Horror On The Lens: Little Shop of Horrors (dir by Roger Corman)


 

Whenever it’s time to share this film for Horrorthon, I have a little story that I like to tell:

Enter singing.

Little Shop.…Little Shop of Horrors.…Little Shop.…Little Shop of Terrors….

When I was 19 years old, I was in a community theater production of the musical Little Shop of Horrors.  Though I think I would have made the perfect Audrey, everybody always snickered whenever I sang so I ended up as a part of “the ensemble.”  Being in the ensemble basically meant that I spent a lot of time dancing and showing off lots of cleavage.  And you know what?  The girl who did play Audrey was screechy, off-key, and annoying and after every show, all the old people in the audience always came back stage and ignored her and went straight over to me.  So there.

Anyway, during rehearsals, our director thought it would be so funny if we all watched the original film.  Now, I’m sorry to say, much like just about everyone else in the cast, this was my first exposure to the original and I even had to be told that the masochistic dentist patient was being played by Jack Nicholson.  However, I’m also very proud to say that — out of that entire cast — I’m the only one who understood that the zero-budget film I was watching was actually better than the big spectacle we were attempting to perform on stage.  Certainly, I understood the film better than that screechy little thing that was playing Audrey.

The first Little Shop of Horrors certainly isn’t scary and there’s nobody singing about somewhere that’s green (I always tear up when I hear that song, by the way).  However, it is a very, very funny film with the just the right amount of a dark streak to make it perfect Halloween viewing.

So, if you have 72 minutes to kill, check out the original and the best Little Shop of Horrors….

 

Horror Scenes That I Love: The Monster Meets The Blind Man In Bride of Frankenstein


Today’s horror scene that I love comes from 1935’s Bride of Frankenstein!

In this scene, directed by James Whale, the Monster (Boris Karloff) meets his first friend, a blind hermit played by O.P. Heggie.  It’s a scene that features Karloff at his best and it’s still touching, even if it is kind of hard to watch it without thinking about Peter Boyle accidentally burning down Gene Hackman’s shack in Young Frankenstein.

4 Shots From 4 Horror Films: October 21st


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

4 Shots From 4 Horror Films

The Man From Planet X (1951, dir by Edgar G. Ulmer, DP: John L. Russell)

Black Sabbath (1963, dir by Mario Bava, DP: Ubaldo Terzano)

Flesh For Frankenstein (1973, dir by Paul Morrissey, DP: Luigi Kuveiller)

A Blade In The Dark (1983, dir by Lamberto Bava, DP: Gianlorenzo Battaglia)

Horror on TV: Thriller 1.1 “The Twisted Image”


Tonight’s excursion into televised horror is the very first episode of Boris Karloff’s Thriller!

Thriller was an anthology series that lasted from 1960 to 1962.  Each episode presented a new story of horror and/or suspense.  What makes this series especially memorable is that each episode was introduced by none other than Boris Karloff!  I’ve seen a few episodes of Thriller (the entire series is on YouTube) and, to be honest, it’s kind of a hit-or-miss show.  But Karloff and that mischievous twinkle in his eye makes it all worth it!

This episode originally aired on September 13th, 1960.  It’s called The Twisted Image and stars Leslie Neilsen as a man being stalked by two mentally disturbed individuals.  This episode was well-directed by Arthur Hiller and, if it’s more of a suspense story than a horror story, it still has its creepy moments.

The TSL Horror Grindhouse: DNA (dir by William Messa)


In 1996’s DNA, Mark Dacascos plays Dr. Ash Matteley, an American doctor who works to bring healthcare to the residents of Borneo. When Ash’s former boss, Dr. Carl Wessinger (Jürgen Prochnow), approaches Ash and invites him to take part in a jungle expedition to track down some beetles whose genetic material can cure all known diseases, Ash agrees. However, once Wessinger, Ash, and their native helpers find the beetles in an ancient tomb, it turns out that Wessinger has plans of his own. He shoots Ash in the shoulder and then makes his escape.

Two years later, Ash has long hair and he’s taken to wearing a Hawaiian shirt, but he’s still dedicated to taking care of the poor of Borneo. When CIA agent Claire Sommers (Robin McKee) approaches him and asks him to help lead her through the jungle, Ash says that he’s not interested. But when Sommers reveals that she’s looking for Wessinger, Ash realizes that he has no choice but to help her. For some reason, they take a child named Matzu with them. Why you would recruit a child for a dangerous mission that involves going upriver in a canoe, I’m not sure. Then again, I’m also not sure why Claire would wear a dress while exploring the jungle either, other than the fact that the film needed an excuse to have Ash look away and then sneak a peek while Claire undresses and changes into something more jungle-appropriate.

It probably won’t surprise you to learn that Dr. Wessinger has not been spending his time trying to cure all known diseases. Instead, he’s been splicing genetic material to try to bring an ancient creature back to life. Now, before you say that this sounds like a Jurassic Park rip-off, allow me to point out that Wessinger is not bringing back a dinosaur. Instead, he’s bringing back a big alien creature, one that perhaps crashed on Earth during the prehistoric age. This is not Jurassic Park. At most, it’s Jurassic Alien.

Or maybe it’s just Alien. Once Ash and Claire and the little kid make it inside Dr. Wessinger’s headquarters, there are a lot of scenes of people hiding in offices and nervously walking down hallways and hoping that the monster won’t jump out of nowhere and kill them.

Then again, maybe we should just call this movie Predator because eventually, the action moves back into the jungle and Ash finds himself being stalked by the alien, who is apparently a very good hunter and who lives for the hunt. Ash goes from being a hippie doctor to being a full-blown action hero. There’s even a scene where he and Claire and the kid have to run away from a crashing helicopter. Of course, the helicopter was obviously a model. Still, it was hard not to imagine Mark Dacascos saying, “Get away from da choppah!”

My point is that a lot of different DNA was spliced together to create this movie. Take a little from Indiana Jones and a little from Apocalypse Now and then toss in Alien, Predator, and Jurassic Park and you’ve got DNA. Unfortunately, the film still isn’t as entertaining as it should have been. Mark Dacascos barely gets to show off his martial arts skills while the film can’t even give us one good Jürgen Prochnow freak-out. Even with all of the shameless plagiarism, the film still feels like it’s just going through the motions. Sadly, DNA is never as much fun as it should have been.

Paranormal Activity 2 (2010, directed by Tod Williams)


After a burglary, Kristi (Sprague Grayden) and her husband Daniel Rey (Brian Boland) install security cameras throughout their house. The cameras capture footage of Daniel firing the maid (Vivis Colombetti) for burning sage to ward off “evil spirits” and a visit from Kristi’s sister, Katie (Katie Featherston). They also capture doors opening and closing by themselves, a dog barking at nothing, and a possessed Kristi ominously staring at her newborn son, Hunter.

Paranormal Activity 2 begins a few weeks before the start of the first Paranormal Activity. By the end, the two movies have caught up with each other and the audience learns what Katie did after she killed Micah. The film also reveals what specifically led to the spirit going after Katie in the first place. (Daniel, you idiot.)

Considering that the sequel repeats the found-footage format and recreates many of the same scares from the first film, it’s surprising just how well it works. The stakes are a little bigger here, in that it’s established that the evil spirit is after baby Hunter. In the first film, nobody cared about Micah, but in this film we actually do care about Kristi, the baby, and Kristi’s stepdaughter, Ali (Molly Ephraim). We don’t care about Daniel because he’s a jerk. Kristi and Katie appear to have really bad judgment when it comes to picking a mate.

Lisa has already done an excellent job reviewing the third, fourth, and fifth films in this series. So I’ll be jumping forward to the sixth film tomorrow.