Tag Archives: Lisa Marie Bowman

Live Tweet Alert: Join #FridayNightFlix for Disco Godfather!

Posted on by Lisa Marie Bowman

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie? 1979’s Disco Godfather!

“Put your weight on it!”  Watch as the legendary Rudy Ray Moore battles PCP dealers!  The beat never stops and neither do the beatings!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Disco Godfather is available on Prime, Tubi, Pluto, and almost every other streaming service!  See you there!

Music Video of the Day: Madam by Aidan (2022, dir by ????)

Posted on by Lisa Marie Bowman

This music video has a retro feel to it that I like.  It’s like an old film about one of those wonderfully sordid wedding ceremonies that rich people have on the Isle of Capri.  All that’s missing is Fernando Rey smoking a cigarette.

Enjoy!

Retro Television Review: City Guys 2.13 “Saving Private Johnson” and 2.14 “A Gift of Friendship”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  The entire show is currently streaming on Tubi!

Today, the 2nd season of City Guys come to an end with L-Train considering his future and Al considering the true meaning of friendship.  Let’s get to it!

Episode 2.13 “Saving Private Johnson”

(Directed by Frank Bonner, originally aired on December 5th, 1998)

It’s career day at Manny High!  Dawn wants to be a doctor.  Al wants to be a stockbroker.  L-Train wants …. well, L-Train doesn’t know what he wants.  In fact, he’s so upset at his bad midterm grades that he decides that he’s going to drop out of school and join the Marines!  Ms. Nobel is stunned and says that she feels like she failed with L-Train.  L-Train tells her it’s not her fault.  Ms. Nobel wishes him luck and she also wishes for peace….

It’s interesting to watch this episode today because we know what the future would have held for L-Train if he had joined the Marines.  L-Train would have eventually ended up in either Afghanistan or Iraq.  From that perspective, this storyline feels a bit different in 2022 than it probably did in 1998.  Of course, L-Train doesn’t end up joining the Marines.  He’s not allowed to join because the Marines discover that he’s dyslexic.  L-Train returns to school, confident that he will now be able to get good grades and go to a good college.

This is one of those “very special episodes” that shouldn’t work but it does.  This largely due to the performance of Steven Daniel, who bring just the right hint of melancholy to the scene in which he tells Nobel that he’s dropping out of school.  L-Train was often a one-joke character but Steven Daniel always played him as being someone who was secretly far more intelligent than even he realized.  Daniel took the role seriously, even if the show’s writers often didn’t.  Steven Daniel was often this show’s secret weapon and this episode shows why.

Episode 2.14 “A Gift Of Friendship”

(Directed by Frank Bonner, originally aired on December 12th, 1998)

It’s the Christmas season and Dawn and Cassidy are in charge of the canned food drive.  Ms. Nobel is proud of them but, unfortunately, some of the students aren’t as concerned about helping out as Ms. Nobel believes they should be.

For instance, Chris, Jamal, and L-Train are all excited because Chris’s uncle has a place in Florida and he’s willing to let them use it during the Christmas break.  They just have to pay their own way to Florida and that won’t be difficult.  Chris has a rich father.  Jamal has a middle-class father.  L-Train gets a job walking dogs.  However, by going on vacation, they won’t be around to help “feed the poor.”  Ms. Nobel tells them that she’s very disappointed in them.  Considering that 1) it’s their Christmas break and they can do whatever they want with it and 2) none of what they’re planning has anything to do with the school, I have to kind of wonder just how exactly it is any of Ms. Nobel’s business.

Meanwhile, Al hasn’t even donated any food!  Al keeps saying that he’ll bring some food “tomorrow” but, unfortunately, Al can barely afford to feed himself.  Al’s father has been laid off and Al is planning on dropping out of school so that he can take on a full time job so that he can help support the family.  Ms. Nobel is not happy to hear this and that’s not really a shock.  I mean, first L-Train tried to drop out and now Al!  Plus, Chris and Jamal would rather spend their break on Florida beach than getting mugged in New York City!  Ms. Nobel has failed them all!

Anyway, it all ends on a good note.  After Jamal reveals that Al’s family is struggling, Everyone goes to Al’s apartment and they give him and his family food.  Ms. Nobel dressed up as Santa Claus and announces that there is a janitorial job at the school for Al’s father.  Al realizes that there’s nothing wrong with accepting help.  It’s not a bad message for Thanksgiving and Christmas, though I did have to wonder just how exactly Ms. Nobel could just magically give someone a job.  I mean, seeing as how Mr. Ramos is going to be working at a school, it seems like he would have to at least pass a background check before he was hired.  Also, does Ms. Nobel offer a job to all of the out-of-work parents who have children enrolled at her school or is she just making an exception for Al?  Indeed, for all the time that the students spend singing her praises, Ms. Nobel really only seems to care about L-Train and Al.

Obviously, this episode presented me with a lot of unanswered questions.  But it also ended with everyone gathered in front of a Christmas tree and singing Silent Night and that was a nice moment.  It appealed to my sentimental side.  That said, I do hope that Chris, Jamal, and L-Train still went down to Florida because, seriously, they had nothing to feel guilty about!

Happy Thanksgiving!

Retro Television Reviews: The Love Boat 1.12 “The Old Man and the Runaway / The Painters / A Fine Romance”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Welcome aboard!  We’re expecting you.

Episode 1.12 “The Old Man and the Runaway / The Painters / A Fine Romance”

(Directed by Stuart Margolin and James Sheldon, originally aired on December 24th, 1977)

Hey, this episode of The Love Boat aired on Christmas Eve!  Oddly enough, unlike last week’s episode, it was not a holiday-themed episode.  You really do have to wonder if there was some sort of scheduling snafu at ABC and perhaps the episodes were shown out-of-order.  Then again, it could be that ABC realized that everyone would be busy getting ready for Midnight Mass on Christmas Eve so they decided to burn off a lesser episode while no one was watching.

(Doesn’t everyone spend Christmas Eve getting ready for Midnight Mass while their aunt tells them to dress more like the Virgin and less like the Magdalene?  Or was that just my experience?)

Yes, this is a lesser episode of The Love Boat.  It’s not a terrible episode but, at the same time, it’s not all the memorable.  A big problem is that there’s not really much romance on this cruise.  The show was called The Love Boat for a reason and, when there’s no love, it just doesn’t feel right.

For instance, one subplot dealt with two incompetent painters (played by Arte Johnson and Pat Morita) painting the captain’s office during the cruise.  They kept screwing up the job, which led to Captain Stubing getting progressively more and more annoyed.  From the start, I guessed that the punchline would be that the painters were screwing up on purpose so that they could stay on the boat and get a free cruise and …. yep, that’s exactly what it was.  Johnson and Morita were a good comedy team but the story itself felt like filler.

Meanwhile, a grumpy old widower (Will Geer) discovered that he was sharing his cabin with a teenage runaway (Bayn Johnson), who had stowed away on the ship and who was planning on meeting up with her boyfriend in Mexico.  Once he got over complaining about her being young and irresponsible, Geer convinced her to return to her parents.  Again, it wasn’t terrible and Bayn Johnson did a good job of keeping her character from getting annoying but it felt a bit out of place on The Love Boat.  Obviously, the 75 year-old man and the 16 year-old runaway weren’t going to fall in love and leave the ship arm-in-arm while the crew smiled knowingly.  Instead, this was a typical generation gap story.  The most interesting thing about this story is that this was the second time that a runaway managed to stowaway on the Love Boat.  Does that boat not have a security team?  Don’t you actually have to show your tickets to board the boat?  How does these people keep sneaking aboard?

Finally, the third storyline felt a bit more like a Love Boat story.  Cruise director Julie (Lauren Tewes) is super-excited when she sees that Sean McGlynn (Anson Williams) is a passenger on the cruise.  Julie and Sean grew up together and Julie always had a crush on him.  At first, Julie and Sean have fun hanging out but, whenever Julie tries to flirt, Sean panics and runs off.  Julie worries that there’s something wrong with her (oh, Julie!) but …. nope, Sean’s a priest.  Apparently, he was having a crisis of faith when he boarded the boat, which is why he didn’t tell anyone he was a priest.  But, when his roommate (Tom Poston) has a heart attack, Sean delivers the last rites and his faith is restored.  (Don’t worry.  His roommate survives and has a surprisingly quick recovery.  Doc Bricker is a miracle worker!)  Anyway, Sean leaves the boat wearing his collar and Julie stays on the boat, no doubt waiting for someone else from her past to buy a ticket.  It’s a bit of a shame, as Lauren Tewes and Anson Williams did make a cute couple.  Then again, we all know that Julie and Gopher belong together.

Like I said, this was not a terrible episode.  It just wasn’t particularly memorable.  It needed just a bit more romance.  After all, love is life’s sweetest reward.

Here Are The Independent Spirt Nominations!

Posted on by Lisa Marie Bowman

The nomination for the Independent Spirit Awards were announced earlier today.

Making a very good showing were Tar, Women Talking, and Everything Everywhere All At Once.  Not showing up at all was Darren Aronofsky’s The Whale, which failed to even pick up a lead performance nomination for Brendan Fraser.  Seeing as how Fraser has been viewed as being the Oscar front runner for a few months now, his lack of a nomination definitely took observers by surprise.

Anyway, here are all the nominees!

FILM CATEGORIES

Best Feature
“Bones and All” (MGM/United Artists Releasing)
“Everything Everywhere All at Once” (A24)
“Our Father, the Devil” (Resolve Media)
“Tár” (Focus Features)
“Women Talking” (MGM/United Artists Releasing)

Best Director
Todd Field – “Tár” (Focus Features)
Kogonada – “After Yang” (A24)
Daniel Kwan, Daniel Scheinert – “Everything Everywhere All at Once” (A24)
Sarah Polley – “Women Talking” (MGM/United Artists Releasing)
Halina Reijn – “Bodies Bodies Bodies” (A24)

Best Lead Performance

Cate Blanchett – “Tár” (Focus Features)
Dale Dickey – “A Love Song” (Bleecker Street)
Mia Goth – “Pearl” (A24)
Regina Hall – “Honk for Jesus. Save Your Soul.” (Focus Features)
Paul Mescal – “Aftersun” (A24)
Aubrey Plaza – “Emily the Criminal” (Roadside Attractions)
Jeremy Pope – “The Inspection” (A24)
Taylor Russell – “Bones and All” (MGM/United Artists Releasing)
Andrea Riseborough – “To Leslie” (Momentum Pictures)
Michelle Yeoh – “Everything Everywhere All at Once” (A24)

Best Supporting Performance

Jamie Lee Curtis – “Everything Everywhere All at Once” (A24)
Brian Tyree Henry – “Causeway” (A24/Apple Original Films)
Nina Hoss – “Tár” (Focus Features)
Brian D’Arcy James – “The Cathedral” (Mubi)
Ke Huy Quan – “Everything Everywhere All at Once” (A24)
Trevante Rhodes – “Bruiser” (Onyx Collective)
Theo Rossi – “Emily the Criminal” (Roadside Attractions)
Mark Rylance – “Bones and All” (MGM/United Artists Releasing)
Jonathan Tucker – “Palm Trees and Power Lines” (Momentum Pictures)
Gabrielle Union – “The Inspection” (A24)

Best Breakthrough Performance
Frankie Corio – “Aftersun” (A24)
Garcija Filipovic – “Murina” (Kino Lorber)
Stephanie Hsu – “Everything Everywhere All at Once” (A24)
Lily McInerny – “Palm Trees and Power Lines” (Momentum Pictures)
Daniel Zolghardi – “Funny Pages” (A24)

Best Screenplay
“After Yang” (A24) – Kogonada
“Catherine Called Birdy” (Amazon Studios) – Lena Dunham
“Everything Everywhere All at Once” (A24) – Daniel Kwan, Daniel Scheinert
“Tár” (Focus Features) – Todd Field
“Women Talking” (MGM/United Artists Releasing) – Sarah Polley

Best First Screenplay
“Bodies Bodies Bodies” (A24) – Sarah DeLappe, Kristen Roupenian
“Emergency” (Amazon Studios) – K.D. Dávila
“Emily the Criminal” (Roadside Attractions) – John Patton Ford
“Fire Island” (Searchlight Pictures) – Joel Kim Booster
“Palm Trees and Power Lines” (Momentum Pictures) – Jamie Dack, Audrey Findlay

Best First Feature
“Aftersun” (A24) – Charlotte Wells (director), Mark Ceryak, Amy Jackson, Barry Jenkins, Adele Romanski (producers)
“Emily the Criminal” (Roadside Attractions) – John Patton Ford (director), Tyler Davidson, Aubrey Plaza, Drew Sykes (producers)
“The Inspection” (A24) – Elegance Bratton (director), Effie T. Brown, Chester Algernal Gordon (producers)
“Murina” (Kino Lorber) – Antoneta Alamat Kusijanović (director), Danijel Pek, Rodrigo Teixeira (producers)
“Palm Trees and Power Lines” (Momentum Pictures) – Jamie Dack (director), Leah Chen Baker (producer)

John Cassavetes Award (Given to the best feature made for under $1,000,000)
“The African Desperate” (Mubi) – Martine Syms (writer, director, producer), Rocket Caleshu (writer, producer), Vic Brooks (producer)
“A Love Song” (Bleecker Street) – Max Walker-Silverman (writer, director, producer), Jesse Hope, Dan Janvey (producers)
“The Cathedral” (Mubi) – Ricky D’Ambrose (writer, director), Graham Swon (producer)
“Holy Emy” (Utopie Films) – Araceli Lemos (writer, director), Giulia Caruso (writer, producer), Mathieu Bompoint, Ki Jin Kim, Konstantinos Vassilaros (producers)
“Something in the Dirt” (XYZ Films) – Justin Benson (writer, director, producer), Aaron Moorhead (director, producer), David Lawson Jr. (producer)

Best Cinematography
“Aftersun” (A24) – Gregory Oke
“Murina” (Kino Lorber) – Hélène Louvart
“Neptune Frost” (Kino Lorber) – Anisia Uzeyman
“Pearl” (A24) – Eliot Rockett
“Tár” (Focus Features) – Florian Hoffmeister

Best Documentary
“A House Made of Splinters” (Madman Entertainment) – Simon Lereng Wilmont (director), Monica Hellström (producer)
“All that Breathes” (HBO) – Shaunak Sen (director, producer), Teddy Leifer, Aman Mann (producers)
“All the Beauty and the Bloodshed” (Neon) – Laura Poitras (director, producer), Howard Gertler, Nan Goldin, Yoni Golijov, John Lyons (producers)
“Midwives” (POV) – Snow Hnin Ei Hlaing (director, producer), Mila Aung-Thwin, Ulla Lehmann, Bob Moore (producers)
“Riotsville, U.S.A.” (IFC Films) – Sierra Pettengill (director), Sara Archambault, Jamila Wignot (producer)

Best Editing
“Aftersun” (A24) – Blair McClendon
“The Cathedral” (Mubi) – Ricky D’Ambrose
“Everything Everywhere All at Once” (A24) – Paul Rogers
“Marcel the Shell with Shoes On” (A24) – Dean Fleischer Camp, Nick Paley
“Tár” (Focus Features) – Monika Willi

Robert Altman Award (Given to one film’s director, casting director and ensemble cast)

“Women Talking” (MGM/United Artists Releasing) – Sarah Polley (director), John Buchan, Jason Knight (casting directors), Shayla Brown, Jessie Buckley, Claire Foy, Kira Guloien, Kate Hallett, Judith Ivey, Rooney Mara, Sheila McCarthy, Frances McDormand, Michelle McLeod, Liv McNeil, Ben Whishaw, August Winter (ensemble cast)

Best International Film
“Corsage” (Austria/Luxembourg/France/Belgium/Italy/England) – dir. Marie Kreutzer
“Joyland” (Pakistan/USA) – dir. Saim Sadiq
“Leonor Will Never Die” (Philippines) – dir. Martika Ramirez Escobar
“Return to Seoul” (South Korea/France/Belgium/Romania) – dir. Davy Chou
“Saint Omer” (France) – dir. Alice Diop

Producers Award (presented by Bulleit Frontier Whiskey  – The Producers Award, now in its 26th year, honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality independent films.)
Liz Cardenas
Tory Lenosky
David Grove Churchill Viste

Someone to Watch Award (The Someone to Watch Award, now in its 29th year, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition)
Adamma Ebo – “Honk for Jesus. Save Your Soul”
Nikyatu Jusu – “Nanny”
Araceli Lemos – “Holy Emy”

“The Truer Than Fiction Award” (The Truer Than Fiction Award, now in its 28th year, is presented to an emerging director of non-fiction features who has not yet received significant recognition)
Isabel Castro – “Mija”
Reid Davenport – “I Didn’t See You There”
Rebeca Huntt – “Beba”

Retro Television Reviews: Fantasy Island 1.11 “Reunion/Anniversary”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

This week, Fantasy Island is all about confronting the mistakes of the past.

Episode 1.11 “Reunion/Anniversary”

(Dir by Allen Baron and John Newland, originally aired on April 29th, 1978)

Before I talk about the two fantasies in this episode, here’s a bit of trivia.  This episode was originally intended to be the first episode of the series.  That perhaps explains why it has a tone that is more similar to the original TV movie than to the more light-hearted episodes that followed.  Just as in the made-for-TV movie, Mr. Roarke is a bit of an enigma in this episode, one who has little trouble manipulating his guests in order to get the results that he wants.  This episode even ends with Tattoo saying, “Thank God,” and Mr. Roarke replying with a mysterious half-smile.  Roarke isn’t quite as sinister as he was in the TV movie but he’s also not quite the cheery host that he would become in later episodes.  Roarke, at one point, also mentions that he has people who research everyone’s fantasy before choosing whether to grant it.  That’s certainly different from later episodes, in which the fantasies are apparently available to anyone who can pay or who has been lucky enough to win Roarke’s sympathy.

Of course, when it came time to air the first season of Fantasy Island, this episode got pushed back and it aired as the eleventh episode.  As a result, it presents a bit of a change-of-pace from the episodes that aired the weeks before.  One can only imagine how someone who decided to start watching the show because of the fantasy where Don Knotts played a private eye reacted to this episode, in which four guests were stalked by a murderer who wore giallo-style black gloves.

The guests being stalked by the murderer are Agnes (Pamela Franklin), Hannah (Hilarie Thompson), Carol (Michele Lee), and Jill (Sue Loyon).  They are all members of the Honeybees, a group of former high school cheerleaders who are having a ten-year reunion.  Their fantasy is to spend the weekend at a recreation of the Beehive, a cabin where they used to hang out while in high school.  Of course, every one of them has a dark secret and, after one of the Honeybees is apparently blown up in a nearby barn, the three remaining Honeybees have to solve the mystery.  It all gets fairly dark and sordid but, fear not!  Mr. Roarke shows up and even takes part in some hand-to-hand combat before revealing the truth about what is going on at the Beehive.

(Again, this is not something that we would normally expect from Mr. Roarke.)

Meanwhile, troubled couple Toni (Lucie Arnaz) and Tom Elgin (Ronny Cox, looking slightly embarrassed) come to the island for their anniversary!  Toni wants to relive the weekend that they got married, when they were still happy and before Tom became a drunk.  All of their old friends are invited to the island and soon, Tom is flirting with another woman while Toni is flirting with another man.  Mr. Roarke even invites Rev. Allen (Stuart Nisbet), the man who performed the original wedding ceremony.  The reverend explains that, due to a mix-up at the licensing office, he wasn’t actually legally allowed to perform marriages when Toni and Tom get married so it turns out that Tom and Toni have been living in sin all this time!  Now, Tom and Toni have to decide whether to get married for real or to go their separate ways.

I vote for separate ways, just because they really do seem to be miserable together.  However, it turns out that Mr. Roarke has a plan to keep this awful couple together.

The decision to move this episode from the start of the season to the latter half was definitely a good one.  It was probably a bit too dark and dramatic to really work as the premiere episode but, as the 11th episode, it provides a nice change-of-pace.  After several comedic and somewhat shallow episodes, this episode emphasizes the dramatic side of Fantasy Island.  In this episode, the ultimate lesson appears to be that fantasies are fun but that it’s far more important to deal with the real world.  In other words, Fantasy Island is a nice place to visit but only Mr. Roarke and Tattoo should live there.

Retro Television Reviews: Hang Time 2.9 “Style Before Substance” and 2.10 “Son-On-Law”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Hang Time, which ran on NBC from 1995 to 2000.  The entire show is currently streaming on YouTube!

I’ll always  remember …. me and my friends at Hang Time!

Episode 2.9 “Style Before Substance”

(Directed by Patrick Maloney, originally aired on November 2nd, 1996)

This episode opens with Julie and the basketball team at the diner and getting angry because the football team is in their booth.

“That’s our booth!” Julie says, “We’re the champions!”

Strangely, Josh agrees with her.  Remember how Josh almost walked off the team because he thought they were too obsessed with winning?  Remember how Josh was all about sportsmanship and humility?  I guess that all got tossed out the window once he started dating Julie.  And another thing — when did Julie become so stuck up?  During the first season, Julie was confident but she wasn’t full of herself.  This season, the writers aren’t doing her character any favors.

Needless to say, this all leads to a series of increasingly stupid competitions to decide which team gets to …. sit in the booth, I guess.  I’m not really sure what they were fighting about but then again, I’ve never played team sports.  Occasionally, I play tennis with my sister.  I’ve never won a game but I look good in a tennis skirt so it all works out.

While this is going on, Amy is volunteering for the mayoral campaign of Robert Kent.  Robert Kent is an obviously sleazy politician who says that he cares about the environment.  (To be honest, he reminded me of Beto O’Rourke).  Amy has a crush on Robert and is devastated to discover that he’s lying about being an environmentalist.  It turns out that he supports industrial development.

“Some of the money can be used to clean up the environment,” says Kent.

“But we wouldn’t need to clean it if you didn’t mess it up in the first place!” Amy whines while the audience goes crazy over the most shallow argument possible.

The good thing about this episode is that it portrayed politicians as being sleazy.  That said, I had to laugh at the sight of all the adults listening as Danny and Amy told them how to vote for.  In the end, Danny and Amy’s efforts proved to be futile as Kent won and probably proceeded to personally bulldoze their favorite park.

Episode 2.10 “Son-In-Law”

(Directed by Patrick Maloney, originally aired on November 9th, 1996)

The team is freaking out because they have to win a game against an undefeated team if they have any hopes of making it to the playoffs.  Coach Fuller invites a real basketball player to stiffly deliver some words of encouragement to the team.  Hang Time was big on getting actual basketball players to make cameo appearances and I imagine that was good for the show’s ratings.  But, for the most part, none of the basketball players could actually act so the scene featuring them are often incredibly dull.

Meanwhile, Mary Beth is angry at her father for ignoring her so she dates Vince just to annoy him.  But then she suddenly decide that she actually does like Vince which …. NO!  NO!  NO!  Mary Beth is a thousand times too cool to go out with someone as boring as Vince!  WHAT ARE YOU DOING, HANG TIME!?