4 Shots From 4 Films: Special Sam Fuller Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

On this date, 114 years ago, Samuel Fuller was born in Massachusetts.  Before he became a filmmaker, Fuller was a crime reporter and a pulp novelist.  His films were often melodramatic and unapologetically sordid.  They were also often dismissed when they were initially released but almost all of them were subsequently rediscovered by audiences who appreciated Fuller’s striking visuals and the often subversive subtext to be found underneath the surface of his genre films.

Today, we celebrate Fuller’s legacy with….

4 Shots From 4 Sam Fuller Films

Forty Guns (1957, dir by Samuel Fuller, DP: Joseph Biroc)

Shock Corridor (1963, dir by Samuel Fuller, DP: Stanley Cortez

The Naked Kiss (1964, dir by Samuel Fuller, DP: Stanley Cortez)

The Big Red One (1980, dir by Samuel Fuller, DP: Adam Greenberg)

Late Night Retro Television Review: Pacific Blue 4.14 “Inferno”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, Bobby goes undercover!

Episode 4.14 “Inferno”

(Dir by Sara Rose, originally aired on January 17th, 1999)

TC is on vacation but, before he leaves, he tasks Cory with discovering who is selling heroin at a trendy nightclub.  To be honest, that sounds like a job for the Narcotics Squad but whatever.  Cory tasks Bobby and Monica with going undercover.  Monica starts to hang out at the club.  Bobby gets a job as a bouncer.  It’s amazing how the same two cops can somehow both patrol the same small stretch of land and also continually work undercover without anyone ever recognizing them.  Their presence at the club still doesn’t prevent a rock star from overdosing or an actor from later shooting himself in front of Monica.

Meanwhile, Cory and Amy ride their stupid bikes around Santa Monica and harass drug addicts.   Amy catches one addict and says that he hasn’t been looking too good lately.  Amy has only been a member of the bike patrol for a few months so why is she acting like she’s been on this show for years?  As silly as the undercover work is, Pacific Blue is still at its most ludicrous when it tries to make the bike cops look like a bunch of badasses,

Bobby’s ex-girlfriend, Rita (Heather Marie Marsden), turns up singing at the club.  Despite Monica warning that Bobby is making a mistake, he allows himself to fall for Rita again despite the fact that Rita is now dating club owner Gary Fein (Scott Paetty), the man who is suspected of being Santa Monica’s biggest heroin dealer.  Of course, it turns out that Rita is the drug dealer.  Eventually, Bobby has to kill his ex-girlfriend to keep her from shooting his fellow bike cops.  Bobby is almost as upset about that as Slater was over losing his salamander.

The episode ends with a Cory/Bobby conversation.  Cory asks if Bobby was in love with Rita and Bobby admits that he had feelings for her.  The scene suggests that Cory and Bobby are secretly a couple.  If I was Cory, I would be hesitant about dating someone who killed his last girlfriend.

TC returns and tells Cory that she did a good job running the department.  Cory thanks him and then looks sad as the episode ends.  If she really felt that way about Bobby, why did she send him undercover in the first place?  Why not send in Granger?  Actually, is Granger still a character on this show?  I haven’t seen him in a while.

This is a dumb show.  You already knew that.  This episode served as a reminder that, along with being dumb, no one on this show is particularly good at their job.  Bobby goes undercover and allows his emotions to get the better of him …. again!  Monica goes undercover and actually does a good job but Cory won’t acknowledge it because she hates Monica …. still!  Amy rides around on her bicycle and harasses people like a corrupt deputy in a drive-in movie.  The fact that everyone is on bicycles just makes everything all the more ridiculous.

Santa Monica, you deserve better!

Retro Television Review: Saved By The Bell: The New Class 2.13 “Bayside Story”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00.  The show is currently on Prime.

Oh no, it’s another Bayside vs Valley episode!

Episode 2.13 “Bayside Story”

(Dir by Don Barnhart, originally aired on October 22nd, 1994)

It’s time for Bayside and Valley to meet on the athletic field …. again!

*sigh*

Seriously, how much water can this show draw from the well of this particular rivalry?  Ever since the original Saved By The Bell, there have been episodes about Bayside competing against Valley.  Every episode begins with Mr. Belding complaining that Bayside never beats Valley.  And yet, every episode also seems to end with Bayside defeating Valley so I’m really not sure what Belding’s problem is.

This episode, after Valley toilet papers the Bayside hallways, Mr. Belding complains that Bayside hasn’t defeated Valley since Slater graduated.  Tommy D, Lindsay, Rachel, Megan, Brian, and Bobby all nod in agreement, which is odd since Slater graduated before any of them started at Bayside.  Belding also mentions that Screech is in Vegas for Zack and Kelly’s wedding and, again, everyone nods as if they know who Zack and Kelly are.  None of these students knew who Screech was when he first came back so how would they know Zack and Kelly?  Am I just giving this too much thought?  Perhaps.

As the head cheerleader, Megan is determined that the cheerleading squad (which is apparently made up of only her, Rachel, and Lindsay) is ready to declare death to Valley.  But then she meets Doug (Bumper Robinson), the captain of Valley’s football team, and she ends up falling for him.  Her friends are horrified that Megan would date someone from Valley but that doesn’t stop them from using Megan’s relationship to take advantage of Doug by pulling off one of those elaborate SBTB schemes where everyone dresses up in a stupid costume and distracts Doug long enough for Brian and Bobby to use a spy camera to take pictures of Valley’s playbook.

(Seriously, the whole thing is really stupid.)

Shortly afterwards, Megan ends up breaking up with Doug because she can’t handle everyone’s disapproval.  The Gang feels guilty so they decide to give the pictures of the playbook back to Doug but, as opposed to just giving him the film, they instead decide to pull off another elaborate prank that involves everyone putting on costumes.

The reason why I’m not going into a lot of details about the pranks and the costumes is that it’s all really stupid.  And I’m worried that if I spend too much time describing all of this, my brain might short-circuit.  Let’s just say that it never occurs to anyone to just do the simplest of things, like maybe practicing really hard on the football field and trying to win the game legitimately.

That said, there a few things that work in this episode.

Amazingly, there actually is a funny running joke in this episode.  Unlike most of the characters on this show, Brian knows nothing about American sports and continually has to be told the most basic facts about football.  (“It’s played on a field, not a rink!”)  Christian Oliver delivered his lines with the right amount of enthusiastic naivete and it was kind of nice to see Brian transformed into something more than just a stand-in for Zack.

The episode ends with the Bayside Gang meeting the Valley Gang at the Maxx and everyone crying as they realize that they’re not so different after all.  That was actually kind of sweet.  And then Belding ran in wearing riot gear because he was convinced a fight was about to break out.  That actually made me laugh a little.  So, dumb pranks aside, this episode wasn’t a total loss.

In conclusion, I should mention that my high school had a hated rival that was actually only a few blocks away from us.  Our football team hated their football team and all that other stuff.  Unfortunately, since my school was pretty much an art school, I don’t think we ever won a game against them.  Some of that was because my school didn’t even have a football field so our team had to go over to the rival school whenever they wanted to practice.

Seriously, not even Slater could have saved them.

 

 

4 Shots From 4 Films: Special Stuart Gordon Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

79 years ago on this date, director Stuart Gordon was born in Chicago, Illinois.  Gordon went from experimental theater to feature films and was responsible for some of the most visually memorable horror films of the past century.  Perhaps no other American director was a strong interpreter of the work of H.P. Lovecraft than Stuart Gordon.

Today, we honor Stuart Gordon with….

4 Shots From 4 Stuart Gordon Films

Re-Animator (1985, dir by Stuart Gordon, DP: Marc Ahlberg)

Dolls (1987, dir by Stuart Gordon, DP: Marc Ahlberg)

The Pit and the Pendulum (1991, dir by Stuart Gordon. DP: Adolfo Bartoli)

Castle Freak (1994, dir by Stuart Gordon, DP: Mario Vulpiani)

Scenes I Love: Reggie Bannister in Phantasm


Rest in peace to the great Reggie Bannister.  After years of ill health, Bannister passed away on August 9th at the age of 80.

Reggie Bannister will always be remembered for his role as the same-named Reggie, the ice cream man in the Phantasm franchise.  For all the attention that was given to how scary Angus Grimm was, Reggie was the heart of the film.  Today’s scene that I love comes from 1979’s Phantasm.

Late Night Retro Television Review: CHiPs 6.3 “Spaceman”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, CHiPs jumps the proverbial shark.

Episode 6.3 “The Spaceman Made Me Do It”

(Dir by Winrich Kolbe, originally aired on October 24th, 1983)

There’s three storylines in this week’s episode.  Let’s start with the two that make sense.

In the episodes comedic storyline, the members of the Highway Patrol all receive a chain letter.  Some continue the chain and have good luck.  Others — like Ponch — do not continue the chain and wait for their bad luck.  Grossie mails his letter and then gets an $800 refund from the IRS.  However, at the end of the episode, it’s revealed that the Highway Patrol’s secretary failed to mail the chain letters and the IRS informs Grossie that his refund was a mistake.  Everyone laughs at Grossie.  Poor guy.

The B-plot features Grossie and new officer Kathy (Tina Gayle) tracking down some thieves who are robbing Japanese tourists.  This was a traditional CHiPs story and it was actually kind of nice of the show to acknowledge that Ponch isn’t the only person fighting crime in California.

But then there’s the main plot.  Ponch and Bobby have been assigned to night patrol.  They catch a preadolescent girl named Jodi (Kyle Richards) breaking into a jewelry store.  She says that an E.T. (and yes, she says “E.T.’) ordered her to break into the store because it need the diamonds to fix its spaceship.  Ponch and Bobby take Jodi to the station and Ponch volunteers to serve as Jodi’s legal guardian until her parents can be found.  Dr. Joyce Brothers appears as herself, talking to Jodi and announcing the Jodi is not crazy.

Having watched five seasons of CHiPs, I found myself waiting for the inevitable moment in which it would be revealed that Jodi was being manipulated by a master criminal.  When Jodi ran away to meet up with the UFO, I expected that Ponch and Bobby would track her down and arrest the actual villain.

Instead, when Ponch and Bobby tracked down Jodi, I got a scene of a light shining down from the sky, Jodi being pulled towards the unseen UFO, and Ponch grabbing her and yelling that the aliens can’t have her.  Ponch’s words apparently have the right effect because the lights disappear as the never-seen UFO returns to its own planet.

“What was that?” Bobby asks.

“Whatever you want it to be,” Ponch replies.

No, guys.  I’m sorry.  This is CHiPs.  It’s a show about cops on motorcycles.  It’s not a show about UFOs.  You can’t just introduce an alien on this show and then have everyone shrug it off once they hear that Grossie won’t be getting his tax refund.  This just isn’t the show to try that sort of thing.  (Yes, Force Seven did get pretty weird but that was a backdoor pilot for a different series and Ponch and Jon didn’t actually get involved in any of the mad scientist/karate action.)

I’m going to guess this episode was an attempt to shake things up.  Maybe there was a feeling that, since new star Tom Reilly lacked all credibility as a cop, the show should abandon the straight-forward approach that it used during the Larry Wilcox years.  I’m sure the show had its reasons but this episode just doesn’t feel right.

Of course, some thing never change.  The aliens may have been a surprise but it’s not a surprise that Ponch was the one who (somehow) made them go away.  Aliens or not, this is still….

Retro Television Review: Crime Story 1.14 “Fatal Crossroads”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Crime Story, which ran on NBC from 1986 to 1988.  The entire show can be found on Tubi!

This week, guess who screws up?

Episode 1.14 “Fatal Crossroads”

(Dir by Gary Sinise, originally aired on January 9th, 1987)

As much as I want to like David Abrams — and I did like him for the first few episodes — he’s just dumb.  Offended by the fact that Luca is using his legal advice to try to beat his indictment, David starts this episode out by approaching Luca in public and announcing that he’s not only quit the public defenders office but that he’s also decided to join the D.A.’s office, specifically so he can take guys like Luca down.  Then, later on in the episode, David approaches Luca again and, this time, he brings along his father (Nathan Davis).  David’s father, a former low-level gangster, brags about how smart David is and how he’s going to take Luca down.

So, of course, Luca has someone put a bomb underneath David’s car.

And, of course, it’s David’s father who decides to borrow the car to go to the store and who ends up getting blown up.

And yes, it’s a terrible thing that David’s father got blown up.  BUT WHAT DID DAVID THINK WAS GOING TO HAPPEN!?  He knows who Luca is!  He knows that Luca will kill people without a second thought.  So why the Hell is David walking up to Luca and basically daring him to try to kill him?  I mean, David’s father was in the rackets!  David should have known better and, for that matter, David’s father should have known better.

I’m sorry but David Abrams is a moron.

For some reason, Luca also tries to take a hit out on Torello, despite the fact that Luca’s entire legal strategy depends on Torello denying Homan’s claims that Torello is crooked.  Fortunately, Torello is somehow brilliant enough to realize that Luca is going to take a hit out on him and the members of the Crime Squad are smart enough to take a look at a building and somehow figure out exactly which room a sniper would be hiding in.  If only David Abrams was as smart!

This episode featured a few too many coincidences and a bit too much of David Abrams suddenly acting like an idiot.  It was directed by Gary Sinise, who is one of my favorite people.  Sinise does a good job of capturing the drizzly gangster movie atmosphere but the script could have used a bit more work.