4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.
Today, we wish a happy birthday to the great actor, Joe Pesci! It’s time for….
4 Shots From 4 Joe Pesci Films
Goodfellas (1990, dir by Martin Scorsese, DP: Michael Ballhaus)
JFK (1991, dir by Oliver Stone, DP: Robert Richardson)
My Cousin Vinny (1992, dir by Jonathan Lynn, DP: Peter Deming)
Casino (1995, dir by Martin Scorsese, DP: Robert Richardson)
If you were like me and you were hoping for some sort of big upset at the Oscars next month, it looks like we’re out of luck! The Directors Guild has honored Paul Thomas Anderson as director of the year for One Battle After Another.
The winners are in bold:
FEATURE FILM Paul Thomas Anderson – “One Battle After Another” (Warner Bros.)
Ryan Coogler – “Sinners” (Warner Bros.)
Guillermo Del Toro – “Frankenstein” (Netflix)
Josh Safdie – “Marty Supreme” (A24)
Chloe Zhao – “Hamnet” (Focus Features)
FIRST-TIME THEATRICAL FEATURE FILM Hasan Hadi – “The President’s Cake” (Sony Pictures Classics)
Harry Lighton – “Pillion” (A24)
Alex Russell – “Lurker” (Mubi) Charlie Polinger – “The Plague” (IFC)
Eva Victor – “Sorry, Baby” (A24)
4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.
Today, we celebrate the 132nd birthday of Texas-born filmmaker, King Vidor! Though Vidor may no longer be a household name, he was one of the most important and idiosyncratic filmmakers of Hollywood’s Golden Age. The Crowd is regularly cited as one of the most influential films ever made. (Certainly every film that’s ever featured a shot of an anonymous office worker sitting in a room full of cubicles owes a debt to it.) Duel in the Sun went on to inspire countless spaghetti westerns. The Fountainhead is also regularly cited as a favorite by a surprisingly large number of directors.
In honor of King Vidor’s life and legacy, here are….
4 Shots From 4 King Vidor Films
The Champ (1931, dir by King Vidor, DP: Gordon Avil)
Duel In The Sun (1946, dir by King Vidor, DP: Lee Garmes)
The Fountainhead (1949, dir by King Vidor, DP: Robert Burks)
Solomon and Sheba (1959, dir by King Vidor, DP; Fred A. Young)
4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.
Today, Through the Shattered Lens wishes a happy 83rd birthday to the one-of-a-kind director, Greydon Clark! And that means that it’s time for….
4 Shots From 4 Greydon Clark Films
Angels Brigade (1979, dir by Greydon Clark, DP: Dean Cundey)
Without Warning (1980, dir by Greydon Clark, DP: Dean Cundey)
Final Justice (1985, dir by Greydon Clark, DP: Nicholas Josef von Sternberg)
The Forbidden Dance Is Lambada (1990, dir by Greydon Clark, DP: R. Michael Stringer)
The Society of Composers and Lyricists has announced its picks for the best of 2025. The winners are listed in bold.
Outstanding Original Score for a Studio Film LUDWIG GÖRANSSON – Sinners
ALEXANDRE DESPLAT – Frankenstein
JONNY GREENWOOD – One Battle After Another
STEPHEN SCHWARTZ & JOHN POWELL – Wicked: For Good
MAX RICHTER – Hamnet
JERSKIN FENDRIX – Bugonia
Outstanding Original Score for an Independent Film
DARA TAYLOR – Straw BRYCE DESSNER – Train Dreams
DAVID FLEMING – Eternity
FABRIZIO MANCINELLI – Out of the Nest
JÓNSI & ALEX SOMMERS – Rental Family
SARA BARONE & FOREST CHRISTENSON – To Kill a Wolf
Outstanding Original Song for a Dramatic or Documentary Visual Media Production
DIANE WARREN – “Dear Me” from Diane Warren: Relentless
ALICE SMITH, MILES CATON & LUDWIG GÖRANSSON – “Last Time (I Seen the Sun)” from Sinners RAPHAEL SAADIQ & LUDWIG GÖRANSSON – “I Lied to You” from Sinners
SARA BAREILLES – “Salt Then Sour Then Sweet” from Come See Me in the Good Light
NIKHIL KOPARKAR & RAMMY PARK – “The Hills of Tanchico” from The Wheel of Time
ED SHEERAN, BLAKE SLATKIN & JOHN MAYER – “Drive” from F1
Outstanding Original Song for a Comedy or Musical Visual Media Production EJAE & MARK SONNENBLICK – “Golden” from KPop Demon Hunters
STEPHEN SCHWARTZ – “No Place Like Home” from Wicked: For Good
STEPHEN SCHWARTZ – “The Girl in the Bubble” from Wicked: For Good
JACK BLACK & JARED HESS – “Steve’s Lava Chicken” from A Minecraft Movie
MARK RONSON, ANDREW WYATT & JACK BLACK – “I Feel Alive” from A Minecraft Movie
BLAKE SLATKIN, SHAKIRA & ED SHEERAN – “Zoo” from Zootopia 2
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, on what would have been his 94th birthday, TSL pays tribute to the great Francois Truffaut. No one captured the act of falling in love in life, people, and cinema with the skill, sensitivity, and humor of Francois Truffaut. It’s time for….
4 Shots From 4 Francois Truffaut Films
Shoot the Piano Player (1960, dir by Francois Truffaut, DP: Raoul Coutard)
Fahrenheit 451 (1966, dir by François Truffaut, DP: Nicolas Roeg)
Day For Night (1973, dir by François Truffaut, DP: Pierre-William Glenn)
The Story of Adele H. (1975, dir by Francois Truffaut, DP: Nestor Almendros)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we celebrate the 83rd birthday of the great Michael Mann! It’s time for….
4 Shots From 4 Michael Mann Films
Thief (1981, dir by Michael Mann, DP: Donald Thorin)
Manhunter (1986, dir by Michael Mann, DP: Dante Spinotii)
Heat (1995, dir by Michael Mann, DP: Dante Spinotti)
Public Enemies (2009, dir by Michael Mann, DP: Dante Spinotti)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today would have been George Romero’s 86th birthday.
Now, those of you who have been reading us since the beginning know how important the work of George Romero has been to this site. A mutual appreciation of Night of the Living Dead is one of the things that first brought many of us together. It’s a film that we watch ever Halloween and Arleigh’s review of the original remains one of our most popular posts. If this site had a patron saint, it would probably be George Romero.
And yet, Romero wasn’t just a director of zombie films. He made many films, dealing with everything from hippie lovers (There’s Always Vanilla) to wannabe vampires (Martin) to government conspiracies (The Crazies) and eccentric bikers (Knightriders). George Romero was one of the pioneers of independent films and today, on his birthday, we should all take a minute to consider and appreciate the man’s cinematic legacy. It’s not just horror fans who owe George Romero a debt of gratitude. It’s lovers of cinema everywhere.
With that in mind, here are….
4 Shots From 4 George Romero Films
Night of the Living Dead (1968, dir by George Romero, DP: George Romero)
The Crazies (1973, dir by George Romero, DP: S. William Hinzman)
Martin (1978, dir by George Romero, DP: Michael Gornick)
Dawn of the Dead (1978, dir by George Romero, DP: Michael Gornick)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, it is time to celebrate the birth of one of the most intriguing (if uneven) filmmakers of the 20th Century, Michael Cimino! It’s time for….
4 Shots From 4 Michael Cimino Films
Thunderbolt and Lightfoot (1974, directed by Michael Cimino, DP: Frank Stanley)
The Deer Hunter (1978, dir by Michael Cimino. DP: Vilmos Zsigmond)
Heaven’s Gate (1980, dir by Michael Cimino, DP: Vilmos Zsigmond)
The Year of the Dragon (1985, dir by Michael Cimino, DP: Alex Thomson)
Kathleen Kelly (Meg Ryan) owns a children’s bookstore in New York City named “The Shop Around the Corner.” It’s a small, cozy store that she inherited from her dear mother, and it’s part of the lifeblood of who she is as a person, as well as the community itself. Joe Fox (Tom Hanks), on the other hand, is the heir to a major bookstore chain, Fox Books (think Barnes & Noble), that threatens to wipe places like Kathleen’s off the map. As fate would have it, the two meet anonymously online where they trade their hopes, dreams and insecurities through daily e-mails, with both excitedly opening their computers each night hoping to hear those three little words, “You’ve Got Mail.” Things begin to get interesting when Joe plans to open up a Fox Books Superstore just around the corner from Kathleen’s place with neither knowing that they’re real-life business adversaries. When will they find out that they’re enemies in the business world? Can true love find a way in the most difficult of circumstances? And isn’t that why we watch these kinds of movies in the first place?!
I’ll start off by saying that Meg Ryan is operating at the top of her “America’s sweetheart” phase here… she’s cute, sincere, nostalgic, slightly neurotic, and ultimately quite believable as a person who romanticizes her world and truly believes there will always be a place for her small store and the gigantic superstores! I grew up and still live in the state where Wal-Mart started so I definitely know how hard it is for the “mom and pop” stores to compete. Tom Hanks walks a bit more of a tightrope as Joe Fox. He’s likable enough that you want him to be able to win her heart, but he’s also just arrogant enough that you understand why Kathleen resents everything he stands for. Ultimately, Hanks is able to pull it off with enough charm that you still root for him even when he can be a little bit of a jerk at times.
What’s really strange about revisiting YOU’VE GOT MAIL at this point in my life is the fact that it takes me back to the late 90’s when the internet was something new to me and it seemed like something magical. In this movie, the internet connects two souls, and when we hear “you’ve got mail” as they fire up their computers, the movie expects you to feel genuine excitement, without a hint of irony. Compare that with where the world is today with almost any kind of online activity, especially social media. While there are still a lot of positives to be found, it’s sad that going online now is often exhausting, hateful, and stressful! In 1998, though, it was still possible to believe that logging on could lead to something incredible!
Nora Ephron, who directed the film and co-wrote the screenplay, does a good job of presenting a sad reality of the real world underneath this romantic comedy’s love story. “Progress” can be cruel, and it seems like it just can’t be stopped no matter what! I spend a lot of time talking about the wonderful hours I spent in the video stores of my youth. Those stores are all gone now and have been for decades. The stores that replaced them are mostly gone now, and almost all of my movie viewing is now done through online streaming. In YOU’VE GOT MAIL, Fox Books certainly isn’t better than Kathleen’s Shop Around the Corner. As a matter of fact, it’s not nearly as educational or personal. What it is, however, is bigger, cheaper, and more efficient, and that’s what seems to win in the end, just like it did with the local video stores and Wal-Mart. This is where Ephron does her strongest balancing act. Joe Fox and Kathleen Kelly still fall in love despite the fact that the realities of the world around them take their realistic and natural course. A true human connection is made in the most difficult and painful of circumstances, and that ultimately means more than anything else in the film.
Revisiting YOU’VE GOT MAIL now doesn’t feel that much different than revisiting the film that inspired it, 1940’s THE SHOP AROUND THE CORNER, starring Jimmy Stewart and Margaret Sullavan. Both films are time capsules of a world that no longer really exists. However, both films ultimately realize the time-tested truth that it’s our relationships with other people that provides the most meaning to our lives. That’s a truth that won’t change whether we’re writing letters, sending e-mails, exchanging texts or whatever “progress” the human race achieves in communication in the future! I find some comfort in that.