January Positivity: Seven Days Away (dir by Josiah David Warren)


Clayton (Josiah David Warren) is the religious kid who everyone dreads getting in to a conversation with.  He’s the type of kid who accepts a ride from one of his friends and then starts to give everyone a hard time for drinking and driving and….

Actually, wait a minute …. drinking and driving sucks!

So, Clayton is actually totally correct to tell his friends to put down the beer cans while they’re driving.  They, of course, just laugh him off and call him “church boy.”  One accident later, Clayton’s friend is dead and Clayton is more determined than ever to go down to Mexico and do missionary work.  Everyone tells him that it’s dangerous to go down to Mexico.  Everyone knows that Clayton’s father died while serving as a missionary.  But Clayton and another group of friends still head down to Mexico.

Unfortunately, it turns out that Clayton’s other friends may not be drunk drivers but they’re still not all that interested in evangelizing in Mexico.  They especially get angry when Clayton insists that they accompany him to the local church.  Clayton finally gets annoyed with all of them and he decides to wander off on his own.  Of course, that’s always a mistake.  No sooner has Clayton turned down the wrong street than he’s been kidnapped.

Clayton finds himself tied up in an old barn and being held prisoner by a group of human traffickers.  They’re convinced that Clayton is rich and they continually call his mother and demand that she send them some money.  Meanwhile, Clayton soon realizes that he’s not the only person behind held prisoner in the barn.  He also comes to realize that the desert surrounding the barn is full of dead bodies.

Noticing that his kidnappers are always drinking and smoking, Clayton tells them that they shouldn’t.  When they demand to know why not, Clayton quotes Corinthians.  That goes over about as well as you might expect.

Seven Days Away attempts to mix the faith-based genre with the action genre.  When Clayton isn’t preaching or quoting the Bible, he’s running through the desert and trying not to get shot.  Unfortunately, the film doesn’t really work as an action film.  The film uses some hand-held camerawork to try to generate some suspense but, at this point, the whole hand-held thing is such a cliché that it actually inspires more laughs than gasps of terror.  The soundtrack is remarkably muddy and it’s often difficult to understand just what exactly anyone is saying.  Even by the standards of the low-budget faith genre, the acting is amateurish.  As a film, it just doesn’t come together.  The fact that the film’s director also played the lead role was perhaps a bit of the problem.  It’s hard not to feel the film would have had a better chance at success if he had just concentrated on doing one thing as opposed to everything.

I guess the best thing you can say about a film like this is that it was well-intentioned.  Watching it brought back memories of the days leading up to Spring Break, when the campus would be full of stories about students who got drunk while partying in Mexico and subsequently vanished.  I have to admit that I never had a lot of sympathy for the students in those stories.  Sometimes, you just have to use a little common sense.

Lisa Marie’s Week In Review: 12/26/22 — 1/1/23


Happy New Year!

Films I Watched:

2022

  1. Amy Winehouse (2007)
  2. Coach (1983)
  3. Consider It All Joy (1986)
  4. The Contract (2006)
  5. Crouching Tiger, Hidden Dragon (2000)
  6. Death Stalker (1983)
  7. Forever and A Day (2022)
  8. Mommy’s Little Star (2022)
  9. Raw Spice (2001)
  10. Saturday Night Fever (1977)
  11. Seven Days Away (2013)
  12. Three Minutes: A Lengthening (2022)

2023:

  1. Deadline (2012)
  2. Godzilla, King of the Monsters (1956)
  3. Wrong Place (2022)

Television Shows I Watched:

  1. 1923
  2. California Dreams
  3. The Circle
  4. Dragnet
  5. The Love Boat
  6. Night Flight
  7. Twilight Zone

Books I Read:

  1. Cimino (2022) by Charles Elton
  2. Godzilla (2022) by Graham Skipper

Music To Which I Listened:

  1. Alan Walker
  2. Amy Winehouse
  3. The Bee Gees
  4. Britney Spears
  5. Carrie Underwood
  6. The Chemical Brothers
  7. The Doors
  8. Gwen Stefani
  9. Haim
  10. Hans Zimmer
  11. Herve Villechaize
  12. Hurray for the Riff Raff
  13. John Travolta
  14. Katy Perry
  15. Kelly Clarkson
  16. The Mistletoe Disco Band
  17. MO
  18. Nat & Alex Wolff
  19. Night Terrors of 1927
  20. Rita Coolidge
  21. Selena Gomez
  22. Spice Girls
  23. Talking Heads
  24. Taylor Swift
  25. Tom Tom Club
  26. Walter Murphy
  27. Yvonne Elliman

Awards Season:

  1. Lisa Marie’s Oscar Predictions for December
  2. Greater Western New York Film Critics Association
  3. Internet Film Critics Society

Live Tweets:

  1. The Contract
  2. Crouching Tiger Hidden Dragon
  3. Saturday Night Fever

News From Last Week:

  1. Pope Emeritus Benedict XVI dies at age 95
  2. Italian film director Ruggero Deodato dies
  3. Fashion Designer Vivienne Westwood dies
  4. Journalist and View co-host Barbara Walters passed away at 93
  5. Anita Pointer, founding member of the Pointer Sisters, dies at 74
  6. Brazilian soccer player Pele dies at 82
  7. Jeremy Renner in ‘critical but stable condition’ after accident
  8. Whoopi Goldberg doubles down and DEFENDS her Holocaust slur that led to suspension from The View: Declares genocide was NOT ‘racial’, calls it ‘white-on-white’ violence and says Jews are not a race
  9. Whoopi Goldberg Denies Doubling Down on “Hurtful” Holocaust Comments, Apologizes Following ADL Criticism

Links From Last Week:

  1. 6 Celebrities Who Torched Their Legacies in 2022

Links From The Site:

  1. Jeff reviewed Cool as Ice!
  2. Erin welcomed you to 2023 and shared The Day After Christmas, Movie Fun, Whisper, Silk Stocking Stories, Film Fun, The Clock is Ticking, and Happy New Year!
  3. I shared music videos from Herve Villechaize, MO, Chanel West Coast, Gwen Stefani, Hurray for the Riff Raff, Night Terrors of 1927, and Crystal Bowersox!
  4. I shared my week in television!
  5. I paid tribute to Ruggero Deodato and I shared a scene from The Poseidon Adventure!
  6. I reviewed Godzilla: The Official Guide to the King of the Monsters, Making of a Male Model, White Elephant, and Mommy’s Little Star!
  7. I reviewed Hang Time, Fantasy Island, The Love Boat, City Guys, One World, and California Dreams!

More From Us:

  1. At her photography site, Erin shared Waiting for The New Year, Ice and Limbs, The Hidden Kiss, A Squirrel, Tree and Sky, Another Squirrel, and Happy New Year!
  2. At my music site, I shared songs from Carrie Underwood, The Mistletoe Disco Band, Haim, Alan Walker, Hans Zimmer, Selena Gomez, and (again) The Mistletoe Disco Band!
  3. For Horror Critic, I reviewed The Lift!
  4. At SyFyDesigns, I shared Happy 2023!

Click here to see what I did last week!

Book Review: Godzilla: The Official Guide To The King Of The Monsters by Graham Skipper


Do you like Godzilla?

You better!  Seriously, for over 60 years, Godzilla has been the rightful king of the monsters and not even a few less-than-perfect films have been able to knock him off of his throne.  He started out as a symbol of the nuclear age, a prehistoric monster brought back to life by man’s arrogance and war-like nature.  He eventually became mankind’s protector but then deciding that he no longer cared for mankind. And then, like many international stars, he ended up making movies for the American studios.  It’s an epic story and it’s hard not to like the big monster at the center of it.  If, for some reason, you don’t like Godzilla, maybe Graham Skipper’s new book, Godzilla: The Official Guide To The King of the Monsters, will change your mind.

Godzilla: The Official Guide To The King of the Monsters is exactly what the title says.  It’s a guide to all of Godzilla’s adventures, from his first appearance in the 50s all the way through his animated films and the current American version.  (Perhaps not surprisingly, the 1998 version of Godzilla is only afforded a few paragraphs.)  Helpfully, Skipper divides his overview into ears, so you can see how Godzilla changed as he moved from studio to studio.  Skipper also takes a look at Godzilla’s existence outside of the movies, as a comic book mainstay and an occasional television guest star.  The book is written with a lot of obvious affection for Godzilla in all of his incarnations and reading it will remind you of why Godzilla’s films — yes, even Son of Godzilla — are so much fun to begin with.  Skipper includes a lot of trivia, some of which was new to even me.  Such as, did you know that Luigi Cozzi re-edited and colorized the original 1954 Gojira for a 1970s release in Italy?

The book is also heavily-illustrated, featuring a lot of shots from the films and behind-the-scenes pictures of Godzilla and all of his colleagues.  As I read the book, it occurred to me that, as goofy as Jet Jaguar was, it’s still nice that Godzilla had a friend.  As well, as I looked at the pictures, it occurred to me that, even in the later films when Godzilla had been transformed from a truly fearsome symbol of the nuclear age to a somewhat goofy rubber monster, there was still an undeniable majesty to him as a creation.  Even at his worse, Godzilla still looks like a king.

I picked up a copy of this book on the day after Christmas and I’m glad I did.  Not only does it celebrate Godzilla but it also provides me with a guide because, over the next 12 months, I hope to watch every Godzilla film that’s ever been made.  (I’ve seen the majority but, as this book reminded me, there’s still a few that I missed.)  For the record, I still think that Godzilla vs Destoroyah is the best of the Godzilla films but who knows?  Maybe my mind will have been changed by December.

Humanity has survived a lot over the past few years and I’m happy to say that Godzilla has survived with us.  Graham Skipper’s Godzilla helps to explain why.

Retro Television Reviews: Making of a Male Model (dir by Irving J. Moore)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1983’s Making of a Male Model!  It  can be viewed on YouTube!

While visiting the set of an outdoor shoot in Nevada, high-powered modeling agent Kay Dillon (Joan Collins) spots a ranch hand named Tyler Burnett (Jon-Erik Hexum).  Tyler is tall, athletic, handsome, and polite.  When Kay asks Tyler if he’s ever modeled, Tyler scoffs at the idea.  Him?  A model?  He’d rather stay in Nevada and work on the ranch.  However, when the girl he likes turns him down because he doesn’t have any money, Tyler reconsiders Kay’s offer.

Before you can say Midnight Cowboy, Tyler is walking around Times Square while dressed like a cowboy.  At first, Tyler is resistant to Kay’s suggestions on how to improve his look.  He doesn’t want anyone messing with her ear or trimming his eyebrows.  But, after a humiliating meeting with a photographer who tells him that he just doesn’t have the right look, Tyler agrees to let Kay turn him into a male model.  Not only does she fix his look but she also takes him to bed.

Soon, Tyler is one of the country’s most well-known faces.  He branches out into commercials, using his sex appeal to sell products to the men who want be him.  And yet, Tyler still feels lost.  He’s not sure if Kay actually loves him or if she’s just using him.  Meanwhile, his roommate, Chuck Lanyard (Jeff Conaway), is a former model who is now hooked on drugs and who constantly warns Tyler that all models are washed up by the time they hit 35.  Tyler becomes disillusioned with his life as a model but is he capable of giving up the fame and the money and returning to Nevada?  Or is he destined to follow in Chuck’s footsteps and head down a path of drugs and self-destruction?

Welcome to the world of decadence, 80s style!  Making of a Male Model is one of those films where the synthesizer-heavy soundtrack plays through every scene and the only thing more dramatic than the line readings is the hair and the shoulder pads.  It’s all a bit silly, none more so that when Tyler and Kay go to a costume party.  Kay dressed up like Cleopatra.  Tyler wears a cowboy hat.  One random extra wears an oversized headpiece with two gigantic eyes painted at either end.  It’s not so much Studio 54 as much as it’s Studio 54 as imagined by someone who has heard of the place but never visited.  It’s decadent but it’s never quite authentic.  The film captures the joy of not only looking good but also knowing that you look good but it never captures the tedium that can go into being on a shoot.  It’s a film about the reality of modeling that never bothers to get that real but so what?  You don’t watch a film called Making of a Male Model because you’re looking for reality.

Joan Collins appears to be having fun in the role of Kay.  John-Erik Hexum, who was a real-life model, gives a rather stiff performance in the role of Tyler.  He looks good but he struggles whenever he has to show any emotion beyond being slightly annoyed.  If anyone really stands out in the cast, it’s Jeff Conaway.  Conaway brings a bit of genuine sadness to his role but you’ll guess what’s going to happen to Chuck long before it actually does.  Finally, Kevin McCarthy (the actor, not the Congressman) plays one of Kay’s business rivals.  He doesn’t get to do much but it’s always nice to see Kevin McCarthy playing yet another sophisticated but ruthless businessman.

In the end, the film doesn’t have anything surprising to say about the world of modeling and Tyler is never that interesting of a protagonist.  However, there’s just enough 80s melodrama and 80s fashion to keep things watchable.

The Internet Film Critics Society Honors Tar


The Internet Film Critics Society has announced their picks for the best of 2022!

And here they are:

Best Drama: Tar
Best Comedy: The Banshees of Inisherin
Best Horror or Science Fiction: Crimes of the Future
Best Action Film: Top Gun: Maverick
Best Actor: Brendan Fraser in The Whale
Best Actress: Ana de Armas in Blonde
Best Director: Steven Spielberg for The Fabelmans
Best Experimental Film: Everything Everywhere All at Once
Most Underrated Film: The Outfit
Worst Film: The Munsters

Catching Up With The Films of 2022: White Elephant (dir by Jesse V. Johnson)


White Elephant is not that bad.  In fact, for a B-action movie it’s actually pretty good.  If nothing else, it featured one of Michael Rooker’s best performances.

It’s important to start out this review by making that clear because I think a lot of people are going to be tempted to judge this film based solely on the fact that this was one of the last films that Bruce Willis made before his family announced that he would be retiring from acting due to health reasons.  When the big story was published in the L.A. Times about Willis’s recent struggles and how those struggles led to him accepting countless roles in straight-to-video fare like American Siege, several people who worked on White Elephant were quoted, with many saying that Willis always did his best but that he was definitely not the Willis that they all remembered.  The film’s director, action maestro Jesse V. Johnson, publicly stated that he would not make another film with Willis because “the arrangement felt wrong” and that Willis deserved a better end to his career.

And it must be said that Bruce is obviously not himself in White Elephant.  As with many of his recent films, Bruce is cast as a villain in this piece.  He’s a crime lord named Arnold and he spends the majority of his time taking meetings and giving order to his underlings.  Eventually, he does pick up a gun and fire it but there’s very little of the cocky attitude and swaggering charisma that made Bruce Willis into a superstar.  He still has the physical presence to play a tough guy.  Bruce Willis still looks intimidating and the film uses him sparingly, never allowing us to spend too much time focusing on how different he seems from the Bruce Willis who starred in Die Hard and Pulp Fiction.  One never gets the feeling that Bruce is being deliberately exploited in White Elephant, that alone sets it above some of the other recent films that have featured Willis.  But, at the same time, Arnold is a fairly generic bad guy.

Fortunately, the majority of the film follows Michael Rooker in the role of a far more interesting criminal.  Rooker plays Gabe Tancredi, a former Marine turned hitman.  He’s about as ruthless as they come but he still has enough of a code of ethics that he realizes that he can’t kill a police officer named Vanessa (Olga Kurylenko), no matter how much Arnold wants her dead.  Ordered to kill her, Gabe instead protects her, which leads to Arnold sending all of his men after them.  It leads to several shootouts and explosions as Gabe puts his life at risk to finally do the right thing.

It’s a simple story but it’s told well.  Jesse V. Johnson started out as a stuntman and he clearly knows his way around an action scene and the final shootout in genuinely exciting.  The film is also helped by Michael Rooker, who brings a good deal of unexpected depth to the role of Gabe.  Even though Rooker obviously knew that White Elephant was a B-movie, he still refuses to phone in a single minute of his performance and, instead, he turns Gabe into a surprisingly complex killer.  Gabe’s relationships with his agent Glen (John Malkovich), his protegee Carlos (Vadhir Debrez), and Vanessa are all genuinely interesting.  I especially liked the early scenes between Rooker and Debrez, in which the two actors wonderfully play off of each other and we get the feeling Carlos is almost like a son to Gabe.  Of course, being genre savvy, we know that Carlos is eventually going to be assigned to take Gabe down but, because their friendship seemed so real, we find ourselves dreading that confrontation.  White Elephant is a B-movie but, much like last year’s Corrective Measures and Gasoline Alley, it’s a B-movie with a heart.

Music Video of the Day: Why by Herve Villechaize (1981, dir by ????)


For the past few months, I’ve been watching and reviewing episodes of the original Fantasy Island.  One of the keys to that show’s success was the enigmatic partnership between Mr. Roarke and Tattoo.  Even though it’s usually pretty easy to see that Ricardo Montalban and Herve Villechaize did not like each other, their exchanges are usually the highlight of any episode.  Of course, after years of high ratings and television fame, Villechaize was fired from Fantasy Island when he demanded more money.  Without Tattoo, the series was canceled after one season so …. well, they probably should have just given him the money.

Anyway, one thing that I recently discovered about Herve Villechaize is that he had a musical career!  In 1981, at the height of the show’s popularity, he released a song called “Why?”  It’s all about trying to understand why people have to fight and why people cannot just accept the wisdom of peace-loving children.  The video at the top of this post was recorded for a TV show on which Villechaize appeared.  Unfortunately, I don’t know which show it was for and the video upload itself is not the best quality.  Apparently, the split-screen visual effect that gives us two Herves singing at once was a part of the show.

That said, this is as close as we have to an actual music video for Herve Villechaize’s Why? so I’m sharing with it.  What better way to start a new year than with a plea for peace?

Why do we always have to fight?

Enjoy!

Scenes That I Love: Happy New Year From The Poseidon


Happy new year!

With 2023 coming in like a tidal wave, it only seem fitting that the first scene that I love for this year should come from 1972’s The Poseidon Adventure.  Just as how Die Hard has recently been acclaimed as one of the great Christmas films, The Poseidon Adventures is one of the best of the New Year’s Day films.  It’s also perhaps the only film in which Gene Hackman managed to overact more than even Ernest Borgnine.  I mean, don’t get me wrong.  It’s a strong competition between two great actors, neither of whom was known for being particularly subtle when it came to barking out their lines.  But, in the end, Hackman still managed to take the overacting crown for this film.

(That said, what’s New Year’s Day without Borgnine shouting, “Where’s your God now, Preach-ah!?”)

In the scene below, the passengers ring in the new year while Leslie Nielsen faces the tidal wave that will soon turn the boat upside down.  Whatever else you may want to say about this particular film, it does a great job of contrasting the celebrations in the ballroom with the dread on the bridge.  While everyone else is counting down and celebrating and mugging for the camera, Nielsen can only stare in stoic horror as the wave approaches.  He does the only thing that a captain can do.  He sounds the alarm.  He sends out an S.O.S.  Unfortunately, the alarm can barely be hard over the celebrations of the new year and the S.O.S. man is quickly swept away by the crashing of the wave.

The scene goes from celebrating the future to highlighting the type of old-fashioned, nature-fueled destruction that has been wiping out civilizations since the beginning of time.  It doesn’t matter how many plans you’ve made.  It doesn’t matter how rich  you are.  It doesn’t matter how safe you feel or how much you cling to the furniture as the world turns upside down.  Fate, whether it’s in the form of a wave or some other natural disaster, is pitiless.  That’s one reason why disaster movies, as melodramatic as they could often be, so entranced audiences.  Everyone knew that it would just as easily happen to them.  Just as no one expected the tidal wave on New Year’s, no one would be expecting to leave the theater to be confronted by an earthquake or a tornado.  But it could definitely happen.  Life, like society, is a fragile thing.  If not even Gene Hackman, Stella Stevens, Shelley Winters, and Roddy McDowall could make it to the end of the movie, what hope is there for anyone?  Of course, the thing to remember is that they may not have made it but Ernest Borgnine, Red Buttons, Carol Lynley, and a few others did.  They survived, though I imagine they spent the rest of their lives dreading January 1st.

Needless to say, neither the passage of time nor the wave can be escaped.  As much as we may have things left to do in 2022, it’s too late now. 2023 is here and the world has moved on.

Lisa Marie’s Week In Television: 12/25/22 — 12/31/22


Welcome to my final week in television for 2022!  I spent most of the past week with my sister Megan and her family.  We probably watched the news more than anything else, what with that guys getting arrested for committing those murders in Idaho.  Here’s some thoughts on the non-news programming that we watched.

1923 (Paramount+)

On Tuesday, my sister Megan and I watched the first two episodes of the latest Yellowstone prequel.  It wasn’t bad, though I do have to admit that I was only half-paying attention to it.  Harrison Ford is ideally cast as an aging western icon.

California Dreams (YouTube)

Megan and I love this show and we watched several episodes this week.  The reviews will be available every Saturday!

The Circle (Netflix)

I swore to myself that I was not going to allow myself to get sucked into another stupid reality show but then, on Wednesday, I decided to just take a quick peek to discover what The Circle was like.  I wasn’t planning on watching much of the latest season.  I just wanted to get maybe a 5-minute sample.

Of course, as soon as the show started, I discovered the Brett was on the show.  Brett was a part of Big Brother 20.  He was a total jerk but he was honest about it and he was frequently one of the funniest people in the house.  He was the type of bad boy that I’ve always had a weakness for.  As well, his betrayal of Rockstar (yes, that was the name she used in the House) led to the classic moment of Rockstar yelling about how she had been betrayed on “my daughter’s birthday!”

Anyway, Brett was one of the first people voted out of the Circle but, fortunately, he and Xanthi are still secretly playing the game.  Brett and Xanthi are a cute couple and if we don’t see some sort of evidence of them hooking up by the end of next week, I can only assume that the show is hiding it from us.

Also, one of the contestants is a British comedian named Tom.  He mentioned that he lived in the Tower of the London.  “I’ve never heard of the Tower of London,” the other contestants said while I screamed internally.  Anyway, Tom’s adorable.

Despite my best efforts, I’ve been sucked into The Circle.

Dragnet (YouTube)

I watched two episodes of this 1960s cop show on Thursday.  One featured Joe Friday on a talk show, where he debated a snide hippy and a pompous professor.  The other featured Friday taking a class at night school and justifying his decision to arrest one of his classmates for possessing marijuana.  Welcome to the 60s!

The Love Boat (Paramount+)

I wrote about the Love Boat here!  Megan and I watched several episodes this week.  We both agreed that the ship looked nice.

Night Flight (Night Flight Plus)

Late Saturday night, I experienced New Year’s 1983!  It was a bit trippy.

Upstart Crow (Sunday Night, PBS)

On Sunday night, my sister Megan and I watched all of the Upstart Crow Christmas specials.  I had already seen them but I enjoyed introducing them to my sister.

Retro Television Reviews: California Dreams 3.4 “Blind Dates” and 3.5 “Yoko, Oh No!”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing California Dreams, which ran on NBC from 1992 to 1996.  The entire show is currently streaming on YouTube!

This week is all about romance and total defiance!

Episode 3.4 “Blind Dates”

(Dir by Patrick Maloney, originally aired on October 1st, 1994)

Oh my God, Sly has been talking to a girl on a brand new thing called the Internet!  When he meets Allison (played, quite well, by Nikki Cox), he is shocked to discover that she’s blind.  Allison brings out Sly’s rarely seen good side and Allison appreciates that Sly is too much of a jackass to treat her differently just because she’s blind.  At first, Sly is worried about taking her to the school dance but then he takes her anyway.  Yay!

Meanwhile, Tony and Sam also get on the internet and both of them think that they’ve found their soul mate.  But it turns out that they’ve just been talking to each other.  By the end of this episode, Tony and Sam have begun their relationship.  This is a huge moment in the history of California Dreams because, in the end, Tony and Sam had most (and maybe the only) stable relationship on the show.

Unfortuntely, as we’ll see next week, things wouldn’t last as long for Sly and Allison, which is a shame because Nikki Cox and Michael Cade had tons of onscreen chemistry and they were a sweet couple.  Oh well.  Such is life.

Episode 3.5 “Yoko, oh no!”

(Dir by Patrick Maloney, originally aired on October 8th, 1994)

It’s time for another Battle of the Bands!

In this episode, we meets the Dreams’s rival band, Total Defiance.  We’re supposed to dislike Total Defiance because they’re constantly making fun of the Dreams and their manager is an obnoxious girl named Rosie who has a crush on Mark Winkle.  The thing is that Total Defiance, which appears to be a rap/heavy metal hybrid band, actually does appear to be a lot better than the Dreams.  From what little of what we’re allowed to hear from them, their sound is a bit more interesting than the California Dreams.  I mean, let’s be honest.  The California Dreams did have a few good songs but, for the most part, Rosie has a point when she says that the Dreams are a generic pop band.  Jake may wear a leather jacket and talk about being a rebel but, even after Matt Garrison leaves the band that he founded, the Dreams still specialized in coming up with mellow, feel-good tunes that really could have been sung by anyone.  Total Defiance was all about taking risks.  They were the true rebels!

They were also all about giving the Dreams a hard time.  When Rosie dismisses Lorena as just being a “groupie,” Lorena tries to prove them wrong by auditioning for the band.  The good thing is that she gets to wear a really pretty dress when she auditions.  The bad thing is that she can’t carry a tune.  (See?  There’s something else that Lorena and I have in common.)  Blinded by love, Jake insists that Lorena be allowed to sing with the band.  However, when Lorena hears the rest of the band talking about how bad her voice is, she fakes laryngitis so they’ll perform without her.  As a result, the Dreams not only win the Battle of the Bands but everyone also learns an important lesson about being honest.  Yay!

I liked this episode because it was a Jake and Lorena episode and those are always my favorites.  They were a cute couple.  That said, Total Defiance should have won the Battle of the Bands and if Tony Manero had been there, he would have handed the trophy to them at the end of the contest.