The Greater Western New York Film Critics Association Rewards Banshees!


The Greater Western New York Film Critics Association have announced their winners for the best of 2022!

And here they are:

BEST PICTURE
Babylon
The Banshees of Inisherin
The Batman
Decision to Leave
Everything Everywhere All at Once
The Fabelmans
Nope
Tár
Top Gun: Maverick
Women Talking

BEST FOREIGN FILM
Athena (France)
Decision to Leave (South Korea)
EO (Poland)
Happening (France)
RRR (India)

BEST DOCUMENTARY
All the Beauty and the Bloodshed
Fire of Love
Good Night Oppy
Moonage Daydream
Sr.

BEST ANIMATED FILM
Apollo 101⁄2: A Space Age Childhood
Guillermo del Toro’s Pinocchio
Marcel the Shell with Shoes On
Puss in Boots: The Last Wish
Turning Red

BEST DIRECTOR
Todd Field, Tár
Daniel Kwan & Daniel Scheinert, Everything Everywhere All at Once
Martin McDonagh, The Banshees of Inisherin
Park Chan-wook, Decision to Leave
Charlotte Wells, Aftersun

LEAD ACTRESS
Cate Blanchett, Tár
Danielle Deadwyler, Till
Mia Goth, Pearl
Margot Robbie, Babylon
Michelle Yeoh, Everything Everywhere All at Once

SUPPORTING ACTRESS
Kerry Condon, The Banshees of Inisherin
Dolly De Leon, Triangle of Sadness
Stephanie Hsu, Everything Everywhere All at Once
Janelle Monáe, Glass Onion: A Knives Out Mystery
Keke Palmer, Nope

LEAD ACTOR
Austin Butler, Elvis
Diego Calva, Babylon
Colin Farrell, The Banshees of Inisherin
Brendan Fraser, The Whale
Paul Mescal, Aftersun

SUPPORTING ACTOR
Brendan Gleeson, The Banshees of Inisherin
Brian Tyree Henry, Causeway
Barry Keoghan, The Banshees of Inisherin
Eddie Redmayne, The Good Nurse
Ke Huy Quan, Everything Everywhere All at Once

ORIGINAL SCREENPLAY
Todd Field, Tár
Daniel Kwan & Daniel Scheinert, Everything Everywhere All at Once
Martin McDonagh, The Banshees of Inisherin
Park Chan-wook & Jeong Seo-kyeong, Decision to Leave
Charlotte Wells, Aftersun

ADAPTED SCREENPLAY
Guillermo del Toro & Patrick McHale / Guillermo del Toro & Matthew Robbins (story), Guillermo del Toro’s Pinocchio
Samuel D. Hunter, The Whale
Rian Johnson, Glass Onion: A Knives Out Mystery
David Kajganich, Bones and All
Sarah Polley and Miriam Toews, Women Talking

BEST CINEMATOGRAPHY
Ben Davis, The Banshees of Inisherin
Florian Hoffmeister, Tár
Claudio Miranda, Top Gun: Maverick
Linus Sandgren, Babylon
Hoyte Van Hoytema, Nope

BEST EDITING
Tom Cross, Babylon
Eddie Hamilton, Top Gun: Maverick
Paul Rogers, Everything Everywhere All at Once
Matt Villa & Jonathan Redmond, Elvis
Monika Willi, Tár

BEST ORIGINAL SCORE
Carter Burwell, The Banshees of Inisherin
Alexandre Desplat, Guillermo del Toro’s Pinocchio
Michael Giacchino, The Batman
Hildur Guðnadóttir, Women Talking
Justin Hurwitz, Babylon

BREAKTHROUGH PERFORMANCE
Vanessa Burghardt, Cha Cha Real Smooth
Austin Butler, Elvis
Frankie Corio, Aftersun
Danielle Deadwyler, Till
Stephanie Hsu, Everything Everywhere All at Once

BREAKTHROUGH DIRECTOR
Audrey Diwan, Happening
Damien Leone, Terrifier 2
Lila Neugebauer, Causeway
Chloe Okuno, Watcher
Charlotte Wells, Aftersun

What Lisa Marie and Megan Watched Last Night #225: Mommy’s Little Star (dir by Curtis Crawford)


Last night, my sister Megan and I watched Mommy’s Little Star on the Lifetime Movie Network!

Why Were We Watching It?

For the past week and a half, I’ve been visiting my sister Megan and her family.  This is kind of our holiday tradition.  Everyone gets together for Christmas and then, from Christmas Day to New Year, Megan and I catch up and bond and talk about how we’re feeling about the past year and what we’re hoping to get out of the upcoming year.  Plus, we watch a lot of TV and movies!

I’ve always loved watching movies with my family and I especially love Lifetime movies.  (Unfortunately, I haven’t gotten to watch as much Lifetime as usual this year.)  So, when I saw that the Lifetime Movie Network was broadcasting something called Mommy’s Little Star, I literally fell on my knees and begged Megan to stay up and watch it with me.

What Was It About?

12 year-old Olivia (Maja Vujicic) thinks that she’s found a way bring her parents back together.  She’ll become a social media star by posting dancing videos online.  If she can get her mother, Lauren (Rebecca Amzallag), to appear in the videos with her, she’ll become an even bigger star and maybe even win a contest because people love to watch young influencers dance with their moms.

Lauren’s new boyfriend, Aiden (Roderick McNeil), offers to act as Olivia’s agent and to guide her to social media stardom.  Olivia is excited but soon, she becomes so addicted to being popular online that she starts neglect her friends, her schoolwork, and her well-meaning but strict nanny.  Meanwhile, Aiden is actually a con artist who is willing to go to any lengths, including murder!, to get what he wants.

What Worked?

I always enjoy a good Lifetime moral panic film.  This film had the typical Lifetime plot of the handsome but sinister man who was trying to take a daughter away from her loving parents but, to that, it also added a fear that I imagine many parents have, the fear of what their children might be doing online.  One thing that both Olivia’s mom and her father (played by David Lafontaine) had in common is that neither one of them was really sure what it was that Olivia was getting so excited about and watching them, I was reminded of my aunt’s reaction when I first tried to explain to her what Twitter was.  The film suggested that all of the trouble that Olivia and her family go through is worth it because it encourages Olivia to eventually take a break from social media.  It’s all rather silly and campy but that’s what makes Lifetime movies so much fun.

I really enjoyed Roderick McNeil’s performance as Aiden.  He had the whole charming sociopath act down to perfection.

What Did Not Work?

The film missed an opportunity by not having Olivia herself turn evil in her attempts to win the big contest.  Maybe Lifetime had already met their quota for murderous children by the time they got around to Mommy’s Little Star.

“OMG!  Just like me!” Moments

Right after my parents divorced, I had a fantasy that lasted for about two years where they would both come to see me performing with the New York City Ballet and they would be so moved by my dancing that they would get back together.  That never happened, of course, but still, I could relate to what Olivia was trying to do even if I didn’t quite agree with her methods.

Both Megan and I agreed that Rebecca Amzallag, who did a great job playing Olivia’s mother, looked just like our friend Lea so that was kind of neat.  We spent a lot of the film asking ourselves, “Is that what Lea would do?”

Lessons Learned

Social media is evil!

Live Tweet Alert: Join #FridayNightFlix for Saturday Night Fever!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting the final #FridayNightFlix of 2022!  The movie? 1977’s Saturday Night Fever!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Saturday Night Fever is available on Prime and Paramount!  See you there!

Music Video of the Day: Alcoholic by Chanel West Coast (2013, dir by Nicholaus Goossen)


Wow, look at you getting ready for New Year’s Eve!

If you’re ever feeling like you’ve reached a dead end, just remember that Rob Dyrdek’s receptionist is more famous than you are and …. well, that probably won’t help.

Enjoy!

4 Shots From 4 Films: Ruggero Deodato, Rest in Peace


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Ruggero Deodato, RIP

4 Shots From 4 Ruggeo Deodato Films

The House on the Edge of the Park (1980, dir by Ruggero Deodato)

Raiders of Atlantis (1983, dir by Ruggero Deodato)

Phantom of Death (1988, dir by Ruggero Deodato)

The Washing Machine (1993, dir by Ruggero Deodato)

Retro Television Reviews: The Love Boat 1.18 “Last of the Stubings / Million Dollar Man / The Sisters”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week’s cruise is all about family, love, and …. CRIME!

Episode 1.18 “Last of the Stubings / Million Dollar Man / The Sisters”

(dir by Jack Arnold, originally aired on February 4th, 1978)

Fresh from having given Isaac a lesson in black history during the previous cruise, Captain Stubing is excited to give the rest of the crew a lesson about his family.  The Stubings have a long and noteworthy Naval tradition and the Captain is proud to announce that his nephew, L. Courtney Stubing IV (Peter Isacksen), has been accepted to Annapolis.  But, before going to school, he’s going to work on the Pacific Princess and show everyone that he is a natural-born sailor.  The only problem is that Courtney Stubing is not a natural-born sailor.  Instead, he’s a tall, clumsy, near-sighted, and kind of goony guy who has no idea how to talk to the passengers and who would rather be a ballet dancer.  The problem, along with the fact that he’s the last of the young Stubings and expected to carry on the family tradition, is that he’s just as bad at dancing as he is at everything else.

Now, I have to give some credit to Gavin MacLeod here because he made this storyline work.  The scene where, having finally realized the truth of about his nephew, Captain Stubing tells Courtney that it’s okay not to become a sailor and that he should find out what he’s good at was well-written and sensitively acted by MacLeod.  It was about as honest a moment as you’ll probably ever find on a show like The Love Boat.

While the Stubings were bonding, two sisters were fighting.  Rose (Marion Ross) was upset that Noreen (Pat Crowley) was spending all of her time with the handsome Clark Tyler (Brett Halsey).  Seeing as how I mostly know Hasley from his starring role in Lucio Fulci’s Touch of Death, I would have been more concerned for Noreen’s safety than upset that she was ignoring me.  Anyway, it was kind of boring story but it all worked out in the end.  Marion Ross would go on to become the Love Boat’s most frequent passenger, though she always played a different character.  Eventually, she even played a woman who married Captain Stubing but we’ve got a long way to go until we reach that point.

A long, loooooooooong way.

Meanwhile, two passengers found love.  Unfortunately, it was only after they slept together that Stephanie (Marcia Strassman) discovered that Bill (Frank Converse) had stolen a million dollars from his employer and Bill discovered that Stephanie was a cop.  Stephanie explained that she would be required to arrest Bill as soon as the ship returned to the United States.  Bill considered running off to Mexico but, in the end, he decided to face justice in the U.S., on the condition that Stephanie would be waiting for him after he got out of prison.  Honestly, I think it would have made more sense for Stephanie to just join Bill in Mexico and thy two of them could have built a new life there.  I mean, they’ve got a million dollars!  But, whatever.  Strassman and Converse had a lot of chemistry so, despite yourself, you really do hope that things will work out for them while you’re watching the episode.

And I hope things work for you as well, as we sail towards 2023!  The Love Boat will return.

 

Retro Television Reviews: Fantasy Island 2.2 “The Big Dipper/The Pirate”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

Smiles, everyone, smiles!  How silly can things get this week?

Episode 2.2 “The Big Dipper/The Pirate”

(Dir by Earl Bellamy, originally aired on September 23rd, 1978)

Pete Raymond (Dan Rowan) and his daughter, Harmony (Jill Whelan), are professional pickpockets who are hiding out from a determined NYPD Detective named Broylan (Cameron Mitchell).  What better place to hide than Fantasy Island?  After stealing a ticket to the island from a reverend, Pete discovers that “his” fantasy is to work on a farm.  Of course, as you probably already guessed, the fantasy is actually Harmony’s.  She wants her father to calm down and live a normal life, away from committing crimes and fleeing the police.  At first, farmwork seems to agree with Pete but then Broylan shows up on the island.

I’ve often wondered about the legal status of Fantasy Island.  Is it an independent nation or is it territory of the United States or a member of the Commonwealth?  Some of the episodes during the first season suggested that Fantasy Island was a territory of the United States.  However, in this episode, Roarke reminds Broylan that the NYPD has no jurisdiction in Fantasy Island and that the island is not required to turn anyone over to America.  Pete is eventually arrested but Mr. Roarke explains that the Fantasy Island magistrate has ruled that Pete and Harmony can stay on the island and work on the farm.  When Broylan demands to know who the magistrate is, Mr. Roarke replies that he is.  So, apparently, we are now back to Fantasy Island being a separate nation where Mr. Roarke makes and interprets all of the laws.

The legal status of Fantasy Island was probably the most interesting thing about this fantasy.  It’s always fun to see Cameron Mitchell playing an obsessed cop but Dan Rowan gives a lousy performance as Pete and it’s never really clear how Harmony was able to set up the fantasy in the first place.  I mean, it obviously took a lot of planning on her part.  Did Mr. Roarke charge her the full price or is she another one of the freeloaders that Tattoo is always complaining about?

The show’s other fantasy is even more ridiculous and, not coincidentally, it’s also a lot more fun.  Painter Ted Cavanaugh (Sonny Bono) is upset that his ex-wife Mary (Diana Canova) is going to be marrying some stuffy rich guy so he asks to be transformed into an 18th century pirate so that he can kidnap Mary and convince her that she’s still in love with him.  WHAT!?  It’s totally completely ludicrous but …. I don’t know.  Sonny Bono is kind of funny as a pirate.  If you’re going to have a silly fantasy, you might as well go out and make it as silly as humanly possible and that’s definitely what happens here.  Fortunately, it all works out in the end.  Who can resist a pirate?