Susan Hogan | Through the Shattered Lens

The 1986 film, Easy Prey, tells the story of Tina Marie Riscio (Shawnee Smith), a 16 year-old who was approached in a mall by man (Gerald McRaney) who claimed to be a photographer looking for models. The man told the insecure Tina that he wanted to take her picture but that he needed her to come out to his car and sign a release. At first, Tina was reluctant to follow the man out to his car but when he acted embarassed and apologized for making her feel uncomfortable, Tina decided to sign the release. Later, she would say that the man reminded her of her father.

The man, however, was Christopher Wilder. At the time that he approached Tina, Wilder was already a suspect in several murders and had been placed on the FBI’s Most Wanted List. In many ways, Wilder did not seem to fit the typical profile of a serial killer. Born in Australia, he was a naturalized American citizen who had started his own business and lived what seemed to be a glamorous lifestyle. He was a millionaire. He owned a Porsche. He was a race car driver who competed in races across the country. Even with his receding hairline, he was considered to be charming and handsome. It was only under a close examination that cracks started to appear on his perfect surface. He had a criminal record in Australia. His girlfriends described him as being paranoid, insecure, and abusive. His business partners said that, despite his apparent wealth, Wilder was always one step away from financial ruin.

Because Wilder was killed by the police while resisting arrest, it’s not known how many women he murdered over the course of his six-week crime spree in 1984. It is believed that he definitely murdered eight but the actual number is thought to be much higher. (He’s a suspect in the disappearance of actress Tammy Lynn Lepert, who appeared in Scarface as the woman who distracted Steven Bauer while the latter should have been keeping track on what was happening with Tony’s meeting with the Colombians.) However, he did not kill Tina Marie Riscio. Instead, after kidnapping and assaulting her, he drove across the country with her. After using her to lure victims in both Indiana and New York, Wilder eventually drove Tina to Boston and bought her an airplane ticket home. While Tina was flying back to Los Angeles, Wilder was heading for Canada. (He would be shot and killed by police near the border, in New Hampshire.)

Easy Prey follows Wilder and Tina as they drive from location-to-location. Along the way, Tina is shown to develop a case of Stockholm Syndrome. As much as she hates Wilder, she still fails to take advantage of many chances to escape from him. Unfortunately, the film’s script itself doesn’t provide much insight into how this happened, beyond the fact that Wilder reminded Tina of the father who earlier abandoned her. The film does feature two strong performances, from Shawnee Smith and Gerald McRaney. Smith gets a a powerful monologue, in which she talks about how easy it was for Wilder to take advantage of her insecurity. Meanwhile, McRaney plays Wilder as being a pathetic man who is desperate to convince the world that he is actually a dynamic businessman and adventurer. If he were alive today, there’s little doubt Christopher Wilder would be on twitter, siding into people’s DMs and posting a bunch of “alpha male” nonsense. Wilder was a monster who still feels very familiar.

“Hey, everyone! Let’s remake The Butterfly Effect, just without any of the goofiness that made the first film so enjoyable!”

That would seem to be the logic behind 2006’s The Butterfly Effect 2. Since the first Butterfly Effect was a minor hit (I saw it in the theaters!), it was inevitable that there would be a sequel. And since the first Butterfly Effect is currently on Netflix, it’s also inevitable that the sequel would follow it.

Anyway, Butterfly Effect 2 is just like Butterfly Effect except, instead of a guy trying to fix his entire screwed-up childhood, the sequel is about an office worker named Nick (Eric Lively) who has just had a really bad year. His girlfriend and his two best friends were killed in a traffic accident. He lost a big promotion at work. His apartment is a mess and he keeps having these hella icky nosebleeds. Agck! Nick, however, discovers that if he stares at an old picture, he can be transported back to the moment that the picture was taken.

Since Nick obviously didn’t see the first movie, he proceeds to start changing the past. He prevents the deaths of all of his friends but now, in the new timeline, he actually has to work with them and this results in him getting fired. He then goes back in the past to keep a jerk from getting a promotion but this leads to Nick getting the promotion instead, breaking up with his girlfriend, and becoming an ennui-stricken bachelor. Apparently, being a wealthy bachelor means doing business with organized crime because Nick soon has people trying to kill him. Maybe there’s no way to create a perfect present, the film suggests.

And the film might be right but that doesn’t make it any less boring to sit through. The Butterfly Effect 2 is just never as much fun as the first film. It lacks the goofy charm of Ashton Kutcher and most of the timeline changes are rather dull. The sequel never matches the glory of Ashton Kutcher waking up to discover that he’s gone from being a disheveled psych major to being a clean-cut, sweater-wearing frat boy.

The Butterfly Effect 2 was directed by John Leonetti, who would later direct the genuinely creepy Annabelle. Of course, he also directed the absolutely awful Wolves at the Door. As for The Butterflyn Effect 2, it’s not creepy but it’s also not awful enough to be memorable. More than anything, it’s a bland movie. It’s just kind of there, floating in direct-to-video, Netflix limbo.