Film Review: Short Cuts (dir by Robert Altman)


Opening with a swarm of helicopters spaying for medflies and ending with an earthquake, 1993’s Short Cuts is a film about life in Los Angeles.

An ensemble piece, it follows several different characters as they go through their own personal dramas.  Some of them are married and some of them are destined to be forever single but they’re all living in varying states of desperation.  Occasionally, the actions of one character will effect the actions of another character in a different story but, for the most part, Short Cuts is a portrait of people who are connected only by the fact that they all live in the same city.  There are 22 principal characters in Short Cuts and each one thinks that they are the star of the story.

Jerry Kaiser (Chris Penn) cleans the pools of rich people while, at home, his wife, Lois (Jennifer Jason Leigh), takes care of their baby and works as a phone sex operator.  Jerry’s best friend is a makeup artist named Bill (Robert Downey, Jr.) who enjoys making his wife, Honey (Lili Taylor), looks like a corpse so that he can take her picture.  One of her photographs is seen by a fisherman (Buck Henry) who has already discovered one actual corpse that weekend.  He and his buddies, Vern (Huey Lewis) and Stuart (Fred Ward), discovered a dead girl floating in a river and didn’t report it until after they were finished fishing.  (The sight of Vern unknowingly pissing on the dead body is one of the strongest in director Robert Altman’s filmography.)

Stuart’s wife, Claire (Anne Archer), is haunted by Stuart’s delay in reporting the dead body.  A chance meeting Dr. Ralph Wyman (Matthew Modine) and his wife, artist Marian (Julianne Moore), leads to an awkward dinner between the two couples.  Claire works as a professional clown and Ralph ends up wearing her clown makeup while his marriage falls apart.

Earlier, Claire was stopped and hit on by a smarmy policeman named Gene Shepard (Tim Robbins), who just happens to be married to Marian’s sister, Sherri (Madeleine Stowe).  Gene is already having an affair with Betty Weathers (Frances McDormand), the wife of a helicopter pilot named Stormy (Peter Gallagher).  When Stormy discovers that Betty has been cheating, he takes a creative revenge on her house.

Doreen Pigott (Lily Tomlin) lives in a trailer park with her alcoholic husband, Earl (Tom Waits).  Driving home from her waitressing job, Doreen hits a young boy.  The boy says he’s okay but when he gets home, he passes out.  His parents, news anchorman Howard Finnegan (Bruce Davison) and his wife, Anne (Andie MacDowell), rush him to the hospital, where his doctor is Ralph Wyman.  As Howard waits for his son to wake up, he has a revealing conversation with his long-estranged father (Jack Lemmon, showing up for one scene and delivering an amazing monologue).  Meanwhile, a baker named Andy (Lyle Lovett) repeatedly calls the Finnegan household, wanting to know when they’re going to pick up their son’s birthday cake.

Based on the short stories of Raymond Carver and directed by Robert Altman, Short Cuts can sometimes feel like a spiritual descendent of Altman’s Nashville.  The difference between this film and Nashville is that Short Cuts doesn’t have the previous film’s satiric bite.  As good as Nashville is, it’s a film that can be rather snarky towards it character and the town in which it is set.  Nashville is used as a metaphor for America coming apart at the seams.  Short Cuts, on the other hand, is a far more humanistic film, featuring characters who are flawed but, with a few very notable exceptions, well-intentioned.  If Nashville seem to be a portrait of a society on the verge of collapse, Short Cuts is a film about how that society ended up surviving.

It’s not a perfect film.  There’s an entire storyline featuring Annie Ross and Lori Singer that I didn’t talk about because I just found it to be annoying to waste much time with.  (The Ross/Singer storyline was the only one not to be based on a Carver short story.)  The conclusion of Chris Penn’s storyline wasn’t quite as shocking as it was obviously meant to be.  But, flaws and all, Altman and Carver’s portrait of humanity does hold our attention and it leaves us thinking about connections made and sometimes lost.  Seen today, Short Cuts is a portrait of life before social media and iPhones and before humanity started living online.  It’s a time capsule of a world that once was.

Lisa Marie’s Early Oscar Predictions For August!


  You can check out my predictions for April by clicking hereAnd then check out my predictions for May!  And June as wellAnd July!

Best Picture

Anora

Blitz

Didi

Dune Part 2

Emilia Perez

Gladiator II

Maria

A Real Pain

Sing Sing

The Substance

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Pablo Larrain for Maria

Steve McQueen for Blitz

Denis Villeneuve for Dune Part 2

Best Actor

Jesse Eisenberg in A Real Pain

Andre Holland in The Actor

Daniel Craig in Queer

Barry Keoghan in Bird

Jesse Plemons in Kinds of Kindness

Best Actress

Ryan Destiny in The Fire Inside

Cynthia Erivo in Wicked

Angelina Jolie in Maria

Mikey Madison in Anora

Demi Moore In The Substance

Best Supporting Actor

Kieran Culkin in A Real Pain

Brian Tyree Henry in The Fire Inside

Samuel L. Jackson in The Piano Lesson

Paul Raci in Sing Sing

Denzel Washington in Gladiator II

Best Supporting Actress

Joan Chen in Didi

Toni Collette in Juror #2

Julianne Moore in The Room Next Door

Saoirse Ronan in Blitz

Zoe Saldana in Emilia Perez

Lisa Marie’s Way Too Early Oscar Predictions For July


  You can check out my predictions for April by clicking hereAnd then check out my predictions for May!  And June as well!

Best Picture

Anora

Blitz

Didi

Dune Part 2

Emilia Perez

The Fire Inside

Gladiator II

Inside Out 2

A Real Pain

Sing Sing

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Steve McQueen for Blitz

Rachel Morrison for The Fire Inside

Denis Villeneuve for Dune Part 2

Best Actor

Jesse Eisenberg in A Real Pain

Andre Holland in The Actor

Daniel Craig in Queer

Barry Keoghan in Bird

Jesse Plemons in Kinds of Kindness

Best Actress

Ryan Destiny in The Fire Inside

Cynthia Erivo in Wicked

Angelina Jolie in Maria

Mikey Madison in Anora

Demi Moore In The Substance

Best Supporting Actor

Kieran Culkin in A Real Pain

Brian Tyree Henry in The Fire Inside

Samuel L. Jackson in The Piano Lesson

Paul Raci in Sing Sing

Denzel Washington in Gladiator II

Best Supporting Actress

Joan Chen in Didi

Toni Collette in Juror #2

Julianne Moore in The Room Next Door

Saoirse Ronan in Blitz

Zoe Saldana in Emilia Perez

Lisa Marie’s Way Too Early Oscar Predictions For June


This has not been an easy month and I’ve fallen behind in my movie-watching and also my news-reading.  So, take the predictions below with many grains of salt.  That said, it is the end of the month and it’s time for my monthly Oscar predictions!

What will happen when the nominations are announced in 2025?  Who knows?  For now, let’s just have fun guessing.  You can check out my predictions for April by clicking hereAnd then check out my predictions for May!

Best Picture

Anora

Blitz

Didi

Dune Part 2

Emilia Perez

The Fire Inside

Gladiator II

Inside Out 2

A Real Pain

Sing Sing

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Steve McQueen for Blitz

Rachel Morrison for The Fire Inside

Denis Villeneuve for Dune Part 2

Best Actor

Jesse Eisenberg in A Real Pain

Andre Holland in The Actor

Daniel Craig in Queer

Barry Keoghan in Bird

Jesse Plemons in Kinds of Kindness

Best Actress

Ryan Destiny in The Fire Inside

Cynthia Erivo in Wicked

Angelina Jolie in Maria

Mikey Madison in Anora

Demi Moore In The Substance

Best Supporting Actor

Kieran Culkin in A Real Pain

Brian Tyree Henry in The Fire Inside

Samuel L. Jackson in The Piano Lesson

Paul Raci in Sing Sing

Denzel Washington in Gladiator II

Best Supporting Actress

Joan Chen in Didi

Toni Collette in Juror #2

Julianne Moore in The Room Next Door

Saoirse Ronan in Blitz

Zoe Saldana in Emilia Perez

Catching Up With The Films Of 2023: May December (dir by Todd Haynes)


What comes after a life of tabloid infamy?

That’s one of the many questions posed by Todd Haynes’s latest film, May December.

Elizabeth Berry (Natalie Portman) is an actress who comes to Savannah, Georgia in order to research her next role.  We don’t learn much about Elizabeth’s career as an actress but it appears that, while it has brought her a certain amount of fame, it hasn’t exactly been full of acclaimed work.  One person mentions seeing a picture from a film that she did in which she was involved in a blood sacrifice.  (“I googled ‘naked Elizabeth Berry,'” he explains.)  Several other people mention how much they love her TV show, Norah’s Ark, in which Elizabeth plays a veterinarian.  Elizabeth’s latest film features her playing a real person, someone who was at the center of a scandal 20 years previously and who has since faded from the public view.  Elizabeth seems to believe that this role could redefine her career.

(Hey, it worked for Margot Robbie in I, Tonya.)

Elizabeth is going to play Gracie Atherton-Woo in an upcoming indie film.  Way back in 1992, the real-life Gracie (Julianne Moore) was 36 years old and married when she was caught having sex with a 13 year-old named Joe in the back of a pet store.  Joe was a classmate of Gracie’s son and Gracie was the one who was responsible for him getting hired at the pet store in the first place.  Gracie was sent to prison, where she gave birth to Joe’s daughter.  During her trial, Gracie and Joe were both tabloid mainstays.  The nation was transfixed by their affair before eventually moving on to the next scandal.  When Gracie was eventually released from prison, she married Joe.  Now, decades after appearing on the front of every trashy magazine, Gracie and Joe (Charles Melton) are still married and they now have three children.  They live in a big house in Savannah, Gracie has a career as a pastry maker, and, from the outside, they would appear to have a perfect domestic life together.

Wearily, Gracie and Joe allow Elizabeth to spend time with the family so that she can research her role.  Elizabeth interviews other people who were effected by Gracie’s actions.  Gracie’s ex-husband (D.W. Moffett) is surprisingly forgiving.  Gracie’s children are considerably less forgiving.  Georgie (Cory Michael Smith), who was Gracie’s son from her first marriage and a schoolmate of Joe’s, is bitter and describes his mother as being mentally unbalanced while, at the same time, trying to leverage his knowledge of Gracie’s past into a job on the film.  As for Gracie and Joe’s first daughter (Piper Churda), she states that she doesn’t want the film to be made.

Cracks start to appear in the perfect image that Gracie and Joe present to the world.  Gracie can be rigid and controlling while insisting that Joe was the one who initiated the encounter in the pet store.  Gracie talks about growing up with four brothers, two of whom were older and two were younger.  Gracie mentions that one of her brothers is an admiral and it’s implied that she grew up in an atmosphere where failure was not an option.  Gracie’s daughter talks about how, when she graduated, her mother gave her a scale as a graduation gift.  When someone cancels an order for a cake, Gracie takes it as a personal rejection and breaks down into tears.  Gracie is friendly towards Elizabeth but never totally lets down her guard.

As for Joe, he emerges as well-meaning but confused, someone who is still often treated like a child by bother his wife and, eventually, the woman who is studying his wife.  Whenever we see Joe with any other adults, he’s awkward as if he’s not sure how to behave.  (When he tells his elderly father that he can hardly believe that all of his children will soon be in college, the old man’s silence tells us everything that we need to know about their relationship.)  Joe is nearly forty but it’s clear that a good deal of his emotional development stopped when he was thirteen, leaving him desperate for approval.  When he catches his teenage son smoking a joint, Joe isn’t angry as much as he’s curious.  Smoking weed is one of the many things that Joe never did when he was younger.  When Joe get high, he becomes a paranoid and emotional mess as all the feelings that he’s repressed for 23 years come spilling out.  At the same time, when Gracie has a breakdown, Joe knows exactly what to say to help her through it.

Do Gracie and Joe truly love each other or is their marriage just their way of denying the reality of what happened?  Did Gracie groom Joe or, as Gracie insists, was their affair consensual?  At first, the audience’s natural tendency is to sympathize with Elizabeth and to expect her to play some sort of role in clarifying what actually happened in that pet store.  But Elizabeth soon proves herself to be a rather detached observer, a mimic who copies the emotions of others but who, even after she gets to know Gracie and Joe as human beings, still views them as just being characters in a story.  In the end, Elizabeth can’t help us understand what happened in the pet shop because, the film suggests, not even the people who were actually there understand what happened.  All Elizabeth can do, as an actress and an observer, is try to recreate what she imagines happened.

It’s a well-made film, with Haynes deftly mixing scenes of high drama with the awkward comedy of people trying to rationally discuss the irrational.  It can also be a frustrating viewing experience, if just because Haynes often does not seem to be sure what he’s trying to say about the characters or why we should even care about either Gracie or Elizabeth.  Fortunately, the film is lucky enough to have a wonderful cast.  While Moore and Melton gets the big, dramatic scene, it’s Portman who takes the audience by surprise, giving a performance that goes from being likable to being rather chilling as Elizabeth transforms herself more and more into Gracie.  For all the film’s themes about conformity, morality, and tabloid culture, it’s main message may very well be to never trust a method actor.

May December sticks with you, even if it’s not up to the level of Haynes’s Carol.  It’s a film about what happens after the infamy, with Gracie, Joe, and Elizabeth destined to be forever defined by what happened over the course of a few minutes in the backroom of a pet store.

The Las Vegas Film Critics Society Honors Oppenheimer!


The Las Vegas Film Critics Society announced their picks for the best of 2023!  The winners are listed in bold.

Best Picture
Barbie
The Killer
Killers of the Flower Moon
Maestro
Oppenheimer

Best Actor
Nicolas Cage – Dream Scenario
Bradley Cooper – Maestro
Colman Domingo – Rustin
Cillian Murphy – Oppenheimer
Jeffrey Wright – American Fiction

Best Actress
Annette Bening – Nyad
Emma Stone – Poor Things
Greta Lee – Past Lives
Carey Mulligan – Maestro
Natalie Portman – May December

Best Supporting Actor
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Glenn Howerton – BlackBerry
Charles Melton – May December
Mark Ruffalo – Poor Things

Best Supporting Actress
Jodie Foster – Nyad
Da’Vine Joy Randolph – The Holdovers
Rachel McAdams – Are You There God? It’s Me, Margaret.
Julianne Moore – May December
Rosamund Pike – Saltburn

Best Director
Bradley Cooper – Maestro
Greta Gerwig – Barbie
Yorgos Lanthimos – Poor Things
Christopher Nolan – Oppenheimer
Celine Song – Past Lives

Best Original Screenplay
Air
Barbie
Maestro
May December
Past Lives

Best Adapted Screenplay
American Fiction
Are You There God? It’s Me, Margaret.
Killers of the Flower Moon
Oppenheimer
Poor Things

Best Cinematography
Killers of the Flower Moon
Maestro
Napoleon
Oppenheimer
Saltburn

Best Film Editing
Air
Barbie
Maestro
Oppenheimer
Poor Things

Best Score
The Killer
Killers of the Flower Moon
Oppenheimer
Society of the Snow
Spider-Man: Across The Spider-Verse

Best Song
I’m Just Ken – Barbie
What Was I Made For? – Barbie
Road to Freedom – Rustin
Peaches – The Super Mario Bros. Movie
Better Place – Trolls Band Together

Best Documentary
American Symphony
Beyond Utopia
Kokomo City
Little Richard: I Am Everything
Still: A Michael J. Fox Movie

Best Animated Film
The Boy and the Heron
Elemental
Spider-Man: Across The Spider-Verse
The Super Mario Bros. Movie
Teenage Mutant Ninja Turtles: Mutant Mayhem

Best International Movie
Anatomy of a Fall
Godzilla Minus One
Society of the Snow
When Evil Lurks
The Zone of Interest

Best Costumes
Barbie
The Color Purple
Napoleon
Oppenheimer
Poor Things

Best Art Direction
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

Best Visual Effects
The Creator
Guardians of the Galaxy Vol. 3
Godzilla Minus One
Oppenheimer
Spider-Man: Across The Spider-Verse

Best Action Movie
Dungeons & Dragons: Honor Among Thieves
Godzilla Minus One
Guardians of the Galaxy Vol. 3
John Wick: Chapter 4
Mission: Impossible – Dead Reckoning Part One

Best Comedy
American Fiction
Barbie
Dumb Money
Joy Ride
No Hard Feelings

Best Horror/Sci-FI Movie
The Creator
Godzilla Minus One
Talk To Me
Thanksgiving
When Evil Lurks

Best Family Film
Are You There God? It’s Me, Margaret.
Barbie
Elemental
Spider-Man: Across The Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem

Best Ensemble
Barbie
The Color Purple
Killers of the Flower Moon
Oppenheimer
Saltburn

Breakout Filmmaker
Cord Jefferson – American Fiction
Adele Lim – Joy Ride
Celine Song – Past Lives
Nida Manzoor – Polite Society
Molly Gordon, Nick Lieberman – Theater Camp

Best Stunts
John Wick: Chapter 4
The Killer
Mission: Impossible – Dead Reckoning Part One
Polite Society
Silent Night

Youth In Film (Male)
Milo Machado Graner – Anatomy of a Fall
Jake Ryan – Asteroid City
Christian Convery – Cocaine Bear
Jude Hill – A Haunting in Venice
Chase Dillion – Haunted Mansion

Youth in Film (Female)
Abby Ryder Fortson – Are You There God? It’s Me, Margaret.
Elle Graham – Are You There God? It’s Me, Margaret.
Ariana Greenblatt – Barbie
Iman Vellani – The Marvels
Violet McGraw – M3GAN

The William Holden Lifetime Achievement Award
Nicolas Cage
Paul Giamatti
Hayao Miyazaki
Julianne Moore
Rodrigo Prieto

Chicago Honors The Killers Of The Flower Moon!


The Chicago Film Critics Association have announced their picks for the best of 2023!  The winners are listed in bold.

BEST PICTURE
Barbie
Killers of the Flower Moon
May December
Oppenheimer
Poor Things

BEST DIRECTOR
Greta Gerwig – Barbie
Todd Haynes – May December
Yorgos Lanthimos – Poor Things
Christopher Nolan – Oppenheimer
Martin Scorsese – Killers of the Flower Moon

BEST ACTOR
Leonardo DiCaprio – Killers of the Flower Moon
Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Andrew Scott – All of Us Strangers
Teo Yoo – Past Lives

BEST ACTRESS
Lily Gladstone – Killers of the Flower Moon
Sandra Huller – Anatomy of a Fall
Natalie Portman – May December
Margot Robbie – Barbie
Emma Stone – Poor Things

BEST SUPPORTING ACTOR
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Glenn Howerton – BlackBerry
Charles Melton – May December
Mark Ruffalo – Poor Things

BEST SUPPORTING ACTRESS
Jodie Foster – Nyad
Sandra Huller – The Zone of Interest
Rachel McAdams – Are You There God? It’s Me, Margaret.
Julianne Moore – May December
Da’Vine Joy Randolph – The Holdovers

BEST ORIGINAL SCREENPLAY
Anatomy of a Fall – Arthur Harari & Justine Triet
Barbie – Greta Gerwig
The Holdovers – David Hemingson
May December – Samy Burch
Past Lives – Celine Song

BEST ADAPTED SCREENPLAY
Are You There God? It’s Me, Margaret. – Kelly Fremon Craig
Killers of the Flower Moon – Eric Roth & Martin Scorsese
Oppenheimer – Christopher Nolan
Poor Things – Tony McNamara
The Zone of Interest – Jonathan Glazer

BEST ANIMATED FEATURE
The Boy and the Heron
Leo
Robot Dreams
Spider-Man: Across The Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem

BEST DOCUMENTARY
20 Days in Mariupol
Beyond Utopia
Kokomo City
Menus-Plaisirs – Les Troisgros
Still: A Michael J. Fox Movie

BEST FOREIGN LANGUAGE FILM
Anatomy of a Fall
The Boy and the Heron
Godzilla Minus One
The Teachers’ Lounge
The Zone of Interest

MILOS STEHLIK AWARD FOR BREAKTHROUGH FILMMAKER
Kyle Edward Ball – Skinamarink
Raven Jackson – All Dirt Roads Taste of Salt
Cord Jefferson – American Fiction
A.V. Rockwell – A Thousand and One
Celine Song – Past Lives

MOST PROMISING PERFORMER
Abby Ryder Fortson – Are You There God? It’s Me, Margaret.
Milo Machado Graner – Anatomy of a Fall
Charles Melton – May December
Dominic Sessa – The Holdovers
Teo Yoo – Past Lives

BEST ART DIRECTION/PRODUCTION DESIGN
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

BEST CINEMATOGRAPHY
Asteroid City – Robert D. Yeoman
Killers of the Flower Moon – Rodrigo Prieto
Oppenheimer – Hoyte Van Hoytema
Poor Things – Robbie Ryan
The Zone of Interest – Lukasz Zal

BEST COSTUME DESIGN
Asteroid City – Milena Canonero
Barbie – Jacqueline Durran
Killers of the Flower Moon – Jacqueline West
Poor Things – Holly Waddington
Priscilla – Stacey Battat

BEST EDITING
All Dirt Roads Taste of Salt
John Wick: Chapter 4
Killers of the Flower Moon
Mission: Impossible – Dead Reckoning – Part One
Oppenheimer

BEST ORIGINAL SCORE
Barbie – Mark Ronson & Andrew Wyatt
Killers of the Flower Moon – Robbie Robertson
Oppenheimer – Ludwig Goransson
Poor Things – Jerskin Fendrix
The Zone of Interest – Mica Levi

BEST USE OF VISUAL EFFECTS
Barbie
Godzilla Minus One
Mission: Impossible – Dead Reckoning – Part One
Oppenheimer
Poor Things

Here Are The 2023 Nominations of the Las Vegas Film Critics Society


The Las Vegas Film Critics Society announced their nominations for the best of 2023 on December 8th.  While a lot of the usual suspects make an appearance on the list, there are still a few interesting nominations, like David Fincher’s The Killer for Best Picture and Nicolas Cage for Best Actor in Dream Scenario.

The winners will be announced on December 13th!

Best Picture
Barbie
The Killer
Killers of the Flower Moon
Maestro
Oppenheimer

Best Actor
Nicolas Cage – Dream Scenario
Bradley Cooper – Maestro
Colman Domingo – Rustin
Cillian Murphy – Oppenheimer
Jeffrey Wright – American Fiction

Best Actress
Annette Bening – Nyad
Emma Stone – Poor Things
Greta Lee – Past Lives
Carey Mulligan – Maestro
Natalie Portman – May December

Best Supporting Actor
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Glenn Howerton – BlackBerry
Charles Melton – May December
Mark Ruffalo – Poor Things

Best Supporting Actress
Jodie Foster – Nyad
Da’Vine Joy Randolph – The Holdovers
Rachel McAdams – Are You There God? It’s Me, Margaret.
Julianne Moore – May December
Rosamund Pike – Saltburn

Best Director
Bradley Cooper – Maestro
Greta Gerwig – Barbie
Yorgos Lanthimos – Poor Things
Christopher Nolan – Oppenheimer
Celine Song – Past Lives

Best Original Screenplay
Air
Barbie
Maestro
May December
Past Lives

Best Adapted Screenplay
American Fiction
Are You There God? It’s Me, Margaret.
Killers of the Flower Moon
Oppenheimer
Poor Things

Best Cinematography
Killers of the Flower Moon
Maestro
Napoleon
Oppenheimer
Saltburn

Best Film Editing
Air
Barbie
Maestro
Oppenheimer
Poor Things

Best Score
The Killer
Killers of the Flower Moon
Oppenheimer
Society of the Snow
Spider-Man: Across The Spider-Verse

Best Song
I’m Just Ken – Barbie
What Was I Made For? – Barbie
Road to Freedom – Rustin
Peaches – The Super Mario Bros. Movie
Better Place – Trolls Band Together

Best Documentary
American Symphony
Beyond Utopia
Kokomo City
Little Richard: I Am Everything
Still: A Michael J. Fox Movie

Best Animated Film
The Boy and the Heron
Elemental
Spider-Man: Across The Spider-Verse
The Super Mario Bros. Movie
Teenage Mutant Ninja Turtles: Mutant Mayhem

Best International Movie
Anatomy of a Fall
Godzilla Minus One
Society of the Snow
When Evil Lurks
The Zone of Interest

Best Costumes
Barbie
The Color Purple
Napoleon
Oppenheimer
Poor Things

Best Art Direction
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

Best Visual Effects
The Creator
Guardians of the Galaxy Vol. 3
Godzilla Minus One
Oppenheimer
Spider-Man: Across The Spider-Verse

Best Action Movie
Dungeons & Dragons: Honor Among Thieves
Godzilla Minus One
Guardians of the Galaxy Vol. 3
John Wick: Chapter 4
Mission: Impossible – Dead Reckoning Part One

Best Comedy
American Fiction
Barbie
Dumb Money
Joy Ride
No Hard Feelings

Best Horror/Sci-FI Movie
The Creator
Godzilla Minus One
Talk To Me
Thanksgiving
When Evil Lurks

Best Family Film
Are You There God? It’s Me, Margaret.
Barbie
Elemental
Spider-Man: Across The Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem

Best Ensemble
Barbie
The Color Purple
Killers of the Flower Moon
Oppenheimer
Saltburn

Breakout Filmmaker
Cord Jefferson – American Fiction
Adele Lim – Joy Ride
Celine Song – Past Lives
Nida Manzoor – Polite Society
Molly Gordon, Nick Lieberman – Theater Camp

Best Stunts
John Wick: Chapter 4
The Killer
Mission: Impossible – Dead Reckoning Part One
Polite Society
Silent Night

Youth In Film (Male)
Milo Machado Graner – Anatomy of a Fall
Jake Ryan – Asteroid City
Christian Convery – Cocaine Bear
Jude Hill – A Haunting in Venice
Chase Dillion – Haunted Mansion

Youth in Film (Female)
Abby Ryder Fortson – Are You There God? It’s Me, Margaret.
Elle Graham – Are You There God? It’s Me, Margaret.
Ariana Greenblatt – Barbie
Iman Vellani – The Marvels
Violet McGraw – M3GAN

The William Holden Lifetime Achievement Award
Nicolas Cage
Paul Giamatti
Hayao Miyazaki
Julianne Moore
Rodrigo Prieto

Here Are The 2023 Nominations of the Chicago Film Critics Association


The Chicago Film Critics Association have announced their nominees for the best of 2023!  The winners will be announced on December 12th.  For now, here’s what has been nominated in the town of Capone!

BEST PICTURE
Barbie
Killers of the Flower Moon
May December
Oppenheimer
Poor Things

BEST DIRECTOR
Greta Gerwig – Barbie
Todd Haynes – May December
Yorgos Lanthimos – Poor Things
Christopher Nolan – Oppenheimer
Martin Scorsese – Killers of the Flower Moon

BEST ACTOR
Leonardo DiCaprio – Killers of the Flower Moon
Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Andrew Scott – All of Us Strangers
Teo Yoo – Past Lives

BEST ACTRESS
Lily Gladstone – Killers of the Flower Moon
Sandra Huller – Anatomy of a Fall
Natalie Portman – May December
Margot Robbie – Barbie
Emma Stone – Poor Things

BEST SUPPORTING ACTOR
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Glenn Howerton – BlackBerry
Charles Melton – May December
Mark Ruffalo – Poor Things

BEST SUPPORTING ACTRESS
Jodie Foster – Nyad
Sandra Huller – The Zone of Interest
Rachel McAdams – Are You There God? It’s Me, Margaret.
Julianne Moore – May December
Da’Vine Joy Randolph – The Holdovers

BEST ORIGINAL SCREENPLAY
Anatomy of a Fall – Arthur Harari & Justine Triet
Barbie – Greta Gerwig
The Holdovers – David Hemingson
May December – Samy Burch
Past Lives – Celine Song

BEST ADAPTED SCREENPLAY
Are You There God? It’s Me, Margaret. – Kelly Fremon Craig
Killers of the Flower Moon – Eric Roth & Martin Scorsese
Oppenheimer – Christopher Nolan
Poor Things – Tony McNamara
The Zone of Interest – Jonathan Glazer

BEST ANIMATED FEATURE
The Boy and the Heron
Leo
Robot Dreams
Spider-Man: Across The Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem

BEST DOCUMENTARY
20 Days in Mariupol
Beyond Utopia
Kokomo City
Menus-Plaisirs – Les Troisgros
Still: A Michael J. Fox Movie

BEST FOREIGN LANGUAGE FILM
Anatomy of a Fall
The Boy and the Heron
Godzilla Minus One
The Teachers’ Lounge
The Zone of Interest

MILOS STEHLIK AWARD FOR BREAKTHROUGH FILMMAKER
Kyle Edward Ball – Skinamarink
Raven Jackson – All Dirt Roads Taste of Salt
Cord Jefferson – American Fiction
A.V. Rockwell – A Thousand and One
Celine Song – Past Lives

MOST PROMISING PERFORMER
Abby Ryder Fortson – Are You There God? It’s Me, Margaret.
Milo Machado Graner – Anatomy of a Fall
Charles Melton – May December
Dominic Sessa – The Holdovers
Teo Yoo – Past Lives

BEST ART DIRECTION/PRODUCTION DESIGN
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

BEST CINEMATOGRAPHY
Asteroid City – Robert D. Yeoman
Killers of the Flower Moon – Rodrigo Prieto
Oppenheimer – Hoyte Van Hoytema
Poor Things – Robbie Ryan
The Zone of Interest – Lukasz Zal

BEST COSTUME DESIGN
Asteroid City – Milena Canonero
Barbie – Jacqueline Durran
Killers of the Flower Moon – Jacqueline West
Poor Things – Holly Waddington
Priscilla – Stacey Battat

BEST EDITING
All Dirt Roads Taste of Salt
John Wick: Chapter 4
Killers of the Flower Moon
Mission: Impossible – Dead Reckoning – Part One
Oppenheimer

BEST ORIGINAL SCORE
Barbie – Mark Ronson & Andrew Wyatt
Killers of the Flower Moon – Robbie Robertson
Oppenheimer – Ludwig Goransson
Poor Things – Jerskin Fendrix
The Zone of Interest – Mica Levi

BEST USE OF VISUAL EFFECTS
Barbie
Godzilla Minus One
Mission: Impossible – Dead Reckoning – Part One
Oppenheimer
Poor Things

Here Are The 2023 Astra Nominations!


The Astra Awards used to known as the HCA Awards but the name was changed this year for reasons unknown.  At first, I thought they had named the awards after the dog from The Thin Man but then I remembered that dog was actually named Asta.

(Seriously, folks, don’t rename stuff.  It’s confusing!  I’m still getting used to twitter being called X.)

Anyway, here are the 2023 Astra nominees.  There’s a lot of them, which I like.  (They give out a lot of awards that the Academy does not.)  While these awards, whether you call the HCA Awards or the Astra Awards, are not exactly the best Oscar precursors in the world, every bit helps when it comes to building momentum for Academy recognition.

Best Picture
“Air” (Amazon MGM Studios)
“American Fiction” (Orion Pictures / Amazon MGM Studios)
“Barbie” (Warner Bros. Pictures)
“The Color Purple” (Warner Bros. Pictures)
“The Holdovers” (Focus Features)
“Killers of the Flower Moon” (Apple Original Films)
“Maestro” (Netflix)
“Oppenheimer” (Universal Pictures)
“Past Lives” (A24)
“Spider-Man: Across the Spider-Verse” (Sony Pictures)

Best Director
Alexander Payne – “The Holdovers” (Focus Features)
Ben Affleck – “Air” (Amazon MGM Studios)
Bradley Cooper – “Maestro” (Netflix)
Celine Song – “Past Lives” (A24)
Christopher Nolan – “Oppenheimer” (Universal Pictures)
Cord Jefferson – “American Fiction” (Orion Pictures / Amazon MGM Studios)
Emerald Fennell – “Saltburn” (Amazon MGM Studios)
Greta Gerwig – “Barbie” (Warner Bros. Pictures)
Martin Scorsese – “Killers of the Flower Moon” (Apple Original Films)
Yorgos Lanthimos – “Poor Things” (Searchlight Pictures)

Best Actress
Carey Mulligan – “Maestro” (Netflix)
Emma Stone – “Poor Things” (Searchlight Pictures)
Fantasia Barrino – “The Color Purple” (Warner Bros. Pictures)
Greta Lee – “Past Lives” (A24)
Lily Gladstone – “Killers of the Flower Moon” (Apple Original Films)
Margot Robbie – “Barbie” (Warner Bros. Pictures)

Best Actor
Barry Keoghan – “Saltburn” (Amazon MGM Studios)
Bradley Cooper – “Maestro” (Netflix)
Cillian Murphy – “Oppenheimer” (Universal Pictures)
Colman Domingo – “Rustin” (Netflix)
Jeffrey Wright – “American Fiction” (Orion Pictures / Amazon MGM Studios)
Paul Giamatti – “The Holdovers” (Focus Features)

Best Supporting Actress
America Ferrera – “Barbie” (Warner Bros. Pictures)
Danielle Brooks – “The Color Purple” (Warner Bros. Pictures)
Da’Vine Joy Randolph – “The Holdovers” (Focus Features)
Julianne Moore – “May December” (Netflix)
Rachel McAdams – “Are You There God? It’s Me, Margaret” (Lionsgate)
Viola Davis – “Air” (Amazon MGM Studios)

Best Supporting Actor
Charles Melton – “May December” (Netflix)
Colman Domingo – “The Color Purple” (Warner Bros. Pictures)
Dominic Sessa – “The Holdovers” (Focus Features)
Glenn Howerton – “BlackBerry” (IFC Films)
Robert Downey Jr. – “Oppenheimer” (Universal Pictures)
Ryan Gosling – “Barbie” (Warner Bros. Pictures)

Best Cast Ensemble
“Air” (Amazon MGM Studios)
“Barbie” (Warner Bros. Pictures)
“Killers of the Flower Moon” (Apple Original Films)
“Oppenheimer” (Universal Pictures)
“The Color Purple” (Warner Bros. Pictures)
“The Holdovers” (Focus Features)

Best International Feature
“Anatomy of a Fall” (France)
“Concrete Utopia” (South Korea)
“Fallen Leaves” (Finland)
“Jawan” (India)
“Perfect Days” (Japan)
“Radical” (Mexico)
“Society of the Snow” (Spain)
“The Taste of Things” (France)
“The Teacher’s Lounge” (Germany)
“The Zone of Interest” (United Kingdom)

Best International Filmmaker
Hayao Miyazaki – “The Boy and The Heron” (GKids)
J.A Bayona – “Society of the Snow” (Netflix)
Jonathan Glazer – “The Zone of Interest” (A24)
Justine Triet – “Anatomy of a Fall” (NEON)
Trần Anh Hùng – “The Taste of Things” (IFC Films)
Wim Wenders – “Perfect Days” (NEON)

Best International Actress
Alma Pöysti – “Fallen Leaves” (MUBI)
Juliette Binoche – “The Taste of Things” (IFC Films)
Layla Mohammadi – “The Persian Version” (Sony Pictures Classics)
Leonie Benesch – “The Teacher’s Lounge” (Sony Pictures Classics)
Sandra Hüller – “Anatomy of a Fall” (NEON)
Roberta Colindrez – “Cassandro” (Amazon MGM Studios)

Best International Actor
Christian Friedel – “The Zone of Interest” (A24)
Enzo Vogrincic – “Society of the Snow” (Netflix)
Eugenio Derbez – “Radical” (Pantelion Films)
Gael García Bernal – “Cassandro” (Amazon MGM Studios)
Koji Yakusho – “Perfect Days” (NEON)
Mads Mikkelsen – “The Promised Land” (Magnolia Pictures)

Best First Feature
A.V. Rockwell – “A Thousand and One” (Focus Features)
Adele Lim – “Joy Ride” (Lionsgate)
Celine Song – “Past Lives” (A24)
Chloe Domont – “Fair Play” (Netflix)
Cord Jefferson – “American Fiction” (Orion Pictures / Amazon MGM Studios)
Michael B. Jordan – “Creed III” (Amazon MGM Studios)

Best Animated Feature
“The Boy and The Heron” (GKids)
“Elemental” (Disney/Pixar)
“Nimona” (Netflix)
“Spider-Man: Across the Spider-Verse” (Sony Pictures)
“Suzume” (Sony Pictures/Crunchyroll)
“Teenage Mutant Ninja Turtles: Mutant Mayhem” (Paramount Pictures)

Best Documentary Feature
“20 Days in Mariupol” (PBS Distribution)
“American Symphony” (Netflix)
“Beyond Utopia” (Roadside Attractions)
“Little Richard: I Am Everything” (Magnolia Pictures)
“Still: A Michael J. Fox Movie” (Apple Original Films)
“Taylor Swift: The Eras Tour” (AMC Theatres Distribution)

Best Action Feature
“Creed III” (Amazon/MGM Studios)
“Dungeons and Dragons: Honor Among Thieves” (Paramount Pictures)
“Guardians of the Galaxy Vol. 3” (Disney/Marvel)
“John Wick: Chapter 4” (Lionsgate)
“Mission: Impossible – Dead Reckoning Part One” (Paramount Pictures)
“The Killer” (Netflix)

Best Comedy Feature
“Are You There God? It’s Me, Margaret” (Lionsgate)
“BlackBerry” (IFC Films)
“Bottoms” (Orion Pictures / Amazon MGM Studios)
“Joy Ride” (Lionsgate)
“No Hard Feelings” (20th Century Fox)
“Theater Camp” (Searchlight Pictures)

Best Horror Feature
“Evil Dead Rise” (Warner Bros. Pictures)
“Knock at the Cabin” (Universal Pictures)
“M3GAN” (Universal Pictures)
“No One Will Save You” (20th Century Studios / Hulu)
“Scream VI” (Paramount Pictures)
“Talk To Me” (A24)

Best Short Film
“The ABCs of Book Banning” (MTV Documentary Films)
“The After” (Netflix)
“The Last Repair Shop” (Searchlight Pictures)
“Once Upon A Studio” (Disney)
“Strange Way of Life” (Sony Pictures Classics)
“The Wonderful Story of Henry Sugar” (Netflix)

Best Voice-Over Performance
Ariana DeBose – “Wish” (Walt Disney Studios)
Bradley Cooper – “Guardians of the Galaxy Vol. 3” (Disney/Marvel)
Daniel Kaluuya – “Spider-Man: Across the Spider-Verse” (Sony Pictures)
Hailee Steinfeld – “Spider-Man: Across the Spider-Verse” (Sony Pictures)
Jack Black – “The Super Mario Bros Movie” (Universal Pictures)
Shameik Moore – “Spider-Man: Across the Spider-Verse” (Sony Pictures)

Best Original Screenplay
“Air” – Written by Alex Convery (Amazon MGM Studios)
“Anatomy of a Fall” – Written by Justine Triet & Arthur Harari (NEON)
“Barbie” – Written by Greta Gerwig & Noah Baumbach (Warner Bros. Pictures)
“Past Lives” – Written by Celine Song (A24)
“Saltburn” – Written by Emerald Fennell (Amazon/MGM Studios)
“The Holdovers” – Written by David Hemingson (Focus Features)

Best Adapted Screenplay
“American Fiction” – Screenplay by Cord Jefferson (Orion Pictures / Amazon MGM Studios)
“Are You There God? It’s Me, Margaret” – Screenplay by Kelly Fremon Craig (Lionsgate)
“Killers of the Flower Moon” – Screenplay by Eric Roth & Martin Scorsese (Apple Original Films)
“Oppenheimer” – Screenplay by Christopher Nolan (Universal Pictures)
“Poor Things” – Screenplay by Tony McNamara (Searchlight Pictures)
“Spider-Man: Across the Spider-Verse” – Screenplay by Phil Lord, Christopher Miller, Dave Callaham (Sony Pictures)

Best Casting
Mary Vernieu & Lindsay Graham Ahanonu – “Air” (Amazon/MGM Studios)
Jennifer Euston – “American Fiction” (Orion Pictures / Amazon MGM Studios)
Allison Jones & Lucy Bevan – “Barbie” (Warner Bros. Pictures)
John Papsidera – “Oppenheimer” (Universal Pictures)
Bernard Telsey, Tiffany Little Canfield, and Destiny Lilly – “The Color Purple” (Warner Bros. Pictures)
Susan Shopmaker – “The Holdovers” (Focus Features)

Best Cinematography
Dan Laustsen – “John Wick: Chapter 4” (Lionsgate)
Rodrigo Prieto – “Killers of the Flower Moon” (Apple Original Films)
Matthew Libatique – “Maestro” (Netflix)
Hoyte van Hoytema – “Oppenheimer” (Universal Pictures)
Robbie Ryan – “Poor Things” (Searchlight Pictures)
Linus Sandgren – “Saltburn” (Amazon MGM Studios)

Best Costume Design
Jacqueline Durran – “Barbie” (Warner Bros. Pictures)
Oliver García – “Chevalier” (Searchlight Pictures)
Judianna Makovsky – “Guardians of the Galaxy Vol. 3” (Disney/Marvel)
Jacqueline West – “Killers of the Flower Moon” (Apple Original Films)
Holly Waddington – “Poor Things” (Searchlight Pictures)
Francine Jamison-Tanchuck – “The Color Purple” (Warner Bros. Pictures)

Best Editing
Laurent Sénéchal – “Anatomy of a Fall” (NEON)
Nathan Orloff – “John Wick: Chapter 4” (Lionsgate)
Thelma Schoonmaker – “Killers of the Flower Moon” (Apple Original Films)
Jennifer Lame – “Oppenheimer” (Universal Pictures)
Michael Andrews – “Spider-Man: Across the Spider-Verse” (Sony Pictures)
Kevin Tent – “The Holdovers” (Focus Features)

Best Hair and Make-Up
Nick Houy – “Barbie” (Warner Bros. Pictures)
Ryo Murakawa – “Dungeons and Dragons: Honor Among Thieves” (Paramount Pictures)
Cassie Russek and Alexei Dmitriew – “Guardians of the Galaxy Vol. 3” (Disney/Marvel)
Kazu Hiro, Sian Grigg, Kay Georgiou, and Lori McCoy-Bell – “Maestro” (Netflix)
Nadia Stacey – “Poor Things” (Searchlight Pictures)
Carol Rasheed, Saisha Beecham, Lawrence Davis, and Tym Wallace – “The Color Purple” (Warner Bros. Pictures)

Best Original Song
“Camp Isn’t Home” from “Theater Camp” – Written by Ben Platt, Noah Galvin, Molly Gordon, Nick Lieberman, and Mark Sonnenblick – Performed by Ben Platt, Molly Gordon, Noah Galvin, Alexander Bello, Bailee Bonick, Donovan Colan, Jack Sobolewski, Kyndra Sanchez, Luke Islam, Madisen Lora and Quinn Titcomb (Searchlight Pictures)
“Dance the Night” from “Barbie” – Written by Mark Ronson, Andrew Wyatt, Dua Lipa, and Caroline Ailin – Performed By Dua Lipa (Warner Bros. Pictures)
“I’m Just Ken” from “Barbie” – Written by Mark Ronson and Andrew Wyatt – Performed by Ryan Gosling (Warner Bros. Pictures)
“Peaches” from “The Super Mario Bros Movie” – Written by Jack Black, Aaron Horvath, Michael Jelenic, Eric Osmond, and John Spiker – Performed by Jack Black (Universal Pictures)
“This Wish” from “Wish” – ​​Written by Julia Michaels, Benjamin Rice, and JP Saxe – Performed by Ariana DeBose (Disney)
“What Was I Made For?” from “Barbie” – Written By Billie Eilish O’Connell and Finneas O’Connell – Performed by Billie Eilish (Warner Bros. Pictures)

Best Production Design
Adam Stockhausen – “Asteroid City” (Focus Features)
Sarah Greenwood & Katie Spencer – “Barbie” (Warner Bros. Pictures)
Jack Fisk & Adam Willis – “Killers of the Flower Moon” (Apple Original Films)
Ruth De Jong – “Oppenheimer” (Universal Pictures)
James Price & Shona Heath – “Poor Things” (Searchlight Pictures)
Suzie Davies & Charlotte Dirickx – “Saltburn” (Amazon MGM Studios)

Best Publicity Campaign
“Barbie” (Warner Bros. Pictures)
“John Wick: Chapter 4” (Lionsgate)
“M3GAN” (Universal Pictures)
“Oppenheimer” (Universal Pictures)
“The Super Mario Bros Movie” (Universal Pictures)
“Wonka” (Warner Bros. Pictures)

Best Score
“Elemental” – Thomas Newman (Disney/Pixar)
“Killers of the Flower Moon” – Robbie Robertson (Apple Original Films)
“Oppenheimer” – Ludwig Göransson (Universal Pictures)
“Poor Things” – Jerskin Fendrix (Searchlight Pictures)
“Saltburn” – Anthony Willis (Amazon MGM Studios)
“Spider-Man: Across the Spider-Verse” – Daniel Pemberton (Sony Pictures)

Best Sound
“Ferrari” (NEON)
“John Wick: Chapter 4” (Lionsgate)
“Maestro” (Netflix)
“Oppenheimer” (Universal Pictures)
“Spider-Man: Across the Spider-Verse” (Sony Pictures)
“The Killer” (Netflix)

Best Stunts
“Dungeons and Dragons: Honor Among Thieves” (Paramount Pictures)
“Fast X” (Universal Pictures)
“Guardians of the Galaxy Vol. 3” (Disney/Marvel)
“John Wick: Chapter 4” (Lionsgate)
“Mission: Impossible – Dead Reckoning Part One” (Paramount Pictures)
“Polite Society” (Focus Features)

Best Visual Effects
“Guardians of the Galaxy Vol. 3” (Disney/Marvel)
“Mission: Impossible – Dead Reckoning Part One” (Paramount Pictures)
“Oppenheimer” (Universal Pictures)
“Poor Things” (Searchlight Pictures)
“Spider-Man: Across the Spider-Verse” (Sony Pictures)
“The Creator” (20th Century Studios)