilia Pérez
I’m Still Here
Kneecap
The Seed of the Sacred Fig
Best Documentary Feature
Daughters
No Other Land
Sugarcane
Super/Man: The Christopher Reeve Story
Will & Harper
Best Animated Feature
Flow
Inside Out 2
Memoir Of A Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot
Best Original Screenplay
Anora – Sean Baker
The Brutalist – Brady Corbet, Mona Fastvold
Hard Truths – Mike Leigh
A Real Pain – Jesse Eisenberg
The Substance – Coralie Fargeat
Best Adapted Screenplay
Conclave – Peter Straughan
Dune: Part Two – Denis Villeneuve, Jon Spaihts
Emilia Pérez – Jacques Audiard
Nickel Boys – RaMell Ross, Joslyn Barnes
Sing Sing – Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield
Best Cinematography
The Brutalist – Lol Crawley
Conclave – Stéphane Fontaine
Dune: Part Two – Greig Fraser
Nickel Boys – Jomo Fray
Nosferatu – Jarin Blaschke
Best Editing
Anora – Sean Baker
The Brutalist – Dávid Jancsó
Challengers – Marco Costa
Conclave – Nick Emerson
September 5 – Hansjörg Weißbrich
Best Original Score
The Brutalist – Daniel Blumberg
Challengers – Trent Reznor and Atticus Ross
Conclave – Volker Bertelmann
Emilia Pérez – Clément Ducol, Camille
The Wild Robot – Kris Bowers
Best Production Design
The Brutalist – Judy Becker
Conclave – Suzie Davies, Roberta Federico
Dune: Part Two – Zsuzsanna Sipos, Shane Vieau, Patrice Vermette
Nosferatu – Craig Lathrop
Wicked – Nathan Crowley, Lee Sandales
Special Citation for Independent Cinema
Exhibiting Forgiveness
Rumours
The Secret Art of Taking Flight
The Boston Online Film Critics Association has announced its picks for the best films of the year!
Best Film
1. THE BRUTALIST
2. THE SUBSTANCE
3. ANORA
4. I SAW THE TV GLOW
5. DUNE: PART TWO
6. NICKEL BOYS
7. HARD TRUTHS
8. FLOW
9. WICKED
10. NOSFERATU
Best Director
Brady Corbet – THE BRUTALIST
Best Actress
Marianne Jean-Baptiste – HARD TRUTHS
Best Actor
Adrien Brody – THE BRUTALIST
Best Supporting Actor
Guy Pearce – THE BRUTALIST
Best Supporting Actress
Margaret Qualley – THE SUBSTANCE
Best Screenplay
Sean Baker – ANORA
Best Ensemble
CONCLAVE
Best Score
Trent Reznor & Atticus Ross – CHALLENGERS
Best Cinematography
Lol Crawley – THE BRUTALIST
Best Editing
Joe Walker – DUNE: PART TWO
Best Documentary
NO OTHER LAND
Best International Feature
THE BEAST
Best Animated Film
FLOW
The Toronto Film Critics Association has announced their picks for the best films of 2024!
Best Film
Winner: Nickel Boys
Best Director
Winner: RaMell Ross – Nickel Boys
Best Original Screenplay
Winner: All We Imagine As Light
Best Adapted Screenplay
Winner: Nickel Boys
Best Foreign Language Film
Winner: All We Imagine As Light
Best Performance In A Canadian Film
Winner: Félix-Antoine Duval – Shepherds
Best Lead Performance
Winners: Marianne Jean-Baptiste – Hard Truths & Mikey Madison – Anora
Best Supporting Performance
Winner: Yura Borisov – Anora & Kieran Culkin – A Real Pain
Best Breakthrough Performance
Winner: Clarence Maclin – Sing Sing
Allan King Best Documentary
Winner: Dahomey
Best Animated Feature
Winner: Flow
Best First Feature
Winner: Woman of the Hour – Directed by Anna Kendrick
Rogers Best Canadian Film
Rumours
Shepherds
Universal Language
Rogers Best Canadian Documentary
Any Other Way: The Jackie Shane Story
Yintah
Your Tomorrow
Special Citation: No Other Land
Special Citation: Serena Whitney and The Revue Film Society

Since Sunday is a day of rest for a lot of people, I present #SundayShorts, a weekly mini review of a movie I’ve recently watched.
Jack Mason (Ice-T) is a homeless man who’s having a very bad day. His dog and best friend both die so he’s ready to give up on life. Just in the nick of time, a kind gentleman named Walter Cole (Charles S. Dutton), who works at the 7th Street mission, shows up, saves his life, and tells him about a potential job opportunity, even giving Jack his partner’s business card. The job would consist of helping out a group of hunters as a survival guide. Soon, Jack is meeting with rich businessman Thomas Burns (Rutger Hauer), who tells him all about the responsibilities of the job and hires him for the position. It looks like things are finally turning Jack’s way as he finds himself on a charter flight out into the mountains, where the hunters are waiting. The night he arrives, they have a huge feast as he gets to know the guys. It’s a strange lot, but hey, he’s got food in his belly and money in his pocket, so he can put up with some odd behavior for a few days. This very short period of happiness turns out to be fool’s gold as Jack is roused from his sleep early the next morning and told to run. They’re going to be playing a game, and the rules are simple… kill or be killed!
SURVIVING THE GAME was released to theaters on April 15th, 1994, when I was 20 years old. As one of Rutger Hauer’s biggest fans, I went to see it in the movie theater of course. As a fan of B-movies filled with action and violence, I had a good time with it. A big part of that fun came from it’s cast of interesting actors. I’d watch Hauer in any role, and I pretty much have. There’s not a lot asked of him in SURVIVING THE GAME in terms of heavy lifting, but I still enjoy watching him on screen. He looks pretty cool riding his motorcycle with his big goatee and ponytail. I just like Ice-T. There’s something I’ve always found appealing about him on screen, and the same can be said here. Charles S. Dutton is so capable of projecting good on screen. The fact that his character is working at a charity mission as a front to set up homeless men to be hunted and killed was a nice bit of casting. And finally, with other actors like Gary Busey, F. Murray Abraham and John C. McGinley playing the hunters, you just know you’re in for an over-the-top, scenery chewing good time. I also want to shout out one particularly disturbing and graphic scene that involves Charles S. Dutton and a blown up 4-wheeler. It’s the one scene from the film that I’ve remembered ever since saw it that first time at the theater.
Five Fast Facts:

My wife was born and raised in the great state of West Virginia. It’s one of the most beautiful states in the country. I’ve enjoyed visiting awesome places like the New River Gorge Bridge, Kanawha Falls, the Greenbrier Resort, the Mothman museum, Reddish Knob, Seneca Rocks, and Hillbilly Hot Dogs over the years! Five or six years ago, I was browsing through the movies available on Amazon Prime and I came across this documentary called THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA. Being a fan of my wife and fascinated by the state, I thought I’d check it out.
But first, a little back story…. in 1991, Jacob Young, a director and producer for two seasons of a PBS documentary series called DIFFERENT DRUMMER, made a documentary short for the series entitled DANCING OUTLAW. The subject of the documentary is a man from Boone County, WV named Jesco White. Jesco is a talented “mountain tap dancer,” a skill that was passed down to him from his father D. Ray White. Jesco is also a hard-living, hellraising, gas-huffing law breaker! The documentary would go on to win a 1992 Emmy Award, as well as a 1993 American Film Institute Award for “Best Documentary.” It would also make Jesco a celebrity and pop culture figure in the state.
Now, back to THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA. This 2009 documentary, directed by Julian Nitzberg and executive produced by Johnny Knoxville, takes us back to Boone County to revisit Jesco White, as well as to introduce us to a whole bunch of his extended family. I’ll just say up front that I was fascinated by this family, but I would never in a million years trust a single one of them. Jesco is in the new documentary, but there isn’t a lot of time spent with him. He did perform some of his special mountain tap-dancing as Hank Williams III sang his song “Straight to Hell” during the opening credits. I enjoyed seeing his special talent prior to the movie turning into the documentation of a slow-motion, extended family train wreck. Here are a few of the people we spend time with:
We meet many more of the Whites, but I think you can see where this is going. This is a family in distress, and we see extreme examples of a culture of horrific decisions that continue to yield horrific results. With that said, I also saw bits and pieces of my own family in the Whites, and while I won’t condone a single one of their bad decisions, I won’t pass judgment on them either. During the year that the filmmakers hung out with the Whites, the matriarch of the family, Bertie Mae White, turned 85 years old. Based on some of the things she said, as well as some of her mannerisms, she reminded me a little bit of my own Grandma Crain from the Ouachita Mountains in Arkansas. We see the family as they celebrate Bertie Mae on her 85th birthday. They love their mother, but they do drugs and smoke pot at her party even though she clearly doesn’t want any of that “stuff” around her. A sad section of the film is Bertie May’s passing while the documentary was being made. I know of instances where drug and alcohol abuse have wreaked havoc inside of my own family. There have been instances where extended family members have committed acts of violence that have sent them to prison. I think the fact that I can see certain characteristics of my own family through the craziness of the Whites is what fascinated me the most when I was watching. These are real people, and because of that, we know people like them, with some of them being our own family members if not ourselves. I’m not qualified to speak on how certain socio-economic factors affect any of this kind of behavior, so I won’t even try.
Back in 2020, my wife and I visited the courthouse in Madison, WV, which is the county seat of Boone County, and a place that is shown multiple times throughout the documentary. I’ve included a picture below. We ate at a local grocery store in town that served a nice bologna sandwich for lunch. This is a very normal town and county, yet this is also where almost all of the action in the wild and wonderful Whites takes place. One of my takeaways from THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA is my continued amazement of the types of things us “normal” people are capable of.


I became obsessed with actor Charles Bronson in 1986 after receiving a VHS copy of DEATH WISH 3 as a Christmas present. Going along with that obsession was my desire to see every Charles Bronson movie that had ever been made. As much as I enjoyed re-watching DEATH WISH 3, it was always a treat when I could rent a different Bronson film at the video store. The current Bronson movie at the video store in 1987 that appealed to me as a 13 year old boy was MURPHY’S LAW, so I wanted to rent it as often as possible. There were even a couple of times when different friends asked me to spend the night, and I had one requirement for saying yes… that we rent MURPHY’S LAW! Y’all, don’t think too bad of me for this admission. Remember, I was only 13 years old, I couldn’t drive, and I didn’t have a job so if I had to use a friend’s mom to get my Bronson fix, that’s just what I had to do! Based on the timing of my initial Bronson obsession, DEATH WISH 3 and MURPHY’S LAW are 1-2 in the films that I’ve watched the most times during my life.
In MURPHY’S LAW, Charles Bronson plays Jack Murphy, a tough cop who seems to be experiencing a series of unfortunate events:
There are several reasons that I loved MURPHY’S LAW back in the eighties, and that I still enjoy it now. First, of course, is Charles Bronson. He was around 64 years old when he filmed MURPHY’S LAW, but he’s still in great physical condition in 1986. One of Bronson’s greatest strengths is his screen presence, and he still dominates each frame he’s in. Second, the film has an excellent supporting cast. Carrie Snodgress is having a ball playing the main villain in the film. I’ve seen her in quite a few movies, like PALE RIDER with Clint Eastwood, and 8 SECONDS with Luke Perry, but I’ve never seen her in a role like this. Snodgress was nominated for an Oscar for her role in a 1970 film called DIARY OF A MAD HOUSEWIFE. I’ve never seen that one before, but I should probably check it out! I love Kathleen Wilhoite as Arabella McGee, the thief who ends up handcuffed to Bronson. Her vocabulary, while probably not very realistic for the streets of LA at the time, was hilarious to me as a teenager. I enjoy calling the people I love “snot licking donkey farts” on occasion to this very day. It’s Kathleen Wilhoite singing the title song over the closing credits! And Robert F. Lyons is very special to me in his role as Art Penney, Jack Murphy’s partner. We got to interview him on the THIS WEEK IN CHARLES BRONSON podcast about his roles on DEATH WISH 2, 10 TO MIDNIGHT, and MURPHY’S LAW. He was so generous with his time, and just a hell of a nice guy! I’ve attached a link to the YouTube video of the interview with Mr. Lyons if you’re interested in the great stories he tells us about his time in Hollywood! Finally, MURPHY’S LAW was directed by J. Lee Thompson, my personal favorite director who worked with Bronson. Thompson directed Bronson in 9 different films, beginning with ST. IVES in 1976 and ending with KINJITE: FORBIDDEN SUBJECTS in 1989. No matter the material, you always knew that Thompson would deliver a film with a certain quality that made Bronson look good!
I’ll always be a fan of MURPHY’S LAW, partly for nostalgic reasons, but mainly because I think it’s an entertaining mid-80’s action film for Bronson at a time when he was one of the kings of the video store!

1998 was certainly a special year for me as a fan of Hong Kong cinema but first let me provide a little context… After 150 years of British rule, Hong Kong was being handed over to communist China on July 1, 1997. This left a lot of uncertainty in Hong Kong’s local film industry. Because of that uncertainty, many of Hong Kong’s most popular filmmakers decided it was time to take their talents abroad. Director John Woo had already left for America in the early 90’s and had made successful films like HARD TARGET, BROKEN ARROW and FACE/OFF. This gets us to 1998, the year that many of Hong Kong’s biggest action stars would release their first American films. Chow Yun-fat would reprise his popular, honorable hitman role in his first American film, THE REPLACEMENT KILLERS, which was produced by John Woo and directed by Antoine Fuqua. Jet Li would make a strong impact as the badass villain in the 4th installment of the LETHAL WEAPON franchise. And then there’s Jackie Chan, probably the biggest of all the Hong Kong movie stars. Jackie had been banging around Hollywood as early as 1980 without a lot of fanfare in the west. But in 1996 Chan had a solid American box office hit when his Hong Kong production RUMBLE IN THE BRONX was dubbed and released in America. Armed with that success and a sizable budget provided by an American studio, Chan would get his own big release in 1998, the action-comedy RUSH HOUR!
In RUSH HOUR, Jackie Chan plays inspector Lee, a Hong Kong police detective who’s also a friend to Chinese Consul Han (Tzi Ma), currently serving in Los Angeles. When Consul Han’s daughter Soo Yung is kidnapped, he asks Lee to come to America to assist him and the FBI in rescuing her. The FBI doesn’t really want Lee’s help so they ask the Los Angeles police department to assign someone, anyone, to stay with Lee and keep an eye on him so he doesn’t get in the way of their investigation. Enter fast-talking, LAPD Detective James Carter. After some initial clashes and disagreements, the mismatched duo eventually begins working together to find the criminal mastermind behind the kidnapping, Juntao.
I watched RUSH HOUR at the movie theater on my birthday in 1998. I loved every second of it. A few weeks later I was on a business trip in Chicago, I told my boss how good the film was, and we went to see it as well. I enjoyed it just as much the 2nd time. I’m a big fan of “buddy cop” films like LETHAL WEAPON and BAD BOYS, and RUSH HOUR is an excellent addition to that sub-genre of action films. Jackie Chan and Chris Tucker have an excellent chemistry together. Their comedic interplay is hilarious and entertaining. It’s one of the main reasons I enjoy the movie so much. Jackie Chan was 44 years old when RUSH HOUR was released, but he was still extremely athletic so his brand of martial arts action and comedy still worked. The movie would go on to gross just short of $250 million at the worldwide box office and establish Jackie Chan as a bonafide star in the American film market. 2001’s RUSH HOUR 2 would be an even bigger hit, making almost $350 million worldwide. No one works harder or gives more of himself to his film productions than Jackie Chan, and it was nice seeing him achieve the truly worldwide success that he had earned!