Late Night Retro Television Reviews: Chips 1.3 “Dog Gone”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, Baker gets a dog and Ponch makes an enemy!

Episode 1.3 “Dog Gone”

(Dir by Michael Caffey, originally aired on September 29th, 1977)

When an adorable sheepdog puppy ends up on the Los Angeles highway, Baker and Ponch manage to rescue it, though not before it causes a minor wreck on an overpass.  The official CHiP policy is that all stray animals should immediately be turned over to the shelter but Baker takes one look at the puppy and decides that he can’t just leave it with anyone else.  In fact, every member of the highway patrol quickly falls in love with the dog.

Everyone except for Sgt. Getraer, who is allergic to dogs and makes it clear that the puppy is not to be kept around the station.

At first, Baker tries to keep the dog in his apartment but it turns out that the dog likes to bark.  So, Baker heads out to the trailer park where Ponch lives in an RV and apparently spends all of his time watching football while only wearing his boxer shorts.  (One gets the feeling that Erik Estrada had an “at least one shirtless scene per episode” clause in his contract.)  Baker leaves the dog in the RV and then runs off before the half-naked Ponch can protest.

Fortunately, for Baker, Ponch decides that he loves the dog, which he named Fido.

Unfortunately, for Ponch, Fido’s owners eventually show up at the station and ask if anyone has seen their dog.  The dog — who even I, while admittedly not being a dog person, has to admit is cute — is reunited with his family and I guess Ponch is alone again.

Meanwhile, three really stupid criminals — Boots (Bill Adler), Zero (Jeffrey Druce), and Little John (James Crittenden) — are really angry with Ponch because, at the scene of the earlier accident, Ponch prevented Boots from threatening another motorist.  Boots and his friends hops into their dune buggy and decide to stalk Ponch and Baker.  Boots even decides to sabotage Ponch’s motorcycle by loosening the front bolt so that the wheel will eventually come off while Ponch is riding it.  However, these three criminals are so stupid that they sabotage the wrong motorcycle.  As a result, the entire second half of the episode is full of close-ups of Baker’s front tire wobbling as he speeds down the highway.

The subplot with the criminals is really dumb but the way it plays out shows that Larry Wilcox had a point when he complained about the show’s producers always favoring Erik Estrada.  Not only is Ponch the one who faces off against Boots at the scene of the accident but he’s also the one who gets to save Baker’s life at the end of the episode.  When a guilt-stricken Zero goes to Getraer and tells him about what Boots did to the motorcycle, it doesn’t take long for Getraer to figure out that they accidentally sabotaged Baker’s motorcycle instead of Ponch’s.  With Baker unable to hear his radio due to being involved in a high-speed chase, it falls to Ponch to chase after Baker and warn him.  The bike still crashes but Baker is not seriously injured and Ponch …. well, Ponch is just a big damn hero!

(Admittedly, there is a scene earlier in the episode where Baker performs mouth-to-mouth recitation on a motorist who has had a heart attack and saves the man’s life.  But even then, Ponch is the one pushing on the man’s chest to try to get his heart going again.  Baker’s a good cop, the show tells us, but Ponch is a big damn hero.)

This episode …. well, at least the dog was cute!  And the California scenery was lovely to look at.  Still, a cop show like this needs to have some smart or at least intimidating criminals for the cops to do battle with and Boots was such an idiot that it was hard to take anything he and his gang did seriously.  In the end, this was a typical episode of CHiPs, full of stiff acting but impressive motorcycle stunt work.  Probably the most interesting thing about this episode was discovering that Baker was the one with a swinging bachelor pad while Ponch was the one living a solitary life in a trailer park.  I’m just happy that the dog was reunited with its family.

Here Are The 2023 Gotham Award Winners!


In one of the first events of Awards Season, The Gotham Awards were handed out tonight, with Past Lives picking up the award for best film.  Below, all of the winners are listed in bold!

Best Feature
Passages
Ira Sachs, director; Saïd Ben Saïd, Michel Merkt, producers (MUBI)

Past Lives
Celine Song, director; David Hinojosa, Pamela Koffler, Christine Vachon, producers (A24)

Reality
Tina Satter, director; Brad Becker-Parton, Riva Marker, Greg Nobile, Noah Stahl, producers (HBO Films)

Showing Up
Kelly Reichardt, director; Neil Kopp, Vincent Savino, Anish Savjani, producers (A24)

A Thousand and One
A.V. Rockwell, director; Julia Lebedev, Rishi Rajani, Eddie Vaisman, Lena Waithe, Bred Weston, producers (Focus Features)

Best International Feature
All of Us Strangers
Andrew Haigh, director; Graham Broadbent, Peter Czernin, Sarah Harvey, producers (Searchlight Pictures)

Anatomy of a Fall
Justine Triet, director; Marie-Ange Luciani, David Thion, producers (NEON)

Poor Things
Yorgos Lanthimos, director; Ed Guiney, Yorgos Lanthimos, Andrew Lowe, Emma Stone, producers (Searchlight Pictures)

Tótem
Lila Avilés, director; Lila Avilés, Tatiana Graullera, Louise Riousse, producers (Sideshow/Janus Films)

The Zone of Interest
Jonathan Glazer, director; Ewa Puszczynska, James Wilson, producers (A24)

Best Documentary Feature
20 Days in Mariupol
Mstyslav Chernov, director; Raney Aronson-Rath, Mstyslav Chernov, Derl McCrudden, Michelle Mizner, producers (PBS Distribution)

Against the Tide
Sarvnik Kaur, director; Koval Bhatia, Sarvnik Kaur, producers (Snooker Club Films, A Little Anarky Films)

Apolonia, Apolonia
Lea Glob, director; Sidsel Lønvig Siersted, producer (Danish Documentary Production)

Four Daughters
Kaouther Ben Hania, director; Nadim Cheikhrouha, producer (Kino Lorber)

Our Body
Claire Simon, director; Kristina Larsen, producer (Cinema Guild)

Breakthrough Director Award, Presented by Cadillac

Raven Jackson, All Dirt Roads Taste of Salt (A24)

Georgia Oakley, Blue Jean (Magnolia Pictures)

Michelle Garza Cervera, Huesera (XYZ Films)

Celine Song, Past Lives (A24)

A.V. Rockwell, A Thousand and One (Focus Features)

Best Screenplay

All of Us Strangers, Andrew Haigh (Searchlight Pictures)

Anatomy of a Fall, Justine Triet, Arthur Harari (NEON)

May December, Samy Burch (Netflix)

R.M.N., Cristian Mungiu (IFC Films)

The Zone of Interest, Jonathan Glazer (A24)

Outstanding Lead Performance

Aunjanue Ellis-Taylor, Origin (NEON)

Lily Gladstone, The Unknown Country (Music Box Films)

Greta Lee, Past Lives (A24)

Franz Rogowski, Passages (MUBI)

Babetida Sadjo, Our Father, The Devil (Cineverse)

Andrew Scott, All of Us Strangers (Searchlight Pictures)

Cailee Spaeny, Priscilla (A24)

Teyana Taylor, A Thousand and One (Focus Features)

Michelle Williams, Showing Up (A24)

Jeffrey Wright, American Fiction (Orion Pictures / Amazon MGM Studios)

Outstanding Supporting Performance

Juliette Binoche, The Taste of Things (IFC Films)

Penélope Cruz, Ferrari (NEON)

Jamie Foxx, They Cloned Tyrone (Netflix)

Claire Foy, All of Us Strangers (Searchlight Films)

Ryan Gosling, Barbie (Warner Bros. Pictures)

Glenn Howerton, BlackBerry (IFC Films)

Sandra Hüller, The Zone of Interest (A24)

Rachel McAdams, Are You There God? It’s Me, Margaret (Lionsgate)

Charles Melton, May December (Netflix)

Da’Vine Joy Randolph, The Holdovers (Focus Features)

Breakthrough Series – Under 40 minutes
Beef, Lee Sung Jin, creator; Ravi Nandan, Alli Reich, Jake Schreier, Ali Wong, Steven Yeun, executive producers (Netflix)

High School, Clea DuVall, Sara Quin, Tegan Quin, creators; Clea Duvall, Dede Gardner, Laura Kittrell, Jeremy Kleiner, Sara Quin, Tegan Quin, Carina Sposato, executive producers (Amazon Freevee)

I’m A Virgo, Boots Riley, creator; Tze Chun, Michael Ellenberg, Marcus Gardley, Carver Karaszewski, Jharrel Jerome, Boots Riley, Rebecca Rivo, Lindsey Springer, executive producers (Prime Video)

Rain Dogs, Cash Carraway, creator; Cash Carraway, Sally Woodward Gentle, Lee Morris, executive producers (HBO | Max)

Swarm, Donald Glover, Janine Nabers, creators; Ibra Ake, Donald Glover, Stephen Glover, Janine Nabers Jamal Olor, Steven Prinz, Michael Schaefer, Fam Udeorji, executive producers (Amazon Studios)

Breakthrough Series – Over 40 minutes
Anne Rice’s Interview with the Vampire
Rolin Jones, creator; Mark Johnson, Rolin Jones, Anne Rice, Christopher Rice, Alan Taylor, executive producers (AMC)

Dead Ringers
Alice Birch, creator; Alice Birch, Anne Carey, Sean Durkin, Megan Ellison, Erica Kay, Ali Krug, Sue Naegle, Stacy O’Neil, David Robinson, James G. Robinson, Polly Stokes, Barbara Wall, Rachel Weisz, executive directors (Prime Video)

The English
Hugo Blick, creator; Hugo Blick, Emily Blunt, Greg Brenman, executive producers (Prime Video)

The Last of Us
Craig Mazin, Neil Druckmann, creators; Neil Druckmann, Craig Mazin, Rose Lam, Asad Qizilbash, Carolyn Strauss, Carter Swan, Evan Wells, executive producers; (HBO | Max)

A Small Light
Tony Phelan, Joan Rater, creator; Susanna Fogel, William Harper, Avi Nir, Tony Phelan, Joan Rater, Lisa Roos, Alon Shtruzman, Peter Traugott, executive producers (National Geographic)

Telemarketers
Adam Bhala Lough, Sam Lipman-Stern, directors; Nancy Abraham, Dani Bernfeld, David Gordon Green, Lisa Heller, Jody Hill, Brandon James, Sam Lipman-Stern, Adam Bhala Lough, Danny McBride, Tina Nguyen, Benny Safdie, Josh Safdie, Greg Stewart, executive producers (HBO | Max)

Outstanding Performance in a New Series
Jacob Anderson, Anne Rice’s Interview with The Vampire (AMC)

Dominique Fishback, Swarm (Amazon Studios)

Jharrel Jerome, I’m A Virgo (Prime Video)

Natasha Lyonne, Poker Face (Peacock)

Bel Powley, A Small Light (National Geographic)

Bella Ramsey, The Last of Us (HBO | Max)

Chaske Spencer, The English (Prime Video)

Rachel Weisz, Dead Ringers ((Prime Video)

Ali Wong, Beef (Netflix)

Steven Yeun, Beef (Netflix)

Happy Birthday, Arleigh!


Today is a very special day as we celebrate the birthday of the founder of the Shattered Lens, the one and only …. ARLEIGH SANDOC!  The cats are celebrating and so are we!

Happy birthday, Arleigh!

Nearly 14 years ago, Arleigh founded the site that would eventually become the Shattered Lens.  After coming across my ranting about Italian horror on what was then twitter, Arleigh invited me to join him and his initial crew of writers and, the rest as they say, is history!  I am still so thankful for that invitation.  I’ve been posting my reviews here at the Shattered Lens since 2010 and I have grown so much as both a writer and a human being over those years.

A new year is coming up and I’m currently busy plotting out my plans for the year 2024. However, today is all about Arleigh!

Happy birthday, Arleigh!  Here comes the cake!

Retro Television Reviews: Miami Vice 1.12 “Little Prince”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi!

This week, Crockett and Tubbs once again end up with a case that leaves them wondering what it all means.

Episode 1.12 “Little Prince”

(Dir by Alan J. Levi, originally aired on December 14th, 1984)

If nothing else, this episode of Miami Vice has a brilliant opening.

As Relax by Frankie Goes To Hollywood plays on the soundtrack, Gina and Trudy stumble down a Miami street.  Trudy is shaking and sobbing and saying that she desperately needs a fix.  A drug dealer named Luther (played an amazingly young and charismatic Giancarlo Esposito) steps out of the shadows and invites them to come back to his shooting gallery for a fix.  Gina accuses Luther of being a cop.  Luther smiles and points to a tear drop that’s been tattooed under his eye.

Gina and Trudy go to Luther’s shooting gallery, which they discover is full of strung-out people.  (Luther calmly mentions that there’s at least two dead people in the apartment.)  Of course, Gina and Trudy aren’t there to score drugs.  They are there to make a bust, which they do as soon as Tubbs and Crockett arrive.  (Tubbs and Crockett had to beat up an informant to find out where Luther’s shooting gallery was and, as a result, they’re running a little late.)  Guns are fired.  Gina gets to shoot yet another man.  (Go Gina!)  One junkie jumps out a window.  Crockett says that the junkie probably landed on the fire escape.  He looks out the window.

“No fire escape,” he says.

It’s a great opening.  Unfortunately, it’s pretty much all downhill from there.  This is the first episode of Miami Vice that just didn’t work for me.

One of the junkies arrested at the shooting gallery turns out to be Mark Jorgenson, Jr. (Mitchell Litchenstein), the son of the very wealthy Mark, Sr. (Paul Roebling).  Mark, Jr. loves to play polo and he’s hooked on heroin.  Because they’re convinced that he can be intimidated into giving up his dealer, Crockett and Tubbs put pressure on him.  Crockett starts showing up at all of Mark, Jr.’s polo matches.  He even meets Mary McDermott (Maryann Punkett), who is Mark Sr’s girlfriend and the closest thing that Mark Jr. has to a mother.

Over the course of the investigation, Crockett and Tubbs come to realize that Mark, Sr. is actually a big-time money launderer and drug boss.  When they raid one of his warehouses, they discover that Mary is the one who handles all of the business transactions.  After Mary turns up dead, Mark Jr. agrees to help the cops expose his father.  Mark Jr. wears a wire, just for his father to finally tell him that he loves him before confessing to Mary’s murder.  Mark, Sr. is arrested and Mark, Jr.’s life is ruined and Sonny wonders if it was all really worth it.

As I said, this episode didn’t work for me.  Neither Mark Jr. nor Mark Sr. were particularly compelling characters and neither actor could do much with their underwritten characters.  In particular, Mark, Jr. came across as being so spoiled and whiny that I really didn’t care whether his life was ruined or not.  Brilliant opening aside, this was a forgettable episode.

Monday Live Tweet Alert: Join Us For Death Car On The Freeway and No Way Out!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1979’s Death Car On The Freeway!! I picked it so you know it’ll be good.

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching Kevin Costner and Gene Hackman in No Way Out!  This film is also available on Prime and Tubi!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Death Car On The Freeway on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter, start No Way Out, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

Late Night Retro Television Reviews: Degrassi Junior High 1.11 “It’s Late”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989!  The series can be streamed on YouTube!

This week, we have the episode that would eventually turn out to be the most important in the history of the Degrassi franchise.

Episode 1.11 “It’s Late”

(Dir by Kit Hood, originally aired on March 29th, 1987)

This is it.  This is not only the episode that really established Degrassi Junior High as a show that dealt, honestly, with things that teenagers were actually dealing with but it’s also the episode that, albeit unintentionally, lay the groundwork for what would become Degrassi: The Next Generation.  It was an episode that was considered to be so controversial that the BBC refused to air the episode.  Indeed, It’s Late would not air in the UK until 1988, by which point the repercussions of this episode had already been felt in every episode that followed.

(How confusing must it have been to be a British Degrassi fan in the 80s?)

This episode opens with a party at Lucy’s house where, as usual, Lucy’s parents are not present.  While Joey, Wheels, and the twins wait outside, Spike and her boyfriend, Shane, lock themselves in a guest room.  “What are you guys doing in there?” one of the twins — I think it was Heather but who knows, to be honest — repeatedly asks.

A few weeks later, Spike comes to school in a bad mood.  She’s late to Mr. Raditch’s class and Mr. Raditch mentions — in front of everyone! — that Spike’s grades have been suffering and that she’s no longer that good role model that she used to be.  (Seriously, that’s kind of harsh, Raditch.)  When Shane smiles at her from the back of the classroom, Spike looks away without a word.

After class, Joey and Wheels try to get Shane to tell them about what happened at the party.  “Haven’t you guys ever had sex before?” Shane asks, with a smirk that is just begging to be slapped off of his face.  Both Joey and Wheels lie and say that they’ve had lots of sex.  But still, Joey has some questions.  For instance, why won’t Spike talk to Shane.  Shane says he’s not sure what Spike is upset about.  “I bet she’s got her period!” Joey announces.

However, as Spike tells Heather and Erica Farrell, the opposite is the case.  She’s late and she’s now frightened that she might be pregnant.  Unfortunately, Spike has no one to talk to about sex.  She’s scared to tell her mother (Rhonda Kristi).  The twins are clueless about sex.  Lucy tells Spike not to worry because she’s heard that you can’t get pregnant from your first time.  When Spike tells Shane that she’s scared that she might be pregnant, Shane walks away from her without a word.  Spike is totally alone and can only watch and listen as people around her either go crazy over baby pictures or complain about how much they can’t stand their kids.

Eventually, Spike does buy a pregnancy test but, when she arrives home, her mother demands to know what’s in the bag.  Finally, Spike shows her the test and Spike’s mother takes her to a clinic to find out for sure.  Shane, who still looks shell-shocked, also shows up at the clinic.  Spike’s mother tells Spike that no matter what happens, “I’m behind you.”

And….

Actually, let’s get the B-plot out of the way really quickly.  Yes, even the most important episode in the history the Degrassi franchise had a B-plot, featuring Arthur and Yick.  In this case, Yick has to work up the courage to ask out Melanie.  And he finally does, though only after misquoting a poem and causing Melanie to have an allergic reaction by giving her a bunch of flowers.  Still, Melanie is excited to ice skating with Yick.  Good for them!  I just hope Yick can actually go on his date without Arthur demanding to come along.  Seriously, Arthur is way too clingy.

Anyway, back to the plot we care about.

Spike is pregnant!  The episode ends with Spike and Shane talking in a school stairwell, trying to figure out what they’re going to do.  Neither wants to be a parent.  Spike doesn’t think that she could have a baby and give it up for adoption.  She says, “Maybe I could just not have it,” just for Shane to say that he’s against abortion.  Of course, Shane also says, “You’re not going to want me to marry you, are you?” so maybe Shane should just keep his opinions to himself.

“It was just a little mistake,” Spike says.

“It was kind of a big mistake,” Shane replies.

The episode ends with a freeze-frame of Spike’s tear-streaked face.  Suddenly, the cheerful Degrassi music starts up.  Other reviewers have commented on how jarring it can sometimes be to hear the peppy Degrassi theme song after spending 30 minutes watching teenagers deal with things like eating disorders, bullying, drug abuse, mental health issues, and unplanned pregnancies and they have a point.  That said, in this case, the combination of the very sad freeze frame and the jaunty music actually provides a bit of a relief for a very dramatic episode.  It gives the viewer an excuse to breathe a sigh of relief and smile.

This is one of Degrassi Junior High‘s best episodes, one that is intelligently written and which also is carried by Amanda Stepto’s strong and emotionally honest performance as Spike.  (Reportedly, for years after this episode aired, Stepto received letters from girls asking her for advice.)  Those of us who are fans of the Degrassi franchise know that Spike is going to keep the baby, Shane is going to have a bad acid trip and end up in an assisted living facility, and their daughter is going to be the center of the first eight seasons of Degrassi: The Next Generation.  We also know that Joey is eventually become much less of a jerk and Spike is going to end up marrying Snake.  But that’s all waiting in the future.  This episode ends with two teenagers still struggling to come to terms with the fact that, at 14, their lives have changed forever.

Lisa Marie’s Week In Review: 11/20/23 — 11/26/23


I hope everyone has good Thanksgiving!  I enjoyed spending time with my family and celebrating my sister Erin’s birthday on Friday!

Here’s what I watched, read, and listened to this week!

Films I Watched:

  1. Acquitted By Faith (2020)
  2. Behind the Sun (1995)
  3. Black Scorpion (1995)
  4. Challenge of Faith (2006)
  5. Days of Power (2018)
  6. The Detective (1968)
  7. Disturbing Behavior (1998)
  8. High Tension (2003)
  9. The Horror of Party Beach (1964)
  10. Lady in Cement (1968)
  11. Lockdown: 2025 (2021)
  12. Loving the Bad Man (2010)
  13. Notting Hill (1999)
  14. Redemption of the Commons (2014)
  15. The Secret Life of John Chapman (1976)
  16. Sixteen Candles (1984)
  17. Tapestry (2014)
  18. Tony Rome (1967)

Television Shows I Watched:

  1. The Amazing Race
  2. Baywatch Nights
  3. A Charlie Brown Thanksgiving
  4. Check It Out
  5. CHiPs
  6. Degrassi Junior High
  7. Dr. Phil
  8. Fantasy Island
  9. Football: Commanders vs Cowboys
  10. Football: 49ers vs Seahawks
  11. Football: Packers vs Lions
  12. Happy Hour
  13. Highway to Heaven
  14. Jennifer Slept Here
  15. Kitchen Nightmares
  16. The Love Boat
  17. The Macy’s Thanksgiving Day Parade
  18. Monsters
  19. Snub
  20. Survivor
  21. T and T
  22. Welcome Back Kotter
  23. WKRP In Cincinnati
  24. Yes, Prime Minister

Books I Read:

  1. In The Likely Event (2023) by Rebecca Yarros
  2. Kabul: The Untold Story of Biden’s Fiasco and the American Warriors Who Fought to the End (2023) by Jerry Dunleavy and James Hasson

Music To Which I Listened:

  1. Adi Ulmansky
  2. Armin van Buuren
  3. Bjork
  4. The Black Keys
  5. Britney Spears
  6. The Chemical Brothers
  7. The Crystal Method
  8. David Guetta
  9. Dillon Francis
  10. ELO
  11. The Flying Lizards
  12. Funkadelic
  13. Katy Perry
  14. Kim Petras
  15. Moby
  16. Olivia Rodrigo
  17. The Prodigy
  18. Pulp
  19. Saint Motel
  20. Taylor Swift
  21. White Stripes

Live Tweets:

  1. Black Scorpion
  2. Notting Hill
  3. Disturbing Behavior
  4. High Tension

News From Last Week:

  1. Director Aldo Lado Dies At 88
  2. Susan Sarandon dropped by talent agency after anti-Semitic comments
  3. ‘Scream’ star Melissa Barrera dropped from franchise after anti-Semitic posts
  4. Now It’s “Hall Vs. Oates!” Their Legal Battle! Why The Best-Selling Duo “Can’t Go For That! No Can Do!”

Links From Last Week:

  1. Celebrating Thanksgiving With Del Griffith! Boarding“Planes Trains & Automobiles!” The Greatest Thanksgiving Film Ever!
  2. Tater’s Week in Review 11/25/23
  3. Devil Woman

Links From The Site:

  1. Jeff shared a scene from WKRP!
  2. Jeff shard music videos from Weird Al Yankovic, Metallica, Tesla, and Rick Derringer!
  3. Erin wished everyone a happy Thanksgiving!
  4. Erin shared Mammoth Detective, Television Tramp, The Passionate Pilgrim, Thank You Call Again, Complete Detective Cases, Rugged Men, and Barb Wire Showdown!
  5. In memory of Gary Loggins, I shared Alice’s Restaurant Massacree!
  6. I shared music videos from Funkadelic, David Guetta, and Olivia Rodrigo!
  7. I shared my week in television!
  8. I reviewed The Secret Life of John Chapman!
  9. I reviewed Degrassi Junior High, Miami Vice, CHiPs, Fantasy Island, Baywatch Nights, The Love Boat, Monsters, Jennifer Slept Here, Highway to Heaven, T and T, Friday the 13th, Welcome Back Kotter, and Check It Out!

More From Us:

  1. At Days Without Incident, Leonard shared Child of Love!
  2. At my music site, I shared songs from David Guetta, Bjork, Altered Images, Saint Motel, The Flying Lizard, Pulp, and The Black Keys!
  3. At her photography site, Erin shared Clearing In Black and White, Revenge of Nature, Pumpkins, A Thanksgiving Flower, A Lava Lamp For Me, Swans, and Dragons!

Check out last week by clicking here!

Retro Television Reviews: The Secret Life of John Chapman (dir by David Lowell Rich)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1976’s The Secret Life of John Chapman!  It  can be viewed on Tubi.

John Chapman (Ralph Waite) is a mild-mannered college president and a recent widower.  Everyone tends to assume that John grew up wealthy but John is actually the son of a bricklayer.  As he puts it, his father literally helped to build the college of which John is now president.  John has felt lost and directionless ever since the passing of his wife.  When his rebellious son (Brad Davis) announces that he’s going to drop out of college and pursue a career as a laborer, John is at first outraged but soon, he’s wondering if perhaps his son has a point.  Has John spent so much time cocooned in his college that he’s lost touch with the rest of the world?

John takes a sabbatical and pursues a career as a blue collar worker.  He discovers that it’s not as easy as he assumed.  Because John doesn’t want to reveal that he’s an academic, John doesn’t really have any references to offer up to potential employers.  Because he’s nearly 50, John is continually told that he’s too old for most of the jobs that he applies for.  When he goes into a bar and attempts to order a dry martini, he quickly realizes that he has no idea what it’s like to be blue collar.

John eventually does get a job, helping to lay water pipes.  His boss is the gruff Gus Reed (Pat Hingle), who John eventually discovers is not quite as fearsome a figure as he originally appears.  Once the pipe job is done, John gets a job in a diner and even pursues a tentative romance with a waitress (Susan Anspach) who, as she points out,  comes from a totally different world than him.  And yet, despite John’s efforts, his son remains unimpressed.  According to his son, John is just slumming.  He has the freedom to quit and return to the college whenever he wants.

Yikes!  John’s son is a bit judgmental and it doesn’t help that he’s played by Brad Davis, who was never a particularly likable actor.  (Davis later starred in Midnight Express, in which director Alan Parker used his lack of likability to good effect.)  Yet, watching the film, you can’t help but feel that John’s son has a point.  At times, it seems like John wants a lot of credit for spending a week working in the type of job that most people take because they don’t have any other option.  Indeed, you could argue that John’s project is basically keeping someone who really needs the money from finding a job.  It’s not like John gives up any of his money when he goes to work.  It doesn’t help that John Chapman narrates his story and his voice-over often feels like a parody of liberal noblesse oblige.

Fortunately, Ralph Waite was a likable actor and he plays John Chapman as being well-intentioned if occasionally a bit condescending.  The made-for-TV movie plays like a pilot and it’s easy to imagine a series in which John Chapman would have worked a different job every week.  It’s a slight but pleasant-enough made-for-TV movie.  Seen today, it works best as a time capsule, a portrait of a society still trying to find its identity in the wake of the turbulence of the 60s.

Music Video of the Day: Can’t Catch Me Now by Olivia Rodrigo (2023, dir by Leonn Ward)


This video was made to promote The Hunger Games prequel but who cares about that?  Seriously, as much as I liked the first two Hunger Games movies, the third and the fourth one bored me to tears and pretty much left me totally burned out on dystopian YA adaptations.

For me, this song brings back some memories of living and visiting the country.  Of course, I didn’t spend much time in any barns because barns are extremely creepy.  But I did use to enjoy running through the tall grass.  There’s a real sense of freedom when you’re running and the world seems to stretch on forever, without a building, road, or street sign standing in your way.  This video does a good job of capturing that feeling.

Enjoy!