Musical Film Review: Let It Be (dir by Michael Lindsay-Hogg)


Hey, it’s the Beatles!

The 1970 documentary Let It Be, which is now streaming on Disney+ after being impossible to see for decades, follows the Beatles as they record music, occasionally argue, occasionally laugh, collaborate on songs, and ultimately play the famous rooftop concert that was eventually ended by the London police.  Paul McCartney smiles and laughs and jokes but he also obsesses over every little musical detail and often seems to be talking in order to keep anyone else from getting a cross word in.  John Lennon dances with Yoko Ono and occasionally smiles but often seems like his mind is elsewhere.  George Harrison smiles whenever he know that the camera is on him but, when glimpsed in the background, he doesn’t seem happy at all.  Ringo patiently waits for his chance to perform, sometimes bored and sometimes amused but always the most likable of the bunch.  He and George work on Octopus Garden and it’s a charming moment, if just because it’s obvious that both men would rather be there than in the studio.

Even if you haven’t seen Peter Jackson’s The Beatles: Get Back (which was constructed out of material that was shot for but not used in this documentary), Let It Be is often time one of the most depressing behind-the-scenes documentaries ever made.  The more the individual members of the Beatles smile and perform for the camera, the more one can see the cracks that have formed in their relationships.  With Lennon spending most of his time with Yoko, it’s Paul who dominates the documentary.  Paul comes across as being charming and talented but his habit of nonstop talking gives the impression of someone who is desperately trying to hold together a sinking ship.  At one point, George snaps that he’ll play the guitar however Paul tells him to and it’s obvious that, for George and probably the others as well, being the world’s most popular band has gone from being a thrill to just being another job.  When Paul and John talk about how much fun they had when they first started playing live in  Hamburg, it’s obvious that the conversation is at least partially staged to set up the rooftop concert but there’s a genuine sadness to their voices.  Even as they write and record new songs, they’re realizing that all things must pass.

But then the Beatles give a rooftop concert and they bring London to a halt and, for a few minutes, it seems like everything is going to be alright.  Standing on the roof and performing a wonderful version of Get Back, the Beatles are suddenly a band just having fun and it’s delightful to see.  Later, John Lennon gets a devilish gleam in his eyes as he sings the raunchy (for 1969) lyrics for I’ve Got A Feeling.  Even George looks happy for a few moments.  People gather in the street below to watch and the camera is quick to show us that both young and old love the Beatles.  Of course, eventually, the police show up and shut down the show.  (Of course, being British police, they’re very polite about it.  One has to breathe a sigh of relief that the Beatles didn’t try to do their rooftop show in New York or Los Angeles.)  It’s a reminder that nothing lasts forever.  Eventually, every concert comes to an end.

It’s interesting to compare Let It Be to another 70s documentary about a famous British rock band.  In Gimme Shelter, the Altamont Free Concert ends with a murder as Mick Jagger pleads with the crowd to stop fighting and just sit down.  In Let It Be, things end with a random joke from John Lennon, who would himself be murdered in just ten years.  Both Gimme Shelter and Let It Be are about the end of an era and both are full of regret and a longing for a simpler and more idealistic era.  For those of us who want to understand history, they’re essential.

 

Late Night Retro Television Review: CHiPs 2.14 “Repo Man”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, Jon Baker takes on …. THE REPO MAN!

Episode 2.14 “Repo Man”

(DIr by Alex Grasshoff, aired on January 6th, 1979)

This week features a truly memorable villain.

Doyle Ware (Mills Watson) is a repo man.  When people fall behind on their car payments, Doyle is the guy who shows up to repossess the vehicle.  That he’s a sleaze shouldn’t come as a surprise.  I mean, who likes a repo man, right?  But, as Baker and Ponch discover, Doyle is more than just a repo man.

He’s a criminal mastermind!

He steals cars and then informs the owner that the car has been destroyed in an accident.  Doyle offers to buy what little is left of the vehicle.  However, the truth is that the car hasn’t been destroyed.  And once Doyle gets the title, he proceeds to sell the car under the original owner’s name.  Then, once the buyer falls behind on their payments, he repossesses the car and sells it again.  What a sleazy guy!

When Baker and Ponch prevent Doyle from repossessing an old couple’s trailer, Doyle reacts by trying to destroy their credit.  He plants false reports that Baker and Ponch owe money.  Baker tries to buy an expensive saddle, just to be humiliated when the clerk (played by future playwright Terrence McNally) informs him that his credit score is awful.  Ponch starts to get notices at the police station, telling him that he owes money.  Getraer offers to help Baker but not Ponch.  Getraer can’t stand Ponch.

While dealing with his bad credit, Baker also becomes a local celebrity when he jumps, from a bridge, onto an out-of-control school bus.  Baker’s face appears on the local news and soon, people are demanding his autograph.  Baker is mortified.  Ponch is thrilled because, for some reason, people want his autograph too.  “Oh my God, you’re his partner!” someone says as they rush up to Ponch’s motorcycle.  Seriously, Ponch didn’t do anything!

Meanwhile, Grossman (who, as played by Paul Linke, is the most consistently likable member of the show’s supporting cast) gets an article published in a magazine.  Everyone at the station pretends like they haven’t read and enjoyed the article.  Poor Grossie!  Don’t worry, though.  A news crew films Grossie putting out a fire and he soon replaces Baker as everyone’s favorite local hero.  Baker’s happy to have both his good credit and his anonymity restored.

(This is actually a pretty big episode for Baker.  He also gets a subplot in which a watchmaker, played by Ned Glass, destroys Baker’s watch after he bring it in to get the wrist band fixed.)

This was a good episode.  The school bus rescue was genuinely exciting and Doyle Ware was a villain who was so sleazy that it was a lot of fun watching him get taken down.  CHiPs did a good job with Repo Man.

Lisa Marie’s Early Oscar Predictions For September


It’s that time of the month again!

It’s time for me to share my latest round of Oscar predictions.  Thanks to the summer festival season, the Oscar race is starting to become a bit clearer.  That said, there really don’t seem to be any overwhelming favorites right now.  There are contenders but there are no front runners.  So, I imagine we’ll see some surprise contenders emerge as the precursor season approaches.

You’ll notice that, unlike a lot of Oscar bloggers, I don’t have Gladiator II amongst my predictions.  That’s based on the fact that, every year, there’s a new Ridley Scott film that everyone predicts will be a contender and, with the exception of The Martian, it never happens.  The Academy just does not seem to have the burning desire to honor Ridley Scott that a lot of film bloggers do.  As well,  I’m just not convinced that a sequel starring an actor who has yet to prove he can shoulder the weight of a blockbuster is going to be the film that’s going to win Ridley Scott a Best Director statuette.  Remember that a few years ago, those same Oscar bloggers were insisting that Martin Scorsese’s Silence was going to be not only a contender but also the winner up until the end of November.

(For that matter, let’s not forget that Scorsese’s Killers of the Flower Moon was expected to be a winner as opposed to an also-ran.  Fact of the matter is that, as much as I hate to resort to that overused quote from William Goldman, no one knows anything.)

Do I really think that Pamela Anderson is going to receive a Best Actress nomination?  She’s receiving a lot of acclaim for her role in The Showgirl but, at the same time, she’s Pamela Anderson.  There’s maybe a 2% chance that she’ll get nominated but I always like to throw in a few candidates who go against the conventional wisdom.  So — what the Hell?  Why not?  Pamela Anderson for Best Actress!

Be sure to check out my predictions for April, May, June, July, and August!

Best Picture

Anora

The Apprentice

The Brutalist

A Complete Unknown

Dune Part Two

Emilia Perez

Maria

The Piano Lesson

Saturday Night

Sing Sing

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Brady Corbett for The Brutalist

Jason Reitman for Saturday Night

Denis Villeneuve for Dune Part Two

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Complete Unknown

Daniel Craig in Queer

Colman Domingo in Sing Sing

Ralph Fiennes in Conclave

Best Actress

Pamela Anderson in The Showgirl

Karla Sofia Gascon in Emila Perez

Angelina Jolie in Maria

Mickey Madison in Anora

Demi Moore in The Substance

Best Supporting Actor

Yura Borslav in Anora

Kieran Culkin in A Real Pain

Samuel L. Jackson in The Piano Lesson

Guy Pearce in The Brutalist

Jeremy Strong in The Apprentice

Best Supporting Actress

Monica Barbaro in A Complete Unknown

Danielle Deadwyler in The Piano Lesson

Selena Gomez in Emilia Perez

Felicity Jones in The Brutalist

Zoe Saldana in Emilia Perez

Monday Live Tweet Alert: Join Us For Dante’s Peak!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

After we finish up this week’s #MondayActionMovie on Mastodon, we will be hopping over to twitter where #MondayMuggers will be showing 1997’s Dante’s Peak!  The film is on Prime and it starts at 10 pm et!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop over to twitter at 10 pm et, pull Dante’s Peak up on Prime, and use the #MondayMuggers hashtag! 

Enjoy!

Retro Television Review: Miami Vice 3.1 “When Irish Eyes Are Crying”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

Welcome to season 3!

Episode 3.1 “When Irish Eyes Are Crying”

(Dir by Mario DiLeo, originally aired on September 26, 1986)

The third season of Miami Vice opens with Gina saving the life of Sean Carrone (a very young Liam Neeson).

Carrone is a former commander in the IRA, a man who has lost two brothers during the Troubles and who killed his first British solider when was fourteen but who now says that he has renounced violence and is instead a believer in peace.  When he gives a lecture in Miami, Gina, Zito, and Switek attend because they’ve gotten a hot tip from Izzy that an arms deal is going to occur afterwards.  Instead, a teenage gunman attempts to assassinate Sean and Gina is forced to use deadly force to save Sean’s life.

Gina is put on administrative leave after the shooting, which gives her plenty of time to pursue her new romance with Sean!  A jealous Crockett doesn’t trust Sean and it turns out that Crockett’s correct when it becomes apparent that Sean and his American benefactor (Paul Gleason) are looking to purchase Stinger missiles from arms dealers Max Kilzer (Walter Gotell, who played the head of the KGB in several Bond films) and Eddie Kaye (Jeff Fahey).  With the dubious help of a haughty British MI6 agent (Daniel Gerroll), Crockett and Tubbs try to uncover Sean’s plans.  Along the way, Tubbs gets to try out another fake accent, Crockett spends some time as Burnett without anyone noticing that Sonny Burnett looks and talks exactly like Sonny Crockett, and Eddie Kaye finds time to blow up Sonny’s beloved car.

On the plus side, this episode had a wonderful group of guest stars. When one episode finds substantial roles for Liam Neeson, Jeff Fahey, Paul Gleason, and Walter Gotell, it’s pretty good guess that the episode is going to be worth watching.  All four of them give memorable performances.  Liam Neeson is, of course, the star attraction here but I also enjoyed Jeff Fahey’s turn as a half-crazed bayou arms dealer who is first seen wearing a t-shirt that reads, “Kill Them All.”  I also appreciated that this episode gave everyone in the cast something to do.  During season 2, it was easy to forget that Gina and Trudy were even on the show.

That said, as I watched this episode, I couldn’t help but feel that it was missing the energy that made the first two seasons stand out.  If the first season was tough and gritty and the second season was surreal and often shocking, the third season got off to a rather comfortable start.  Don Johnson and Phillip Michael Thomas both seemed a little bit too relaxed in their roles as Crockett and Tubbs.  The third season opener played out like a well-0iled machine and that was the problem.  It was almost too efficient, with little of the spontaneity that ran through the previous two seasons.

It’s something that happens to every series.  The first two seasons are all about experimenting and taking chances and finding the right tone.  By the time the third season rolls around, the formula is in place and things can start to feel a little mechanical.  That was how I felt about this episode.  The supporting cast carried the drama while the main cast went through the motions.  That said, the episode did what a season premiere should do.  It re-introduced the viewer to the characters, it had enough violence to keep action fans happy, and it announced the show was back.  We’ll see how season 3 plays out over the next few weeks.

Monday Live Tweet Alert: Join Us for Beverly Hills Cop!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be Beverly Hills Cop, in honor of John Ashton!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, rent Beverly Hills Cop on any streaming service, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Music Video of the Day: Time Has Come Today by The Ramones (1983, dir by Francis Delia)


In today’s music video of the day, we visit the Church of the Ramones, where the band is energizing the congregation with a cover of The Chambers Brothers’s Time Has Come Today.

And indeed the time has come.  It’s the last day of September.  That means that tomorrow is the start of my favorite time of the year.  It’s time for our annual …. HORRORTHON!  Things are about to get a little bit busy around here….

Until then …. ENJOY!

Late Night Retro Television Review: Degrassi Junior High 3.10 “Twenty Bucks”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989!  The series can be streamed on YouTube!

This week, everyone needs some money.  Gourmet Scum is coming.

Episode 3.10 “Twenty Bucks”

(Dir by John Bertram, originally aired on February 6th, 1989)

To quote the Zit Remedy, everybody wants something they’ll never give up.  In this week’s episode, everyone wants twenty bucks.

That’s how much it costs to buy a ticket to see Gourmet Scum, Canada’s hottest band.  Melanie, who has gotten her braces taken off and who is finally feeling confident about herself (Hey, I’ve been there!), has been invited to the concert by Snake.  There’s just one catch.  Melanie has to pay for her own ticket.  When Melanie asks her mom for the money, Melanie’s mom says that she can’t spare twenty dollars.  Not with the cost of groceries!  (Hell, try living in 2024.)

Melanie decides to steal twenty dollars from her mom’s purse.  Melanie justifies it by assuming that she’ll get paid twenty dollars for her next babysitting job and she’ll be able to pay her mom back as a result.  Melanie steals the money and buys the ticket.  However, her weekend babysitting job is canceled.  Without the twenty dollars, Melanie’s mom will only be able to make chili until her next payday.  A guilt-ridden Melanie finally confesses to stealing from her mom.  Her mom promptly grounds Melanie, meaning no concert and probably no chili either.

Snake, when he hears Melanie can’t go to the concert with him, decides that he doesn’t want to go to the concert either.  Awwww!  Snake and Melanie are cute together but, those of us who have seen Degrassi: The Next Generation, know that Snake is ultimately going to marry ….. well, I won’t spoil it.

Meanwhile, Spike is upset because Shane has told her that he’s broke and won’t be able to pay her any child support.  Why is Shane broke?  Because he used his last twenty dollars to buy a ticket to Gourmet Scum!

Finally, Joey makes a twenty-dollar bet with BLT (Dayo Ade).  (Yes, the character’s nickname is BLT.)  BLT bets that Joey can’t get a date for Friday night.  Joey asks and is turned down by almost every girl at school.  Even the Farrell twins turn him down!  (Seriously, how much of a loser do you have to be to actually get turned down by a Farrell?)  Finally, he asks the girl that he really likes (but who he fears no longer likes him), Caitlin.  Caitlin says yes.  Awwwww!  Unfortunately, BLT pays Joey right in front of Caitlin.  In order to prove that he didn’t ask Caitlin out just for the money, Joey proceeds to rip up the twenty dollar bill.  (Keep in mind, it’s a Canadian twenty so he probably just ripped up the equivalent of an American dollar.)

I enjoyed this episode.  It deftly balanced several storylines but it also set up a few big developments that we’ll talk about next week.  Joey and Caitlin are a cute couple and so are Melanie and Snake.  As for Shane and Spike …. well, like I said, we’ll talk about it next week.

Lisa Marie’s Week In Review: 9/23/24 — 9/29/24


Rest in Peace, Dame Maggie Smith.

Today is the last weekend before the start of our annual Horrorthon so things are about to get very busy around here.  Believe it or not, the whole reason I started doing these weeks in reviews was to help people navigate the site during the month of October.  This has been a pretty rough year so I’m really looking forward to diving headfirst into the next 31 days.  This is my favorite time of year!  Last year, we posted over 600 Horrorthon articles.  We’ll see what happens this year!

Here’s what I watched, read, and listened to this week.

Films I Watched:

  1. The Apocalypse (2007)
  2. The Asphyx (1972)
  3. The Boogey Man (1980)
  4. Brothers (1977)
  5. Death Takes a Holiday (1971)
  6. The Devonsville Terror (1983)
  7. Dredd (2012)
  8. Express to Terror (1979)
  9. The Fall of the House of Usher (1960)
  10. Gozilla (a.ka. Cozilla) (1977)
  11. Inheritance (2017)
  12. Listen To Me (1989)
  13. Mindreacher (2022)
  14. Murder-Rock (1984)
  15. Night Explorers: The Asylum (2023)
  16. The Octagon (1980)
  17. An Officer and a Murder (2012)
  18. Paul McCartney Really Is Dead: The Last Testament of George Harrison (2010)
  19. Revenge of the Boogeyman (1983)
  20. Ring of Terror (1961)
  21. Ripper’s Revenge (2023)
  22. She Made Them Do It (2013)
  23. Sleepaway Camp (1983)
  24. Spookies (1986)
  25. Swingers (1996)
  26. Terror of Mechagodzilla (1975)
  27. Virgin Pockets (2007)
  28. X: The Man With X-Ray Eyes (1962)
  29. You’re Not Alone (2020)

Television Shows I Watched:

  1. American Sports Story: Aaron Hernandez
  2. Fantasy Island
  3. Hell’s Kitchen
  4. The Love Boat
  5. Miami Vice
  6. One Step Beyond
  7. Rescue: Hi-Short

Books I Read:

  1. Bats Out Of Hell (1979) by Guy N. Smith
  2. Revolution in the Head (1997) by Ian MacDonald
  3. Runaway Train, or the Story of My Life So Far (2024) by Eric Roberts and Sam Kashner

Music To Which I Listened:

  1. Adi Ulmansky
  2. Armin van Buuren
  3. Avicii
  4. Britney Spears
  5. The Chemical Brothers
  6. Christina Aguilera
  7. The Clean
  8. The COVIDs
  9. Daft Punk
  10. Dillon Francis
  11. DJ Snake
  12. Fatboy Slim
  13. Glass Animals
  14. Goblin
  15. Gwen Stefani
  16. Hans Zimmer
  17. The Heavy
  18. Hilary Duff
  19. Housewife
  20. John Carpenter
  21. Juliette Lewis
  22. Katy Perry
  23. Lancelot
  24. Madness
  25. Muse
  26. Phil Collins
  27. The Prodigy
  28. Ramones
  29. Saint Motel
  30. Sofia Monroy
  31. Tiesto
  32. UPSAHL
  33. X

Trailers:

  1. Thunderbolts
  2. Sinners
  3. The Ballerina

Live Tweets:

  1. The Octagon
  2. Swingers
  3. Dredd
  4. Sleepaway Camp

News From Last Week:

  1. Maggie Smith Dies At 89
  2. Kris Kristofferson Dies At 88
  3. Actor John Ashton Dies At 76

Links From Last Week:

  1. Have You Been Inside L.A’s “Last Book Store?” Here’s Their Iconic “Book Tunnel!”
  2. Happy Caturday! (9.28.2024)
  3. Tater’s Week in Review 9/27/24

Links From The Site:

  1. Leonard shared the trailers for Thunderbolts, Sinners, and The Ballerina!
  2. I reviewed Degrassi Junior High, Miami Vice, CHiPs, Fantasy Island, Baywatch Nights, The Love Boat, Monsters, Malibu CA, Highway to Heaven, T and T, Friday the 13th: The Series, Welcome Back Kotter, Check It Out, and Death Takes A Holiday!
  3. I shared my week in television!
  4. I shared music videos from Juliette Lewis, Tess Parks, Housewife, Sofia Monroy, Glass Animals, The COVIDS, and Lancelot!
  5. I shared a scene from Convoy.
  6. Erin shared Wrong Jail, Complete Sports, Stocking Parade, Movie Humor Magazine, Sports Novels, Pep Stories, and Traveling Salesgirl!

More From Us:

  1. At her photography site, Erin shared Green 2, Evening Sky, Sunset, Window Seat, Limbs To Be Picked Up, Freshly Mowed, and Corner Branch!
  2. At my music site, I shared songs from Ramones, The Clean, Katy Perry, Gwen Stefani, Hillary Duff, Phil Collins, and Katy Perry (again)!

Want to check out last week?  Click here!

Scenes That I Love: Convoy (RIP, Kris Kristofferson)


Rest in peace, Kris Kristofferson.

Today’s scene of the day comes from 1979’s Convoy and it features Kristofferson as the greatest trucker of all time, Rubber Duck.  In this scene, Rubber Duck rescues a fellow trucker from jail and lets the authorities know what they can do with their law.