A Dark Glimpse of The Witch


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It’s been a great couple years when it comes to what the snooty cinephiles would consider as horror in cinema. Sure, we still get the slashers, zombies, found footage paranormals and even the odd cannibal exploitation, but of late we’ve also been getting some great atmospheric and truly disturbing horror of the gothic kind.

The last couple years alone we’ve gotten such great horror films as It Follows, Babadook, The Conjuring, We Are What We Are and The Sacrament to name a few. We have a film straight out of Sundance that looks to join this list.

The Witch is the first film for writer/director Robert Eggers. Working off of his own script, Eggers’ film won him the Directing Award in the Drama Category during Sundance. With critics at the festival lauding the film, The Witch was soon picked up by A24 Films for a theatrical distribution.

The Witch is set for a 2016 release.

CLEANING OUT THE DVR Pt1: Five Films from Five Decades


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I record a LOT of movies. Probably around ten per week, more or less. And since I also have to do little things like work, exercise, cook, clean, breathe,  etc etc, I don’t always have time to watch  them all (never mind write full reviews), so I’ve decided to begin a series of short, capsule reviews for the decades covered here at Cracked Rear Viewer. This will be whenever I find my DVR getting cluttered, which is frequent! I’ll try to make CLEANING OUT THE DVR a bi-weekly series, but there are no guarantees. Monthly is more realistic. Anyway, here are five films from the 1930s to the 1970s for your reading pleasure.

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GODS OF THE HAMMER FILMS 2: Peter Cushing, Christopher Lee, and HORROR OF DRACULA (1958)


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(second of a series)

Hammer Films Ltd. knew they were on to something with the release of 1957’s THE CURSE OF FRANKENSTEIN. The Gothic horror was box office gold on both sides of the Atlantic, and Hammer wasted no time finding a follow up. Reuniting CURSE OF FRANKENSTEIN costars Peter Cushing and Christopher Lee with director Terence Fisher, the company set its sights on giving the full Eastmancolor treatment to Bram Stoker’s immortal Count Dracula.

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sound + vision: THE SEVENTH VICTIM (RKO 1943)


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Producer Val Lewton revitalized the horror film during his tenure at RKO Studios in the 1940s. Working with a miniscule budget, Lewton used the power of suggestion rather than monsters to create a body of work that’s still influential on filmmakers today. Studio execs came up with the sensationalistic titles (CAT PEOPLE, I WALKED WITH A ZOMBIE) and gave the producer free rein to tell the stories. Using shadows, light, and sound, Lewton’s quiet, intelligent approach to terror was miles ahead of the juvenile (but fun) stuff cranked out at Universal and Monogram.

THE SEVENTH VICTIM could be considered lesser Lewton. It’s  not seen as often some of his other classics, and that’s a pity, because it’s superior to many of the better known horror movies of the era. This quiet psychological thriller with its civilized satanic cult was a rarity for its time. Only Edgar G Ulmer’s 1934 THE BLACK CAT dared to tackle this kind of material…

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Gods of the Hammer Films: Peter Cushing, Christopher Lee, and THE CURSE OF FRANKENSTEIN (1957)


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When Britain’s Hammer Films began in the early 1930’s they were just another movie production company. After finding some success with the 1955 sci-fi adaptation THE QUARTERMASS EXPERIMENT, they chose to make a Gothic horror based on Mary Shelley’s classic 1818 novel about a man obsessed with creating artificial life. FRANKENSTEIN had been filmed many times before, most notably Universal’s 1931 version that brought eternal fame to Boris Karloff. This time however, the producers shot in vibrant color, with blood and body parts on gory display. Tame stuff compared to today’s anything goes horrors, but in the fifties it was considered quite shocking.

Peter Cushing and Christopher Lee had appeared in two films before, Lawrence Olivier’s 1948 HAMLET and John Huston’s 1952 MOULIN ROUGE, though not as a team. Once CURSE OF FRANKENSTEIN was unleashed upon the public, they were paired another nineteen times, making Cushing and Lee terror’s all-time tandem. HORROR OF DRACULA came next, with…

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The Devil Made Me Do It: EQUINOX (1970)


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equinox2I remember seeing this movie on a double bill at the old Olympic Theater in my hometown of New Bedford, Massachusetts. It was the main attraction, while the second feature was a little black and white zombie opus by some guy named George Romero. NIGHT OF THE LIVING DEAD was the title. Romero’s film has since been hailed as a modern day horror classic, endlessly written about, analyzed and overanalyzed. EQUINOX has pretty much faded into well-deserved obscurity.

A reporter is doing a follow up story on a strange, year old occurrence. He visits with David, a mental patient who attacks him. The head psych doctor plays him a tape of David’s taped interview, and the bizarre tale is told in flashback. Seems geology Professor Waterman (sci-fi/fantasy writer Fritz Leiber) has discovered something rather unusual and sent for David. He brings along his pal Jim and two girls. They go to…

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Forget The Gallows


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The new horror film The Gallows is pretty dire.  It’s boring, it’s forgettable, and – worst of all – it’s not really scary.  And yet, I would argue that The Gallows is actually providing a fairly valuable service for horror films lovers.

The Gallows is a found footage horror movie and sometimes, it’s easy to forget just how bad found footage horror movies can be.  Every once and a while, a film will be released that actually makes good use of the whole found footage gimmick.  Movies like The Last Exorcism, Devil’s Due, Apollo 18, and Unfriended are all good horror films but, at the same time, it’s important to remember that they are the exception to the rule.  The Gallows may be a total crapfest but it’s a necessary evil because it serves to remind us of why so many horror films have gone to hate found footage films.

As for The Gallows itself, it tells a story that will be familiar to anyone who has seen a horror film.  20 years ago, during a high school production of a play called The Gallows, a student named Charlie was accidentally hanged.  Now, in the present, the school is commemorating the anniversary by putting on another production of The Gallows and…

Excuse me?

Yes, I know that makes no sense.  What can I tell you?  This is a crappy film.

Anyway, Charlie’s role is being played by a kid named Reese but Reese doesn’t really want to be in the play. He’s just doing it because he has a crush on his co-star, Pfieffer.  So, Reese’s obnoxious jock friend, Ryan, suggests that they should break into the school at night and trash the set.  That way, the play will be canceled and Reese can comfort Pfieffer.  Reese agrees and…

What was that you asked?

Yes, the film really is that stupid.

So, Reese, Ryan, and Ryan’s girlfriend Cassidy break into the school and trash the set.  However, before they can really get into destroying stuff, Pfieffer shows up and demands to know what they’re doing.  And then suddenly the doors slam shut and everyone’s trapped in the school and hey, there’s the evil spirit of Charlie and he wants to hang everyone…

But guess what!

Charlie’s not just a random evil spirit, seeking out anyone foolish enough to break into the school at night.  If that was the case, he might actually be scary.  No, Charlie actually has a backstory and a much more complicated motive for wanting to kill everyone.  And I’m not going to spoil the film for anyone who wants to see it so I’ll just say this.

Charlie’s motives?  They’re really, really stupid.

And, of course, the whole film is found footage!  So, once again, we get the whole shaky cam thing and people saying stuff like, “Are you filming?” and all the rest.  And, of course, all of the characters share the same first name as their actors because … well, I’m not sure what the point of that is exactly.  It’s not like we’re going to be fooled into thinking that we’re watching an actual event.  There have been way too many crappy found footage films released recently for anyone to fall for that.

Admittedly, I did jump once or twice while watching The Gallows.  But any horror film can get me to jump once or twice.  The Gallows is a boring and listless film but, at the very least, it does serve as a warning.

Beware found footage horror films.  They promise much yet rarely do they deliver.

Here’s the Red Band Trailer for Sinister 2!


The first Sinister scared the Hell out of me when I saw it back in 2012.  And it was precisely because the Sinister was so effective that I really don’t think that it needs a sequel.  Horror sequels are never as much fun as the originals and if you doubt me, go compare the original Insidious to the films that followed.

But, regardless, Sinister is getting a sequel!  And here’s the red band trailer below.  Apparently, Ethan Hawke will not be returning.  Considering what happened to his character at the end of the first film, that’s probably for the best.

Finally! Something to look forward to! Here’s the trailer for Tales of Halloween!


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October’s such a great month!  Not only does Halloween provide the perfect excuse to get dressed up all sexy-like but the theaters are also full of horror movies!

Speaking of which, check out this trailer for the upcoming horror anthology Tales of Halloween!  It’ll be coming out on October 16th and, among the ten directors contributing: Mike Mendez, who directed the great Big Ass Spider, The Descent‘s Neil Marshall, and The Woods‘s Lucky McKee!

I can hardly wait!

Fear The Walking Dead Season 1 Trailer


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“When civilization ends…it ends fast.”

It was just a matter of time before AMC decided to mine their massive hit of a show, The Walking Dead, with spin-off to maximize it’s dominance over the tv landscape. We’ve been getting teasers leading up to San Diego Comic-Con where AMC released the first official trailer for this spin-off series titled Fear The Walking Dead.

This spin-off series will pull back time from the original series and have it set in the very beginning of the zombie outbreak which leads to the fall of civilization by the time Rick awakes from his weeks-long coma. It will also have it’s location as far and different from the backwoods and backroads of Georgia to Virginia where The Walking Dead is set. Instead this new series will have sunny Los Angeles as the setting. What better location than one of the most densely populated areas in the United States to show the first days and weeks of The Walking Dead timeline.

Unlike some who seem to be getting tired of the zombie craze of the past decade or so, I and a few others here at Through the Shattered Lens still enjoy this zombie apocalypse renaissance. Maybe it’s the inner doomsday preppers in some of us here in TSL that makes these types of shows and stories appealing.

Will Fear The Walking Dead succeed just as much as it’s older sibling? We shall find out when it premieres this August 23rd.